The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
Ankle Surgery Part II
Brian Selznick
Two days ago our acting principal (our actual principal just retired) came to me and asked if I wanted to take my English class to meet the author/illustrator Brian Selznick-- he was being inducted into the EBHS Hall of Fame and then he was going to speak to a small audience in the media center-- of course, I said "yes," because anything is better than teaching seniors the last period of the day-- especially when it's been training for four days straight-- and while I wasn't 100% certain who Brian Selznick was when the principal invited my class, I figured he was the guy who wrote and illustrated The Invention of Hugo Cabret because I knew that author was from East Brunswick and it turns out I was right-- and what a treat, Selznick is an excellent speaker, compelling, smart, and funny-- and he uses lots of gesticulations-- first he summarized his weird and wild career . . . illustrating books; writing books with illustrations; doing surreal puppetry that reminded me of Being John Malkovich; writing screenplays; seeing one of his creations turned into a Scorcese film; etcetera . . . but it was no fairy tale story-- he spent fifteen years illustrating small-time children's books before he took three years off from that gig to write and draw The Invention of Hugo Cabret-- which was a real favorite in my house . . . and we got the book before we knew the author graduated from East Brunswick-- Selznick also spoke on creativity, where good ideas come from, his constant desire to change things up artistically, what it was like to be gay in high school in the '80s (very different than now-- he was impressed by all the rainbow flag posters around the school promoting LGBTQ+ clubs-- back when he was in high school it was like The Replacements album . . . Don't Tell a Soul) and the fact that when you are in high school, you are focused on the present and it all seems normal, but when you look back at it, it's always kind of strange . . . and he mentioned the casual homophobic slurs and racial stereotypes in Sixteen Candles as an example-- anyway, it was a good time-- and the fact that one of my student's dad graduated with Selznick, and Selznick remembered hanging out with him back in the day sort of brought the whole shebang full circle.
Rain or Shine, the Mail Gets Delivered and the Dog Gets Walked
And after the Third Week of PT, Dave's Calf Rose Again
You Can't Piss (or Serve) Into the Wind
I am sorry to say, but nobody learned nothin' at yesterday's tennis practice-- aside from the fact that you can't really play tennis when there are 30 mph wind gusts . . . although we tried our best and one group even played an entire set of doubles-- but it was ugly, very ugly . . . the wind is a bitch.
The Secret? You Should Be Hitting Lots of Overheads . . .
Can Someone Drive Me to the House I Need to Paint?
Apparently, in the US, depending on the state you live in, you might need a license to paint nails but not to paint houses.
Earworm Exorcism!
I have finally finished my most ambitious audio project ever, the top secret project that I erased earlier in the week-- it is a new episode of We Defy Augury titled "Earworm Exorcism" and it is an obsessive, comprehensive, and digressive deep dive into how these insidious auditory creatures worm their way into our brains, wrap around our cerebral cortex, and make us susceptible to suggestion of the catchiest kind-- a veritable shitload of the sounds that capture our consciousness-- and the theory and philosophy of why and how they do this-- but be warned: your brain might not survive unscathed . . . this many earworms have NEVER been assembled in one place before; three fantastic podcast episodes inspired this project:
"The Case of the Missing Hit" (Reply All)
"Whomst Amongst Us Let the Dogs out" (99% Invisible)
"Louie Louie: The Strange Journey of the Dirtiest Song Never Written" (Lost Notes)
but I don't think anyone has ever assembled this many earworms in one place-- here's a visual of all the clips . . .
The Animals Are Wild
Spring Break?
Top-Secret Project Update
It is taking longer than I thought to get to where I was (before I erased my top-secret project off my external drive).
How to (Rarely) Tie a Tie
For the rest of my life, I am only getting dressed up if someone I know gets married or dies.
