Showing posts sorted by relevance for query bosch. Sort by date Show all posts
Showing posts sorted by relevance for query bosch. Sort by date Show all posts

Better Get a Bucket




I thought I was at the end of my crime-fiction binge, but I was able to fit one more "wafer thin" novel into my gullet without exploding like Mr. Creosote-- I read the first Harry Bosch novel over break (The Black Echo) and it is definitely worth starting at the beginning; the plot is wild, convoluted and gripping, and you also find out about why Bosch has been demoted, why IAD is on his tail, and why his sense of humor isn't as keen as that of John Rebus . . . Bosch was a "tunnel rat" in Vietnam, and some of his fellow rats figure prominently in the novel's caper plot; now that I've read a few, I see the general formula of a Harry Bosch novel: there's an investigation that administrators do not want investigated; Bosch gets involved; no one else really wants to follow through the way Bosch does, so he ends up on his own; he is asked to stand down, but he becomes obsessed-- despite the fact that Internal Affairs is watching him for foul-play, breaches of protocol, and corruption-- and he eventually reaches the truth, which is not as neat and/or pretty as he would have liked, and he pays a heavy price for this knowledge . . . but he can handle it because his soul is nearly dead anyway; Connelly's brilliance is in the details-- in the description of the 1970 photo of the tunnel rats, each man's dog tags were taped together to prevent jangling when they went "out of the blue and into the black," and the novel is worth reading solely for the stuff that happens under the ground, in the L.A. sewer system and the spider holes in Vietnam (nearly as good as the Vienna tunnel stuff in The Third Man).


 .

Bosch vs. Rebus

I think I've reached the end of my detective fiction binge-- in a New Yorker article, Joyce Carol Oates recommended Michael Connelly and Ian Rankin as masters of the genre, so I read a few Connelly books and an Ian Rankin (Standing in Another Man's Grave) and I liked both authors and will read more of them . . . here is my breakdown of Harry Bosch (Connelly) and John Rebus (Rankin) . . . they are both no longer married and each has a daughter, but Bosch's daughter is a chip off the old block (a chip off the old Bosch?) and wants to be a detective like her dad, while Rebus is almost estranged from his daughter; both detectives are old school and willing to bend some rules to get their man, but while neither are corrupt like Vic Mackey, Rebus seems more willing to associate with the underbelly of society to get what he needs; Bosch seems more obsessive and unrelenting (although Rebus can be a bit obsessive as well) while Rebus is more willing to down a few pints or some Highland Park scotch to unwind; both men like music, but Bosch loves jazz while Rebus likes classic rock (and is prone to making Led Zeppelin jokes) and though it's hard to tell, because I read random books in each series instead of starting at the beginning, both men seem to be surrounded by women that they have history with . . . anyway, thanks Joyce Carol Oates . . . if you have any other recommendations, just leave them in the comments.

I Need to Read Something With Jokes


The Last Coyote is the fourth book in Michael Connelly's Harry Bosch series, and it is a dark and existential one-- think True Detectives without the cute ending; Bosch is on involuntary stress leave because he assaulted his lieutenant, and so he has time to delve into the details of his wretched past . . . his mother was a working girl and Harry was taken from her by child services and placed in a youth home, and though his mother had plans to straighten out and regain custody, before that could happen she was strangled-- and the case was treated oddly, brushed aside and never solved . . . it reeked of corruption and foul play; at the start of this novel, Bosch finally decides that his life's mission is to look into it, though his police psychologist warns him against this course of action because she feels it will do him more harm than good-- but Harry Bosch takes advice from no man (or woman) and what he finds isn't pretty; Bosch is especially grouchy and irascible in this one (for good reason) and I think I need a break from him, I need to read something like Bossypants or Me Talk Pretty One Day, to restore my good spirits.

