Dog Thought #2
They say you have to bond with a new dog, so that it feels like part of your family, and-- as everyone knows-- the best way to bond is to have something in common . . . luckily, Sirius and I do have a common thread: parasitic worms (and you'd think since I once had some of these critters living in my intestines, I would have been less grossed-out when I "discovered" them in his stool, but they were still wriggling, nearly causing me to faint in the park).
Even Hamlet Can't Compete With a Giant Wasp
Like most teachers, I get very wound up and excited when I start Hamlet -- it's the ultimate piece of literature, totally engaging and entertaining, and full of comedy, tragedy, controversy, ambiguity, and supernatural fun -- but no matter how exciting the opening scene is, from the initial "Who's there?" to the ghost's entrance, it can't compete with a giant wasp, but that's been the recurring situation for the past few days, I start a lesson and then a wasp appears . . . I think there might be a nest somewhere in my ceiling . . . and once a wasp is hovering around, there's only one thing for students to look at , and it's not their Shakespeare text, and so the wasp must be killed, and one period that got pretty ugly-- I was smashing a stool into the ceiling tiles at one point-- but later in the day, when another giant wasp appeared in a different class, instead of killing the wasp-- which was time-consuming and distracting-- I incorporated it into the scene: I was playing the role of the Hamlet's scholarly friend, Horatio, who is enlisted to speak to the ghost, and so I made the wasp play the ghost and I yelled my lines at it "Stay, illusion! If thou hast any sound, or use of voice, speak to me!" and this seemed to appease it, so maybe it's not a living wasp at all, but the ghost of a giant wasp that I killed in the past.
Dog Thought #1
One of the ways I blow off steam is by walking around-- but I always feel a bit like a lunatic if I'm walking around completely aimlessly, without any ostensible purpose, so I usually "create" a perfunctory errand: I go buy cold cuts or a cup of coffee or some beer . . . but, of course, it's more about listening to my iPod and getting out of the house, alone and unfettered; one of the benefits of owning a dog is that now I don't have to invent a task for myself, I can just walk around aimlessly with the dog, and people look at me and think: he's not an itinerant wandering lunatic, he's just out walking his dog . . . but the only down side to this arrangement is that you have to talk to the Dog People you meet and I'm horrible at Dog Talk . . .
Dave: That's a beautiful dog . . . what is he, a Basset Hound? A Pekinese?
Dog Person: She's a Great Dane . . .
Dave: Oh, right . . . how about that one? A Shar-pei?
Dog Person: That's a cat.
Dave: That's a beautiful dog . . . what is he, a Basset Hound? A Pekinese?
Dog Person: She's a Great Dane . . .
Dave: Oh, right . . . how about that one? A Shar-pei?
Dog Person: That's a cat.
Who Cares? Not Tom Ripley. Not Banksy. You.
The talented Tom Ripley is at it again in Ripley Under Ground, the second book in Patricia Highsmith's "Ripliad" series-- this time his victim is an unlucky art patron named Thomas Murchison, who rightly suspects that the painting he has bought is a forgery-- unfortunately he has stumbled into one of Tom Ripley's sophisticated con games-- and because he can't adopt Ripley's amorality, he ends up a corpse, but Highsmith has bigger fish to fry than just murder: Ripley asks Murchison, "Why disturb a forger who's doing such good work?" and this raises one of my favorite artistic/philosophical debates, which is portrayed in both the documentary My Kid Could Paint That and Banksy's perplexing film Exit Through The Gift Shop . . if there is any way to objectively judge art, then it shouldn't matter who painted the picture-- if it's good, then it's good-- but, of course, our brains don't work like that; art buyers want to be sure that it is prodigy Marla Olmstead that painted the canvases they spent so much money on, not her dad, and when Oprah revealed that James Frey's "memoir" A Million Little Pieces is actually part fictional, people were outraged-- including me!-- and so I suppose I should come clean here and reveal that Sentence of Dave is actually written by a trained donkey, not a computer program . . . but I'm sure you all suspected that from the start.