Brief Period of Mourning Followed Renewed Motivation
I am working on a very special episode of We Defy Augury-- top secret . . . but it involves scores and scores of clips-- and I was more than halfway done with it but then this morning, I somehow erased the entire project on Logic-- and it was stored on the external drive and the Time Machine does NOT back up the drive that the back up is stored on- if that makes sense?-- so it is truly gone . . . and so I'm starting over and I am looking at this as a good thing-- the episode was getting a bit ponderous so hopefully now I will tighten things up (and finish it by the end of Spring Break).
Funny is Funny and That's Funny
Both Are Better Than Badminton
Just Desserts
Is This How You Spell "Sisyphean"?
So you clean all the bathrooms in the house-- and it's brutal and gross and exhausting-- and then by the time you're done, you need to go to the bathroom-- which ruins all your hard work . . . or you need to shave or clip your toe-nails or floss (which often flings food particles onto the mirror) or brush your teeth-- it's truly Sisyphean.
Everything, Everywhere, All at Once?
I've listened to several interesting podcasts lately-- and I also can't help connecting them to the non-fiction texts we read in my College Writing synthesis class . . . I suppose this is because we're constantly teaching the kids to make connections between the texts and to everything else in the world, to support some kind of argument-- eventually, you start to see connections between everything, like the conspiracy theorist with all the diagrams, pictures, symbols, pins, and strings on his study wall . . . anyway, the podcasts are good even if you haven't read this year's College Writing texts, here they are:
1) The Billionaires’ Secret Plan to Solve California’s Housing Crisis (The Daily) is a fascinating conundrum that connects to Stephen Johnson's writing about organized complexity and emergence--the question is: can a bunch of tech billionaires build a model city in California that feels like a European city? a city that feels like it emerged from a culture that values public transportation, locality, walking, biking, and mixed housing-- and does NOT value traffic and automobiles-- usually these kinds of places are built from the bottom up- they emerge from millions of tiny individual decisions of the city dwellers, over time-- and reflect the evolving core values of the city . . . but these dudes want to do it from the top down-- and they are meeting some resistance . . . an interesting investigative journalistic foray into an ongoing story;
2) Lean In (If Books Could Kill) tells the story of Sheryl Sandberg-- who was an upper-level manager at Facebook-- and wrote a book explaining how to move up in a man's world-- but her version of feminism doesn't address systemic issues, it's just very specific (and often lousy or useless) advice for upper-middle-class women trying to make it in a hyper-accelerated capitalist culture . . . and this really connects to Anand Girdharadas's description of Amy Cuddy's journey from academic to thought leader and Jia Tolentino's chapter "Always Be Optimizing," which discusses how she grapples with the unending expectations of modern feminism;
3) How Do We Survive the Media Apocalypse (Search Engine) is Ezra Klein's generally depressing take on the direction journalism, the internet, and the media are heading-- this episode gets into the costs of market-based competition, the unbundling of advertisements and your local newspaper, the benefits of inefficiency and local media monopolies and the idea that news worked much better when car ads and movie ads were paying for war reporting-- these ideas really complement Anand Giridhaardas's book "Winners Takes All" and Steven Johnson's ideas in "Emergence"-- we've collectively created a system that is incredibly and perfectly competitive-- the online world-- where Netflix competes with the best journalism and Pitchfork and Buzzfeed and YouTube videos about losing your belly fat-- and the result is that a bunch of social media companies make money; AI might cannibalize journalistic sources and therefore destroy the ecosystem that it relies on for information; ideas that are bite-sized, palatable, and digestible win out over the truth; and whatever you direct your attention to on the internet-- and in media in general-- is going to survive and what you neglect will die . . . so read some real books, magazines, and local news-- get off those social media sites, support longform investigative journalism, and recognize that the only reason that many of the fun sites that are now going extinct-- Gawker, Pitchfork, Vox, Buzzfeed-- were often supported by venture capitalists and had no real model to make money in this awful media environment . . . what is slowly emerging on the internet is exactly what we asked for and deserve, a bunch of bullshit.