Deacon King Kong: Read It!

Deacon King Kong is the 51st book I read this year-- 2020 was good for something-- and it is the best piece of fiction I've run into in a long while; I'm not going to write a long review-- just read the thing-- but I will post up my Kindle notes . . . my favorite sentences from this fever dream that's exploded from James McBride's brain-- a fictionalized account of the Brooklyn housing project in which he grew up . . . the year is 1969 and it's all going down in this book, which is about urban decay and revitalization, baseball, drugs, race, language and tall tales . . . it is so much fun, even when it gets dark-- and there's some romance and a mystery to keep the plot cooking . . . the book begins with Sportcoat-- the old drunk church deacon, walking up to a young heroin dealer (who he coached as a child) and shooting him in the ear . . . but really the book begins with the mystery of the free cheese:

“Look who’s talking. The cheese thief!” That last crack stung him. For years, the New York City Housing Authority, a Highlight hotbed of grift, graft, games, payola bums, deadbeat dads, payoff racketeers, and old-time political appointees who lorded over the Cause Houses and every other one of New York’s forty-five housing projects with arrogant inefficiency, had inexplicably belched forth a phenomenal gem of a gift to the Cause Houses: free cheese. 

and then there's some backstory on Sportcoat:

When he was slapped to life back in Possum Point, South Carolina, seventy-one years before, the midwife who delivered him watched in horror as a bird flew through an open window and fluttered over the baby’s head, then flew out again, a bad sign. She announced, “He’s gonna be an idiot,” 

At age three, when a young local pastor came by to bless the baby, the child barfed green matter all over the pastor’s clean white shirt. The pastor announced, “He’s got the devil’s understanding,” and departed for Chicago, where he quit the gospel Highlight and became a blues singer named Tampa Red and recorded the monster hit song “Devil’s Understanding,” before dying in anonymity flat broke and crawling into history, immortalized in music studies and rock-and-roll college courses the world over, idolized by white writers and music intellectuals for his classic blues hit that was the bedrock of the forty-million-dollar Gospel Stam Music Publishing empire, from which neither he nor Sportcoat ever received a dime. 

At age five, Baby Sportcoat crawled to a mirror and spit at his reflection, a call sign to the devil, and as a result didn’t grow back teeth until he was nine. 

Sportcoat was a walking genius, a human disaster, a sod, a medical miracle, and the greatest baseball umpire that the Cause Houses had ever seen, in addition to serving as coach and founder of the All-Cause Boys Baseball Team. 

and then-- in contrast to old school Sportcoat-- you've got the corrupted youth:

you've got the Clemens was the New Breed of colored in the Cause. Deems wasn’t some poor colored boy from down south or Puerto Rico or Barbados who arrived in New York with empty pockets and a Bible and a dream. He wasn’t humbled by a life of slinging cotton in North Carolina, or hauling sugarcane in San Juan. None of the old ways meant a penny to him. He was a child of Cause, young, smart, and making money hand over fist slinging dope at a level never before seen in the Cause Houses. 

and the requisite Italian mobsters . . . this is Brooklyn in the late '60s:

Everything you are, everything you will be in this cruel world, depends on your word. A man who cannot keep his word, Guido said, is worthless. 

and various kind of crime:

“A warrant ain’t nothing, Sausage,” Sportcoat said. “The police gives ’em out all over. Rufus over at the Watch Houses got a warrant on him too. Back in South Carolina.”  

“He does?” Sausage brightened immediately. “For what?” 

“He stole a cat from the circus, except it wasn’t no cat. It got big, whatever it was, so he shot it.” 

Where’s the box?” “The church got plenty money.” “You mean the box in the church?” “No, honey. It’s in God’s hands. In the palm of His hand, actually.” “Where’s it at, woman?!” 

“You ought to trade your ears in for some bananas,” she said, irritated now. 

and superstition:

His wife put a nag on him, see, like Hettie done to you.” 

“How you know Hettie done it?” 

“It don’t matter who done it. You got to break it. Uncle Gus broke his by taking a churchyard snail and soaking it in vinegar for seven days. You could try that.” 

“That’s the Alabama way of breaking mojos,” Sportcoat said. “That’s old. In South Carolina, you put a fork under your pillow and some buckets water around your kitchen. That’ll drive any witch off.” 

“Naw,” Sausage said. “Roll a hound’s tooth in cornmeal and wear it about your neck.” 

“Naw. Walk up a hill with your hands behind your head.”  

“Stick your hand in a jar of maple syrup.” 

“Sprinkle seed corn and butter bean hulls outside the door.” 

“Step backward over a pole ten times.” 

“Swallow three pebbles . . .” 

