Shit I'm Watching with the Kids #2

The kids and I watched Breaking Bad this winter and then I got sick with the flu and watched a few episodes of Better Call Saul and I loved it but I decided to wait to continue until the kids were ready for more of the crew from Breaking Bad . . . we're now three seasons in and we've decided that in some ways we like the show better than Breaking Bad because it's so much less stressful-- it's a prequel, so you know who's going to make it through the show, which makes it a lot easier to enjoy the exploits of Slippin' Jimmy.

Juxtapostion That Foreshadows Something Bad

The literary term "juxtaposition" is a favorite of sophomores the world over, mainly because it applies to nearly any two things placed side-by-side that elicit some sort of irony or contrast . . . it's easy to identify, sounds smart, and-- along with foreshadowing-- it's the most popular term thrown about by wannabe high school literary scholars . . . but sometimes things are hackneyed and cliche for good reason, and a really excellent ironic juxtaposition is a wonderful thing: my wife and I are watching Breaking Bad with the kids and we finally got to season 5 and my two favorite episodes: "Dead Freight" and "Buyout"; during "Dead Freight," Walter, Mike, Pinkman and Todd engineer a methylamine train heist-- a heist that will occur unbeknowst to the train conductor-- and despite a few hiccups and a lot of stressful moments, they pull it off with great success-- until the last moments of the episode, when the gang pays a very heavy price for their actions . . . the next episode deals with the aftermath, and features the greatest dinner scene in TV history, the first time that Pinkman, Skyler and Walt really sit down together and interact-- the tension is so unbearable it's funny-- Pinkman tries to make small talk in an absolutely untenable situation . . . even if you've never seen Breaking Bad and don't want to commit to five seasons, you can watch these two episodes as a stand-alone unit, they are magical, awkward, and capture everything great about the show.

Who Would You Rather Not Be Sleeping With?

Season 3 of Breaking Bad and Season 4 of Madmen both use the same conceit to add tension, pain, and drama: an ex-wife that stays in the picture . . . but I'd prefer Skyler White as my ex, rather than Betty Draper . . . they're both cold, and they're both disappointed with their respective husbands, but at least Skyler is helping out with Walter's business (and if you've never seen Breaking Bad, you have time to catch up before the new seasons starts . . . the show is so good it's making me contemplate getting cable television).

Dave Gets It (Slowly But Surely)

When I first got my Father's Day T-Shirt, I was confused-- Tantalum? Cobalt? What?-- but then I noticed that the abbreviations-- "Ta" and "Co"-- spelled out the word "TaCo," and I love tacos, so that made perfect sense . . . and then the day after Father's Day, I held up my Father's Day T-Shirt and said, "This reminds me of the credits on Breaking Bad," and my wife and kids looked at me like "Duh" and I said, "And I love Breaking Bad . . . this is a great t-shirt!"

Obfuscating is Fun

When I was young, before I had exciting adult things to talk about (like home equity loan rates and the best shrubs to use as a privacy hedge) I liked to go to bars and play Movie Game #2 . . . otherwise known as The Obtuse Movie Summary Game; these days, it's tough to get adults to play, so I force the game on my high school seniors, and despite the lack of beer and chicken wings, we always have a great time . . . the idea is to summarize a movie (it's movies only in the original game, but in class we open it up to books and plays and TV shows and myths and fairy tales) in a vaguely clever way that keeps the audience in the dark for quite a while, and the protocol is to begin the obtuse summary with either "there's this dude" or "there's this chick" and in class, I set up the teams in pods and one team summarizes and the other teams race to my desk with slips of paper on which they have written their guesses . . . it's fast-paced, loud, and slightly dangerous, so teenagers love it . . . here are some of my own examples, I'll put the answers in the comment section and feel free to add your own, as I'll use them:

1) there's this dude and he dies and there's this chick and she dies and there's this dude and he dies and there's this chick and she dies and there's this dude and he dies and there's this little chick and she dies and there's this dude and this chick and they almost die, but instead they kiss and then they live;

2) there's this white dude and he's feeling bad but then he starts feeling good because he's created something that makes other people feel good, but then he starts feeling bad again, and-- inevitably-- the other people start feeling bad again too, and everything just continues in this cycle, with people around him feeling good and bad, and he's on the same cycle and it's breaking him;

3) there's this big fat white dude and he's totally being bullied by this really mean guy who just oppresses him and pokes at his blubber and chases him all over the place to poke at his blubber and bully him and call him fat, and finally the big white dude has just had it and goes ballistic on the bully and absolutely wreaks havoc;

4) there's this dude and he's the dude.

