Faculty Follies

Once again, the Triennial (not triannual, thank God) Faculty Follies were a roaring success-- teachers, administrators, secretaries and hall-aides performed skits, dances, and other entertaining stuff to a packed house (plus there were videos, including an awesome parody of Serial that Stacey made . . . I was the prime suspect) and while I never physically got up on stage-- it's too weird up there-- I performed below the stage in the "house band" (we called ourselves the SATs . . . not nearly as good a name as The Hanging Chads) and it's too bad Weird Al cornered the market in stupid song parodies, because though we only rehearsed once, we rocked the house; here is our set list:

1) Instagram-- to The Beatles "Yesterday"--

2) It's Fun to Guess on the P.S.A.T. -- to "Y.M.C.A"--

3) Take Me to Lunch-- to Hozier's "Take Me to Church"--

4) You're Not the Only One-- to Sam Smith's "I'm Not the Only One."

This is My Future (and it's pathetic)

Last weekend was a harbinger of future parenting; my ten year old son was up later than me on two out of three nights: he went bowling with his friend on Friday and didn't get home until 10:30 -- long after I went to bed-- and he was the only one in the family awake to actually see the anti-climactic final play of the Super Bowl (he was angry that we left the Super Bowl party down the street at half-time, but I had a cold and felt like shit, and when we got home, I took Nyquil and still thought I could remain awake to see the rest of the game . . . but I forgot that no man is stronger than the soporific powers of Nyquil).

Harper Lee: The World's Laziest Writer?


Harper Lee, the author of To Kill a Mockingbird, is publishing a "new" novel on July 14th; Go Set a Watchman is chronologically the sequel to Mockingbird and details the relationship between an adult Scout Finch and her father Atticus long after the controversial trial of Tom Robinson, but Harper Lee actually wrote this story before To Kill a Mockingbird-- Go Set a Watchman contains flashbacks to Scout's childhood, and Lee's editor wisely advised her to write a novel focusing on those flashbacks, and the result is the story that became a staple on middle school curricula across the land . . . anyway, I find Harper Lee incredibly lazy, it's not like she's been polishing this "new" novel for the last sixty years-- she claims that she "lost" the manuscript and that a friend recently "discovered it" (I suppose it's possible that she misplaced the novel, since rumor has it that she's nearly blind, but the most probable scenario is that the royalties from Mockingbird have petered out and she needs some cash to maintain her genteel Southern lifestyle) and so I am warning people not to fall for this ruse engineered by a lazy old bat in a wheelchair (does she even need that wheelchair?) and join my total boycott of this book and the ensuing media events surrounding it; instead, if you're going to read a book by an old bat, then read Skeleton Road by Val McDermid; the book is a fantastic political mystery, and-- more significantly for this particular post-- if you like this book, then you can read one of her twenty-eight other novels . . . so Harper Lee, take that bitter pill and swallow with along with your daily dose of Metamucil-- maybe this prolific literary statistic will inspire you to dust off your Smith Corona, feed in a fresh ribbon, and get back to work.


Shiny Happy People Read Absurdist Fiction


The Happiest People in the World is a novel by Brock Clarke, and the opening took me by surprise-- I've been reading a lot of non-fiction and realistic fiction and realistic crime fiction lately, and I forgot how absurd a novel can be-- the beginning of the book is observed by a stuffed moose head in a local bar: it is a scene of great violence, and then things just keep getting weirder from there; there are CIA agents, a Danish political cartoonist on the lam posing as a guidance counselor, spies in disguise, terrorists, wannabe terrorists, rogue agents, small town lugnuts, disaffected veterans, and all sorts of other folks, interacting at a breakneck pace-- the plot shifts, the point of view shifts, the tone shifts, and-- despite the absurdity-- it's impossible to stop reading, which is a great reminder that if things are structured right, and the sentences are well-written, then a novel can take you on a far wilder ride than a movie . . . I read a lot of this stuff long ago: Thomas Pynchon and Tom Robbins and John Barth and Italo Calvino and Kurt Vonnegut . . . and then I got old and started reading books about economics and technology, so this was a nostalgic trip back to my old reading ways, when I really had no idea what was going on: both in my life and the books that I read.

Stella Gibson is a Better Swimmer Than Gillian Anderson


In the BBC series The Fall, Gillian Anderson plays Metropolitan Police Superintendent Stella Gibson, who is sent from London to Belfast to investigate a string of serial-killer type murders; she is a cold, weirdly sexual, detached character and when she's not frowning or sleeping in her clothes in the office, she likes to swim laps to blow off steam . . . but while Stella Gibson is the sort of person who does everything with crisp and lean efficiency, apparently Gillian Anderson doesn't know how to swim very well; this provides the only humor (at least I thought it was funny) in an otherwise dark and dour show: Anderson's swimming is hectic . . . she breathes frantically between every stroke, her stubby little arms pumping away, her body rigid, her head snapping violently, over and over in the same direction . . . and all this poor form must have contributed to her "frozen shoulder," which is why-- as she explains in this article-- she used a body double for the swimming scenes in season two (so Gillian, since I'm sure you're reading this, here are a few pointers: you want to take as few strokes as possible to cover the length of the pool, slipping your hands into the water they way you would slip them into a glove and turn your entire upper body to breathe-- you should try to point your belly-button at the sides of the pool with each stroke, and don't cross your arm over the center line, reach out and use your forearm as a paddle . . . and you can thank me in the comments).


A Movie Review in Honor of Groundhog Day



You may have heard the premise of Richard Linklater's new film Boyhood: he got the same actors together (Ellar Coltrane, Lorelei Linklater, Ethan Hawke, and Patricia Arquette) year after year for short shooting stints and then he stitched the scenes together to make a fantastic coming-of-age narrative with the greatest special effect of all-- the actual passage of time; the movie took twelve years to make, and follows Mason (Ellar Coltrane) from elementary school to his first day of college . . . and the effect is in no way gimmicky, though it's always exciting to see how everyone looks in transition, but the story carries itself . . . it is the opposite of the great Harold Ramis film Groundhog Day-- where time stands still for God-only-knows how long . . . in Boyhood time is an uncontrollable flash-flood that sweeps Mason's family across Texas . . . and I am always impressed by works of art like this, where the investment of massive amounts of time is crucial to the outcome: I couldn't make it through Finnegan's Wake but I love the idea that it took Joyce seventeen years to write the book and it should take you seventeen years to read it; I am also reminded of Columbine and Far From the Tree, both of which took a decade to write . . . and then, of course, there's Noah, who took a picture of himself every day for six years.



Dave Does the Opposite

In a shocking role reversal, I cooked dinner on Wednesday night while Catherine took the boys to the barber (and she bribed the boys into going for haircuts with a new toy-- a mini-basketball hoop with an electronic scoreboard) and when she got home, dinner was ready but she started assembling and playing around with the basketball hoop: hanging it on the closet door, testing out the scoreboard, unfolding the structure, etcetera and I had to be the nag and tell everyone that they could play with the new toy after dinner, but that I had been slaving over the food and it was getting cold and they were all being rather rude . . . and I'll tell you, it was no fun being the scold, so I'm going to try to go back to playing with the toys around dinner time because getting nagged is easier than doing the actual nagging.

Dave Almost Loses a Nipple

The night after I watched Michael Ginsberg of Madmen cut off his own nipple and present it to Peggy in a jewelry box, because the humming of the office's new IBM computer drove him insane, the very next morning, I was pushed to the brink of sanity by a chirping noise in our kitchen . . . but luckily my wife and I found the source before I had to slice off any body parts . . . the basement fire alarm needed new batteries.



Who's Writing This? Does It Matter?

A few days ago, my wife helped me install a little thesaurus app that works inside Google Chrome-- so that I can simply right-click on a word and it will give me several (various?) synonyms for any word that I type . . . and I am wondering if this makes my writing more Dave-like . . . because I won't settle for an ersatz (artificial?) word and instead I'll find the exact (precise?) word that my consciousness is searching (grasping?) for-- in other words, the thesaurus will be a cognitive tool that will allow me finer-grained, more nuanced access to my thoughts, treating my readers to the most Dave-like experience possible; on the other hand, there is the possibility that right-clicking on all these words is going to make my writing half-Dave/half-Cyborg . . . if the little app plants suggestions in my brain that wouldn't have come up otherwise, then you'll actually be reading a collaboration between Dave and a computer . . . either way, there's one thing that's certain: it's still going to be a bunch of tangential drivel.