They were off like that for several minutes, each topping the other with his list of ways to keep witches out, talking mojo as the modern life of the world’s greatest metropolis bustled about them. 

“Never turn your head to the side while a horse is passing . . .” 

“Drop a dead mouse on a red rag.” 

“Give your sweetheart an umbrella on a Thursday.” 

“Blow on a mirror and walk it around a tree ten times . . .” 

They had reached the remedy of putting a gas lamp in every window of every second house on the fourth Thursday of every month when the generator, as if on its own, roared up wildly, sputtered miserably, coughed, and died. 

and there's a shooter in the vein of The Wire's Brother Mouzone:

He wanted to say, “He’s a killer and I don’t want him near you.” But he had no idea what her reaction would be. He didn’t even know what Harold Dean looked like. He had no information other than an FBI report with no Highlight photo, only the vaguest description that he was a Negro who was “armed and extremely dangerous.” 

and a romance between an Irish cop and an African-American church sister:

“I’ll be happy,” he said, more to the ground than to her, “to come back and bring what news I can.” 

“I’ll be waiting,” Sister Gee said. But she might as well have been speaking to the wind. 

the dark side of the drugs: 

Men who made their girlfriends do horrible things, servicing four or five or eight men a night, who made their women do push-ups over piles of dogshit for a hit of heroin until, exhausted, the girls dropped into the shit so the men could get a laugh. 

and, finally, a clash of values that is epic and poetic:

"I’m in the last Octobers of life, boy. I ain’t got many more Aprils left. It’s a right end for an old drunk like me, and a right end for you too that you die as a good boy, strong and handsome and smart, like I remembers you. Best pitcher in the world. Boy who could pitch his way outta the shithole we all has to live in. Better to remember you that way than as the sewer you has become. That’s a good dream. That’s a dream an old drunk like me deserves at the end of his days. For I done wasted every penny I had in the ways of goodness so long ago, I can’t remember ’em no more.” 

He released Deems and flung him back against the bed so hard Deems’s head hit Highlight the headboard and he nearly passed out again. “Don’t ever come near me again,” Sportcoat said. “If you do, I’ll deaden you where you stand.”  

Everyone is on all the Drugs

Once upon a time, there were opium wars. And reefer madness. The hippies and Timothy Leary did LSD. The disco folks snorted coke, and Marion Barry did crack. The ravers took Ecstasy. College kids wandered around high on magic mushrooms. Junkies and rock stars did heroin. You occasionally heard about some lunatic doing PCP or mescaline or horse tranquilizers like ketamine, but for the most part you could keep track of the recreational drugs people were using on ten fingers (maybe you'd need your toes for pills like Valium, Xanax and Percocet) .

Then I read Methland (and wrote this fabulous review of it) and watched Breaking Bad. Scary stuff. Next came the opioid epidemic, and the ensuing plague of heroin addiction. I read Dreamland and Dopesick. I thought I was well-informed on the state of illicit drug use and abuse in America.

I was wrong. And like to recommend a book that will explain. I think it's a must read for parents and teachers and coaches and psychonauts.

Fentanyl, Inc. How Rogue Chemists Are Creating the Deadliest Wave of the Opioid Epidemic, by Ben Westhoff, comprehensively covers the new drug scene. And there's no way to fight it. The only way to win the war is Gandhi-like pacifism, in the face of a wave of chemicals so powerful and various that no top-down institution can keep track of them.

Called NPS . . . which-- depending on your SAT verbal score-- either stands for "new psychoactive substances," or the slightly the more advanced "novel psychoactive substances."

Fentanyl analogues such as carfentanil (which is used to tranquilize elephants and rhinos) and acetylfentanyl and benzoylfentantanil.

Synthetic cathinones, such as Meow Meow (4-MMC) and Ice Cream (3-MMC) and Flakka (a- PVP).

Synthetic cannabinoids like Spice and K2 and JWH-018 and 5F-ADB.

Fentanyl precursors, which can be bought from China, so that you can manufacture various new fentanyl cocktails.

And pages of others. But you get the point.

So your heroin, which is hard to make-- you need fields of poppies-- is most definitely laced with fentanyl. Fentanyl is notoriously strong-- a pinhead's worth could kill you-- but it's easier to manufacture than heroin. This is how Lil Peep and Tom Petty and Michelle McNamara all met their maker (fentanyl combined with sedatives, which is a deadly combination). Prince and Mac Miller too.

Westhoff goes to China to investigate where all the precursors are coming from, and he finds it remarkably easy to buy them. Chinese companies will even ship in mis-marked bags, as banana chips or whatever, to disguise them.