Bosch (and Connelly) Do It Again

No spoilers, but Bosch (and Connelly) get it done again in The Wrong Side of Goodbye . . . and they get it done twice-- the book is a mystery wrapped in an enigma: I got so wrapped up in the interior serial rapist case that I forgot about the larger private case that framed the story, so I finished with one mystery and there were still fifty compelling pages left; not only that, but I learned why Harry Bosch doesn't eat Vietnamese food . . . when he was a tunnel rat back in 'Nam he had to eat spicy noodles and such every single day, every single meal, because when you're down in the tunnels, in such close quarters with the enemy, defusing booby traps and hunting Viet Cong, then you need to smell like them or they'll suss you out . . . and you smell like the food you eat, so it was all pho for Bosch, and that was enough of it.

Rebus and Bosch . . . A Fitting End to a Great Year of Crime Fiction

Though I didn't plan it, the last two books I read in 2015 were a Harry Bosch mystery (Trunk Music) and a John Rebus mystery (Hide & Seek) and in both novels, these rather similar detectives plunge into respective Chandler-esque labyrinths of corruption, and while they suffer some hard knocks, because they both have a code of conduct, they are able to wiggle free from their mazes, whether in L.A. or Edinburgh, and breath fresh air at the end of each story . . . once again, thanks to Joyce Carol Oates for introducing me to Michael Connelly and Ian Rankin as "masters of the genre" . . . I've only been reading about these guys for a year, but-- like the great Shakespeare characters-- I feel like I've known Harry Bosch and John Rebus all of my life.

High Jingo



Harry Bosch investigates two cases at the same time in Michael Connelly's The Drop . . . a cold one involving a sexual predator and a serial killer and a hot one: the possible suicide of a powerful City Council Member's son . . . the hot case leads to political conspiracy and what Bosch calls "high jingo," which is his term for high-level political manipulation and gamesmanship-- something he and I both abhor-- which is why Bosch will remain a detective and I will remain a teacher . . . neither of us wants anything to do with the world of bureaucracy, administration and "high jingo," and while this means you can't have as broad an effect on the system, it also means that you don't have to compromise your values as often (but you can still use violence and intimidation once in a while to coerce a confession . . . that's just good fun).

What's Better Than One Serial Killer?


Two serial killers, obviously-- The Dollmaker and The Follower-- and though Michael Connelly's third Hieronymous "Harry" Bosch novel was written back in 1994, The Concrete Blonde still feels relevant today because of the lurking theme under the double menace of the killers: unauthorized use of force by authority; Bosch shot The Dollmaker in the line of duty four years before the novel begins, and story opens with him being sued by the Dollmaker's widow for being a vigilante-- he shot the purported killer while he was naked and reaching for something under his pillow, which turned out to be a toupee, not a gun, and while there was a preponderance of evidence linking the suspect to the case; the plaintiff's attorney, Honey Chandler, brings up Rodney King and the noted corruption and civil rights abuses in the L.A.P.D. and meanwhile, the killings continue, making everyone-- including Bosch-- wonder if he got the wrong guy; while the book eventually veers away from this heavy stuff into more procedural law and the usual hot pursuit, with the requisite twists and turns (and plenty of pornography and violence) this is no lightweight beach read . . . so far it is my favorite of all the Connelly novels, and so I'd like to thank Joyce Carol Oates again for recommending him (you can say "you're welcome" in the comments, Joyce).

Game of Bosch

Michael Connelly's Nine Dragons is one of the darkest Bosch novels . . . this time Hieronymus takes on the Chinese Triad syndicate . . . in Hong Kong, and he leaves a wake of dead bodies in his path as he searches for his abducted daughter; if you've never read a Harry Bosch mystery, this is a good one to start with.

Midgets? Hieronymus Bosch?This Just Might Be The Film For You

If you like midgets, medieval architecture, old-style Quentin Tarantino flicks, and Hieronymus Bosch, then In Bruges is tailor-made for you-- I give it six canals out of a possible seven-- but I do admit that I may be biased because I love medieval architecture, old-style Quentin Tarantino flicks, and Hieronymus Bosch . . . and I certainly don't mind a movie with a midget or two (or more, just watched Time Bandits the other day with the kids).