Four Ways to Be a Better Student

"How to Fix a Broken High Schooler in Four Easy Steps" is the second part of the Freakonomics two-part podcast on American education and Philip Oreopoulos, who sets up programs to help high-risk students succeed, summarizes four major reasons why students fail:

1) students are too focused on the present-- which describes my own children perfectly, even though I always tell them "think about the future," this simple maxim doesn't sink in-- they live in the moment, without any worry of the consequences of their words and actions;

2) students tend to overly rely on routine, and just keep doing what they've been doing in the past-- and this one does NOT apply to my own children, as they can't establish a routine if their life depended on it (see number one);

3) students sometimes think too much about negative identities-- they focus on what they're not good at or hang around with the wrong crowd (I think my boys might BE the wrong crowd);

4) mistakes are made more often in stressful situations or situations where there's not enough information-- and this is a tough one because my natural inclination is to yell at my kids when they're doing something stupid because they lack information, but the yelling causes stress and they don't listen anyway, so we're caught in a vicious cycle of ignoring them and letting them fail on their own (which they do with flying colors) or telling them how to think and behave, which usually results in yelling and stress and more mistakes . . . so essentially there's no hope as a parent, you can never do the right thing and you just have to hope that by reading lots of comic books, your kids will pick up enough literacy to make it in the world.

Broadchurch Has Nothing to Do With Dr. Who


Broadchurch possesses all the classic mystery elements: a tragic crime, a troubled detective, and a "locked room" style plot-- except the locked room isn't a room, it's the quaint seaside town of Broadchurch . . . and the mystery is a little more mysterious than usual . . . and David Tennant is a little more troubled than the typical troubled detective (are there any well adjusted detectives out there?) and, most significantly, Broadchurch develops the scenes that most murder mysteries gloss over-- watch it and you'll see what I mean, and be prepared for some emotions amidst the deduction.

Snow > Mud



I know an old lady is going to break her hip and flights are going to be delayed and the roads are going to be a nightmare, but that still doesn't curb my enthusiasm for loads of snow-- it's so much better than walking the dog through mud and goose crap-- I take him down to the river and he gets to bound around, off leash (because there's no one else at the park) and I get to stomp after him in my Sorel snow boots, and the dim winter sunlight reflects off the snow and the water, which makes me very happy, and it all reminds me of the final scene from Eternal Sunshine of the Spotless Mind . . . I'm Jim Carrey and my dog is KateWinslet.

Science Isn't Always Fun

The best thing about The Best Science and Nature Writing anthology is that the writers do all the work for you: if you want to learn about the wonders of gene expression, you don't have to pore over exciting medical journals such as Thorax . . . -- instead you can skip the primary-source research and just read David Dobbs' essay "The Social Lives of Genes," which details the incredible power your environment and social ties have over your genes (basically, if you're lonely, your immune system doesn't work very well) but I must warn you, the book is not all fun and games; Maryn McKenna's article "Imagining the Post-Antibiotics Future" is downright scary-- infectious bacteria is becoming increasingly resistant to the antibiotics we have and we can't create new antibiotics fast enough to deal with this problem, so some time in the near future, we're going to loop back to the days when stepping on a rusty nail could kill you-- and that's a minor problem compared to what Roy Scranton describes in "Learning How to Die in the Anthropocene": near the end of the essay he reminds us that "the human psyche naturally rebels against the idea of its end . . . likewise, civilizations have throughout history marched blindly towards disaster, because humans are wired to think that tomorrow will be much like today-- it is unnatural for us to think that this way of life, this present moment, this order of things, is not stable and permanent; across the world today, our actions testify to the belief that we can go on like this forever, burning oil, poisoning he seas, killing off other species, pumping carbon into the air, ignoring the ominous silence of our coal mine canaries in favor of the unending robotic tweets of our new digital imaginarium."



Like a Sea Urchin in Your Urethra




In The Matrix, just before Morpheus sends Neo down the rabbit-hole, he commends him for his awareness: "you know something . . . what you know you can't explain, but you can feel it . . . you don't know what it is, but it's there, like a splinter in your mind, driving you mad" and his words are both ominous and elegant, a perfect set-up for the bombshell soon to come, but I recently learned from an anonymous source that the Wachowski Brothers ran through a number of alternatives before they arrived at the "splinter in your mind" simile . . . here they are:

1) like a cinderblock in your anus;


2) like a sea urchin in your urethra;

3) like a Khan worm in your ear;


4) like a polyp in TR's nostril;


5) like a hedgehog in your armpit;


6) like a caltrop between your butt cheeks;


7) like a booger in your mustache;


8) like the early-morning gound in your eye;


9) like a donkey in your bathtub;


10) like a splinter in your pinky-toe, right under the nail, and you can't get it out-- even with a pin that you sterilized with rubbing alcohol . . . it is this feeling that has brought you to me . . . do you know what I'm talking about?

Innovation: Dead in the Water or a Phoenix Rising?

So most of you are aware that I'm the greatest teacher ever (when I'm not feeling grouchy or tired from pub night or claustrophobic or hoarse from too much coaching or irked by teens and their cell-phones) and my great skill is that I consume a lot of media-- print, audio, and visual-- and just barely understand it, but my subconscious does a good job of making connections, which I only half-comprehend-- and because I have no problem not fully understanding things, I'm willing to present these loosely connected things to my classes, which are full of smart kids, and let them sort it out; I am trying to get them to understand how much style and rhetoric influence an argument (and I am all style and rhetoric, with very little content) and I recently stumbled upon two pieces on innovation that are almost humorous to consume one after another-- though their content is similar, they generate completely opposite tones; the first is a dire piece by Michael Hanlon in Aeon called "Why Has Human Progress Ground to a Halt" and it makes an excellent historical and global argument for why our best days of invention may be behind us (specifically: 1945-1971) and the second is an inspirational gem from Planet Money called "The Story of Ali Baba,"-- the piece offers two success stories of innovation, and in both, the innovators use the Chinese commerce marketplace Ali Baba to directly buy parts that individual inventors have never had access to before . . . ex-Wired editor Chris Anderson ends up opening a drone-building company and Shawn Hector and Steve Deutsch built an automated chicken coop . . . so you be the judge, humans are either treading water waiting for the flood, or living in the most convenient time to innovate in human history.

You Should Print This Out

Ferris Jabr's article "Why the Brains Prefers Paper" presents some interesting evidence as to why reading a book or magazine is better than reading on a screen; there are tactile reasons of course, and people comprehend texts better when they read them on paper (and remember more) and students suffer less eye-strain, stress, and fatigue when they take tests on paper-- as opposed to on a computer-- and they actually score better . . . so this is an interesting rebuttal to the new standardized tests students will be taking on computer this year-- in our school, kids are taking the PARCC test and they will be taking it completely on computer, but there is also a paper-and-pencil version of the test . . . so I wonder if the results between the two mediums will skew the data . . . I certainly hope so, as there's nothing I enjoy more than skewed data (except Campbell's Law . . . which often leads to skewed data).

Platinum Fatigue Part 2

I was making my way through the 2014 edition of The Best American Science and Nature Writing and I saw an essay entitled "TV as Birth Control" and figured it was on the same topic as yesterday's sentence-- people are so busy watching all these platinum quality TV shows that they don't have time for sex-- but that was not the thrust of the article: apparently, TV (especially soap operas) in developing countries gives women a different view of motherhood, fertility, and women's rights and generally causes a major drop in fertility rates (in the 1970's, the Mexican government used soap operas as propaganda to promote family planning and contraception . . . this is known as the "Sabido Method") and so despite the steamy and salacious associations, soap operas may save the human race from a Malthusian disaster.

Platinum Fatigue

Sometimes, I get so tired and I don't think I can keep it up-- the pace is too fast and I want to close my eyes and just sleep, like forever . . . but then I rise to the challenge and keep on swimming . . . but somewhere, buried deep in my subconsciousness, like a splinter in my mind, there's a niggling thought: I can't do it . . . it's impossible . . . there are too many . . . it's a fool's game . . . there's no way out . . . there are too many good shows!  . . . there's no way to keep up! but then I dispel the negativity and think to myself: I am doing it . . . I've watched The Wire and Madmen and The Sopranos and The Shield, Luther and Battlestar Galactica and Breaking Bad and Curb Your Enthusiasm, The Return and Top of the Lake and Portlandia and Deadwood and Orphan Black and The Walking Dead and Sherlock and Louie and Friday Night Lights and The Guild and It's Always Sunny in Philadelphia and I acknowledge that these are the best shows ever made and that we are living in the Platinum Age of Television, and that these shows are better than movies, better than books, better than music, almost better than fornication, and certainly better than any form of entertainment ever created in the entire history of humanity, and I bow down to the show-runners and the show-writers, I applaud everyone for the effort, and I express my admiration and appreciation (and I also wonder how this many different good shows can all make money) but I think I've finally hit the wall, I can't do it any longer-- I grew up on Night Court and Real People . . . I patiently waited all week for a new episode of Cheers-- so this is quality overload-- there's too many choices, something has to give; I've learned to quit fairly good shows (Orange is the New Black and American Horror Story) and while I'm trying to do Broadchurch and Fargo and Black Mirror, it's never enough--  people keep recommending new things: The Fall and The Affair and The Missing and The Return and True Detectives and The Americans and Happy Valley and a bunch more that I've forgotten . . . so I guess I've got to accept the fact that I can't watch them all, and be happy that I'll have something to do when I retire (which doesn't seem likely, considering what's a happening with my pension fund).