The Opium War has flipped. Surprisingly, there's plenty of fentanyl abuse in China, as well, despite the fact that they execute drug dealers there. This is strong, addictive stuff. And nobody knows what they're taking, even the psychonauts that make the stuff.

The only "successes" in this minefield of chemical lunacy have been the harm-reduction agencies like Bunk Police and DanceSafe that go to raves and clubs and festivals and offer chemical analysis of drugs for partiers, so that they know what they're taking, and can make an informed decision. This has worked incredibly well in Europe, where laws allow these companies to operate, but they are not exactly legal in America, because of the Rave Act. In 2017, the United States-- population 326 million-- had seventy thousand drug overdose deaths. The European Union-- population 510 million-- had only 7600.

This book gave me the feeling that everyone is on drugs. The math is crazy. Many of you know the story of Kermit, West Virginia . . . a town of 400 that was prescribed 5 million opioid pills. That's awful enough. But at least they knew what they were getting. This new stuff is scarier: more potent, more random, more volatile, and often quite cheap. I hope and pray my kids figure out a way to avoid it.

Dave is Empathetic About His Wife's Shortcomings (and she should reciprocate)

My wife moves fast and gets things done. A downside of this is that she sometimes misplaces her stuff.  The very first blog post I wrote on Sentence of Dave addressed this:

I am shopping for a new digital camera because my wife has a habit of leaving things on the roof of our car.

I'm proud to say that I'm always supportive and understanding if she loses something. She has her fingers in a lot of pies. No time for serene transitions. She doesn't always have time to fully think through where she's putting her stuff down.

We were already having a wild week-- my car was in the shop getting a new crankshaft position sensor (a big job) and so we were down to one car: our Honda CRV. At some point on Wednesday-- a day we had off for Yom Kippur-- my wife lost her keys. She realized this Wednesday afternoon, but in a casual sort of way. She didn't think anything of it until Thursday morning.

Since my car was at the shop, I drove her car to work. My school is farther away. Her school is only two miles from our house, so she planned on biking there. I leave much earlier than her for work, and once I arrived, I started receiving frantic texts.

Apparently, she had really lost her keys-- the whole set. The house keys, the keys to both cars, the keys to her classroom . . . everything. She had looked everywhere. In the dark. In her pajamas. In the garden. In the garden compost. In our garbage. Yuck.

She assumed someone stole them.

This is what she surmised: she had left the keys on the ping-pong table in our driveway. She had been running around, from Zumba to yard work to acupuncture and then back to yard work. Unlike a normal person-- myself, for instance--she didn't take any breaks between these activities. No snack or cup of coffee or moment to put her feet up and read a magazine. Just one thing to the next. And she was sure that someone had filched the keys right off the ping-pong table and this light-fingered scuzzbag was planning on breaking into our house AND stealing both our cars. There had been a few robberies around town recently, so her thoughts weren't completely unfounded.

When she got home from acupuncture, she put her purse on the hook just inside the door, and then went outside for a moment to pick up the weeds and piles of brush from her garden. She had the keys in her hand, but then put them down so she could put on a pair of gardening gloves.

She also complained that lack of sleep from ear pain may have contributed to her miscue.

I tried to make her feel better about the whole thing. We all make mistakes.

But things went from bad to worse.

It was hard for me to imagine. I was at work, teaching class. I had a working car in the parking lot. I had keys, all kinds of keys. But I could feel it, like a splinter in my mind. My wife was in some weird circle of Hell.

What a morning is right.My wife does too many things! She has too many responsibilities! The horror! The least I could do was figure out a way to make her afternoon easier. I put some deep thought into it and came up with a plan.

A heroic plan.

My wife was appreciative about my solution. She told me that she loved me, and I felt good about supporting her in her time of need. She doesn't screw up very often, and when she does she always feels awful about it (unlike me, I've become inured to it).

So I left school early, drove home and unpacked the soccer gear from the car-- as I would have to lug it down to the field on foot-- then went into the crawl space and got the bike rack. On my way out, I smashed my shoulder on the low ceiling. It hurt, but sometimes heroes have to suffer some pain. I strapped the rack on the car and put my bike on the back of the CRV.

Before going to my wife's school, I dropped off the dry-cleaning. I was running some serious errands. Taking care fo business. Getting it done.

I drove the CRV to her school, parked it in the staff lot, dropped the keys off in the office, took my bike off the rack, and rode home. Now she had the car, which would make it so much easier for her to get to the allergist after gardening club. Mission accomplished!

I got home and dragged the soccer equipment down the hill and ran practice.

What a day.

When I got home from practice, I did a thorough search around the house. If I found the keys, this I would increase my hero status exponentially. It got dark. I took out a flashlight and looked all around the front yard. I hoped to see the glint of metal.

