Does This Guy Look 80% Bald?

I'm wading through The Best American Science Writing of 2010 and overarching theme of the collection is this: things are complicated . . . and in Steven Pinker's essay "My Genome, My Self," this slowly becomes apparent, as he analyzes the "genetic report card" he received from the personal genetic sequencing company 23andMe-- some of his genes validate reality: he has the gene for blue eyes and he actually has blue eyes . . . some don't: he has genes that make it highly likely that he will be bald, but he sports a billowing Jew-fro . . . some point at his heritage (Askenazi Jew) and some point towards percentages: the reports says he has a 12 percent chance of getting prostrate cancer . . . but most of what he had sequenced, like the genes for height, which is highly heritable, will barely have any effect (the dozen genes for height only account for 2% of the variation of height among humans-- the rest of the difference is caused by unknown factors) and may mean nothing in his life or everything, depending on all the other genes that weren't sequences, any unusual genes he has that are extremely rare, factors in the environment, and random mutation and affect-- and when Pinker philosophizes on why there is so much variety in humanity because of all these factors, when evolution doesn't require this much uniqueness for survival, he brings up the fact that if there's too much of any one type of personality, then there is a benefit to being different-- if everyone is nice, then it pays to be mean, but once there are enough mean people, they counter-act each other and it is the band of communal folks that will survive-- and he uses a proverb to remind us of the value of variety in a species: "The early bird catches the worm, but the second mouse gets the cheese."

My Vegetable Love Should Grow Vaster Than Empires

The prices at the vegetable market on Route 1 are better than the prices at Stop and Shop, but you have to be more discerning with your selections because the produce is not as consistent as the produce at the grocery store . . . and I find myself following the same inane pattern when assessing what I will purchase: for instance, say that I am browsing strawberries . . . I look at a carton and check the bottom for mold, and then I compare the ripeness to another carton and then I compare that carton to another one and then I compare the best carton so far to yet another random carton, but by this time I have completely forgotten what the first and second cartons looked like, nor do I remember where I put them down, so I usually just select the last carton I picked up, put it in the basket, and move along . . . only to repeat the same idiotic process with the next item on the list (and don't even get me started with avocados . . . I give each a perfunctory squeeze, but I don't even know what my criteria are for selecting one avocado instead of another-- I just take some time before I choose because I don't want to appear naive to the other shoppers).

All Searches Lead to the Sentence of Dave

Here are some of the Google search entries that led people to this humble little corner of the internet: emo, giant wasps, japanese emo, testicular elephantitis, gay roller blade hockey, elephantitis face, child safety, punch a colleague, large swine pig, DAVE IN BACKYARD MONSTER, a pig dick, bubble, awkward dave, marla olmstead now, alan moore banksy, eddie izzard, orfanato, fish and fin sentence, emo light bulb, and bubbles making . . . and being the "go to" sight for these obscure topics makes me very proud, but not as proud as cornering the market on the phrase "residual glee."

Instant Fish

There are certain things you shouldn't buy used-- condoms, fuzzy toilet seat covers, handkerchiefs, and enema kits-- but as for everything else, it might be worth it to take the risk and check Craigslist . . . my son Alex asked for a fish tank for his birthday and when you add up the price of the tank and all the gadgets you need, the set-up is pretty expensive, so I took a ride to Avenel and bought a tank from a very nice dude named Sooraj-- and for eighty dollars he gave me everything: 29 gallon tank, hood, filter, heater, pump, gravel, live plants, net, siphon, plastic plants, thermometer, a castle, food, chemicals, and even his fish . . . he dismantled it all in front of me, very methodically, and placed everything into bags and buckets, and then I brought it home, set it up in an hour, and so far the fish survived the trip and water change . . . so my advice is this: at some point in their life, just about everyone has a fish tank, and at some point, just about everyone decides that the last thing they want in their life is a fish tank, so if you want a fish-tank, get a used one.

A Question Most Americans Are Afraid To Ask

How many plastic cups does a family of four actually need?-- and I am guessing the answer is NOT twenty-nine, which is how many we have . . . and I am thinking that this number is not particularly unusual . . . so what is your count?