Football, Soccer, and the Cinema

Sunday's Seattle/Green Bay game was the first time all season that I watched an entire NFL game-- start to finish-- and while the finish turned out to be extremely exciting, I was mildly annoyed for the first three quarters: Seattle looked inept, and there were a lot of commercials for new movies (which wasn't annoying in itself, I can usually tune out movie trailers but my children and their friend had to do a full review of how "awesome" each movie looked . . . they-- like many folks much older-- are still deceived by the fast cuts and the good music into thinking that every movie will be a masterpiece, simply on the strength of its trailer) but luckily my friend Roman was demoing his new deep-fryer for us, so he kept us all amused through the slow sections of the game with delicious and crispy fried-treats . . . and then, of course, the last thirty minutes of the game were a lightning-paced rollercoaster of plot twists and spectacular plays (and discussions about the rules-- my kids are still at the age where the ins-and-outs of onside-kicks and two-point conversions are riveting . . . and I can get sucked into it as well: I still don't understand why Seattle didn't go for two when they were down 16-0 and they scored their first touchdown . . . but seeing how the game turned out, I guess that's why I'm not an NFL coach) and I will say that it was fun to watch football with a bunch of soccer players (my son mistakenly called the Superbowl "the World Cup" during the game, much to the amusement of his friend, who is a real football fan) and unlike a soccer match-- which would have been long over if it was 3-0 in the rain going into the last stretch of the game, an NFL football game always has the possibility of a cinematic ending . . . and no matter what, there will be "an ending"-- a specifically final chance, an official climax-- unlike the flow of a soccer match, where there is no exact moment you can call the last attempt at victory-- and so I guess we like out sports the same way we like our movie trailers: episodic, fast-paced, explosive, and awesome (and Seattle's fake kick to set-up their first touchdown was extra awesome for me, because it made me remember why I started rooting for the Seahawks in the first place-- I was watching a Giants game in 1979, pre-LT, so it was ponderous-- and at the half they showed Seattle running a fake-field goal play and then throwing the ball to their little Mexican kicked, Efren Herrerra, who scored a touchdown . . . and apparently they did this often, and so, on the merits of that awesome play, the Seahawks became my AFC team -- they were the opposite of the Giants: they had no running game to speak of, except when Jim Zorn scrambled; and Zorn mainly heaved lefty passes at his little wunderkind white-boy wide-receiver, Steve Largent, and-- until they got Kenny Easly in 1981-- their defense was porous . . . it's hard to identify the current NFC powerhouse Seahawks to that AFC expansion team, but it still reminds me that I had a super-excellent Seattle trash can in my room when I was a kid-- the Seahawk logo wrapped all the way around, and I was also the only kid in town sporting a Jim Zorn jersey).

46th Proverb of Dave

Corn muffins are simply an excuse to eat lots of butter.

The 846th Proverb of Dave

When you are old, you will accumulate too many extension cords.

The 77th Proverb of Dave

When you sweep the kitchen, save some dust for next time.

More Ice

Yesterday, my son Alex and his buddy Gary walked down near the river to play on the ice (not on the frozen river itself, which is forbidden for obvious reasons-- I'm not that negligent of a parent-- but there are large frozen puddles near the river that my kids love to play on) and when I went to check on them, the two of them were playing ice hockey-- literally-- they were using sticks they found to play hockey with a puck made from a large chunk of ice; I didn't bother to tell them how funny I found this, as I didn't want to interrupt their game (which they played for a really long time . . . I had to walk back there to remind Gary he had to get home, and I'm thinking this is one of those rare and priceless kid memories that I'm going to need to recall when future teenager Alex does something obscenely obnoxious).

Chem for Dogs

I'm not very strong in my comprehension of chemistry (in fact, I'm downright stupid when it comes to chemistry, as anyone who has taken a chem class with me can attest) and so I'm not going to try to explain why this happens (if you're curious, read this) but apparently, not only does salt melt ice, but it also lowers the temperature of the ice as it melts-- somehow the salt uses energy from the water to cause the melting, and when you take away energy, then things get colder . . . but the interesting part of this equation is that I learned this from my dog . . . the other day when it was very, very cold and I was walking him down at the park, he started bobbing up and down like he had Parkinson's, but then I noticed that he was walking on three legs-- he was holding one paw in the air, and I took a look at the paw and it wasn't injured so I just chalked it up to weirdness and in a moment he stopped, but when I brought this up at the dog park, everyone seemed to understand this principle about salt and ice and they all gladly told me about it (I talked to multiple people about this phenomenon, at different times, and everyone I talked to cited the fact that when you make ice cream, you use salt to lower the temperature of the cream . . . does everyone who owns a dog also make homemade ice cream?) and so my first solution to this problem was untenable: for a few days I carried my dog across the street to the park-- because all the salt collects on that patch of pavement-- but my dog is fairly heavy and I walk him a lot, so that got old quick . . . instead, I bought him some Musher's Secret paw wax and that did the trick . . . and now I can proudly say that my dog taught me more about chemistry than that old bat I had in high school.

When Someone Makes Soup, You Eat It

When your wife slaves all day over a batch of home-made chicken soup, then come dinner, you eat the soup (I made the mistake of making a few tacos with the leftover chicken, instead of partaking in the home-made soup, and she was really pissed at me).

This is My Best Effort

My son Alex passed his stomach virus to Ian and me, and while the really gross part is over, my body is so sore and worn-out that all I can do is sleep and pet the dog.

You Can Pick You Nose But You Can't Pick Your Kids

While my son Alex still habitually picks his nose and eats it-- which disgusts me to no end-- I am also proud to say that he can now execute another, more elegant pick-- the pick-and-roll, which he performed perfectly with his buddy Luke in a basketball scrimmage the other day . . . this was one of my proudest moments as a dad (it competes with watching him proficiently snowboard) because, let's face it, as your kids get older, you're not going to have much influence over their behavior, morals, and/or attitude-- you might get them to say "please" and "thank you" but the rest is a combination of genes and peer influence (read the groundbreaking book by Judith Harris on this topic: The Nurture Assumption: Why Children Turn Out the Way They Do) . . and so if all the kids are getting cell-phones implanted in their buttocks, then you're probably not going to convince your kid to do otherwise-- and if you join the party, then you'll just be a weird old wannabe hipster with a cell-phone implanted in your buttocks, so there's just no way to keep up with them . . . really the only way you can have some sort of permanent influence on your children is if you teach them a specific skill, especially if that skill will have a influence on their life in the future . . . I didn't learn to snowboard until I was twenty-two and I didn't learn the pick-and-roll until after that (I was developmentally challenged as a basketball player) and, despite learning them late, both these skills have had a great influence on my life: snowboarding became one of my favorite sports and encouraged me to travel to a lot of places I never would have gone, and I still play pick-up basketball to keep in shape, so seeing my son learn these things at age ten makes me very happy.

January > Teetotaling

I think all of us living in the Northern Hemisphere will agree that January is a terrible time for resolutions-- especially ones that involving eating and drinking less; it's cold and dark and one of the best ways to dispel the winter blues is with delicious food, delicious food preparation, social gatherings, and plenty of booze . . . and so I am proposing we switch New Year's Resolution Season to the first day of spring-- people tend to have plenty of resolve then and there's actually stuff to get done (spring cleaning, home improvement projects, gardening and landscaping, getting in shape for bikini season, etcetera) while in the winter, there's no need to lose weight-- you're wearing layers of clothing-- and there's a whole lot less that needs to be done . . . so let's save the dieting and teetotaling for some time in the future and face the facts: January and February are for eating and drinking until you have a smooth, soft layer of insulation covering your body that will protect you from the cold and the wind.