Badly Broken

I'm writing this at 7:51 PM on Sunday night, an hour before the Breaking Bad finale -- and I am very excited, as this is a rare occurrence . . . watching something "live" on TV . . .before this, the last television finale I watched in real time was the end of Seinfeld-- but I also have no expectations as to what is going to happen in the final episode; things have broekn so bad, that though I was rooting for Jesse Pinkman to come out of the series alive, the penultimate episode makes me wonder if that's possible (and I was especially pleased to refer to the penultimate episode as "the penultimate episode," after which my wife said, "What?" and I got to explain the word, which I very rarely get to use in context) and so I am just hoping for a fantastic, action-packed episode, with an ending that resolves things --no meta-junk like the Sopranos or St. Elsewhere-- and I liken my mood to that same feeling you have when there are two teams are in the Super Bowl that you don't care about, and so you just want to watch a really good game.

They Blew Up the Chicken Man in Albuquerque Last Season

My wife and I finally finished Season 4 of Breaking Bad, and the parting shot of the poisonous Lily of the Valley plant in Walt's yard has finally convinced me that Bryan Cranston's no longer playing a cancer-ridden, drug dealing version of the snide and mild-mannered dad from Malcolm in the middle . . . he's a bad dude, perhaps morally worse than Nancy Botwin of Weeds . . . but I'm still rooting for him, perhaps because he started out as a high school teacher and he gives me inspiration on how I might be able to escape the clutches of the bell schedule.

Broken and Bad Memories

Catherine and I are rewatching Breaking Bad with the kids and we've made it to Season 5; we are recognizing that the odd nostalgia we had for Walter White was unwarranted, distorted by time, and probably caused by our fondness for Hal on Malcolm in the Middle.

Laura Roslin and Walter White: Separated at Birth?

We just finished watching Breaking Bad as a family and then we hyper-jumped right into Battlestar Galactica . . . these are two of my favorite shows and it's really fun to rewatch them with the kids, especially because they notice things that I missed (and the first time Catherine and I watched these shows, we were sleep deprived and logy because of these very same kids) and while I will claim responsibility for the juxtapostion of these two platinum era masterpieces, Ian is the one who first noticed that Walter White and Laura Roslin are two sides of the same coin, and I'd like to add my two cents as to why:

1) at the outset of each story, both characters are diagnosed with cancer;

2) they are both involved in education and both seem to have greater aspirations;

3) they are both thrown into positions of power far beyond their purview and they both adapt and become calculating and effective leaders;

4) the looming threat of imminent death from cancer makes them assume a different kind of logic when assessing problems-- because they know how to take themselves out of the picture;

5) both shows hinge on a yin-and-yang duality-- the Walter White/Jesse Pinkman rollercoaster relationship and the Laura Roslin/ Commander Adama philosophical and tactical discussions.

Viewing Habits of Man Children

Quite a juxtaposition of streaming video consumption: last month my kids were watching the first season of Breaking Bad and now they're obsessed with an adorable kids show called Gravity Falls (it's actually tolerable for adults . . . funny and fast-paced, but the recommendation algorithm is going to struggle with what to suggest next).

Take a Deep Breath . . .

We started watching the second season of Breaking Bad, and it is just as excellent and intense as the first-- if you like to sit tensely wiithout breathing or moving for forty five minutes, this is the show for you.

Flu Day . . .

My fever is down . . . the Tamiflu seems to be working, but more importantly, I did some valuable things on my flu day:

1) watched the Netflix documentary Take Your Pills . . . makes me wonder how the hell I get so many things done without taking any pills . . .

2) finished the comic book series Saga . . . I highly recommend it: a whacked out fantastical space opera that tackles adult themes and uses utterly bizarre imagery-- BattleStar Galactica meets Star Wars with a bit of The Fifth Element thrown in for good measure;

3) watched the first few episodes of Better Call Saul . . . I didn't want to tarnish my memories of Breaking Bad with a schlocky spin-off, but Saul seems to be more along the lines of Frasier than Joanie Loves Chachi.

