Every three years the teachers at my school put on a "Faculty Follies," and though I participated my first year teaching (I played the harmonica and begged for money in a faculty room skit) this made me realize that the theater isn't for me-- I get too nervous and I don't enjoy being on stage-- but last faculty follies I did submit a brilliant idea for a comedy sketch, knowing full well it would be rejected . . . here is the sequence of events:
1) I begin by juggling three balls (I can juggle)
2) I do several basic juggling tricks-- under the leg, over the shoulder, etc.
3) my two beautiful assistants walk out on stage, one wheeling a
unicycle and the other with three long-handled axes,
4) I take the axes and heft one of them, testing the weight,
5) I motion for my beautiful assistant to wheel over the unicycle
6) I lean two of the axes against the unicycle and hold the other by the handle
7) the tension builds as I prepare to mount the unicycle
8) instead I smash the unicycle to bits with the axe, take a deep bow, and walk off the stage
and I submitted the form with this description, but never heard back from the organizers, so this year, though I have another brilliant sketch idea, I'm not even going to submit the form: this was a collaborative effort inspired by
my colleague Rachel, who was having a very hard time peeling an orange, and it goes like this:
1) Rachel, dressed in black, sits at a table and struggles to peel an orange . . .
2) meanwhile, the PA is blasting Wagner's
Flight of the Valkyries . . .
3) Rachel finally peels the orange and then tosses the
fruit over her shoulder,
4) she takes a large bite of the peel, makes a disgusted face, and walks off the stage,
5) the orange remains on stage for several skits,
6) Rachel reappears, having trouble peeling a banana . . .
7) she finally succeeds and this time eats the fruit,
8) she tosses the banana peel near the orange and exits,
9) several minutes later, Eric comes on stage
10) instead of slipping on the banana peel, he slips on
the orange,
11) Rachel and Eric bow . . .
this would be a magnificent piece of theater, but I am afraid the humor might be
lost on the students.
Some lunatic paid 119.9 million dollars for Edward Munch's "The Scream" last night, and I don't think that's a very wise investment, as the image-- which was the ubiquitous icon of anxiety and angst for the 20th Century-- has lost its relevance . . . that screaming face doesn't do it for us in the 21st Century, because we don't have that kind of emotional energy to waste, we don't have the wherewithal to scream at the multiplex of horrors we face every waking moment-- horrors from our own lives, horrors from the lives of others, horrors from around the world, digital horrors multiplied a million times over . . . a constant barrage, an infinite deluge of horrible, contradictory, complex, awkward and terrible information . . . Joseph Kony is abducting children! Greece is going to default! My LDL cholesterol count is 340! Angelina and Brad are on the rocks! Eddie Money is still touring! I need to refinance! The sea levels are rising! . . . we'd be screaming all the time . . . we'd lose our voice; in fact, we don't have even have enough emotion left to utter a Homer-esque "Doh!"-- that's so '90's-- instead the essential reaction to the 21st Century, the facial expression for our times is Jim Halpert's ironic half-smirk . . . one of these : / because how else can you react to the inconceivable? . . . I am afraid that the "The Scream" is destined to be lumped with King Lear and Oedipus Rex: an evocative piece tragic art, but also full of antiquated outpourings of melodrama and emotion . . . I wish I could paint so I could update the idea-- I would call it "The Smirk"-- not that there needs to be more parodies of this thing, which-- like I said-- has run its course, but I really do wish I could paint (mainly so I could paint a giant squid battling a sperm whale on my bedroom wall, a suggestion that my wife vetoed, probably because I can't paint).