The Wild Fern: Seventeen Stars Out of Five

Fans of The Dave know that I tend to be fairly binary with my reviews-- things are either "the best in the world" or "the worst thing ever" and that may be because I don't have a very good memory; I tend to live inside each moment, like an incredibly focused Buddhist yogi, discarding the past and ignoring the future . . . but despite this ability/impairment, I'm asking you to take this review very very seriously: if you ever find yourself in Vermont, on Route 100, a bit north of Killington Mountain, then you need to visit The Wild Fern and you need to eat whatever the owner/cook/waitress/hostess Heather has prepared for the day-- if you catch breakfast, it might be the best bagel you've ever tasted (with local eggs and bacon) or a delicate and airy New Orleans style donut with Nutella-- and if you go for dinner, then you need to try everything: the burger (local beef, homemade English muffin, Vermont cheese) is juicy and delicious; the pizza is fantastic; and the roast pork and sauerkraut is one of the best things I've ever eaten (and I hate roast pork and sauerkraut!) but the food is only half the deal; there's usually live music (Heather's boyfriend is local musician Rick Redington and she plays the bass in his band-- Redington performed when we ate dinner there, he's an incredible guitarist/singer and seems like a very nice guy) and the place has some sort of local post-hippie vibe that's only possible in a rural place that's still spitting distance to civilization (The Wild Fern is in the middle of nowhere, but it's still only thirty minutes from the semi-bustle of Rutland) and while there's not much seating-- the place is a shack-- Heather will take your order, tell you her life story, lend you her vintage Guild guitar (if I could always play a guitar while I while I waited for my food, I'd never complain about slow service) and explain just how she makes her amazing food (and as an added perk, the "Luv Bus" is parked in the lot outside-- it's the touring bus for Rock Redington & The Luv and it's the perfect finishing touch of verisimilitude for the scene).




Meaner Girls

If you're a fan of Mean Girls (and if you're not a fan of Mean Girls, then you'd better become one) then you'll love Liane Moriarty's new novel Big Little Lies . . . it's the story of what happens when the mean girls grow up and become mean moms; the story is set in Australia and centers around a seemingly lovely beachside elementary school, and from the first pages you know that someone has died horribly (but you don't know who) and that you're going to keep turning pages until you find out: Moriarty is a sharp, precise, and incisive writer-- she moves adeptly from satire to serious to slapstick, from plot point to plot twist; the dialogue is by turns funny and dramatic, and even though this would probably be labelled chick-lit, the dark underbelly of the story kept me up late into the night: not only will you want to find out who died and how, but you'll want to keep reading just to enjoy her keen and clever voice: five trivia nights out of a possible five.

Those Clever Teenagers and Their Electronic Devices

Not sure if this goes into the category of "something I should have known . . . but didn't because I'm old and/or stupid" or if it's a genuinely new and hip life-hack . . . but I learned in class on Tuesday that kids get fairly creative when they want to amplify the sound from their cell phone: one student said she puts her phone in the sink when she showers so she can hear her music over the running water-- and, according to RadioShack, a sink is a legit amplifier-- and another girl explained to us that "you can put your phone in your mouth if you need more people to hear it" which I deemed absurd and unhygienic, but she replied "it's my phone"; I couldn't find anything on-line about the efficiency of the mouth/phone combo amp and I don't think I'm going to try it, so you'll have to do that experiment on your own; another girl said she put her phone inside a big (unlit) candle to get some amplification, and everyone in the class knew the trick of putting your phone in a cup to make the sound louder; coincidentally, the first time I ever saw/heard this "phone in the cup" trick was over winter break, when my friend Rob (who is in his forties) put his phone in an empty coffee mug so that I could hear a song he recorded better . . . and I'm wondering if he learned this move from a youngster or if he figured it out himself-- so I will have to do some further research and report back to you.

At Least I'm Being Reasonable

I wrote a fairly lame post the other day for Gheorghe:The Blog in which I listed and discussed some of the "logic" I use when instructing my children how to behave-- and since writing the post, I have meditated deeply on the issue (and plagiarized a few ideas from the comments) and now I've produced a more comprehensive list . . . if you've got any other good ones, leave them in the comments and I will do the honor of stealing them from you:

1) because I said so;

2) because kids are starving in Bangladesh/China/India/Cleveland;

3) because that's disgusting;

4) because if you don't get it done, mom will go nuts on you;

5) because that's incredibly stupid and if you're going to do that, you need to wear a helmet;

6) because we love you;

7) because you're spoiled and need to suffer;

8) because our family is a team and we need to cooperate;

9) because you never see your mother and me behave like that;

10) because you're damaging our family's reputation;

11) because you don't know good music;

12) because in the Old West, if you cheated at cards, they shot you;

13) because stress kills, and you're killing me;

14) because people who know how to do math actually get jobs and move out of the house;

15) because if you don't get enough sleep, you're atrocious;

16) because you don't belong indoors, so get the hell outside;

17) because that's what you need to do if you own a dog;

18) because screens have ambient light that keeps you awake when you need sleep;

19) because I need a nap;

20) because if you don't wash your hands, shower and eat your fish and vegetables then you'll get scurvy/goiter/Lyme's disease and/or Ebola and your gums will bleed and you'll grow a football sized lump on your neck and your blood will be full of parasites and your eyes will explode.

Candy For Men

Black licorice is slightly more badass than a bag full of Gummi bears.

Did Ajim Suck Out Michael Rockefeller's Brains?


This is the essential question at the heart of Carl Hoffman's book Savage Harvest: A Tale of Cannibals, Colonialism, and Michael Rockefeller's Tragic Quest for Primitive Art . . . and unlike Serial, this journalistic journey down the rabbit-hole of time delivers a fairly definitive answer to the mystery of what happened to Michael Rockefeller in 1961-- although you're going to have to wait until the last page of the book to get it-- but along the way Hoffman raises plenty of other issues about colonialism and otherness, cultural relativism and morality, the motivations and rituals of subsistence cultures, revenge and balance, the value and acquisition of primitive art, and what connects and separates human culture (think headhunting, chairs and sewage) and while much of this might be anthropological abstraction or a maze of historical detail (I still can't figure out exactly what went down between the Asmat villages of Otsjanep and Omadesep) the narrative is held together by the lurking shadow in the New Guinea swamp, the ultimate taboo: cannibalism . . . and this pervades the story and the Asmat culture-- these are people without access to protein, warriors who believe in a spirit world as much as in the dense, green and watery reality of their actual home, and they are complex people, who have had to deal with an upheaval to their culture, in the form of mysterious white men-- who are generally all-powerful, possessing guns and flying vehicles, white men who made them feel guilt and regret for their sacred rituals-- and while they now profess that they are reformed of their headhunting habits, there are still those living in the villages, elders, who have tasted human flesh, and fifty years ago, when they had the chance to strike at a weak and vulnerable white-man-- not long after they suffered a massacre at the hands of a Dutch colonial-- then the case that Hoffman presents makes perfect sense.

There's Something Perfect About This (Unlike Driving a Motorcycle on the Turnpike)

There's something beautiful and appropriate about this progression: Highroads Harley Davidson in Highland Park closed down a few years ago, and now the building is a dealership for wheelchair vans.

Mnemosyne Demands a Sacrifice

My wife has to remember a wealth of information on a daily basis-- she has a lot of responsibility at her job and in our community, and she's also the reason our hectically scheduled household operates smoothly . . . and this doesn't end when we go on vacation: she's the primary packer and planner (I'm the chief researcher) so she's bound to forget a thing or two . . . but never has she forgotten three things on one trip, until now-- and I'm not relishing this in any way, shape or form, but I'd still like to record it, in a most unbiased and objective manner, for posterity-- not only that, this event does harken back to the humble beginnings of this blog; so . . . without any gloating . . . here's the list:

1) at the start of our trip, my wife forgot her prescription sunglasses, but we were only a few minutes down the road, so we turned back and got them;

2) while my wife was paying the check at the much recommended Wild Fern restaurant, she put down the iPad on the counter and left it there-- she didn't realize this until we were fifteen minutes away-- but we turned back and luckily it was still there (Heather, the owner/chef/waitress of The Wild Fern knew the house we were renting and said she was going to return it to us there if we didn't come back so we were safe either way);

3) when we were leaving the rented house in Stockbridge, my wife forgot her ceramic-travel coffee mug inside the house, but we had already locked up and left the key inside, so we had to chalk that one up to as a sacrifice to Mnemosyne.

You CAN Tune a Fish!

For those of you who need one more miracle to make it through the holiday season, this will do it for you: this event is described in The Acts of Peter, which is one of the apocryphal acts of the apostles of Jesus and it reminds me of the movie Chronicle, in which some teenage boys gain superpowers and do typical teenage stuff with their powers . . . so here Peter sees a smoked tuna hanging in a window and wants to show some people what the name of Jesus can do, so he resurrects the tuna and throws it into a (conveniently located) nearby fish pond and the tuna swims for hours on end, and people feed it bread and rejoice (this is in The Acts of Peter 5 . . . this book also features a talking dog).