Seven For Seven

Although it might be a bit early to invite a comparison to the greatest streak in professional sporting history-- Joe DiMaggio's magnificent run of 56 straight games with a base hit-- I would still like to make it known that the last seven times I have gone searching for salamanders with my sons in our secret salamander spot, we have been successful in finding this elusive amphibian, and our streak stretches back to last spring, when we found the spot: last Thursday we found three salamanders-- not that it matters how many we found . . . all it takes is one salamander to keep the streak alive-- and Friday afternoon we found a nest of them under a large chunk of concrete, and Saturday we found a few more, and Sunday we only found one . . . and I can already feel the pressure mounting: what will happen on our next search?

More Alan Moore

Although I couldn't make it through Alan Moore's The League of Extraordinary Gentlemen, I loved The Saga of the Swamp Thing . . . the art is fantastic and the content is surprisingly philosophical: though it uses some possibly specious science about memory transfer from cannibalistic planarians . . . the results of the real experiment, which haven't been reproduced consistently, claim that if you train flatworms to run through a maze for food, and then have other flatworms who have never run the maze eat the flatworms that have run the maze, then the cannibalistic flatworms will gain the ability to run the maze without having to experience the maze-- but who cares if the science works-- Moore uses this conceit to explain that his Swamp Thing is not "Alec Holland somehow transformed into a plant" it is "a plant that thought it was Alec Holland"-- he uses the swamp thing to investigate one of the great philosophical conundrums-- if your exact (or even inexact) consciousness was reproduced-- digitally or botanically or with giant gears or whatever-- and this new thing believes it is you and thinks as you do, despite being a facsimile of you, then is it you?-- and who is the real you?-- what if you are given a drug that allows brain cells to regenerate and your brain is split in half and each side regrows in a different host-- then which is really you? or if you were to replace your brain bit by bit with identical circuits, then is the final robot still you, or when did you switch from being you to being an android? or if you teleport and your molecules are disassembled and then reassembled with identical but different molecules in another location, did you die?-- and is the thing that is reassembled just another facsimile of you with a very short break in consciousness . . . and this is the sort of existential question that The Saga of the Swamp Thing investigates . . . it is about a botanical consciousness coming to grips with what it really is (though the philosophy is interrupted by one odd page of the Justice League deciding that they can't do anything about Wood-rue, the Floronic Man, who is enlisting the world's plants to destroy all animals, including man . . . but he is quickly defeated by the simple logic that plants need animals to produce carbon dioxide-- the respiration cycle, and then it's back to the existential crisis) and in the end The Swamp Thing comes to terms with what he is, and the fact that he is not Alec Holland . . . that he is a plant with consciousness and as Fall approaches he has strange fears and anxieties because he is linked to the cycle of the seasons just as many plants are, and at the very end, there's a great frame of him walking into the swamp, holding hands with an autistic kid, explaining how he's afraid of fire and the kid replies, "That's good , it makes me feel better, I mean, if even monsters get scared sometimes, then it isn't so bad, is it?"

Brevity is a Warm Gun

 If you like your assassins hot and your hookers hotter, then The American is the film for you.

Highland Park's Charter School Controversy Goes National

Wednesday, The New York Times printed an article called "The Promise and Costs of Charters," which focuses on the Hebrew language charter school debate happening in my town, and the article is very similar to the editorial I wrote on the same subject, both in tone and logic, so I am assuming that this Peter Applebome character got all his ideas from me, but I'm not going to force him to confess, because I got all my ideas from Banksy (actually, I got a lot of my ideas from Diane Ravitch, but it sounds cooler to say I got all my ideas from Banksy).

American Dreaming

  American Dreaming by The Density

I have often expressed my disdain for dreams and their significance, but when I opened my mind to their artistic and lyrical potential . . . and when I let some of my colleagues open their minds, I ended up with this song-- I promise you that there's something in here for everyone (and I 'd like to thank Shakespeare, Biggie Smalls, Rage Against the Machine, Martin Luther King, Steve Carrell, Bob Dylan, Tracy Morgan, and-- of course-- any of my colleagues who willingly lent their voice to this half-baked project).

