They Accepted the Challenge!

Last night, the LED placard on the side of the Springfield Inn advertised three special events:

1) $3 COORS LIGHT  4 PM to Close

2) $3 TWISTED TEA 4 PM to Close

3) TODAY ON THE DECK . . . CHALLENGE ACCEPTED;

and I imagine the band meeting where the guys (had to be guys, right?) decided on that moniker went something like this:

Dude #1: Dude, we should name ourselves the stupidest thing possible and see if we can still get gigs!

Dude# 2: Challenge Accepted!

Somebody Thought of That? Dammit . . .

Today in Creative Writing class, we were extra-creative and came up with a pitch-perfect name for a bluegrass Bon Jovi cover band: Banjovi . . . but the downside of internet access is that it often makes you realize that you're not as creative as you think.

Busking for Ice Cream

The kids and I jammed a number of times on the porch last week in Sea Isle City: I played guitar and Ben accompanied me on drums, we all sang, and Nick played the ukulele and the keyboard . . . but it wasn't until financial gain entered the picture that my son Ian took up the bongos . . . the boys decided to do some busking out in front of Steve's Grill Cheese and Ian happily joined the band; they made enough to buy lunch (and Steve's gave them a 15% discount) and then they returned at night and busked again (I'm taking great pleasure in using the word "busk" as many times as possible) and they made enough money to buy some ice cream at Yum Yums . . . they called themselves "The Beach Bums" but I think "Busking for Ice Cream" is a much better name and they played a number of songs, the best being "House of Gold" by Twenty One Pilots.

Probably Not

Is Heavy Meta a good name for a band?

Dave's Brain = Random Band Name Generator

From the man who provided this phenomenal (but inappropriate) band name, gratis, here's another . . . it's a bit more intellectual, perfect for some math-rockers looking for a moniker:

The Algorithms of Delphi. 

O To Be A Young Punk

I'm always trying to think of age-appropriate monikers for my ill-fated, slow-moving music projects (Almighty Yojo, Greasetruck, The Density, Mister Truck, King Daveman, etc.) but if I were young and forming an edgy punk-rock band, then I'll tell you the name I'd jump on . . . and since I'm not young and I'm not forming an edgy punk band, I've decided to cede this name to whichever gang of young punks claims it first . . . and here it is: President Don and the Pussygrabbers.

Spacehog: Things Get Eponymous

A notable Topic of Interlocution at the Park Pub last night-- we attempted to determine the best eponymous song . . . in other words, the best song with the same title as the band that played it; here are some of the contenders:

1) "Bad Company" by Bad Company;

2) "This is Radio Clash" by The Clash;

3) "Black Sabbath" by Black Sabbath;

4) "They Might Be Giants" by They Might Be Giants;

5) "Minor Threat" by Minor Threat;

and there was only one song that was not considered; this song was brought to the attention of the panel by Roman, but despite the fact that it was Roman's name day, "Spacehog" by Spacehog was pronounced not only downright awful, but also very silly.

Sorry Chuck, The Inevitable is Coming

Chuck Klosterman concludes his book But What If We're Wrong? Thinking About the Present As If It Were the Past with this thought: "I'm ready for a new tomorrow, but only if it's pretty much like yesterday" and while this is a pleasant thought, there's very little chance of it happening; before he gets to this romantic notion, he speculates on just how much the future will be different from the now, and how that will change the lens through which those future people view our time . . . and he also recognizes that not much will survive the test of time and that we have little to no chance of predicting what those things will be:

1) it's very difficult to predict what band will become the John Philip Sousa of rock'n'roll . . . no one can name another march music composer (and Klosterman points out that in one hundred years Bob Marley and reggae will be synonymous) so you can speculate: Chuck Berry? Led Zeppelin? The Beatles? The Rolling Stones? Def Leppard? who knows?

