New Jersey has the best pizza in the world, the fattest governor in the world, and the best surrealist-post-modern hyperkinetic meta-fiction writer in the world . . . his name is Mark Leyner and he's just written a new novel, called
The Sugar Frosted Nutsack, after a fifteen year hiatus (his last novel was
The Tetherballs of Bougainville) and I won't even try to summarize the "plot" but I believe it's a send-up of how religious texts are transmitted to mortals, edited by mortals-- think Emperor Constantine and the Council of Nicea on Ecstasy-- and finally canonized . . . with major digressions about the worship of celebrities and the female anatomy-- but a synopsis does the book no justice, so I will simply present you with a long sample passage, verbatim (the ellipses are Leyner's) because this is the best way for me to review the book . . . if you like this passage, then go for it:
--the flowing auto-narrative of the basketball dribbling nine year old who, at dusk, alone on the family driveway half-court, weaves back and forth, half-hearing and half-murmuring his own play-by-play: ". . . he's got a lot going on that could potentially distract him . . . algebra midterm . . . his mom's calling him to come inside . . . his asthma inhaler just fell out of his pocket . . . but somehow he totally shuts all that out of his mind . . . crowd's going
ca-razy! . . . but the kid's in his own private Idaho . . . clock's ticking down . . . badass craves the drama . . .
lives for this shit . . .
Gunslingaaah . . . he can hear the automatic garage-door opener . . . that means his dad's gonna be pulling into the driveway in, like, fifteen seconds . . .
un-fucking believeable that he's about to take
this shot under
this kind of pressure, with the survival of the species on the line . . . and look at him out there--- dude's
ice . . . is this guy human or what? . . . his foot's hurting from when he stepped on his retainer in his room last night . . . but he can play with pain . . . we've seen that time and time again . . . he's stoic . . . a cold-blooded professional . . .
Special Ops . . . Hitman with the Wristband . . . hand-eye coordination like a
Cyborg Assassin . . . his mom's calling him to dinner . . . the woman is doing everything she can possibly do to rattle him . . . but this guy's not like the rest of us . . . he is
un-fucking-flappable . . . he dribbles between his legs . . . OK, hold on . . . he dribbles between his legs . . . hold on . . . he dribbles . . . hold on . . . he dribbles between his legs (yes!) . . . fakes right, fakes left, double pump-fakes . . . there's one second left on the clock . . . and he launches . . . an impossibly . . . long . . . fadeaway . . .
jumpaaah . . . it's off the rim . . . but he fights for the offensive rebound like some kind of rabid samarai . . . throwing vicious elbows like lethally honed swords . . . the severed heads of opponents litter the court . . . spinal cords are sticking out of the neck stumps . . . but there's no ticky-tacky foul called, the referees are just letting them play . . . there's somehow still .00137 seconds left ont he clock . . . now there's a horn honking . . . might that be the War Conch of the Undead?"
Some lunatic paid 119.9 million dollars for Edward Munch's "The Scream" last night, and I don't think that's a very wise investment, as the image-- which was the ubiquitous icon of anxiety and angst for the 20th Century-- has lost its relevance . . . that screaming face doesn't do it for us in the 21st Century, because we don't have that kind of emotional energy to waste, we don't have the wherewithal to scream at the multiplex of horrors we face every waking moment-- horrors from our own lives, horrors from the lives of others, horrors from around the world, digital horrors multiplied a million times over . . . a constant barrage, an infinite deluge of horrible, contradictory, complex, awkward and terrible information . . . Joseph Kony is abducting children! Greece is going to default! My LDL cholesterol count is 340! Angelina and Brad are on the rocks! Eddie Money is still touring! I need to refinance! The sea levels are rising! . . . we'd be screaming all the time . . . we'd lose our voice; in fact, we don't have even have enough emotion left to utter a Homer-esque "Doh!"-- that's so '90's-- instead the essential reaction to the 21st Century, the facial expression for our times is Jim Halpert's ironic half-smirk . . . one of these : / because how else can you react to the inconceivable? . . . I am afraid that the "The Scream" is destined to be lumped with King Lear and Oedipus Rex: an evocative piece tragic art, but also full of antiquated outpourings of melodrama and emotion . . . I wish I could paint so I could update the idea-- I would call it "The Smirk"-- not that there needs to be more parodies of this thing, which-- like I said-- has run its course, but I really do wish I could paint (mainly so I could paint a giant squid battling a sperm whale on my bedroom wall, a suggestion that my wife vetoed, probably because I can't paint).