The Town is Riddled With Holes

You may have looked at the title of this post and thought to yourself, That's a mixed metaphor and doesn't make much sense, and if you did think this, then do NOT watch the new Ben Affleck film The Town, because this movie is far stupider than my title . . . the film is about a crack team of bank robbers in Charlestown, a neighborhood in Boston, which the film claims is the bank robbery capitol of the universe, but apparently this is not true and there are lots of ominous helicopter shots of "the town," but it's not an ominous looking place-- lovely brick buildings and the picturesque Bunker Hill Monument-- and the movie does a piss-poor job characterizing the setting (despite the Boston accents) so I'm not sure what the purpose of those shots were for, except to spend money, and anyway, this crack team of bank robbers, who wear really cool and inventive masks-- even cooler masks than the gang in Point Break-- they decide to keep robbing banks despite the fact that the FBI is on to them and despite the fact that the "crazy one,"doesn't want to go back to jail, and then Ben Affleck decides he will also fall in love with the bank manager girl they abducted in the last robbery and that she won't recognize any of their voices and despite the fact that the FBI is watching both him and the bank manager girl, he thinks that they should run away together and this won't look suspicious at all, and for some reason we're supposed to sympathize with Ben Affleck and dislike Jon Hamm, though Jon Hamm is just doing his job, which is to catch armed robbers-- and Jon Hamm, who I love as Don Draper, should stick to that show, he's much better at keeping his mouth shut and being cryptic than actually playing an active role-- and these FBI people just can't seem to find any evidence to put away these guys that they know are the crack team of bank robbers and when they get to the bank manager girl and find out about the relationship, then they make her call Ben Affleck while they are listening in, but they all stand in the window with her while she makes the call, so Ben Affleck can see what's going on-- and I'm sure this is some breach of protocol (why does she have to make the call from her apartment anyway?) and in the big shoot out, where the guys impersonate cops but don't shave off their cool stubble and facial hair, people are spraying sub-machine gun fire everywhere, at close range, but oddly, only the fat minor character get shot and killed . . . and at this point I was still watching just to see how stupid it would get . . . and it gets even stupider, so after these guys finish robbing Fenway Park and the other minor character essentially sacrifices his life so the plot can move forward and then things work out pretty well and the bank manager girl is able to make an anonymous donation in the name of someone she didn't know without the inept FBI finding out and Ben Affleck grows more facial hair in the very end and this movie is monumentally cheesy and bad and I'm not sure how it got this good review or even a decent review because it was just awful.

Gut Reaction (Another Awkward Moment of Dave)

In no way do I mean to belittle this awful, tragic story, but when a colleague (young and female) pulled this headline  up on the computer in the English office and asked me if had heard about it, I took a moment to read it, took another moment to comprehend it, and then my jaw literally dropped . . . the headline evoked such pathos in me, and-- perhaps because my emotions were so sincere and passionate . . . or perhaps because I imbibed a goodly amount of beer the night before-- I inadvertently let out a loud burp . . . and the timing of the burp seemed to indicate that this was my commentary on the story, and so my young, female colleague said, "That's your reaction to this? You burp in my face?" which was complete hyperbole because the burp was not "in her face," as I was a good five feet away from her face, but still, my reaction probably seemed gauche, but it was actually heartfelt (heartburnfelt?) and happened because the story was so moving, but next time I read about something awful, I will keep my mouth shut (although, as usual, the awkwardness was worth the sentence).

