First, people said that art imitates life, then Oscar Wilde flipped this idea around and said that more often, life imitates art-- very clever, Oscar-- but I am going to set the record straight, boring though it may be: life typically imitates life, and art typically imitates art, and rarely do the two meet.
Sentence of Dave
The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
Mysteriously Meta-Magical
Fireworks Etiquette?
What's Better Than Dinosaurs? Genetically Engineered Hybrid Dinosaurs!
While I am sick of sequels and reboots and revivals and live-action remakes, there is always a special spot in my heart for dinosaurs (and any giant creature feature) so my wife and I went over to the Rutgers Cinema to see Jurassic World Rebirth today and while the movie is certainly more of the same-- the people who deserve to get eaten get eaten; we are warned not to tamper with mother nature; and science should benefit all of humanity-- there is also wonderful meta-element to the theme . . . in this film, we are in a post-dinosaurian future, where humans have become accustomed and even inured to the existence of these creatures-- and the dinosaurs are not faring well in zoos and parks and such, they are dying of disease and because the air is not oxygen rich enough and so they are really only thriving near the equator-- BUT because people were bored of typical dinosaurs, a lab in the tropics was engineering bizarre and scary genetic hybrid dinosaurs, to increase interest and demand in the creatures and revitalize the industry-- but the lab had a containment breach and was abandoned and this is the island where this cast of characters ends up-- so these genetically engineered dinosaurs, made ostensibly to revive public interest in dinosaurs, also revive public interest in the dinosaur movie-- Jurassic World Rebirth-- because these dinosaurs are even creepier and smarter and more dangerous than actual dinosaurs-- good fun-- and I also like the that the movie opens with monkeys observing dinosaurs and looking like "WTF" and ends with dolphins riding alongside the escape vessel-- the film is saying: THESE are the creatures we should be concerned with, the creatures we have and need to protect-- and we should stop mucking about with creatures that died off tens of millions of years ago.
Let Freedom Explode Loudly All Night
Most of my post-Independence Day was triumphant and celebratory: I returned to full force on the pickleball court, despite my sketchy hamstring and I celebrated my recovery with some beer and tequila at my friend's pool . . . but this celebration was interrupted by a phone call from Ian-- he found our dog panting and shaking in the bathroom and thought she was very sick, so I drove home to check her out but she was simply hiding from the bombs-- there's been fireworks goign off for days and she's losing her mind because of this-- she's getting more anxious about loud noises and she gets older-- and so am I -- last night I woke with a start and asked my wife who was knocking at our bedroom door, which is a scary thing to ask someone who is currently dreaming-- but it was just more fucking fireworks . . . maybe we should celebrate Independence Day with voter registration or a historical reenactment of the adoption of the Declaration of Independence . . . something less loud and more dog-friendly.
Happy Fourth, Goldie Hawn!
Father of the Week!
Tuesday, I had to bring my son Alex a pair of pants so he could participate in his engineering lab (no shorts allowed! Alex said another student who wore shorts had to change into snow pants-- with suspenders-- that was all he had in his car) and today Alex needed me to print out his formula sheet for his fluid dynamics exam and drive it over to him because all the libraries are closed for July 4th weekend and he had no access to a printer-- good thing he goes to Rutgers and lives five minutes away . . . and the moral of the story is: it's great when your kids make you feel needed and you can actually solve the problem quickly and easilty, like when they were little tykes and they needed help getting something off a high shelf or needed a hand with some simple homework-- you rarely get to do that for adult sized children, their problems are usually more in the existential and financial and philosophical vein and much harder to solve in a jiffy.
Sometimes Your (Rather Large) Kid Needs a Pair of Pants
I thought my days of dropping off a fresh pair of pants for a child at school were long over, but my 21-year-old son Alex called me yesterday from Rutgers-Busch Campus and said he wasn't allowed into his engineering lab while wearing shorts, and so I procured a pair of pants from Ian, drove them over to engineering building, tossed them out the car window to him him in the parking lot, and recognized that this parenting shit is probably never going to end.