2) once a genre becomes insular and arcane, it's the "weirdos" who get to curate the art form, and select what is great;

3) American football now seems to be on the outs, as everyone educated knows that the sport is too dangerous because of the head injuries-- but Klosterman points out that this is because football is trying to become the sport for everyone . . . everyone watches a game or two, and almost everyone belongs to some kind of fantasy league or pool and everyone watches the Super Bowl . . . so this is too much exposure for something so dangerous, but there are plenty of sports that are more dangerous-- auto racing, UFC, base-jumping-- but they don't command such a large audience, so football may become less popular, and that may save it-- it may have a core group of diehard fans and  to them, the sport will represent valor and fortitude and toughness and all kinds of conservative values, and the rest of society will look upon it like auto-racing . . . or it may be deemed too dangerous and expensive it may die at the youth levels and go the way of boxing and the dodo . . . we won't know until the future;

4) folks in the future may look at The Matrix as a seminal film not because of the groundbreaking "bullet time" effects, but because the Wachowski Brothers transitioned and became the Wachowski Sisters, and so the world-within-a-world theme takes on an entirely new (and possibly more compelling) spin for future generations;

5) Klosterman concedes that important art from our time should reflect the most important elements of our time and he gives a list of these possibilities, while admitting that we see these through the cloudy and low vantage point of the present, but here are a few . . . and while I don't use quotes, I am usually using his exact words, just truncated: the psychological impact of the internet, the prevailing acceptance of nontraditional sexual identities, the deaths of unarmed black men at the hands of white police officers, an unclear definition of privacy, a hatred of the wealthiest one percent, the artistic elevation of television, the recession of rock'n'roll and the ascension of hip-hop, a distrust of objective storytelling, the prolonging of adolescence;

BUT, while I love Klosterman and had a great time navigating his ambiguous, philosophical arguments about how we can't predict the future, or how the future will view our present, Kevin Kelly does present a convincing counter-argument in his new book The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future . . . I'll save the summary of his most interesting predictions for another sentence, but, Chuck Klosterman, I'm warning you: tomorrow is going to be nothing like today, and the day after that is going to be exponentially even more wild . . . we've leapt over the edge and into the realm of the zillions . . . zillions of bits of interconnected information, zillions of smart objects, zillions of interconnected screens, zillions of hyperlinked pages, zillions of sprawling dendritic tendrils, stretching across the earth, in an ever-expanding, self-revising smart tangle of digitally connected humanity, so strap yourself in and get ready for a wild ride: we'll be in the future before you know it.

Quest for Pizza . . . Old Bridge Edition

My Quest for Pizza continues . . . my friend Stacey, who is an Old Bridge local, recommended General Saloon and the pizza is pretty good: thin crust, yummy bacon, but a little too much cheese . . . I think if we requested light on the cheese this pizza would have been excellent, and it was quite good despite the cheesiness . . . the place itself has a pleasant and comfortable pub-like vibe-- you can bring the kids for lunch and it looks like a fun place to see a band at night; after a hike with the dog at John A. Philips Preserve, I tried another highly recommended Old Bridge pizza spot: Krispy Pizza . . . and I love the name-- there's nothing more American than spelling shit wrong-- and the pizza is good as well, thin crust . . . my plain slice was a tad greasy, but still very tasty; the chicken on the buffalo chicken slice was awesome, crumbly and tender, and the sauce was fairly spicy . . . but Shanahan's Bakery is still my favorite place to grab a slice in the vicinity . . . who will oust them?