41 Candles

It's become de rigeur in my family to forget to wish me "Happy Birthday" on the morning of . . . as my son's birthday is the day before, so we usually combine celebrations . . . one year my wife called me at school, nearly crying because she forgot . . . one year we both forgot . . . and the year Alex was born there was obviously no remembering . . . but this year I tried to gently remind my wife . . . I asked her if she read my blog and she said yes, but obviously this wasn't enough to make her remember and then I asked her if I need to pick up fish for this, but that didn't do it either, but, finally, she remembered . . . it was so early in the morning that I don't remember exactly how, and so I didn't have to receive a tearful call at school, and then, oddly, when I got to school, ALL my students remembered my birthday, which I may have mentioned once when I was teaching them the "Birthday Problem," . . . someone made me cupcakes and everyone wished me "Happy Birthday," including a random student in the class next door . . . I poked my head through the hole in the folding wall to ask Kevin something and a girl said, "Happy Birthday," and I said, "Do I know you?" and when she was pressed on how she knew it was my birthday, she said, "I just heard"and I think the kids were so zealous in their wishes because they know I hate holidays, parties, and any break in the educational routine, but they also knew that I would be unable to refuse home-made cupcakes on my birthday and I would have to distribute them to the class, or I would look like a total grouch.

I'd Like To Have My Face Digitally Scrubbed

There is an obvious irony to The Social Network: the guy who created the modern template for friendship doesn't really have any friends, but if you want a film about the ramifications of on-line life, this movie comes up short; on the plus side,  Jesse Eisenberg does a great job portraying a geeky nerd and Justin Timberlake does a great job portraying a cool nerd and Armie Hammer does a great job portraying the Winklevoss twins-- another actor had his face "digitally scrubbed" so that Hammer could be in two places at once-- and he steals the show . . . the twins are villains in the '80's style . . . reminiscent of Drago and The Shoot, with a dose of Yuppie blood, and the digital effect is so well-done that my wife and I had no idea they were played by the same actor while we were watching the film.

V For Paranoia

When I read Alan Moore's Watchmen, I thought to myself: I should write the script for a graphic novel, it would be awesome if someone turned my words into really cool pictures . . . but then I got a look at the actual script for Watchmen and thought better of this idea (here is the link to the script and though you have to download a PDF to see it, it is worth it to see the nearly insane attention to detail Moore takes for each frame of the graphic novel . . . you'd think someone with this kind of visual acuity would want to see the film version) and if you want more of Moore's insanity, read V for Vendetta, which isn't as dense as Watchmen, but has a clearer story-line, and if you want to get a feel for the tone of the book, read the introductions: the first is by David Lloyd, the illustrator, and he recounts an anecdote in a pub . . . he is sitting, drinking his pint, and the TV is blaring one insipid "cheeky and cheery" sit-com after another, and then a sports quiz program, but when the news comes on, the bartender shuts the TV off, and Lloyd finishes ominously: "V for Vendetta is for people who don't switch off the news," and then comes Moore's introduction, in which he predicts that Margaret Thatcher will create concentration camps for AIDS victims (it is 1988) and he describes vans with cameras on top, and police and their horses wearing black visors, and he says that England has turned "cold and mean-spirited," and he's getting his seven year old daughter out of there (although according to the internet, he's still living in Northern England, twenty three years later) and while I think the two of them are paranoid nut-bags, I also think you need people like this, predicting the worst, to remind us of what Arthur Koestler called the darkness at noon, so while I prefer to live blithely and unaware, someday Moore will be able to say: I told you so.

Treading Water in the Shallows

Nicholas Carr's new book The Shallows: What the Internet Is Doing To Our Brain is well argued and frightening, and the opposition from some corners is simply because there's not much we can do about the ubiquity of the internet-- and near the start of the book he uses the Wallace Stevens poem "The House Was Quiet and the World Was Calm" to remind us of the value of deep reading, but if you read the poem here, then I feel like his point is proven . . . that reading on the internet is nothing like reading a book (look at the size and color of the font of the poem vs. everything else on that page) and Carr uses plenty of established research to prove his thesis that reading an actual book is an excellent way to take ideas and information from short term memory and enter them into long-term memory . . . that the only way to do this is laborious and information enters our brain "thimbleful by thimbleful," and if things happen too fast, because of hyper-links, F shaped skimming, Twitter and e-mail interruptions, etc. then there will be "cognitive overload" and we can't translate new knowledge into memories or schemas . . . and he also refutes the idea that storing knowledge on the internet means we can free out brains for other uses; in fact, paradoxically, the opposite is true, the more you have in your brain, the easier it is to remember other things and the easier it is to read and think (our brains are not computers and the ROM analogy does not work) . . . but the internet is difficult to escape, so all I can recommend is that you shut it down once in a while, kick your kids out of the house-- armed with knives and matches so they don't return for a long while, and then crack open a book (made of paper-- as the Kindle is aiming towards the same interruption-laden style of reading, with hyper-links, discussions on passages, Facebook style commenting, etc.)