Everyone is on all the Drugs

Once upon a time, there were opium wars. And reefer madness. The hippies and Timothy Leary did LSD. The disco folks snorted coke, and Marion Barry did crack. The ravers took Ecstasy. College kids wandered around high on magic mushrooms. Junkies and rock stars did heroin. You occasionally heard about some lunatic doing PCP or mescaline or horse tranquilizers like ketamine, but for the most part you could keep track of the recreational drugs people were using on ten fingers (maybe you'd need your toes for pills like Valium, Xanax and Percocet) .

Then I read Methland (and wrote this fabulous review of it) and watched Breaking Bad. Scary stuff. Next came the opioid epidemic, and the ensuing plague of heroin addiction. I read Dreamland and Dopesick. I thought I was well-informed on the state of illicit drug use and abuse in America.

I was wrong. And like to recommend a book that will explain. I think it's a must read for parents and teachers and coaches and psychonauts.

Fentanyl, Inc. How Rogue Chemists Are Creating the Deadliest Wave of the Opioid Epidemic, by Ben Westhoff, comprehensively covers the new drug scene. And there's no way to fight it. The only way to win the war is Gandhi-like pacifism, in the face of a wave of chemicals so powerful and various that no top-down institution can keep track of them.

Called NPS . . . which-- depending on your SAT verbal score-- either stands for "new psychoactive substances," or the slightly the more advanced "novel psychoactive substances."

Fentanyl analogues such as carfentanil (which is used to tranquilize elephants and rhinos) and acetylfentanyl and benzoylfentantanil.

Synthetic cathinones, such as Meow Meow (4-MMC) and Ice Cream (3-MMC) and Flakka (a- PVP).

Synthetic cannabinoids like Spice and K2 and JWH-018 and 5F-ADB.

Fentanyl precursors, which can be bought from China, so that you can manufacture various new fentanyl cocktails.

And pages of others. But you get the point.

So your heroin, which is hard to make-- you need fields of poppies-- is most definitely laced with fentanyl. Fentanyl is notoriously strong-- a pinhead's worth could kill you-- but it's easier to manufacture than heroin. This is how Lil Peep and Tom Petty and Michelle McNamara all met their maker (fentanyl combined with sedatives, which is a deadly combination). Prince and Mac Miller too.

Westhoff goes to China to investigate where all the precursors are coming from, and he finds it remarkably easy to buy them. Chinese companies will even ship in mis-marked bags, as banana chips or whatever, to disguise them.

The Opium War has flipped. Surprisingly, there's plenty of fentanyl abuse in China, as well, despite the fact that they execute drug dealers there. This is strong, addictive stuff. And nobody knows what they're taking, even the psychonauts that make the stuff.

The only "successes" in this minefield of chemical lunacy have been the harm-reduction agencies like Bunk Police and DanceSafe that go to raves and clubs and festivals and offer chemical analysis of drugs for partiers, so that they know what they're taking, and can make an informed decision. This has worked incredibly well in Europe, where laws allow these companies to operate, but they are not exactly legal in America, because of the Rave Act. In 2017, the United States-- population 326 million-- had seventy thousand drug overdose deaths. The European Union-- population 510 million-- had only 7600.

This book gave me the feeling that everyone is on drugs. The math is crazy. Many of you know the story of Kermit, West Virginia . . . a town of 400 that was prescribed 5 million opioid pills. That's awful enough. But at least they knew what they were getting. This new stuff is scarier: more potent, more random, more volatile, and often quite cheap. I hope and pray my kids figure out a way to avoid it.

Old School . . . Blech

The last TV show I watched in real time was Seinfeld . . . I remember frenetic discussions of the previous night's episode at cafeteria duty . . . and I also remember when Catherine and I taped "The Betrayal," otherwise know as "the backwards episode" because of the reverse chronology (you could mark the passage of time by looking at Kramer's giant lollipop) but when we tried to play the episode back, we started in the middle, and got confused by the reverse chronology (and the lame nature of VHS technology) and ended up skipping around on the tape and watching the episode forwards in tiny fragments . . . but we just got cable TV this summer -- it was cheaper to get it bundled with our FIOS than to not have it at all -- and I watched the season premier of Breaking Bad on Sunday night . . .  and because it's been so many years, I forgot how annoying it is to watch something in real time: you have to endure commercials and previews, you can't put on subtitles, there's no pausing so you can ask your wife pertinent questions or look up tangentially related details on the internet, and, worst of all, you have to wait until 9 PM to get started . . . I will try to make it through the final season because I love the show so much, and also so I can actually talk to people at work about the current plot twists, instead of running out of the room screaming, "DON'T SAY ANYTHING!" when anyone mentions Walter White, but after this one exception, then I am going back to my Netflix rabbit hole.