There Are Good Dogs and There are Bad Dogs

The Hand That Feeds You opens with a scene so grisly and disturbing that the rest of the book hangs under its shadow . . . and the fact that dogs might be responsible-- and good dogs at that-- makes it even worse . . . but this is one of those psychological thrillers where nothing is at it seems, and I highly recommend it if you are looking for one last fast summer read; even the author-- A.J. Rich-- is a facade for something more complicated . . . I learned the story in this New York Times review: the name is a pseudonym, and the book was collaboratively written by acclaimed short-story writer Amy Hempel and her friend, novelist Jill Ciment . . . that's the "A" and the "J" in the pseudonym, and the name "Rich" is in honor of their friend Katherine Russell Rich, who had an idea for a thriller based on what happened with a man she had been dating who proposed to her . . . she grew suspicious of him, paid someone to hack his e-mail, and she found out that he had several other lives-- he was living with another woman, and seeing several others on the side . . . so she broke up with him and started a novel with a similarly deceptive sociopath as the main character, but never got past the first chapter, she died of breast cancer soon after . . . so Amy Hempel and Jill Ciment took the ball and ran with it, and the result is a crisp, taut, disturbing story that may or may not be something dog lovers would enjoy, but the lesson is this, which the band Camper van Beethoven pointed out many years ago: there are good guys and there are bad guys/ and there are crooks and criminals/ and there are doctors and there are lawyers/ and there are folks like you and me . . . and the same goes for dogs.

Great Ideas in Pub History?

Alec and I are generally full of ideas on pub night, but sometimes these ideas don't sound as good the next morning:

1) last Thursday, I was a bit wound up from playing lead guitar in the Faculty Follies band, and this led to us deciding to form a band (with a rather crass name about a sexual practice that was popular in the '80's and in '80's movies, e.g. Vacation and The World According to Garp) and then make an album and post-date it from the '80's so that people would "remember" us even though we didn't exist-- Pete the bartender/owner shot this one down immediately;

2) moments later someone claimed that the people who are "unboxing" and testing toys and electronics and food and other stuff on YouTube are making "billions," and we wanted in on these untold riches, but realized that most items already have well-followed "unboxers" and so we would need a new niche if we wanted to make our "billions"-- and so we decided we could unbox and test toilet paper . . . I'll spare you the rest of that brainstorming session;

3) and then Friday night we revisited a recurring discussion about Alec's solution to the Washington Redskin nickname controversy-- Alec believes they should shorten their name to "The Skins" and each custom-made super-tight jersey should correspond to the player's skin tone (the numbers would look like they were "painted on" the jerseys in grease-paint) so it would appear that the opposing team would be the "shirt" team and the super-tough Skins would be going bare-chested-- and while I admire the aesthetics of the idea, I think the variety of skin tones on an NFL team  (and thus the inconsistency in jersey colors) would make it tough for the quarterback to pick out receivers (and we've never discussed whether the jerseys would have nipples and belly-buttons printed on them).

Faculty Follies

Once again, the Triennial (not triannual, thank God) Faculty Follies were a roaring success-- teachers, administrators, secretaries and hall-aides performed skits, dances, and other entertaining stuff to a packed house (plus there were videos, including an awesome parody of Serial that Stacey made . . . I was the prime suspect) and while I never physically got up on stage-- it's too weird up there-- I performed below the stage in the "house band" (we called ourselves the SATs . . . not nearly as good a name as The Hanging Chads) and it's too bad Weird Al cornered the market in stupid song parodies, because though we only rehearsed once, we rocked the house; here is our set list:

1) Instagram-- to The Beatles "Yesterday"--

2) It's Fun to Guess on the P.S.A.T. -- to "Y.M.C.A"--

3) Take Me to Lunch-- to Hozier's "Take Me to Church"--

4) You're Not the Only One-- to Sam Smith's "I'm Not the Only One."

Lesson Learned (I Instigate an Awkward Moment at the Pub)

If you are at your local pub, and an inebriated stranger approaches you and asks whether he should play Molly Hatchet or The Allman Brothers on the jukebox, the correct response is, "Whatever, man, they're both awesome!" but that's not what I said; instead I took a moment and sincerely thought about the question and told him, quite sincerely, that I couldn't recall any songs by Molly Hatchet so I wasn't qualified to decide, and this really astounded him-- that I wasn't familiar with Molly Hatchet-- so much so that he sang an a capella version of "Flirtin' With Disaster" to me and several of my friends, really belted it out, holding a fake microphone and everything, for an awkwardly long time, but I couldn't bring myself to walk away because he really wanted me to appreciate Molly Hatchet (but, of course, this had the opposite effect, as now any time I hear the name Molly Hatchet, I will associate the band with this horribly awkward moment).

