Banksy and Alan Moore Should Hang Out

Banksy, the acclaimed and aggressively anonymous street artist, was invited to the Oscars for his debut film Exit Through The Gift Shop but the Academy Awards denied his request to show up in disguise, and so Banksy says he will not be attending, which is more in character for him since he "does not agree with the concept of award ceremonies," though he is "prepared to make an exception" for awards which he is nominated . . . and my suggestion is that instead of trying to crash the ceremony in some covertly overt way, instead Banksy should hang out with Alan Moore on Oscar night and not watch the Oscars and not watch Watchmen and not watch anything at all, but instead have a serious discussion on the gullibility and naivete of the sort of people who like to look at things, like art and movies and award ceremonies, and how instead of looking at things, these people should make things that other people like to look at, like stencils and comic books, unless these people are Thierry Guerra, who maybe shouldn't be making art at all-- because Guerra makes terribly, derivative and kitschy crap-- unless Guerra is a creation of Bansky, and then his art is doubly ironic, and therefore significant.

Did Banksy Create Rebecca Black?

Despite writing this blog, I remain fairly isolated from what's being passed around on the internet-- and I'm sad to report that I learned about this song on NPR-- but even though I was the 38, 945, 234th person to watch the YouTube video of Rebecca Black's "Friday," I think I have something valuable to say about the song (which was written and "created" by Ark Music Factory, supposedly the brainchild of Patrice Wilson and Clarence Jey) and it is this: the lyrics are so unlyrical, the theme is so banal, the music is so auto-tuned, and the video is so literal that this kind of satirical "fun fun fun" could only have been the work of the arch-prankster and super-cool street artist Banksy . . . and I have to admit that the song is very catchy, which is impressive, since it doesn't rhyme, makes no attempt to have a unique voice, coins no new catchy phrase, and contains lyrics about how the days of the week are ordered and eating breakfast cereal . . . unless that line is a veiled marijuana reference: "waking up in the morning . . . gotta have my bowl" . . . only Banksy knows for sure, but this has to be a practical joke on par with the creation of Thierry Guetta (and right now, twenty minutes after I wrote the previous sentence, I still can't get the song out of my head . . . so perhaps "Friday" is brilliant in its stupidity . . . so derivative that it parodies itself . . . Rebecca Black, you are a super-genius in the same realm as Mr. Brainwash!)

Highland Park's Charter School Controversy Goes National

Wednesday, The New York Times printed an article called "The Promise and Costs of Charters," which focuses on the Hebrew language charter school debate happening in my town, and the article is very similar to the editorial I wrote on the same subject, both in tone and logic, so I am assuming that this Peter Applebome character got all his ideas from me, but I'm not going to force him to confess, because I got all my ideas from Banksy (actually, I got a lot of my ideas from Diane Ravitch, but it sounds cooler to say I got all my ideas from Banksy).

The Anecdote of the Jar

No one wants to hear parents bragging about their kids, so I'll make this quick and then get to the conspiracy theories: my six year old son Ian used pastels to draw the clay jar pictured above while he was at his art class; the shading is first rate, and his teacher was so impressed that she put a picture of it on her web page . . . and my first reaction when Ian brought this piece home was: "You didn't make that!" and Sentence of Dave has investigated artistic manipulation enough that I at least have to entertain the idea that Ian didn't produce this very competent still-life . . . but then who did? . . . at first I suspected his art teacher Jill, and that made sense, because if we perceived her as an excellent teacher, then we would keep sending Ian back to her for lessons, but, unlike Marla Olmstead, Ian will produce quality art in front of anyone (and also, unlike Marla Olmstead, you can usually tell what it is he has produced) and so the hoax must be more sinister . . . I am guessing that Banksy is posing as my six year old son-- his ultimate piece of performance art-- and meanwhile my actual son roams the earth with his mentor Mr. Brainwash, doing graffiti art, and eventually they will reveal the swap and bask in the glory of media fame . . . and the price of both Banksy and Ian's art will sky-rocket.

Who Cares? Not Tom Ripley. Not Banksy. You.

The talented Tom Ripley is at it again in Ripley Under Ground, the second book in Patricia Highsmith's "Ripliad" series-- this time his victim is an unlucky art patron named Thomas Murchison, who rightly suspects that the painting he has bought is a forgery-- unfortunately he has stumbled into one of Tom Ripley's sophisticated con games-- and because he can't adopt Ripley's amorality, he ends up a corpse, but Highsmith has bigger fish to fry than just murder: Ripley asks Murchison, "Why disturb a forger who's doing such good work?" and this raises one of my favorite artistic/philosophical debates, which is portrayed in both the documentary My Kid Could Paint That and Banksy's perplexing film Exit Through The Gift Shop . . if there is any way to objectively judge art, then it shouldn't matter who painted the picture-- if it's good, then it's good-- but, of course, our brains don't work like that; art buyers want to be sure that it is prodigy Marla Olmstead that painted the canvases they spent so much money on, not her dad, and when Oprah revealed that James Frey's "memoir" A Million Little Pieces is actually part fictional, people were outraged-- including me!-- and so I suppose I should come clean here and reveal that Sentence of Dave is actually written by a trained donkey, not a computer program . . . but I'm sure you all suspected that from the start.

A Canine Analogy

Peeing on public property is a dog's version of graffiti . . . but, of course, dog's are working in the realm of the olfactory instead of the visual; perhaps this could be Banksy's next project.

All Searches Lead to the Sentence of Dave

Here are some of the Google search entries that led people to this humble little corner of the internet: emo, giant wasps, japanese emo, testicular elephantitis, gay roller blade hockey, elephantitis face, child safety, punch a colleague, large swine pig, DAVE IN BACKYARD MONSTER, a pig dick, bubble, awkward dave, marla olmstead now, alan moore banksy, eddie izzard, orfanato, fish and fin sentence, emo light bulb, and bubbles making . . . and being the "go to" sight for these obscure topics makes me very proud, but not as proud as cornering the market on the phrase "residual glee."

Thierry Guetta Is Like Marla Olmstead (Except Not As Cute)

If you have kids or you're interested in modern art, then you should watch the documentary My Kid Could Paint That -- it's about a precocious four-year-old abstract painter named Marla Olmstead; the film investigates what defines art as much as the mystery of whether Marla painted her paintings or not-- but now there is a new documentary on the same theme and it is even better . . . it's called Exit Through the Gift Shop and it is ostensibly about documenting street art-- the obsessive Frenchman Thierry Guetta devotes his life to filming these ambitious and talented vandals on their midnight missions to make odd, skillful, often beautiful and essentially disposable art, but like all great documentaries (Capturing the Friedmans, Street Fight, Mr. Death, etc.) the film takes an unpredictable turn . . . Thierry Guetta transforms into "Mr. Brainwash" and the theme moves from the aesthetic to the absurd . . . I won't spoil it, but things might not be exactly what they seem . . . I'm giving it ten spray cans out of ten and I think Banksy-- the faceless and heralded street artist who directed-- will win an Oscar.