What Did People Do Before the Internet? Play Pinochle?

I'm not sure if I would have made it through David Mitchell's novel Cloud Atlas if it wasn't for the articulate plot summaries at EditorialEyes Book Blog . . . the book consists of six nested stories, and the main character in each story has some connection to the next narrative -- and the chronology runs from an 1850's Melvillean journal to a post-apocalyptic tale set in the far future; the stories themselves would be inventive enough on their own, but the fragmented chain structure and the inventive language in each tale makes the book both masterful and possibly mastubatory . . . it is challenging reading, but with the help of the internet, I had no trouble connecting the dots . . . and this has been the theme of my summer -- I finished Infinite Jest, but I certainly had some very necessary help from the web, and I am watching Breaking Bad in real time and I needed some information from the digital superhighway to explain what happened at the end of episode 11 (Confessions) . . . and while I have never claimed to be the most astute reader or viewer, I am wondering if this is a sea change in how we read and watch . . . I don't remember having to seek to much aid when I read things in high school, college and through my twenties, and I certainly never had to ask anyone for help in explaining Melrose Place (although I did purchase and use a guide when I read Thomas Pynchon's Gravity's Rainbow) but perhaps now the mark of a profound and complex piece of art is that you need to seek other sources and perspectives to understand it . . . and just so there is no misunderstanding, I want to assure you that Sentence of Dave will never help you in that regard, in fact, you'll leave here more bewildered than when you entered.

Dreamland: You've Got to Try This Shit

You might find it ironic that I'm pushing a book about drugs this hard, but Sam Quinones non-fiction tour-de-force Dreamland: The True Tale of America's Opiate Epidemic is truly addictive . . . you won't be able to put it down, you won't be able to go a day without reading it, and you'll do anything to make some time for it-- if you can't afford it, then I recommend throwing a brick through someone's car window and stealing the change from their ashtray, or perhaps you could "find" some copper pipe and sell it for scrap; the book moves fast, short chapter spiraling through various settings in America and Mexico, and by the end you'll know more than you need about heroin production, heroin distribution, pill mills, the history of pain management, the Oxycontin economy, the gutting of industry in the American heartland, methods of rehabilitation, and methods of narcotic policing (and I'm giving this book Dave's Highest Rating in the Universe-- which is certainly a suspect rating due to my tendency towards hyperbole-- but I guarantee that it's better than all the other "land" things that I love: Methland and Adventureland and even Copland . . . although I do love Copland, especially when a half-deaf Sylvester Stallone portentously shoots the bulls-eye at the carnival) but if you don't have the time to read the book, here are a few of the things I learned:

1) black tar heroin comes from the smallest rural Mexican towns, called rancheros, mainly in the state of Nayarit;

2) nothing is harder to kick than the morphine molecule, and while you are addicted you will be constipated, and when you suffer withdrawal, you will get "ferocious diarrhea";

3) a perfect storm in the '90's kicked off America's mass addiction to opiates: health insurance stopped paying for multi-disciplinary treatments for pain, pharmaceutical companies lobbied to convince physicians that opiate based pain-killers were not addictive, and-- in the name of efficiency-- doctors took on huge caseloads of patients and there was a "defenestration of the physician's authority and clinical experience";

4) if you liked "The Chicken Man" from Breaking Bad, then you'll be glad to know there was a real version (named Polla) who, besides being a wealthy heroin kingpin, worked as a cook at a Mexican restaurant;

5) one of the best ways for a junkie to pay for heroin is with Levi's 501 jeans, which are coveted in the Mexican rancheros-- they are more valuable than cash;

6) it was really hard for addicts to hate the Xalisco boys, who were nothing like the archetypal drug dealer-- they were friendly, sometimes even personable and charming, they always offered "deals" to their users and they delivered, so people didn't have to hang around back alleys, and they never cut the product-- because they were paid on salary . . . the Xalisco boys prided themselves on customer service, they generally avoided violence, and when other folks from the rancheros opened up new "cells," which are like franchises, there would be friendly price-competition, or the cells would use junkies as "guides" and move on to new towns and cities, so they could avoid the gang-warfare that is traditionally associated with drug-dealing;

7) Chimayo, New Mexico is the Lowrider Capital of the World, and it has powerful cherry-red heirloom chiles, but it might be most famous for it's insanely high rate of heroin/opiate addiction, which has gone on for generations;