Batting A Thousand (Sort of)

I saw three ex-students out-of-context in the span of three days and nailed all of their names:

1) saw a girl I had many, many years ago at a concert at The Saint in Asbury Park-- where her younger brother was playing drums in a band with one of my colleagues-- and though she is over thirty and has a kid and a house and a mortgage, she was far more surprised that I have kids and a house and a mortgage . . . "Mr. P. is all grown up!" was her reaction;

2) saw a dude I taught a few years ago stocking beer at the fancy beer store -- although I this one was a Texas-leaguer, as I only remembered his last name;

3) and, finally, an easy one . . . I saw a girl I taught last year lurking in the high school parking lot (there's nothing lamer than hanging around the high school once you've graduated, but -- to her credit -- I think she was waiting to give someone a ride).

Same Dave Under a Different Name

I have grown tired of Greasetruck as my fictitious band-name, and so I am changing it -- it's not like I have to consult with anyone! --and so the name of my new (also fictitious) band name is The Moving Rocks (The World's Second Greatest Rock Band) because I like the origin story of this name . . . anyway, here is my first song under this new moniker -- I am hard at work on recording a Moving Rocks album, and perhaps if I am extremely motivated, I will find some real live people to actually flesh out this project, but until then, this is nothing but Dave (and I've replaced the usual rambling psychedelic monologue with a guitar solo!)

No Plunge For 2013

For the first time in several years, we did not attend the Sea Isle City Polar Plunge -- the house we normally rent for the weekend was flooded out and we didn't find another place; instead we went to Philly for a night with several other couples and had a very different, much more civilized experience: we stayed at the historic Thomas Bond House, visited the art museum, ate fine Italian food, shopped at the markets, and saw a cover band that was the polar opposite of LeCompt . . . LeCompt is gritty, Jersey, weathered, and exceptional -- and this weekend made me realize how excellent they are; the only good thing I can say about the band we saw this weekend -- their name is Lima Bean Riot and they are heralded as one of the best cover bands in Philadelphia --is that they sound like the radio . . . they play horrible music, might be lip-synching, and incorporate a large number of medleys into their infinite set list of crap-pop, but if you turn your head, you wouldn't even know there was a band in the bar -- the auto-tuned noise coming from the PA speakers could have been WPLJ.

Anticlimactic Clinking

My wife was in a "I'm-going-to-get-a-lot-of-shit-done" mood over the four day Rosh Hashanah weekend . . . and in the midst of getting lots of shit done, she decided to take our two big jars of change to Stop and Shop; they have a CoinStar machine there and if you choose to get a Stop and Shop gift card, then you don't have to pay the 9% counting fee . . . you receive one hundred percent credit for the change you dump in the machine, an admittedly good deal, but this defeats the purpose of a change jar -- which is supposed to be "mad money" to be used for something frivolous (such as a pet monkey or the world's largest chocolate bar) -- to spend it on food . . . especially mundane grocery store food disappointed me (perhaps if we spent it on some kind of exotic food, like a dozen century eggs, then I would have approved) and so to make the event slightly more exciting, we all guessed how much money the jars contained: Alex said fifty dollars, Ian said sixty, I guessed two hundred and twenty dollars and Catherine -- ever the optimist -- estimated three hundred and seventy five . . . but when my wife returned from the store, she said that the machine was broken, and she couldn't cash in the change, and I am regarding this as an omen, and hoping that we will get to use the money for something more fun . . . perhaps I will finally get this (and if you don't think the title of this post is a great name for an indie band consisting of two nerdy percussionists, then you are a fool and I pity you).

Hey Michael Lewis! In A Book Titled Boomerang, Shouldn't You Visit Australia?