Meta-Bosch

In Michael Connelly's novel Trunk Music, Detective Harry Bosch is in trouble with Internal Affairs (again!) and he is interrogated by a particularly righteous IAD officer, John Chastain, who tells him "I take pride in what I do because I represent the public, and if there is no one to police the police then there is no one to keep the abuse of their wide powers in check," and Harry replies to this with a hall of mirrors type question: "But let me ask you this, Chastain . . . who polices the police who police the police?"

Angels Flight is a Funicular Railway and a Harry Bosch Novel


My apologies in advance, as I love the word "funicular" and will use it as many times as possible in this book review; Angels Flight is a two-car-narrow-gauge-funicular-railway in Los Angeles and it connects Hill Street and California Plaza; the funicular-railway is both a tourist attraction and a means for workers to get back and forth between the Downtown Historic Core and Bunker Hill . . . and it is also the title of a particularly dark Michael Connelly novel; the story begins at the funicular-railway, which is the scene of a grisly double murder: a woman and a high profile African American lawyer that specializes in racism and police brutality cases . . . this is a very sensitive investigation and Internal Affairs and the FBI work in conjunction with Bosch's team to solve the case, as many people believe that a police officer committed the crime-- as Howard Elias, the lawyer, was hated and vilified by the force-- this is in the wake of the Rodney King trial, and the city is beginning to boil over again . . . throw in a pedophile ring, a murdered twelve year old girl, complicit parents, violent interrogation tactics and indignant anger in the media, the police force, and the black community, and it sets up an ugly portrait of 1999 that is as topical today as it was then . . . and it all starts on the funicular railway.

The Black Ice: Killing Three Birds With One Drug


The only thing questionable about Michael Connelly's second Harry Bosch novel The Black Ice is the eponymous drug "black ice," a mixture of cocaine, heroin, and PCP in one "powerful little rock"; Connelly admits he used his "artistic license" to invent the drug and it does seem a bit over the top, but the rest of the novel is a fantastic and realistic thrill ride back and forth across the border, mainly in the sister cities of Calexico and Mexicali . . . there are medflies and bulls on parade, drug tunnels, good cops gone bad, bad cops gone worse, undercover agents gone rogue, and lots of Harry Bosch, of course, the grouchy descendant of Philip Marlowe, the knight in the powder blue suit.

Two Books with White Covers (Both Containing Allusions)

I recently finished two new books with white covers: But What If We're Wrong? Thinking About the Present As If It Were the Past by Chuck Klosterman and White Sands: Experiences from the Outside World by Geoff Dyer and while both of these authors are generally regarded as critics . . . of popular culture, the arts, and-- in the case of Klosterman-- sports (and both write novels as well) and they both share a precise, crisp writing style that is almost mock-epic in laying bare the logic of thought (Pulitzer Prize winner Kathryn Schulz, in this review, described Dyer as "one of our greatest living critics, not of art, but of life itself, and one of our most original writers") but the big difference-- for me at least-- is that reading Klosterman is a smooth transference of thought, because Klosterman is around my age and he refers to things that I know a lot about (The Sex Pistols, Nick Bostrom, The Cosby Show, American football, Roseanne, Dan Carlin, the intelligence of octopi, the Higgs Boson, and Star Wars are a few that come to mind from his new book) while Geoff Dyer, a fifty year old Brit, will often refer to things just outside my purview . . . I think this is purposeful: Klosterman wants to appeal to a certain category of forty-something semi-literate, semi-intelligent, semi-athletic nerdy hipster (Dave is pegged) while Dyer, though easy enough to read, designs his references and allusions to take you beyond your normal thoughts and logic . . . in this new book, you will "experience the outside world" a world of art and culture and music that you know exists, but probably never investigated; anyway, here are some references and allusions from Geoff Dyer's new book, divided into two categories, the ones I knew and the ones I had to Google:

some of the references I got . . .