8) the number of Ohioans dead from drug overdoses between 2003 and 2008 was 50 percent higher than all the U.S. soldiers who died in the entire Iraq War;

9) the destigmatization of opiate drugs was based on academic papers without much real evidence (Porter and Jick is the most famous of these) but drug companies were looking for some way to green-light all their new opiate based medication;

10) in a three month period in 2012, eleven percent of Ohioans were prescribed opiates . . . one in every ten people in Ohio is legally on an opiate based medication, and-- because of this-- one of the best places to score heroin is not New York City or Los Angeles, it's Columbus, Ohio . . . and while the book presents a lot of alarming investigation, drug companies are getting the message, and making pain-killers that can't be smoked or snorted, and doctors are prescribing them less, and in Portsmouth, Ohio (where the book begins) while there are still junkies and hookers and dealers, there is also " a confident, muscular culture of recovery . . . a community slowly patching itself."

Sodom and Gomorrah and Explosions

Everyone knows that "Cool Guys Don't Look At Explosions"-- including my favorite "cool guys," the silent and scary Mexican cartel assassins from Breaking Bad-- but I have a hypothesis as to why this trope is so common: it is actually a subtle Biblical allusion to the the story of Sodom and Gomorrah; Lot and his wife are commanded by the angels NOT to look back at Yahweh's explosive destruction of the depraved cities but Lot's wife disobeys the angel's instructions and looks back and she is turned into a pillar of salt . . . and so not looking back isn't just about being cool, it's also about obeying God's will and showing humility when something is justly and purposefully destroyed-- and I had this epiphany while showing my children the story of Sodom and Gomorrah on a site called The Brick Testament, which is an illustrated Bible depicted with Legos . . . it is comprehensive and incredible; on the other hand, if something is being randomly destroyed in a movie, then people watch it in fascination (such as the colossal train derailment in Super 8).

10/18/2009

If you're looking for a drama about a high school teacher that's a little more intense than Welcome Back Kotter (even more intense than Head of the Class!) then check out Breaking Bad, which stars Bryan Cranston-- the bumbling amiable dad from Malcolm in the Middle, as a regretful chemistry teacher who is diagnosed with stage 3 lung cancer and needs to resort to cooking meth with a delinquent ex-student (Aaron Paul) to pay the bills and leave something for his family, as his wife, Anna Gunn-- from Deadwood-- is pregant and they also have a crippled son . . . and to add to the fun, Cranston's brother-in-law is a DEA agent; it sounds like a grim show and at times it is, but it's also deeply and darkly funny and there's chemistry lesson in every episode (hydrochloric acid will melt a dead body to jelly but it won't eat through a plastic container!) and so I give it nineteen Erlenmyer flasks out of twenty.

Rest in Peace, Robert Peace

The Short and Tragic Life of Robert Peace by Jeff Hobbs is true story of grit, determination, and social class, and -- oddly-- one of the most interesting plot twists occurs within the narration, but I won't spoil that, just promise me you'll read the book . . . it's a gripping account of why you can take the boy out of Newark, but you still might not be able to take the Newark out of the boy, and while you can obviously enjoy this if you're not from New Jersey-- The New York Times, Amazon, and Entertainment Weekly named it book of the year-- but familiarity with Newark, Sharpe James and Cory Booker will make you appreciate the milieu even more; this is a story for the ages, epic in scope, picaresque in a Tom Jones/Breaking Bad fashion, and a revision of the American Dream that Fitzgerald would have appreciated . . . ten Sour Diesels out of ten.

They Alive, Dammit! It's a Miracle!

If you haven't seen the Netflix original Unbreakable Kimmy Schmidt, then the plot is a hard pill to swallow-- Kimmy and three other women were held captive underground for fifteen years by a lunatic doomsday cult preacher, and when they were finally rescued, Kimmy made her way to New York City on a wing and a prayer and ends up living in a basement apartment with an out-of-work flamboyantly gay African American actor named Titus Andromedon-- but the theme song, perhaps the catchiest since "Cheers," explains all this visually and persuasively; I would suggest starting with episode ten, "Kimmy's in a Love Triangle," because Dean Norris (Hank Shrader in Breaking Bad) makes a cameo as Le Loup, a "straight coach," who counsels gay actors to act like a heterosexual dudes, so they get get more acting roles . . . the scenarios he devises are absurd and spot-on (and you'll find out why straight men don't drink from straws).