No luck.

Over dinner, we discussed changing our locks and purchasing a couple of Club brand steering wheel anti-theft devices. And the cost of fixing the mini-van.

Yuck.

Then Catherine had to run yet another errand-- she had to pick up Ian's allergy prescription at Rite Aid. On the way, she had a thought. In her brain. A thought about me, her loving heroic husband.

She remembered that I like gum.

And that on Wednesday, right before I went running with the dog, I asked if there was any gum in her car. And she said, "Yes. There is gum in my car." And I grabbed her keys, to get the gum. And I had the dog.

And I never came back inside.

She checked the CRV's center console storage compartment-- the place where she stores her gum-- and she found her keys.

I had hidden them. Subconsciously.

It was all my fault (aside from the bike chain, which was such an easy fix-- I can understand that she was in her work clothes and didn't want to get greasy, but still).

I was the cause of all the stress. My wife didn't have her finger in too many pies. My wife was fine. I had fucked up. I had lost the keys. I had caused her all the stress. It was all on me.

My only saving grace was the fact that I had been so kind and compassionate when she had lost the keys (even though she had never lost the keys). When we thought she lost the keys. I had been calm and levelheaded and empathetic. We all make mistakes.

All I could ask is that she reciprocate.

P.S. I remembered about the water bottles this morning, and kept Lola from licking them! A heroic act of remembering, if there ever was one.

Shit I'm Watching with the Kids #2

The kids and I watched Breaking Bad this winter and then I got sick with the flu and watched a few episodes of Better Call Saul and I loved it but I decided to wait to continue until the kids were ready for more of the crew from Breaking Bad . . . we're now three seasons in and we've decided that in some ways we like the show better than Breaking Bad because it's so much less stressful-- it's a prequel, so you know who's going to make it through the show, which makes it a lot easier to enjoy the exploits of Slippin' Jimmy.

Dave Gets It (Slowly But Surely)

When I first got my Father's Day T-Shirt, I was confused-- Tantalum? Cobalt? What?-- but then I noticed that the abbreviations-- "Ta" and "Co"-- spelled out the word "TaCo," and I love tacos, so that made perfect sense . . . and then the day after Father's Day, I held up my Father's Day T-Shirt and said, "This reminds me of the credits on Breaking Bad," and my wife and kids looked at me like "Duh" and I said, "And I love Breaking Bad . . . this is a great t-shirt!"

Laura Roslin and Walter White: Separated at Birth?

We just finished watching Breaking Bad as a family and then we hyper-jumped right into Battlestar Galactica . . . these are two of my favorite shows and it's really fun to rewatch them with the kids, especially because they notice things that I missed (and the first time Catherine and I watched these shows, we were sleep deprived and logy because of these very same kids) and while I will claim responsibility for the juxtapostion of these two platinum era masterpieces, Ian is the one who first noticed that Walter White and Laura Roslin are two sides of the same coin, and I'd like to add my two cents as to why:

1) at the outset of each story, both characters are diagnosed with cancer;

2) they are both involved in education and both seem to have greater aspirations;

3) they are both thrown into positions of power far beyond their purview and they both adapt and become calculating and effective leaders;

4) the looming threat of imminent death from cancer makes them assume a different kind of logic when assessing problems-- because they know how to take themselves out of the picture;

5) both shows hinge on a yin-and-yang duality-- the Walter White/Jesse Pinkman rollercoaster relationship and the Laura Roslin/ Commander Adama philosophical and tactical discussions.

Juxtapostion That Foreshadows Something Bad

The literary term "juxtaposition" is a favorite of sophomores the world over, mainly because it applies to nearly any two things placed side-by-side that elicit some sort of irony or contrast . . . it's easy to identify, sounds smart, and-- along with foreshadowing-- it's the most popular term thrown about by wannabe high school literary scholars . . . but sometimes things are hackneyed and cliche for good reason, and a really excellent ironic juxtaposition is a wonderful thing: my wife and I are watching Breaking Bad with the kids and we finally got to season 5 and my two favorite episodes: "Dead Freight" and "Buyout"; during "Dead Freight," Walter, Mike, Pinkman and Todd engineer a methylamine train heist-- a heist that will occur unbeknowst to the train conductor-- and despite a few hiccups and a lot of stressful moments, they pull it off with great success-- until the last moments of the episode, when the gang pays a very heavy price for their actions . . . the next episode deals with the aftermath, and features the greatest dinner scene in TV history, the first time that Pinkman, Skyler and Walt really sit down together and interact-- the tension is so unbearable it's funny-- Pinkman tries to make small talk in an absolutely untenable situation . . . even if you've never seen Breaking Bad and don't want to commit to five seasons, you can watch these two episodes as a stand-alone unit, they are magical, awkward, and capture everything great about the show.