Vacations With Kids Are Not Really Vacations

Another phenomenal Vermont vacation, full of snowboarding, skiing, great local food/beer, and plenty of anxiety (not only anxiety from supervising my children on the mountain, but also in our rented house-- a beautifully converted barn in Stockbridge which contains a couple of spiral stair-cases, which seem excellent in theory-- but spiral staircases with smooth and worn wooden risers are death-traps if you're wearing socks-- I slipped and fell hard-- and while my kids are getting better and better at navigating the mountain, they are also getting good enough to hurt themselves-- Alex whacked his head when he caught an edge snowboarding, but he was wearing a helmet so he only suffered a bump on his head and a bruise on his face, but no concussion, and Ian twisted his knee when a little kid cut in front of him) and after three days straight of riding-- longer days than usual because we met our friends on the mountain and peer pressure really motivates kids to keep on keeping on-- so after three long days, we finally took one off to relax, but we also promised my son Alex that we would play Settlers of Catan on this day off, and not just regular Settlers of Catan, but the new very-advanced "Cities and Knights" add-on that he got for Christmas, and it took four hours to finish the game (which I won!) but we took a break in the middle of the game for some sledding (Alex befriended some friendly Stockbridge locals) and then a trip to Rochester, Vermont to eat lunch at the Rochester Cafe and Country Store, which I highly recommend: the town is scenic, surrounded by mountain peaks, and the food and raspberry/peach pie at the cafe is super-delicious . . . and I hate pie; while I'm at it, I'll also recommend my favorite local beers from the trip: Rock Art American Red Ale and Alesmith IPA (and it's VERY important to have good beer on hand when you're playing a four hour board game with children).

Read My Lips: No New Resolutions

I'm going to be honest here: the only New Year's Resolution I ever followed through on was in 2011, when I resolved to eat more tacos (but I can't even be sure that I ate more tacos than usual, because in any given year, I eat a lot of tacos-- the experiment/resolution lacked a control year-- and, empirically speaking, the only thing I actually accomplished was to count the number of tacos I ate that year) and the rest of my resolutions have been ironic or farfetched, and so this year I resolve to do nothing other than do more of the same-- just a little bit better: I'm going to eat a little healthier, drink a little less in quantity-- but make up for it in quality, exercise a little more, lose my temper less, appreciate my wife more, coach a little more creatively, teach a little more effectively, record music more consistently, practice my guitar more diligently, tuck my elbow straighter when I shoot a basketball, take the dog on longer walks, find slightly better books to read, play a few more board games with my kids, cook dinner a few more times than I did last year, and-- finally-- and this is the biggest one on the list, and the wholesale change that I'm making in 2015 . . . read my lips for this one: no more pleated pants (for the most part, I have switched to flat-front pants, but I still had a few remnant pairs of pleated pants-- from the '90's?-- in my wardrobe and once in a while I would wear them, to the dismay of my wife and colleagues . . . but I donated them all last week, so I'm locked in to this particular resolution, which I'm sure is a good thing).



Dave Has a Miraculous Post-Christmas Vision!

When your mind strays outside the established box-walls, then you will certainly suffer disdain and criticism, even from those who profess to love you . . . but you must carry on, bravely,  faithfully, into the pale; so let it be know that upon the 26th day of the twelfth month of the Year, 2014, the day after the birth of our Lord Jesus Christ (or maybe not, but that's a whole other historical conundrum) I was delivered a post-Christmas vision in the form of a mini-van packing strategy: instead of building upwards in the back section of the van, the way I would normally stacketh our belongings, leaving a small "cavern" for the dog-- instead of this precarious and vision-obstructive pile of luggage, I would buildeth horizontally and create a "floor" of luggage, coolers, equipment, instruments, and victuals and I would layeth the dog's bed and a blanket on this "floor" of stuff and then the dog would have much space in which  to cavort and frolic and the driver would also be able to see out the rear of the van . . . and when I announced this vision to my wife, she said unto me, "I don't want the dog lying on my bag!" and I pronounced to her that I would bury her bag deep in the "floor" of mine own construction, under a blanket so that our dog would not lieth on her bag (despite the fact that our dog is liething all over everything in our house) but then when she saw my handiwork, she pronounced it good and renounced her doubt in my vision (for this particular incident) and the family did rejoice (until we were fifteen minutes down the road and my wife announced she forgot her sunglasses, so we had to turn around and get them . . . which raises an interesting philosophical question: how far down the road do you have to go before you don't turn around and go back for sunglasses?)

A Book For People Who Thought "The Road" Was Too Depressing

Station Eleven, by Emily St. John Mandel, adds nothing new to the apocalypse trope-- in fact, I think she keeps it simple on purpose: a killer virus wipes out the bulk of humanity-- but the book is deserving of all the accolades (National Book Award Finalist, Amazon Sci-fi Book of the Year) and then some . . . it's vivid and completely gripping from page one, it's beautifully written, and there are scenes of great violence and decay-- of course-- but unlike Cormac McCarthy's The Road, there are also moments of beauty and poetry and hope . . . it's The Walking Dead if the zombies were replaced by actors, musicians, and prophets; while it's not a super-idealistic noble-savage view of humanity, it's also not an illustration of Hobbes Leviathan . . . it's somewhere in between: more "literary" than hard sci-fi, but still a perfectly imagined world and I highly recommend it (especially, as an English teacher and a musician, because this book gives me hope that I might have some small but valuable role in a post-apocalyptic environment . . . "survival is insufficient").



Unwarranted Death Stare

So I'm walking down the hall, minding my own business, trying to get to my period 10/11 Creative Writing class on time and in front of me is a nice little girl that sits in the back right corner of the aforementioned class, and she's walking along with another nice little girl from the class, and Nice Girl #1  happens to turn around and she's sees me and makes eye contact and gives me the meanest glare imaginable-- a death stare-- and then she turns back around and walks into the class and I follow her and when I get into the room, I say to her "What was that for?" and she says, "I'm sorry, I predicted that you were absent because I didn't see you when I walked by class, so I told my friend you weren't here and then when I saw you in the hall I got really mad that my prediction was wrong."


If You Have a Cool Jazz Voice, Then You Don't Need Transitions



If you've got a cool jazz DJ voice, like Venus Flytrap or Gary Walker (from WBGO out of Newark) then you don't need to use transitions-- everything is smooth and cool, so last Wednesday, after Gary Walker finished playing Grover Washington Junior's groovy saxophone version of Stevie Wonder's "You Are the Sunshine of My Love," in one long flowing sentence, in his deep, gravelly signature voice, he explained that Grover Washington was a good friend of WBGO and that they love his music, and also, that fifteen years ago on "this very day" Grover was in Manhattan to do some recording for CBS and he "bent over to tie his shoes and he collapsed and died" and, then, all in the same breath, he informed folks that alternate side of the street parking would be in effect and to make sure to feed the meters.


A First World Conundrum

Does anyone else have trouble napping when the cleaning woman is doing her thing?


New Rack vs. New Knobs

My wife is wonderful and amazing just as she is, but that doesn't mean she can't occasionally improve things . . . so this year, for Christmas, she got a new rack (just for me!) and this is even better than her incredibly thoughtful gift back in 2011 (a set of new knobs) because she really didn't want (nor did she need) a new rack-- but she knew that I wanted her to accept the fact that we both might enjoy a new rack . . . because everyone loves a new rack . . . in the kitchen, of course, not the bedroom; in fact, we don't even have an old rack in the kitchen-- my wife likes to keep all the pots and pans in a set of deep drawers-- but I don't have the patience nor do I have the skill to successfully dig them out or stack them in . . . I like when everything is visible and easy to grab-- and this applies to both knobs and racks-- and so I always wanted a hanging rack for the pots and pans and she finally agreed to indulge me (and not only that, she bought it for me in secret and got our handyman to come over and install it . . . the best Christmas gift ever . . . even better than if she actually got a new rack . . . which is a recipe for back problems, if you ask me).

Seriously, Sirius?

So I'm walking my dog and it starts to rain and it's cold and damp and I'm hurrying home and he pulls me to a complete stop so he can urinate on a fire hydrant and I'm like really? that is so cliché and I tell him this, but it doesn't seem to make an impression-- so I guess it's actually a thing: dogs like to urinate on fire hydrants, even if it's raining (and my dog hates the rain and generally refuses to go out in it or stay out in it, so he must have desperately wanted to urinate on this fire hydrant).

