To Live and Die in the 80s (wearing very tight blue jeans) in L.A.

My wife and I watched To Live and Die in L.A. last night — it's streaming for free on Amazon Prime and I don't know how we missed this one in the theater; it's from 1985! — directed by William Friedkin (who also directed The French Connection and The Exorcist) it's a fast-paced noir thriller that begins with a rogue U.S. Secret Service agent going on a reckless, unsanctioned mission; Richard Chance — played by a young William Petersen of later CSI fame — lives up to his name, he's a base jumper who drinks and smokes constantly and instead of a G-man suit, he wears a football jersey, a scarf, and tight jeans-- very Don Johnson-- and between all the cigarettes, booze, and tight jeans, I don't know how he chases down the bad guys, but he does; right at the start, a master counterfeiter, played by a very young and unwrinkled Willem Dafoe, kills Chance's partner (with only three days left to retirement! so classic) and Chance pulls his new partner into a seedy underworld of morally bankrupt behavior that may or may not result in justice-- it’s worth watching this film for the credits font and the 80s fashion alone — and the excellent soundtrack by Wang Chung-- but there’s also an epic car chase that actually makes sense in terms of plot, character, and setting . . . I don't know how they pulled off this chase without digital effects — it's masterful; anyway, Roger Ebert gave this film four stars, and it deserves them, it’s cocaine-fueled, artsy violence in a grittier, seedier L.A. that doesn't exist anymore-- every scene is frenetic and full of interesting extras and you’ll half-recognize nearly every main actor, including Jane Leeves (she was "the virgin" in Seinfeld, but she's certainly not that in this film) but be warned — there's some hardcore 80s violence, nudity, profanity, and drinking of Miller High Life.

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