Broken and Bad Memories

Catherine and I are rewatching Breaking Bad with the kids and we've made it to Season 5; we are recognizing that the odd nostalgia we had for Walter White was unwarranted, distorted by time, and probably caused by our fondness for Hal on Malcolm in the Middle.

Flu Day . . .

My fever is down . . . the Tamiflu seems to be working, but more importantly, I did some valuable things on my flu day:

1) watched the Netflix documentary Take Your Pills . . . makes me wonder how the hell I get so many things done without taking any pills . . .

2) finished the comic book series Saga . . . I highly recommend it: a whacked out fantastical space opera that tackles adult themes and uses utterly bizarre imagery-- BattleStar Galactica meets Star Wars with a bit of The Fifth Element thrown in for good measure;

3) watched the first few episodes of Better Call Saul . . . I didn't want to tarnish my memories of Breaking Bad with a schlocky spin-off, but Saul seems to be more along the lines of Frasier than Joanie Loves Chachi.

Viewing Habits of Man Children

Quite a juxtaposition of streaming video consumption: last month my kids were watching the first season of Breaking Bad and now they're obsessed with an adorable kids show called Gravity Falls (it's actually tolerable for adults . . . funny and fast-paced, but the recommendation algorithm is going to struggle with what to suggest next).

Rest in Peace, Robert Peace

The Short and Tragic Life of Robert Peace by Jeff Hobbs is true story of grit, determination, and social class, and -- oddly-- one of the most interesting plot twists occurs within the narration, but I won't spoil that, just promise me you'll read the book . . . it's a gripping account of why you can take the boy out of Newark, but you still might not be able to take the Newark out of the boy, and while you can obviously enjoy this if you're not from New Jersey-- The New York Times, Amazon, and Entertainment Weekly named it book of the year-- but familiarity with Newark, Sharpe James and Cory Booker will make you appreciate the milieu even more; this is a story for the ages, epic in scope, picaresque in a Tom Jones/Breaking Bad fashion, and a revision of the American Dream that Fitzgerald would have appreciated . . . ten Sour Diesels out of ten.

They Alive, Dammit! It's a Miracle!

If you haven't seen the Netflix original Unbreakable Kimmy Schmidt, then the plot is a hard pill to swallow-- Kimmy and three other women were held captive underground for fifteen years by a lunatic doomsday cult preacher, and when they were finally rescued, Kimmy made her way to New York City on a wing and a prayer and ends up living in a basement apartment with an out-of-work flamboyantly gay African American actor named Titus Andromedon-- but the theme song, perhaps the catchiest since "Cheers," explains all this visually and persuasively; I would suggest starting with episode ten, "Kimmy's in a Love Triangle," because Dean Norris (Hank Shrader in Breaking Bad) makes a cameo as Le Loup, a "straight coach," who counsels gay actors to act like a heterosexual dudes, so they get get more acting roles . . . the scenarios he devises are absurd and spot-on (and you'll find out why straight men don't drink from straws).

Dreamland: You've Got to Try This Shit

You might find it ironic that I'm pushing a book about drugs this hard, but Sam Quinones non-fiction tour-de-force Dreamland: The True Tale of America's Opiate Epidemic is truly addictive . . . you won't be able to put it down, you won't be able to go a day without reading it, and you'll do anything to make some time for it-- if you can't afford it, then I recommend throwing a brick through someone's car window and stealing the change from their ashtray, or perhaps you could "find" some copper pipe and sell it for scrap; the book moves fast, short chapter spiraling through various settings in America and Mexico, and by the end you'll know more than you need about heroin production, heroin distribution, pill mills, the history of pain management, the Oxycontin economy, the gutting of industry in the American heartland, methods of rehabilitation, and methods of narcotic policing (and I'm giving this book Dave's Highest Rating in the Universe-- which is certainly a suspect rating due to my tendency towards hyperbole-- but I guarantee that it's better than all the other "land" things that I love: Methland and Adventureland and even Copland . . . although I do love Copland, especially when a half-deaf Sylvester Stallone portentously shoots the bulls-eye at the carnival) but if you don't have the time to read the book, here are a few of the things I learned:

1) black tar heroin comes from the smallest rural Mexican towns, called rancheros, mainly in the state of Nayarit;

2) nothing is harder to kick than the morphine molecule, and while you are addicted you will be constipated, and when you suffer withdrawal, you will get "ferocious diarrhea";