Fell On Black Days

Sunday was the Winter Solstice in the Northern Hemisphere, and thus the shortest day and longest night of the year-- if you care to know how any of this astronomical crap works, here is a link-- but don't ask me about it, because I was too tired to comprehend any of the details of the article due to the fact that the lack of daylight sends me into a semi-dormant, totally idiotic state; on the bright side, the days will be getting longer now, but if you live in New Jersey don't get too excited-- because spring is rainy, cold and miserable (a fact I always forget) so not only is it going to be a long winter, but there won't be any decent weather until next fall.

The Significance of #47

Having this blog has made it easy to keep track of the important things in my life, such as the number of tacos I ate in 2011 (200!) and the number of books I read in 2013 (22) and I am very proud to say that this year I more than doubled last year's book count (mainly because I read a lot of quick reads: crime-fiction and travelogues and slick non-fiction) and I just finished my fifth Don Winslow novel of the year (The Gentlemen's Hour . . . plenty of surfing, corruption, torture, and murder . . . plus some big Serial type issues, such as how the prosecution and police often "massage" eyewitness reports and confessions in order to get what they need for a conviction-- whether it's the right guy or not) and that's book number 47; for the entire list and my seven favorites, head over to Gheorghe: The Blog. 

Ostrich Philosophy

My son Alex came home Tuesday with a nasty scrape on his arm, an injury he suffered in what he named "the arena"-- a free-form fighting melee that became an after school ritual for several days; I'm happy to say I witnessed the inception of this 4th-5th grade gladiatorial combat zone, and I'm also happy to say that I predicted its demise . . . a teacher finally broke it up, and while it looked like a lot of fun, and boys certainly need to burn off some energy and aggression when they leave school, I'm still glad to see it go -- there were a lot of head-on collisions and body slamming, and the ground wasn't particularly grassy-- there were trees and dirts and roots, and so Alex is probably lucky that he got away with such a minor injury . . . and this confirms one of my lessons about kids: it's always better when you don't watch what they're doing, because most of the stuff they do-- stand on furniture, play on the stairs, whip around sharp objects and bash each other with sticks-- looks incredibly dangerous, but most of the time they don't get hurt, and the only person who suffers is the adult watching all the violent nonsense.

Enough About Serial Already

Here is a piece of graffito I read on a condom machine in a bar bathroom: "this gum tastes funny."

Now That Serial Is Over, What Will My Brain Do?



The podcast Serial has finally reached its conclusion-- and while the ending might not satisfy the binge-listeners, anyone who listened to Sarah Koenig slowly explicate the case: the major and minor players, the details, the neighbor-boy and Mr. S., the time-lines, the Nisha call, the Asia alibi, the theories, the issues, the geography, the criminal justice system, the nature of narrative, human nature and truth . . . anyone who consumed this thing week-by-week, with plenty of time to process and discuss each episode with other rabid fans-- these people can't be disappointed by the ending (and I am speculating, of course, which is just what the podcast simultaneously invited us to do and warned us against) but the final episode had it all-- new shit, old theories, new possibilities, Deirdre, the phrase "West Side Hitman," and a final (sort of) conclusion about the case and our justice system; this is not to say that I wasn't rooting for The Last Minute Solution and the greatest forty-five minutes of digital audio ever recorded, and it's not to say that I didn't laugh (really hard) at the Funny or Die parody of the ending-- but I was setting the bar low (because that is the key to happiness) and I set it low enough (and I'm not ashamed to admit) that I got a bit teary-eyed at Adnan's last words-- his stoic attitude towards the universe and the case; he leaves Sarah with this: "I think in a sense you leave it up to the audience to determine" but Sarah says she can't do this -- she can't "take a powder" on a conclusion-- and then she says what we know she has to say, and while it's not last second Hail Mary into the end zone (my friend Kevin said it was more like when the quarterback takes a knee in order to preserve a hard fought tie) but I still think it was more than enough-- she provided plenty of drama and thought provoking commentary, brilliant pacing and superb detail and flawless transitions and dense tape-- tape we have listen to, and so we have to really pay attention, we can't just look at it and draw some quick conclusions; generally the only type of drama that can get me all weepy like the last two episodes of Serial are sports stories-- Friday Night Lights and Hoosiers and Rocky, that sort of stuff-- and I think that's how I felt here; I admired the fight, both from Sarah and her "little garden spade" and from Adnan, who allowed this awful time to be pried back open and scrutinized (would a guilty man agree to go through with this?) and even though it's cliche, sometimes you play as hard as you can, and you don't get a result, and that's frustrating and disappointing, but the important thing is that you put it all on the line and played . . . and that's what this podcast and Sarah Koenig and Adnan did . . . I don't think I've ever spent three months following anything this closely: a news story, a TV show, a book, a sports team . . . Serial takes the cake in that department, and now it's finally come time to conclude this sentence and I think I will end with the moral of the story-- endings are hard . . . there's so few that are memorable and perfect (The ShieldThe Winter's Tale, and Let the Right One In immediately come to mind) but that's because endings are contrived and in reality there are no endings, things just keep on going, whether we like them or not . . . so hopefully Episode 13 of Serial (otherwise known as the universe that Serial resides in) will eventually provide us more information about the case, but we have to remember that our universe isn't obligated to explicate anything, and so we just do the best we can with what we have.

Of Course We Do (Not)

My son Alex explained to us that he was making a movie at school and then he asked: "Do we have any snow leopard costumes?"

Like Spider Like Son



Although I am a competent basketball player now, this wasn't the case in college-- in fact, the only basketball skill I possessed back then was the ability to do "the spider"-- a silly drill in which you bounce the ball between your legs with two dribbles in front and then two dribbles behind your back-- and if you can get it going fast it looks pretty neat (and serves absolutely no strategic purpose, though that didn't stop me from doing it at half-court during our intramural games, after which I would chuck up a forty foot hook shot) and now I'm coaching 4th-5th grade basketball and I gave my players some "homework" ball handling drills -- including the spider-- and my own two children are obsessed with it and can actually do it pretty well, though it's probably the last thing they need to master (they'd be better served if they could make a lay-up or dribble with their heads up) but they've obviously got quite a bit of their dad in them (the other morning my wife said: "they can't be all you! they've got to have some of me in them!")


Surprise!

Fans of my idiotic ramblings know that I hate surprise parties-- I think people should be allowed to prepare in advance for social events (and I still haven't recovered from when Catherine threw me a surprise 30th birthday party-- I thought we were headed out to my favorite Mexican place for a relaxing dinner with my family, and instead I had to talk to a bunch of people that I wasn't prepared to talk to . . . it took me an hour to recover from the "surprise") and while I appreciate the planning and cleverness in order to successfully throw one of these parties, I always wonder about the purpose-- I wonder if the party is more for the planners than the recipient; anyway, I was a participant in a surprise birthday party on Saturday night and I suggested that we really give the recipient a surprise-- and I ran through a number of scenarios, including group nudity, knocking him unconscious and driving him to an undisclosed location and leaving him on the side of the road, and finally an easy one: when the birthday boy entered the house, his wife and I would make out in the living room and when he caught us, I would say "Surprise?" . . . but we executed none of my creative ideas, and just went with the traditional hiding in the kitchen and scaring the crap out of him with a shrill "Surprise!". . . and then I stayed out far too late (it's always traumatic for me when I surprise someone, and I need to assuage my anxiety with alcohol) and I was too tired to attend the big charity bash at my friend's mom's house on Sunday night . . . but Catherine went without me and later that evening I received a picture on my phone of her making out with a friend and he accompanied the picture with a text that said, "This is what happens when you don't come out" . . . surprise!

The Way We Were

For the past two weeks, my children have been starring in an epic saga of forgetfulness; they forgot their homework and the materials they needed for their homework multiple times (resulting in awkward phone-calls to their friends-- there is nothing worse than supervising nine and ten year old boys while they make phone-calls in which they actually have to glean some information from the communication) and then Alex nearly shit his pants when he realized that he forgot his saxophone-- his newly purchased very expensive saxophone-- "on the hill by the school" because he played some football right after school let out, but then his brother rushed him to leave . . . and so, nearly an hour after he left the very expensive saxophone on the hill, we raced back to school-- to find that the saxophone was no longer on the hill where he left it, and so there were even more tears, but he lucked out-- some goodhearted soul brought the instrument into the main office-- and as a result of all this forgetting, Catherine and decided that the two of them couldn't walk home for a week-- and that if either of them forgot their stuff, then they were BOTH losing TV for the night and that I would have to pick them up and check to see that they had everything they needed . . . and while I was annoyed with their irresponsibility, I was exactly the same way when I was a kid, so it was hard to actually be angry with them . . . and they do have to remember a lot of stuff; anyway, I raced out of my school last week so I could get to their school and check on them, and when I found the spot where the fourth graders were let out, I saw Ian and a few other kids engaged in an insane tackling and wrestling melee, with plenty of full speed running into each other and lots of chucking each other to the ground and it surprised me that this was happening on school grounds but they seemed like they knew what they were doing and that this was some sort of daily ritual so I forgot about it (especially since Ian had to return inside the school to find his trombone, which he forgot) and then the next day when I picked them up, my other son-- who is in fifth grade-- was also involved in this melee and I asked him if this happened every day and he said, "No, this never happens . . . but I saw them and joined in" which made me laugh because the whole thing looked so casually violent, like they always did this to let off steam after a school day, but I warned them that when some teacher or aid saw this, they were going to get in trouble and I told them about the very first after-school detention I received, which, coincidentally, was for-- and I quote this-- "play-fighting in the yard" (I'll never forget the description because I had to bring the detention slip home and get it signed) and I'm really hoping they start remembering their school materials because I don't want to see any more of this, as it's too stupidly nostalgic (and my wife doesn't care if I committed these same errors, she thinks we're all idiots).