How Did This Happen?
I am an introverted person who enjoys being alone for long stretches of time-- I like to read and play the guitar and write sentences and listen to music-- and I have trouble thinking about more than one thing at a time, but somehow I've gotten myself into the absurd position where I have to: 1) be the boss of over a hundred kids during the school day . . . I constantly compel them do things that they would never do on their own: read Shakespeare, write essays, perform skits, and draw horses (I especially love compelling kids to draw horses, because if you can't draw-- and the bulk of the population in America can't draw-- then drawing a horse is especially comical) and then 2) after school I have to lord over my own children, and compel them to do homework and clean-up their shit and eat their dinner and brush their teeth and stop fighting, and now 3) we've added a dog to the equation, and I've never had a dog, but everything I've read explains that you have to establish yourself as the alpha and show the dog who's boss and my friend John gave me this advice: "Dog training is easy, you just need to establish that you are the master," and that makes sense, of course, but I often wonder: How did this happen? because I would be perfectly content being The Boss of No One and The Master of Nothing.
Specific Demographic
My friend Ann believes there is a very specific advertising demographic profile which consists of: 1) men in their late thirties and early forties 2) who use the digital music service Spotify 3) and run while wearing Vibram Five Fingers (those goofy looking "shoes" that have individual slots for each toe, and simulate the experience of running barefoot . . . sans glass shards, tetanus, and trichinosis) and she may be right . . . and I may be a member of this demographic, but all I can say in my defense-- which is exactly what the advertising folks want me to say-- is, "I love Spotify!" and "I love my Vibram Five Fingers!" and "I can't wait to see what they sell me next!"
Neal Stephenson Cares About Canada . . . and by the transitive property, so do I
The first seven hundred pages of Neal Stephenson's new novel Reamde take place in exotic locales such as Xiamen, Taiwan, the Philippines, and the MMORPG T'Rain, but the last three hundred pages follow international terrorist Abdullah Jones as he makes his way through the mountains of British Columbia towards the U.S. border-- and though the Canadian portion of the novel is a bit slower paced than the rest, it is well worth the wait until the entire international cast of characters descend on the inaccessible and mountainous border of Idaho and Canada-- Stephenson has a miniature war play out there, and his detailed, steady description of multiple plot threads is so arresting (not to mention that after 1000 pages you're rather attached to the characters) that your heart will race, your palms will sweat, the outside world will vanish, and when you finish the final page, you won't believe that the experience was NOT virtual, not generated by any sort of technology, and simply the result of well-placed squiggles on the white pages of a very thick book.
Hey Michael Lewis! In A Book Titled Boomerang, Shouldn't You Visit Australia?
In his new book Boomerang: Travels in the New Third World, Michael Lewis is more cavalier with is opinions than he was in his last book, the longer and denser The Big Short . . . Boomerang is more of a travelogue with some finance thrown in, and at times you get the feel that he's winging it, relying on his good name in each country, but he's an engaging writer and the book is a lot of fun-- considering it's about a depressing topic-- because for each country he visits, he tries to link their national character to the type of financial disaster they are experiencing: corrupt and tribal Greeks refuse to band together for the sake of their country; feral Icelanders treat high-risk banking the same way they treat fishing in the cold and dangerous waters of the North Atlantic; stoic Irishmen shoulder their country's debt with tight-lipped penitence, though they should have acted shamefully and defaulted; rule abiding Germans don't notice the filth under the sheen of the bonds they have bought (and here he takes a scatological side-trip into "the German's longstanding special interest" in "Scheisse (shit)" and tries to extend the analogy to the financial crisis, claiming that the Germans "longed to be near the shit but not in it," and although this is entertaining, I think his logic is stretched thin and that you could find loads of "Scheisse" jokes in every culture-- Mr. Lahey from Trailer Park Boys comes to mind-- so even Canadians stoop to this sort of humor); finally Lewis ends up in America, searching for the state that is the biggest financial disaster . . . and banking analyst Meredith Whitney determines this by invoking the logic of "the tragedy of the commons," she explains: "companies are more likely to flourish in stronger states; the individuals will go where the jobs are . . . ultimately, the people will follow the companies . . . Indiana is going to be like, NFW I'm bailing out New Jersey . . . those who have money and can move do so, and those without money and cannot move do not, and ultimately rely more on state and local assistance," and Lewis asks her, "What's the scariest state?" and I hoped her answer wouldn't be New Jersey, but she "only had to think for about two seconds" and then she said, "California."