3) a perfect storm in the '90's kicked off America's mass addiction to opiates: health insurance stopped paying for multi-disciplinary treatments for pain, pharmaceutical companies lobbied to convince physicians that opiate based pain-killers were not addictive, and-- in the name of efficiency-- doctors took on huge caseloads of patients and there was a "defenestration of the physician's authority and clinical experience";

4) if you liked "The Chicken Man" from Breaking Bad, then you'll be glad to know there was a real version (named Polla) who, besides being a wealthy heroin kingpin, worked as a cook at a Mexican restaurant;

5) one of the best ways for a junkie to pay for heroin is with Levi's 501 jeans, which are coveted in the Mexican rancheros-- they are more valuable than cash;

6) it was really hard for addicts to hate the Xalisco boys, who were nothing like the archetypal drug dealer-- they were friendly, sometimes even personable and charming, they always offered "deals" to their users and they delivered, so people didn't have to hang around back alleys, and they never cut the product-- because they were paid on salary . . . the Xalisco boys prided themselves on customer service, they generally avoided violence, and when other folks from the rancheros opened up new "cells," which are like franchises, there would be friendly price-competition, or the cells would use junkies as "guides" and move on to new towns and cities, so they could avoid the gang-warfare that is traditionally associated with drug-dealing;

7) Chimayo, New Mexico is the Lowrider Capital of the World, and it has powerful cherry-red heirloom chiles, but it might be most famous for it's insanely high rate of heroin/opiate addiction, which has gone on for generations;

8) the number of Ohioans dead from drug overdoses between 2003 and 2008 was 50 percent higher than all the U.S. soldiers who died in the entire Iraq War;

9) the destigmatization of opiate drugs was based on academic papers without much real evidence (Porter and Jick is the most famous of these) but drug companies were looking for some way to green-light all their new opiate based medication;

10) in a three month period in 2012, eleven percent of Ohioans were prescribed opiates . . . one in every ten people in Ohio is legally on an opiate based medication, and-- because of this-- one of the best places to score heroin is not New York City or Los Angeles, it's Columbus, Ohio . . . and while the book presents a lot of alarming investigation, drug companies are getting the message, and making pain-killers that can't be smoked or snorted, and doctors are prescribing them less, and in Portsmouth, Ohio (where the book begins) while there are still junkies and hookers and dealers, there is also " a confident, muscular culture of recovery . . . a community slowly patching itself."

Obfuscating is Fun

When I was young, before I had exciting adult things to talk about (like home equity loan rates and the best shrubs to use as a privacy hedge) I liked to go to bars and play Movie Game #2 . . . otherwise known as The Obtuse Movie Summary Game; these days, it's tough to get adults to play, so I force the game on my high school seniors, and despite the lack of beer and chicken wings, we always have a great time . . . the idea is to summarize a movie (it's movies only in the original game, but in class we open it up to books and plays and TV shows and myths and fairy tales) in a vaguely clever way that keeps the audience in the dark for quite a while, and the protocol is to begin the obtuse summary with either "there's this dude" or "there's this chick" and in class, I set up the teams in pods and one team summarizes and the other teams race to my desk with slips of paper on which they have written their guesses . . . it's fast-paced, loud, and slightly dangerous, so teenagers love it . . . here are some of my own examples, I'll put the answers in the comment section and feel free to add your own, as I'll use them:

1) there's this dude and he dies and there's this chick and she dies and there's this dude and he dies and there's this chick and she dies and there's this dude and he dies and there's this little chick and she dies and there's this dude and this chick and they almost die, but instead they kiss and then they live;

2) there's this white dude and he's feeling bad but then he starts feeling good because he's created something that makes other people feel good, but then he starts feeling bad again, and-- inevitably-- the other people start feeling bad again too, and everything just continues in this cycle, with people around him feeling good and bad, and he's on the same cycle and it's breaking him;

3) there's this big fat white dude and he's totally being bullied by this really mean guy who just oppresses him and pokes at his blubber and chases him all over the place to poke at his blubber and bully him and call him fat, and finally the big white dude has just had it and goes ballistic on the bully and absolutely wreaks havoc;

4) there's this dude and he's the dude.