How to Write the Comment of the Year

There are only sixteen days left in 2014, so if you're looking to win the prestigious Sentence of Dave Comment of the Year you'd better get cracking; to see what you're up against, read yesterday's sentence and the comments (and you also need to read this sentence as well) and then you'll understand what you need to do:

1) synthesize elements from two or more sentences in a brief and humorous fashion;

2) offer an ironic juxtaposition; zman's comment not only juxtaposes black and white, but also sleek and fluffy AND large and small . . . absolutely masterful;

3) you should avoid making fun of Dave-- while Clarence may have gotten a laugh yesterday, he's never going to win Comment of the Year with that kind of attitude.


Physics Equation with Dark Matter

Black fleece pants + black jacket + black rainy night + black Nike sneakers + black dog = almost getting hit by a car while walking the dog.

I Finally Understand Madmen

It took me a while to get it, but I have a good excuse-- I was distracted by all the outfits: Meghan's beautiful outfits and Peggy's atrocious outfits and Pete's silly outfits, Joan's voluptuous outfits and Betty's evolving outfits-- ironically, I share the same blindness as the men on the show . . . but I can't be blamed because of the "curse of testosterone"; anyway, better late than never, and so here it is: the show's theme is essentially the title of Hanna Rosin's candid book The End of Men and the Rise of Women; Don's infinite fall during the theme song is more than a tragic symbol of his own career arc . . . it's a symbol of the decline of all men in America; as the show grinds to a close, the women are gaining power and thinking for themselves-- Joan as a partner and Peggy as a talented executive and Meghan as an actress and Betty as an assertive and intelligent housewife who realizes her talents were wasted-- while the men are dinosaurs (Lou) or hipsters (Roger doing acid, Stan and his beard) or insane (Michael cuts his nipple off!)-- and when Don and Harry Crane leave the hip L.A. party and head out to sip whiskey at the old man restaurant with the paneled decor and a stone hearth, you can sense that the good times are over . . . maybe Don will regain some tiny shred of relevance, or achieve sobriety, but that's hardly a happy ending to the show, and I'm assuming it will end far worse than that.

Six Ways to Annoy Your Friends (Now!)



If you read the new Steven Johnson book How We Got to Now: Six Innovations That Made the Modern World then you will learn lots of annoying facts about his six topics of invention: glass, cold, sound, clean, time, and light . . . but I won't bore you with pedantry (though Johnson's writing can make anything exciting, even the history of refrigeration) and I'll just summarize his theme instead: to be extraordinarily innovative, you don't want to remain true to yourself and your unorthodox principles -- you might improve the world slightly that way-- but Johnson strives to dispel this "lone genius" myth; instead, if you really want to do something groundbreaking, you've got a little lost and form new connections, explore uncharted terrain, break your routine, and let yourself be buffeted by the new ideas circulating in the ether . . . and it still might take a LONG time before the world catches up with you . . . but the inventions are out there, just waiting for the right suite of technologies to become available, and the right brains to combine them (the same way Shakespeare went about "smashing words together" to make Elizabethan English into something more modern).




In the Old Days, If You Didn't Go to Church, You Got Whipped (Cream?)

I haven't been very zealous about my children's religious attendance (let's be frank here, I haven't even been mildly interested in making them attend church) but you reap what you sow; last week my youngest son told my wife: "putting whipped cream on my ice cream is part of my religion."

Tony Luke's is Better Than Jim's (and Other Notes for Future Trips to Philly)

Catherine and I spent the weekend in Philly (sans kids) and I'd like to note some highs and lows for both my readers and my future self:

1) Not only is the roast pork sandwich with sharp provolone and long hots at Tony Luke's better than the same offering at DiNic's-- but (though it's comparing apples to oranges . . . or pigs to cows) it's also better than a cheesesteak at Jim's-- and as an added bonus, the staff is actually cordial at Tony Luke's-- the woman taking my order didn't seem to mind at all that I had a question-- while Jim's has a "soup Nazi" feel to the ordering process . . . who do I order from? . . . the guy with the metal thingie? . . . did he make eye contact with me? . . . does that mean I need to say something? . . . I'm pretty far along in the line . . . am I too far in line? . . . should I have said something? . . . is it too late? . . . did I miss my chance?. . . do they have provolone? . . . do I have to say "wit wiz"? . . .. how do you spell "whiz"? . . . should I say "wit prov"? and after all the hazing, we were still underwhelmed by the cheesesteaks from Jim's this time around (although I must admit, that past times they were delicious);

2) our next trip to Philadelphia, I am going to get a cheesesteak from Tony Luke's and see if it is as good as the roast pork sandwich (because quite a few people were eating cheesesteaks there);

3) the Good Dog and La Locanda Del Ghiottone are great places to eat;

4) the tour of the Physick House is worth doing: the guy who does the tour is the great-great grandson of Dr. Physick-- "The Father of American Surgery"-- and while he's an eccentric man, who seems to be living his life both in the 18th Century and the present, simultaneously, there is no question that he knows a buttload about the house and the history of the area, which he gets across in passionate anecdotal fashion, with loads of bad puns, and -- odd as he is, and history buffs are usually quite odd-- at least he doesn't dress in period garb, which is a big plus . . . but be warned, the good Doctor's surgical tools are rather primitive and the accompanying diagrams made me light-headed and also, I'm pretty sure he explained to us, while discussing the family tree on the wall in the room with all the surgical tools, that he's seriously inbred;

5) The Hop Sing Laundromat has a lot of rules, so I put the kibosh on going there;

6) listening to the podcast Serial while driving is dangerous stuff . . . Lynn and Connell were so engrossed that they missed the exit . . . by thirty miles (but Lynn did get an A+ on the Episode 10 quiz that Catherine and I created for my class);

7) Connel got the perfect mojito at lunch at Cuba Libre, but then couldn't get the diner bartender to replicate it . . . but he does claim that the best drinks in the world are served at the awkwardly named Franklin Mortgage & Investment Company (but Catherine and I didn't go over there, as you have to mortgage your house to afford the drinks, which run fifteen dollars a piece-- but Lynn and Connel say it was well worth it, so next time I will suck it up and pay);

8) if you want to go to Farmicia, you need a reservation; same with Howl at the Moon, and McGillin's was a madhouse at 10 PM on a Saturday night, far too young a crowd (we walked in while the bouncers were breaking up a fight . . . the place was a giant frat party-- if you want to visit Philly's oldest bar, try the afternoon);

9) it's a long walk from the Old City to the Philadelphia Museum of Art, especially when it's pouring rain and you're only wearing a sweatshirt because your wife didn't emphasize the weather forecast (she told me, but she didn't TELL me);

10) the Thomas Bond House keeps the heat too high, so you have to break the rules and open the windows-- which have no screens because it's a restored historical house.


Sarah Koenig, Laura and the Dude Profanely Grapple in the In-Between Place (Philosophical Shit Part 2)



If you go 38 minutes and 40 seconds into Episode 8 of Serial, then you get to hear Sarah Koenig set up what she calls "her favorite piece of tape from all her reporting so far"-- and then you hear a friend of Jay's named Laura stumble and stutter and curse her way to the conclusion that she's very confused and things are extremely complicated-- there's just too much conflicting information; Sarah Koenig says that Laura's stream-of-consciousness equivocating could be her own . . . and all this reminds me of the scene in The Big Lebowski when the Dude proclaims, in the same stuttering, stumbling epithet-laced manner that "new shit has come to light" -- and the Dude and Sarah Koenig occasionally strike me as similar, though Koenig is a far more seasoned and professional investigator, but she still seems slightly over her head-- digging away at the case with her "little garden spade" . . . and open to all possibilities, as the Dude is, and though this is a wonderful trait, it means Serial may end like The Big Lebowski . . . an excellent picaresque journey that disappears into a scattered collection of phenomenal fragments (at the start of Episode 9 of Serial, Koenig presents the "new shit"-- three things that are fairly well substantiated, but actually increase the fog, complexity and ambiguity of the case).