Tacos Trump Enchiladas

My wife suggested enchiladas for my birthday meal and I agreed heartily, but then she asked, "Do enchiladas count as tacos?" and I told her that if I was going to do things honestly, then they did not, so instead she made fish tacos (which I also love) and I ate five, which really ups my 2011 Taco Count, but now I'm in a weird world where I am eating more tacos just because I am counting how many tacos I am eating . . . and I know this applies to something statistical in the real world, but I'm too full to make the connection.

34 Years To Go! (For An Average American Male)

Today is my birthday,
me and the Seuss--
I'm now forty-one,
and still feeling loose,
but if life is a train,
I'm near the caboose.

Who Is The Biggest Loser?

At work, a number of my colleagues are participating in a Biggest Loser Diet Contest-- they all put money into a pot and the person that loses the most weight (determined by a percentage of the original starting weight) wins all the money-- and I'm not sure how I feel about this because some of my co-workers are starting to look really good . . . which is nice-- it's nice to be surrounded by slender, sexy, and attractive co-workers-- but there's part of me that hopes everyone comes out of this contest so ravenous that they eat until they are grossly overweight, because it's also nice to be surrounded by people fatter than you are . . . it's good for your self-esteem (in fact, women don't need to be anorexically skinny to be happy with their body, they just have to have a lower BMI than their mate) so I guess whichever way the scale tips, I'm a winner . . . or a loser, depending on how you look at it.

I'd Better Pace Myself

Governor Christie promises he will pay into the state pension fund if a number of his demands are met (that's how collective bargaining works now in New Jersey) and one of his prerequisites is to raise the retirement age for teachers to sixty-five . . . and while I realize that 65 might be a typical retirement age in the private sector, it is not what was promised if you dedicated your life to education-- when I started teaching, the retirement age for teachers was fifty-five: it was one of the alluring things about the career-- and although the age has been raised periodically for new hires, it hasn't changed if you were "grand-fathered in," but the new proposal states that anyone with less than 25 years teaching experience must work until they are 65 before they can receive their pension, and I understand that the Governor is trying to balance the budget, but I am not sure that he's thought about the ramifications of this proposal:

1) Though it won't be so bad for this generation of kids, the next generation of children will rarely have the joy of a new, young teacher, idealistic and fresh out of college . . . instead they will be taught by old, bitter and wilted hags and crones, eking out those last few years before retirement and the big sleep . . .

2) It will be extremely difficult for new teachers to get jobs, because the old teachers won't be able to retire . . . and teaching is a young person's job-- it requires an incredible amount of energy and endurance-- so health care and logistical costs will sky-rocket because old teachers will be taking loads of sick days and using far more health care than young teachers . . .

3) The only time students will get a new, fresh, young idealistic teacher is when their old teacher dies, and this will inevitably happen in front of students, and the psychic toll this exacts on our population-- the collective trauma our youth will share, that they all have seen a teacher fall over in the middle of class, croak out a last bit of wisdom, and then die in front of them-- will off-set any budgetary benefits from the proposal;

4) On the plus side, this makes the rest of my life very easy to figure out . . . I don't have to worry about thinking about early retirement . . . what I might do with myself, where I might want to live . . . I will be in the same spot for the next twenty-five years, doing the same job, watching my colleagues grow old and wrinkled, living in the same house in the same town . . . and enjoying a higher quality of living that the vast majority of the humans on the planet . . . and there's something comforting in that, as long as I pace myself.