Platinum Fatigue

Sometimes, I get so tired and I don't think I can keep it up-- the pace is too fast and I want to close my eyes and just sleep, like forever . . . but then I rise to the challenge and keep on swimming . . . but somewhere, buried deep in my subconsciousness, like a splinter in my mind, there's a niggling thought: I can't do it . . . it's impossible . . . there are too many . . . it's a fool's game . . . there's no way out . . . there are too many good shows!  . . . there's no way to keep up! but then I dispel the negativity and think to myself: I am doing it . . . I've watched The Wire and Madmen and The Sopranos and The Shield, Luther and Battlestar Galactica and Breaking Bad and Curb Your Enthusiasm, The Return and Top of the Lake and Portlandia and Deadwood and Orphan Black and The Walking Dead and Sherlock and Louie and Friday Night Lights and The Guild and It's Always Sunny in Philadelphia and I acknowledge that these are the best shows ever made and that we are living in the Platinum Age of Television, and that these shows are better than movies, better than books, better than music, almost better than fornication, and certainly better than any form of entertainment ever created in the entire history of humanity, and I bow down to the show-runners and the show-writers, I applaud everyone for the effort, and I express my admiration and appreciation (and I also wonder how this many different good shows can all make money) but I think I've finally hit the wall, I can't do it any longer-- I grew up on Night Court and Real People . . . I patiently waited all week for a new episode of Cheers-- so this is quality overload-- there's too many choices, something has to give; I've learned to quit fairly good shows (Orange is the New Black and American Horror Story) and while I'm trying to do Broadchurch and Fargo and Black Mirror, it's never enough--  people keep recommending new things: The Fall and The Affair and The Missing and The Return and True Detectives and The Americans and Happy Valley and a bunch more that I've forgotten . . . so I guess I've got to accept the fact that I can't watch them all, and be happy that I'll have something to do when I retire (which doesn't seem likely, considering what's a happening with my pension fund).

Tony Luke's is Better Than Jim's (and Other Notes for Future Trips to Philly)

Catherine and I spent the weekend in Philly (sans kids) and I'd like to note some highs and lows for both my readers and my future self:

1) Not only is the roast pork sandwich with sharp provolone and long hots at Tony Luke's better than the same offering at DiNic's-- but (though it's comparing apples to oranges . . . or pigs to cows) it's also better than a cheesesteak at Jim's-- and as an added bonus, the staff is actually cordial at Tony Luke's-- the woman taking my order didn't seem to mind at all that I had a question-- while Jim's has a "soup Nazi" feel to the ordering process . . . who do I order from? . . . the guy with the metal thingie? . . . did he make eye contact with me? . . . does that mean I need to say something? . . . I'm pretty far along in the line . . . am I too far in line? . . . should I have said something? . . . is it too late? . . . did I miss my chance?. . . do they have provolone? . . . do I have to say "wit wiz"? . . .. how do you spell "whiz"? . . . should I say "wit prov"? and after all the hazing, we were still underwhelmed by the cheesesteaks from Jim's this time around (although I must admit, that past times they were delicious);

2) our next trip to Philadelphia, I am going to get a cheesesteak from Tony Luke's and see if it is as good as the roast pork sandwich (because quite a few people were eating cheesesteaks there);

3) the Good Dog and La Locanda Del Ghiottone are great places to eat;

4) the tour of the Physick House is worth doing: the guy who does the tour is the great-great grandson of Dr. Physick-- "The Father of American Surgery"-- and while he's an eccentric man, who seems to be living his life both in the 18th Century and the present, simultaneously, there is no question that he knows a buttload about the house and the history of the area, which he gets across in passionate anecdotal fashion, with loads of bad puns, and -- odd as he is, and history buffs are usually quite odd-- at least he doesn't dress in period garb, which is a big plus . . . but be warned, the good Doctor's surgical tools are rather primitive and the accompanying diagrams made me light-headed and also, I'm pretty sure he explained to us, while discussing the family tree on the wall in the room with all the surgical tools, that he's seriously inbred;

5) The Hop Sing Laundromat has a lot of rules, so I put the kibosh on going there;

6) listening to the podcast Serial while driving is dangerous stuff . . . Lynn and Connell were so engrossed that they missed the exit . . . by thirty miles (but Lynn did get an A+ on the Episode 10 quiz that Catherine and I created for my class);

7) Connel got the perfect mojito at lunch at Cuba Libre, but then couldn't get the diner bartender to replicate it . . . but he does claim that the best drinks in the world are served at the awkwardly named Franklin Mortgage & Investment Company (but Catherine and I didn't go over there, as you have to mortgage your house to afford the drinks, which run fifteen dollars a piece-- but Lynn and Connel say it was well worth it, so next time I will suck it up and pay);

8) if you want to go to Farmicia, you need a reservation; same with Howl at the Moon, and McGillin's was a madhouse at 10 PM on a Saturday night, far too young a crowd (we walked in while the bouncers were breaking up a fight . . . the place was a giant frat party-- if you want to visit Philly's oldest bar, try the afternoon);

9) it's a long walk from the Old City to the Philadelphia Museum of Art, especially when it's pouring rain and you're only wearing a sweatshirt because your wife didn't emphasize the weather forecast (she told me, but she didn't TELL me);

10) the Thomas Bond House keeps the heat too high, so you have to break the rules and open the windows-- which have no screens because it's a restored historical house.

