Today in Grade 10 Honors English class, I charged my students to make the best possible argument for the "most American art form"-- I was doing this because we just finished Narrative of the Life of Frederick Douglass and, unfortunately, the slave narrative was very popular and powerful American literary genre-- so I told them to choose another art form that embodied America-- and after some prompting, the five groups chose these topics: jazz, country music, hip-hop, reality TV, and motor vehicle culture . . . and the reality TV group was working right next to my desk, so I could hear their sophomoric logic and often needed to guide them towards rationality and at one point I said, "You've got to mention our president if you want to win this debate!" and they were like: "Wha?" and I then realized that these sophomore girls had never heard of The Apprentice and did not know Donald Trump's trademark phrase "You're fired" so I polled the class of twenty-five and only one student knew this . . . but then, after more prompting-- the sophomores require a lot of prompting-- they recognized the connection between the fantasy of reality TV and actual political reality-- the fact that Donald Trump was now actually firing federal employees-- and other than this youthful oversight, the presentations were quite persuasive-- hip-hop and car/motorcyle design and culture were probably the best-- but then I synthesized those and said that the MOST American art form is playing hip-hop from a monster stereo system in your tricked out low-rider . . . and then I informed them that though they did a good job, they all neglected to remember that we were still in the 1800s in the chronological progression of the class (which is not actually how the curriculum progresses but I like to teach the kids some history along the way so I like to do things chronologically) and so next class I will make my case for the Western as the most American art form-- or at least for the 1800s . . . as the Western features guns and freedom and taking the law into your own hands and treating Native American poorly and manifesting destiny westward and horses and trains . . . and I'm going to introduce this genre and how it operates with a clip from Malcolm Gladwell on Joe Rogan's podcast-- and this is two hours and twenty-six minutes in and Gladwell is starting to get wacky, as anyone would-- just before this segment he says some sexist things about women who love Law and Order and then he explains his compass-point theory on Westerns . . . and all the other compass points-- here are his categories of thrillers:
A Western takes place in “a world in which there is no law and order, and a man shows up and imposes, personally, law and order on the territory, the community”
An Eastern is “a story where there is law and order, so there are institutions of justice, but they have been subverted by people from within”
In a Northern, “law and order exists, and law and order is morally righteous, the system works.” (A prime example is, of course, Law and Order.)
A Southern is “where the entire apparatus is corrupt, and where the reformer is not an insider but an outsider.”
No comments:
Post a Comment