Philosophical Shit

I think teachers often forget Aristotle's idea that "the roots of education are bitter, but the fruit is sweet" because they are already educated, so they know how to do the tasks they assign, and find it hard to imagine themselves stumbling around in the shadowy ignorance of Plato's allegorical cave; and while I do my best to empathize with the plight of my students, I certainly know some of my material too well to remember what it's like not to know it -- which is why teaching the podcast Serial has been so difficult and enlightening . . . I've learned that I am much better at reading than I am at listening, and that I have trouble with details, timelines, and auditory descriptions of geography . . . I made my students write an essay connecting Plato's cave metaphor to Episode 7 and 8 of Serial and one essay explained that Sarah Koenig couldn't be manipulating us (the audience) because she is also in a shadowy cave of ignorance, the maze of her investigation, and we are -- like Inception-- inside an even shadowier cave within her cave, and then I added another layer to this: though I am the teacher, I'm not great at organizing things this dense and detail-oriented, and so I am in an even darker cave within that cave; anyway, I am listening to the episodes two or three times, in order to plan and teach each one, and the students are helping me as much as I am helping them (and often summarizing and analyzing things in ways more eloquent and precise than I am capable of, which is impressive . . . and the main thing you should learn from all this, is that if you're life is on the line, you don't want me arguing your case).

Can Anyone Peel an Egg?

I've got decent fine motor skills-- I can shoot a dart, play lead guitar, and tweeze an ear-hair with unerring accuracy-- so why can't I peel a hardboiled egg?

What the Kids Are Saying . . .



Here is some of the slang I've picked up from the teenagers this school year: apparently, if you are over forty and some young person has nicely groomed eyebrows, then it's really funny if you tell this person their eyebrows are "on fleek" . . . also, if you're a teenager and you've got a BAE (a boyfriend or girlfriend) then you can say that you and your significant other are "cuffed."




Fermi's Paradox and The Great Filter Wish You a Happy Holiday Season

This year I'm not going to get so upset over the rampant materialism and consumerism (and the resulting environmental disaster) caused by the holiday season, and one of the things that's helping me cope is Fermi's Paradox and its evil twin, The Great Filter: when several physicists were discussing the high probability of extra-terrestrial life (based on the vast number of stars like our sun and planets that could support life) then Enrico Fermi ended the discussion with the question "Where is everybody?" and one possibility is that there are Great Filters which are very, very difficult to pass through on the road from inert matter to intelligent life . . . and one of these "Great Filters" might be the technological ability to destroy the very planet on which you live, and we've reached that capability, and we seem to be fairly intent on activating this Great Filter (for more on this, listen to Dan Carlin's podcast Blueprint for Armageddon II) and so I'm not going to worry about the earth any longer-- I'm going to live it up, because apparently every other intelligent civilization in the galaxy destroyed itself before figuring out interstellar travel, so why should I expect anything more from humans?




Real vs. "Real"

Birdman or (The Unexpected Virtue of Ignorance)  is a film with many layers-- but the layers are shallow . . . we never leave the epidermis-- and in the end, though there's some good performances and some interesting irony and meta-irony (Michael Keaton plays an actor past his prime trying to stay relevant, but all people can remember him for is his role as the superhero Birdman . . . sound familiar?) the movie is overwrought and forgettable; Edward Norton does his impression of the best actor in the universe, the arch-fiend is a critic-- who might destroy Michael Keaton's play and might even destroy the movie as a whole, but then Keaton saves the day with his performance and his "performance" and for some inscrutable reason (perhaps to make it more "real") this is all done in one long Steadicam shot, giving the illusion that the film is one long take . . . but all this does is make the film far too long (two hours) for this kind of comedy, there's too much time to "get" the irony and the ambiguity (and maybe all this quality TV has ruined me, but I'm used to brevity now) and so while there are funny and profound and vivid moments, as a whole the movie is ponderous (JCVD does it better) and Emma Stone's various rants and lectures about Twitter and social media are annoying and dated, but if you want to see something real (rather than "real") then check out On the Ropes, a 94 minute boxing documentary from 1999 that tells the story of three boxers and their trainer Harry Keitt; Keitt has been homeless, shot his cousin over a drug deal, and addicted to cocaine, but he fought his way out of trouble and now tries to inspire his fighters . . . but even if you train hard, it's tough to defeat the ghetto: Tyrene Manson is a Golden Gloves contender, but she gets screwed by her crackhead Uncle Randy, who sells drugs to an undercover cop, and Tyrene gets charged with intent to sell as well (simply because some drugs were in her room, which is hardly "hers" as she lives in a house with many other people . . . watching her incompetent lawyer and the cold-hearted judge that sentences her is heartbreaking); George Walton is a young fighter with professional aspirations and ability, and he leaves his trainer behind and learns some hard lessons about trust and talent; and Noel Santiago is a likable slacker who finds inspiration and enthusiasm in the boxing gym, but also learns that even if you try, sometimes success is elusive . . . Birdman takes a long time illustrating a few things about some shallow and insipid characters, but On the Ropes cuts to the bone much quicker, and though the film is gritty and at times ugly, there's some unforgettable moments in it.






It Works For Me

I've found that in the winter, if I take my dog for a bike ride or a hike through the park, I get far less muddy if I tuck my sweat pants into my socks, and while I realize this looks ridiculous, I'm just going to apologize in advance and do it anyway.

Enough of That . . . Or Is It?

I finished Dana Goldstein's book The Teacher Wars: A History of America's Most Embattled Profession and while there's certainly fascinating stuff in there (the reason, in the1800's, politicians embraced females invading a traditionally male job was because they would work on the cheap) and the book lays out, in a comprehensive and unbiased manner, the history of teachers and unions, education and desegregation, the various attempts to use testing and teacher evaluation to improve schools, the political and moral panic that often resulted in teachers being persecuted for reasons other than incompetence, the charter school movement, Teach for America, the Race to the Top, No Child Left Behind, and all sorts of other things that I knew only passing information about, but for the layperson the interesting part of the book is the epilogue, where she makes some recommendations based on all her research, and these are logical and worth taking a look at; but for those of you who don't feel like it, which I totally understand (you could be reading a Don Winslow book) here is a short summary:

1) teacher pay matters and while teachers aren't paid poorly in America, they aren't paid nearly as much as in countries with very successful education systems,  such as Finland, South Korea, and Japan-- if teaching jobs aren't coveted, and if teachers aren't as respected as doctors and engineers, then you won't be able to attract excellent candidates;

2) we need to focus on using good teachers as models and creating communities of excellent practice, rather than creating systems of evaluation purely to ferret out the bad teachers-- as these systems always fail because of the insane amounts of paperwork and data they create;

3) tests need to return to their rightful role as diagnostic tools, not as methods to achieve high stakes funding-- which resulted in teaching to the test, gaming the system, and all sorts of illustrations of Campbell's Law;

4) the principal matters as much as the teachers-- exceptional leadership improves the bottom third of teachers and the top third of teachers-- not excess evaluation paperwork;

5) star teachers were not necessarily the best students--so simply hiring people with higher math SAT scores isn't necessarily going to improve American education-- research shows you're better off hiring someone with excellent communication skills, who adeptly uses a large vocabulary, and can explain things well-- even if they once struggled to learn them in the past (and I agree with this, because I was a horrible and disorganized student, and so I know how to contend with this in class);

6) teachers benefit from watching each other work-- but there's usually no time for this (although since I started teaching Serial, a number of my colleagues have observed my class, and it's great-- they're not administrators filling out paperwork while I teach-- so there's no pressure-- and I can ask them for suggestions during the lesson or afterwards);

7) end outdated union protections-- there needs to be a faster way to fire incompetent veteran teachers, and a streamlined way for the teacher to appeal being fired (because teacher appointments and terminations have certainly succumbed to political whims in the past);

8) we are not as homogenous as Finland and there are limitations to our educational system, which is very decentralized, so it's near impossible to use top-down reform to improve our schools-- there's no federal body to check how schools are implementing federal standards, and federal funding is fairly minimal (compared to state and town funding) and we have schools in America with incredibly different study bodies and educational problems, so every school might need a slightly different plan to improve;

and finally, if you want to hear something more condensed on these issues, which features an interview with Dana Goldstein, then listen to this week's episode of Freakonomics: "Is America's Education Problem Really Just a Teacher Problem?"

A New Sentence Every Day, Hand Crafted from the Finest Corinthian Leather.