Sodom and Gomorrah and Explosions
Everyone knows that "Cool Guys Don't Look At Explosions"-- including my favorite "cool guys," the silent and scary Mexican cartel assassins from Breaking Bad-- but I have a hypothesis as to why this trope is so common: it is actually a subtle Biblical allusion to the the story of Sodom and Gomorrah; Lot and his wife are commanded by the angels NOT to look back at Yahweh's explosive destruction of the depraved cities but Lot's wife disobeys the angel's instructions and looks back and she is turned into a pillar of salt . . . and so not looking back isn't just about being cool, it's also about obeying God's will and showing humility when something is justly and purposefully destroyed-- and I had this epiphany while showing my children the story of Sodom and Gomorrah on a site called The Brick Testament, which is an illustrated Bible depicted with Legos . . . it is comprehensive and incredible; on the other hand, if something is being randomly destroyed in a movie, then people watch it in fascination (such as the colossal train derailment in Super 8).
North Brunswick Alumnus Scores 102 Yard Goal
Tim Howard, Premier League and U.S. National Team goalie, is arguably the most famous North Brunswick High School Alumnus (he's competing with Glen Burtnik of Styx and two comedians: Jim Norton and Aries Spears) and this goal certainly helps his case.
Movie Trivia (Answer in the Comments)
What film contains cameos by Dom Deluise, Charles Durning, James Coburn, Milton Berle, Elliott Gould, Madeline Kahn, Bob Hope, Mel Brooks, Steve Martin, Richard Pryor, Telly Savalas, and Orson Welles?
Basketball vs. Soccer: Microcosmically
1) for soccer, you need to bring a white and a dark shirt-- so that you can wear the same color as your team-- but for basketball, you have to memorize who is on your team-- this is fairly typical and I suppose it is because in soccer you are looking down more and have to make longer passes and might not be able to recognize someone's face from that far away, but my eyes aren't great and I wouldn't mind if the basketball game adopted the soccer policy;
2) in the soccer game, if you have to sit out a game because there are too many players, you are guaranteed to play in the next game-- even if someone from the winning team needs to be relieved-- but in the basketball game, if there are more than five players, and you miss your foul shot, you will NOT play in the next game . . . as the winning five always get to stay on;
3) because of this rule, more fouls are called in the basketball game and the score is more important;
4) the soccer crew has an email group but the basketball group does not;
5) if the weather is decent, the soccer group will play outside, while this has never happened with the basketball group . . . even when it was 95 degrees in the gym in the summer;
6) more advice and strategy is dispensed by the experienced basketball players, and it is more often accepted, or at least entertained and discussed . . . while during soccer if anyone mistakenly attempts to give someone else advice, it usually results in a vehement argument (which may happen in a language other than English)
7) sometimes at soccer, while we are warming up, we talk world politics . . . this never happens at basketball;
8) there are a couple of women that occasionally play in the soccer game-- and they can hold their own-- but I have never seen any women at the basketball game;
9) you can bring your kid to the soccer game, and if you get there early then he might get to play some-- my seven-year-old son once played for a while before everyone got there . . . but I've never seen any kids at the basketball game;
10) the soccer game has people with names such as Mario, Gio, Jose, Guillermo, Felipe, Mohammed, Javier, Yorim, Ahmed, Yusuf, Ari, Josi, Bruce and Mike . . . the basketball game has people with names such as Al, Keith, Ben, Tom, Chris, Anthony, Richard (Cob), Eugene, Bruce, Isaac and-- of course-- Mike.