Badly Broken

I'm writing this at 7:51 PM on Sunday night, an hour before the Breaking Bad finale -- and I am very excited, as this is a rare occurrence . . . watching something "live" on TV . . .before this, the last television finale I watched in real time was the end of Seinfeld-- but I also have no expectations as to what is going to happen in the final episode; things have broekn so bad, that though I was rooting for Jesse Pinkman to come out of the series alive, the penultimate episode makes me wonder if that's possible (and I was especially pleased to refer to the penultimate episode as "the penultimate episode," after which my wife said, "What?" and I got to explain the word, which I very rarely get to use in context) and so I am just hoping for a fantastic, action-packed episode, with an ending that resolves things --no meta-junk like the Sopranos or St. Elsewhere-- and I liken my mood to that same feeling you have when there are two teams are in the Super Bowl that you don't care about, and so you just want to watch a really good game.

What Did People Do Before the Internet? Play Pinochle?

I'm not sure if I would have made it through David Mitchell's novel Cloud Atlas if it wasn't for the articulate plot summaries at EditorialEyes Book Blog . . . the book consists of six nested stories, and the main character in each story has some connection to the next narrative -- and the chronology runs from an 1850's Melvillean journal to a post-apocalyptic tale set in the far future; the stories themselves would be inventive enough on their own, but the fragmented chain structure and the inventive language in each tale makes the book both masterful and possibly mastubatory . . . it is challenging reading, but with the help of the internet, I had no trouble connecting the dots . . . and this has been the theme of my summer -- I finished Infinite Jest, but I certainly had some very necessary help from the web, and I am watching Breaking Bad in real time and I needed some information from the digital superhighway to explain what happened at the end of episode 11 (Confessions) . . . and while I have never claimed to be the most astute reader or viewer, I am wondering if this is a sea change in how we read and watch . . . I don't remember having to seek to much aid when I read things in high school, college and through my twenties, and I certainly never had to ask anyone for help in explaining Melrose Place (although I did purchase and use a guide when I read Thomas Pynchon's Gravity's Rainbow) but perhaps now the mark of a profound and complex piece of art is that you need to seek other sources and perspectives to understand it . . . and just so there is no misunderstanding, I want to assure you that Sentence of Dave will never help you in that regard, in fact, you'll leave here more bewildered than when you entered.

Old School . . . Blech

The last TV show I watched in real time was Seinfeld . . . I remember frenetic discussions of the previous night's episode at cafeteria duty . . . and I also remember when Catherine and I taped "The Betrayal," otherwise know as "the backwards episode" because of the reverse chronology (you could mark the passage of time by looking at Kramer's giant lollipop) but when we tried to play the episode back, we started in the middle, and got confused by the reverse chronology (and the lame nature of VHS technology) and ended up skipping around on the tape and watching the episode forwards in tiny fragments . . . but we just got cable TV this summer -- it was cheaper to get it bundled with our FIOS than to not have it at all -- and I watched the season premier of Breaking Bad on Sunday night . . .  and because it's been so many years, I forgot how annoying it is to watch something in real time: you have to endure commercials and previews, you can't put on subtitles, there's no pausing so you can ask your wife pertinent questions or look up tangentially related details on the internet, and, worst of all, you have to wait until 9 PM to get started . . . I will try to make it through the final season because I love the show so much, and also so I can actually talk to people at work about the current plot twists, instead of running out of the room screaming, "DON'T SAY ANYTHING!" when anyone mentions Walter White, but after this one exception, then I am going back to my Netflix rabbit hole.

This Time I Am Determined to Finish!

I am moonlighting (or daylighting, as David Foster Wallace calls it) a bit on Infinite Jest . . . and I know the last time I did this I ended up quitting the novel -- but it's four years later and I have learned my lesson, this time I am committed, but I just need a little break to read Brett Martin's new book with this double-coloned mouthful of a title: Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad . . . his thesis is that TV has entered a "third Golden Age" and that these new high quality cable shows are like nothing before -- they are neither episodic nor mini-series -- instead they resemble Victorian serialized fiction, like Dickens, and because of this format, they are much more beholden to the writers and creators -- rather than the actors and producers -- than any TV before, and these writer/creator folks happen to be moody, flawed, ambitious and brilliant men, and this personality type reflected in the "heroes" of these shows . . . characters such as Vic Mackey and Walter White and Don Draper and Tony Soprano and Jimmy McNulty.