Trust No One . . . Especially Dave
My new episode of We Defy Augury: "Trust No One: Unreliable Narration in Life and Art" is (loosely) inspired by the novels of Jim Thompson and the Richard Russo essay "In Defense of Omniscience"-- and there is also a film quiz . . . see how you fare.
Jersey's Finest
Good thing it's summer (and I'm not working) because Bruce Springsteen just released "Tracks II: The Lost Albums," which includes 83 songs and 5 hours and 20 minutes of "new" Bruce music—unreleased tracks from 1983 to 2018... I've listened to some, and it seems to be high-quality material, not just a bunch of outtakes and B-sides... I'm especially impressed by the "Philadelphia Sessions"—which Bruce recorded in the early 1990s, after the success of his song "Streets of Philadelphia"—these tracks feature drum loops and synthesizer washes and sound much more modern than most Bruce songs—"Blind Spot" is particularly good... anyway, I hear there are more interesting songs deeper in, so I will slowly dig through and enjoy this treasure trove from the Boss.
To Live and Die in the 80s (wearing very tight blue jeans) in L.A.
My wife and I watched To Live and Die in L.A. last night — it's streaming for free on Amazon Prime and I don't know how we missed this one in the theater; it's from 1985! — directed by William Friedkin (who also directed The French Connection and The Exorcist) it's a fast-paced noir thriller that begins with a rogue U.S. Secret Service agent going on a reckless, unsanctioned mission; Richard Chance — played by a young William Petersen of later CSI fame — lives up to his name, he's a base jumper who drinks and smokes constantly and instead of a G-man suit, he wears a football jersey, a scarf, and tight jeans-- very Don Johnson-- and between all the cigarettes, booze, and tight jeans, I don't know how he chases down the bad guys, but he does; right at the start, a master counterfeiter, played by a very young and unwrinkled Willem Dafoe, kills Chance's partner (with only three days left to retirement! so classic) and Chance pulls his new partner into a seedy underworld of morally bankrupt behavior that may or may not result in justice-- it’s worth watching this film for the credits font and the 80s fashion alone — and the excellent soundtrack by Wang Chung-- but there’s also an epic car chase that actually makes sense in terms of plot, character, and setting . . . I don't know how they pulled off this chase without digital effects — it's masterful; anyway, Roger Ebert gave this film four stars, and it deserves them, it’s cocaine-fueled, artsy violence in a grittier, seedier L.A. that doesn't exist anymore-- every scene is frenetic and full of interesting extras and you’ll half-recognize nearly every main actor, including Jane Leeves (she was "the virgin" in Seinfeld, but she's certainly not that in this film) but be warned — there's some hardcore 80s violence, nudity, profanity, and drinking of Miller High Life.
Hello Humans!
First Day of Summer!
School's Out Forever . . . or at least for a while.
Entrepreneurial Kids Are the Worst
Heat is Relative
It's 100 degrees today in New Jersey-- as hot as it gets-- and when I got in my car to leave the school parking lot, I burned my hands on the steering wheel . . . but it's going to be 114 degrees in Phoenix next week-- that seems incomprehensibly hot . . . do you have to turn your car on and let the A/C run for a while before you can actually drive-- or do people in Phoenix wear sylish leather driving gloves?
Il Gattopardo
Severed (from the Humidity)
Wax On, Wax Off
Karaoke in the Daylight is Weird
Another school year, another end-of-the-year party . . . and a new addition in the diversions-- besides cornhole, this year there was also karoake . . . yikes . . . and the party was comprised mainly of history, English, and gym teachers-- not the music department-- and I got bullied into singing a song with very few lyrics: "Don't Come Around Here No More" . . . which is more awkward to sing than a song with a lot of lyrics-- because there's not much to do during the music (unless you can dance, which . . . nope).