The Greek Economy is Ik (Michael Lewis Thomas)
One of the economically devastated countries Michael Lewis describes in his new book Boomerang: Travels in the New Third World is Greece, and his tale is a sordid one of corruption, tax evasion, and systematic cheating and abuse that is so endemic to the culture that it is difficult to fully quantify-- he finally concludes that Greece "does not behave like a collective . . . it behaves as a collection of atomized particles, each of which has grown accustomed to pursuing its own interest at the expense of the common good," and this reminds me of a Lewis Thomas essay about anthropologist Colin Turnbull's infamous portrayal of The Ik, a displaced Ugandan tribe; Turnbull's observations-- in his book The Mountain People-- give a firsthand account of the Ik's selfish and highly individualist practices-- which include defecating on each others doorsteps, leaving the old and sick to fend for themselves, and having no collective spirit whatsoever-- and this makes Turnbull question the goodness of human nature . . . but Lewis Thomas dismisses this pessismism and the Ik behavior-- insisting that The Ik society has essentially gone crazy-- and as a solution to the insanity, each individual Ik has formed a "group, a one man tribe on its own, a constituency," and Thomas says this is not all that unusual, as it is how nations behave, and "for total greed, rapacity, heartlessness, and irresponsibility there is no match for a nation."
Is Something Wrong With Me? Besides the Obvious . . .
A Fact I Will Never Reveal To My Children
In this months issue of Wired magazine there is a tiny article called "Three Smart Things About Boogers" and one of the smart things is that "boogers are good for you" and apparently mucophagy-- or the act of picking one's nose and eating the results-- has a long and fruitful history and may bolster the immune system . . . but I'm not reporting this to my children, nor am I telling them that my descriptions of the horrible consequences of eating your boogers are completely wrong.
Things Start Making Sense
My work today is over at Gheorghe: The Blog-- and, unfortunately for those of you with limited patience for my rambling, it is more than one sentence long-- as I have written a rather existential essay about how my life is starting to resemble one of my favorite songs: "Once in a Lifetime" by The Talking Heads.
The Tragedy of Dave Learning About The Tragedy of the Commons
Biologist Garrett Hardin famously used the idea of "the tragedy of the commons" as an environmental principle that explained how individuals will inevitably deplete a shared resource-- such as a common pasture-- because no one owns the particular resource, so no one is invested in protecting it; the simple solution is to allow people to own the land, because then they won't let their animals overgraze-- unless they are stupid-- and the tragedy of the commons explains why public bathrooms are filthy and why it's difficult to get kids to clean up their trash in the school cafeteria and why it's impossible to get nations to subscribe to the Kyoto Protocol, and it is also a wonderful rationalization if you feel like littering in your local park or don't feel like scooping up your dog's excrement or if you stain a library book with chocolate fingerprints or if you feel like tossing some trash out your car window . . . if someone looks at you askance, simply shrug your shoulders and say, "tragedy of the commons, what can you do?"
Corrupted Blood Incident: A Good Name For A Screamo Band
It's Good To Give Your Children Concrete Goals To Strive For . . .
The other day I promised my son Ian-- the budding artist-- that if he draws something cool enough, I'll get it tattooed on my back.
I'm Going to Read Me Some REAMDE
I am half-way through Neal Stephenson's gigantic new novel REAMDE, and it reads like a 1000 page Wired Magazine article, a Wired article with a thrilling plot and a multitude of well-drawn international characters, but a Wired article nonetheless, and this makes my review pretty simple . . . if you like Wired Magazine, I recommend the novel . . . and if you don't, then I don't; you also might like the novel if you appreciate the word "albedo," which is a fun word to challenge people to define, but also a word I have never seen in a novel, but Stephenson had no problem working it in: "modern paper, with its eye searing 95 percent albedo, simply ruined the look that was coming together inside the walls."
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