When I read Alan Moore's Watchmen, I thought to myself: I should write the script for a graphic novel, it would be awesome if someone turned my words into really cool pictures . . . but then I got a look at the actual script for Watchmen and thought better of this idea (here is the link to the script and though you have to download a PDF to see it, it is worth it to see the nearly insane attention to detail Moore takes for each frame of the graphic novel . . . you'd think someone with this kind of visual acuity would want to see the film version) and if you want more of Moore's insanity, read V for Vendetta, which isn't as dense as Watchmen, but has a clearer story-line, and if you want to get a feel for the tone of the book, read the introductions: the first is by David Lloyd, the illustrator, and he recounts an anecdote in a pub . . . he is sitting, drinking his pint, and the TV is blaring one insipid "cheeky and cheery" sit-com after another, and then a sports quiz program, but when the news comes on, the bartender shuts the TV off, and Lloyd finishes ominously: "V for Vendetta is for people who don't switch off the news," and then comes Moore's introduction, in which he predicts that Margaret Thatcher will create concentration camps for AIDS victims (it is 1988) and he describes vans with cameras on top, and police and their horses wearing black visors, and he says that England has turned "cold and mean-spirited," and he's getting his seven year old daughter out of there (although according to the internet, he's still living in Northern England, twenty three years later) and while I think the two of them are paranoid nut-bags, I also think you need people like this, predicting the worst, to remind us of what Arthur Koestler called the darkness at noon, so while I prefer to live blithely and unaware, someday Moore will be able to say: I told you so.