In his new book Boomerang: Travels in the New Third World, Michael Lewis is more cavalier with is opinions than he was in his last book, the longer and denser The Big Short . . . Boomerang is more of a travelogue with some finance thrown in, and at times you get the feel that he's winging it, relying on his good name in each country, but he's an engaging writer and the book is a lot of fun-- considering it's about a depressing topic-- because for each country he visits, he tries to link their national character to the type of financial disaster they are experiencing: corrupt and tribal Greeks refuse to band together for the sake of their country; feral Icelanders treat high-risk banking the same way they treat fishing in the cold and dangerous waters of the North Atlantic; stoic Irishmen shoulder their country's debt with tight-lipped penitence, though they should have acted shamefully and defaulted; rule abiding Germans don't notice the filth under the sheen of the bonds they have bought (and here he takes a scatological side-trip into "the German's longstanding special interest" in "Scheisse (shit)" and tries to extend the analogy to the financial crisis, claiming that the Germans "longed to be near the shit but not in it," and although this is entertaining, I think his logic is stretched thin and that you could find loads of "Scheisse" jokes in every culture--  Mr. Lahey from Trailer Park Boys comes to mind-- so even Canadians stoop to this sort of humor); finally Lewis ends up in America, searching for the state that is the biggest financial disaster . . . and banking analyst Meredith Whitney determines this by invoking the logic of "the tragedy of the commons," she explains: "companies are more likely to flourish in stronger states; the individuals will go where the jobs are . . . ultimately, the people will follow the companies . . . Indiana is going to be like, NFW I'm bailing out New Jersey . . . those who have money and can move do so, and those without money and cannot move do not, and ultimately rely more on state and local assistance," and Lewis asks her, "What's the scariest state?" and I hoped her answer wouldn't be New Jersey, but she "only had to think for about two seconds" and then she said, "California."

Corrupted Blood Incident: A Good Name For A Screamo Band

Much of the new Neal Stephenson novel REAMDE takes place in a fictional Massively Multiplayer Online Role-Playing Game (MMORPG) named T'Rain-- which is similar but more developed than the infamous World of Warcraft (and T'Rain has supplanted World of Warcraft as the most popular MMORPG in the world of the novel)-- and the plot of REAMDE revolves around flesh and blood teenage Chinese hackers that have co-opted the gaming platform to disseminate a computer virus that encrypts the victim's real data on his computer, and the hackers are receiving "ransom" payments for a data encryption key from infected users in T'Rain currency inside the world of T'Rain, allowing them to launder the money, remain anonymous, and profoundly intertwine the reality of the game and the reality of reality; much of this MMORPG stuff is new to me, and so Stephenson made curious as to how accurate the T'Rain stuff actually is-- as I have never played World of Warcraft-- and I ended up reading about the "corrupted blood incident" of 2005, an incident which must have had some influence on the novel-- because (and this is a real incident . . . or it really happened in virtual reality) someone wrote a computer virus that spread through World of Warcraft just like a real virus, through proximity and transmission-- it actually spread through the game like a disease-- and made the people in the game behave as if there was a pandemic: people holed up in the country, avoided other people, died en masse in the cities, etc. and the reaction was so accurate that doctors and scientists studied the game-play in order to further our understanding of how people behave during an outbreak (and I wonder if I had a character in World of Warcraft, if I could have him write a one sentence blog inside that virtual world, detailing his life in there . . . Sentence of Thok?)

The Waitresses Do NOT KNow What Boys Like (But I Do)

I wish my boys liked getting lost in a good book on a hot summer afternoon, but that's not the case . . . and The Waitresses have got it all wrong, they don't want to touch (or have anything remotely to do with) girls; I thought my son Ian liked winter, because all summer he kept telling me that he couldn't wait for the cold and the snow, so that we could have a snowball fight . . . but sometimes you don't know what you like until you try it . . . and when I saw my boys try it, then there was no question as to what boys like, and I am certain of this because I learned it empirically, through my powers of interview and observation: BOYS LIKE TO JELLYFISH FIGHT . . . last week at Midway Beach, my boys collected buckets of jellyfish and then hurled them at each other for over an hour, and I've never seen them happier . . . and my six year old son Ian explained why: "Jellyfish fighting is better than snowball fighting because a jellyfish doesn't hurt as much as a snowball when it hits you in the face."

P.S. Bucket of Jellyfish is a good name for a trance-band.