1) Robert Smithson's earthwork Spiral Jetty;

2) Ornette Coleman's The Shape of Jazz to Come;

3) the life and works of Matisse, Pissarro, and Gauguin;

4) Dick Diver in Tender is the Night;

5) Art Pepper . . . I learned about him in the Bosch mysteries;

6) full moon parties at Ko Pha Ngan

7) Don Delillo's novel Underworld;

8) David Mamet and Thomas Pynchon;

and here are some of the people, places, and things I was unfamiliar with . . .

1) the critical works of Theodor W. Adorno and Max Horkheimer;

2) Walter de Maria's landwork The Lightning Field . . . this giant rectangular collection of tall metal poles is in New Mexico, if I had know about it we could have taken a detour on our cross-country trip and tried to see it . . . although it's difficult to access;

3) Chaiwat Subprasom's photo Koh Tao;

4) Taryn Simon's photo series The Innocents;

5) Simon Rodia and The Watts Towers;

6) jazz bassist Charlie Haden, who played with Ornette Coleman;

7) seminal jazz saxophonist Pharoah Sanders;

8) Don Cherry's funky fusion album Brown Rice, with Charlie Haden on bass . . . I really like this album and I would have never listened to it if I hadn't read the book . . .

and so thanks to Geoff Dyer for introducing me to some new things, and making me feel a bit dumb, and thanks to Chuck Klosterman for explicating things I already know about, and making me feel smart.


The Usual Quarantine Stuff

Last night was Zoom pub night. Again.

Earlier Thursday, it was more TV. So much TV. I watched some Bosch with the wife, The Expanse with the kids, and The Wire with the wife and kids. I tried my best to watch some of the Parks and Rec reunion but found it awkward and sluggish. Headed back to Zoom pub night (which is also awkward and sluggish, I think that's just what Zoom is like).

I woke up at 4:45 AM this morning. Decided to get up and get some grading done. Waded through a bunch of narratives and some other assignments. Then went back to bed. That's a plus about remote learning: you can work on your own schedule.

Zoom meeting with the English Department at 8:30 AM.

Then I did some community service and went shopping for an old guy. Bought the usual stuff: liverwurst, ham turkey, pineapple chunks, soup soup soup, grapes, applesauce, etc. Old person food. I'm getting quicker in the store. Listening to electronica helps (Amon Tobin and Boards of Canada).

When I dropped the food off, a cute lady finally witnessed my community service! She answered the door. She was either a relative or some sort of aid. It's nice when someone cute sees you doing community service, but-- unfortunately-- I was dressed like a homeless person.

Note to self: if you wear a mask and you forgot to brush your teeth, you're going to smell some bad breath. Your own bad breath. And there's no way to escape it.

Ian and I did our usual three-mile run. It started pouring rain ten minutes in and didn't stop until we got home. Huge drops. Now it's warm and sunny. Springlike.

Ian stumbled on a fawn while walking the dog.


I just finished my second Josephine Tey mystery: a Shilling For Candles. She's a great writer. Weird characters, a run-of-the-mill detective without the tortured past, and a great ear for dialogue.

Here is a sample passage, summarizing the information the police received about possible sightings of an alleged murder suspect on the run:

By Tuesday noon Tisdall had been seen in almost every corner of England and Wales, and by tea-time was beginning to be seen in Scotland. He had been observed fishing from a bridge over a Yorkshire stream and had pulled his hat suspiciously over his face when the informant had approached. He had been seen walking out of a cinema in Aberystwyth. He had rented a room in Lincoln and had left without paying. (He had quite often left without paying, Grant noticed.) He had asked to be taken on a boat at Lowestoft. (He had also asked to be taken on a boat at half a dozen other places. The number of young men who could not pay their landladies and who wanted to leave the country was distressing.) He was found dead on a moor near Penrith. (That occupied Grant the best part of the afternoon.) He was found intoxicated in a London alley. He had bought a hat in Hythe, Grantham, Lewes, Tonbridge, Dorchester, Ashford, Luton, Aylesbury, Leicester, Chatham, East Grinstead, and in four London shops. He had also bought a packet of safety-pins pins in Swan and Edgars. He had eaten a crab sandwich at a quick lunch counter in Argyll Street, two rolls and coffee in a Hastings bun shop, and bread and cheese in a Haywards’ Heath inn. He had stolen every imaginable kind of article in every imaginable kind of place—including a decanter from a glass-and-china warehouse in Croydon. When asked what he supposed Tisdall wanted a decanter for, the informant said that it was a grand weapon.

And here is my favorite line from the book:

It is said that ninety-nine people out of a hundred, receiving a telegram reading: All is discovered: fly, will snatch a toothbrush and make for the garage.

It's interesting what people lose themselves in during quarantine. Some people are watching old sports. My buddy Whitney is mainlining music documentaries. All I want is crime stuff. The chase scenes, the investigation, the freedom of movement, the bars and dives, and the various localities pull my mind from the reality of quarantine confinement.

Attention: Ian Rankin and Michael Connelly



I just finished Ian Rankin's first John Rebus novel, Knots and Crosses, and I think that Michael Connelly and Ian Rankin need to collaborate on a thriller where John Rebus and Harry Bosch cross paths . . . both detectives are generally glum and dour, both had traumatic experiences in the military, both are rather lonely because they view the world as a dark labyrinth of depthless anguish and violence, and they both have daughters-- Rebus is a little more religious, but he doesn't press it, and I think it would be cute if they solved a case together, like True Detectives, and then at the end of the novel, they could nurse their shoulder wounds together in the same hospital room (detectives in thriller series always get shot in the shoulder, it doesn't kill you, but it bleeds a lot).

This Book Is Nothing Like a Michael Connelly Novel

I am slowly making my way through Jim Holt's book Why Does the World Exist? An Existential Detective Story and while in a sense the subtitle is true, as Holt really is searching for clues to the answer to the biggest question of all-- why is there something, rather than nothing?-- but I have to tell you that this is nothing like proceeding through a Harry Bosch investigation; Holt interviews some strange characters (forcing me to learn some new words: Richard Swinburne, an Oxford philosopher who believes that the simplest hypothesis as to why there is something rather than nothing is that an omnipotent God created the universe, explains that he has a theodicy, which is a impossibly precise word that means he has a defense of why an omniscient, omnipotent and infinitely good being would allow evil in the universe . . . Holt calls his tone "almost homiletic," and I had to look up that word too-- it means speaking in the style of a homily . . . just before Holt interrogated Swinburne, he interviewed his "great cosmological adversary," a guy named Adolf Grumbaum who thought that the ultimate question was actually a pseudo-problem, and our problems with time and complexity and the Null hypothesis are all heuristic biases) and while Holt interrogates these folks to the best of his ability, I'm highly skeptical that he's going to wrap this thing up at the end of the book . . . I peeked at the name of the last chapter and it is called "Return to Nothingness" (I knew a teacher who always read the last few pages of a mystery novel first, so he could then go back and enjoy the story and not rush ahead simply to find out the solution to the plot).

Dave Becomes Even More Insufferable (Thanks Charles C. Mann!)

I just finished the new Charles C. Mann book The Wizard and the Prophet (including both appendices) and now I'm chock full of facts and leaking whole lot of half-assed opinions; the Wizard is represented by the so-called father of the Green Revolution, Norman Borlaug, and the Prophet is symbolized by conservationist and ecologist William Vogt . . . Prophets prophesy doom unless we "cut back! cut back!" and Prophets preach conserving wetlands and open spaces, reducing consumption, utilizing bottom up energy solutions, and basically halting constant economic growth and development, which comes at the cost of the earth's resources; Wizards are the "techno-optimists" and they are sure that we will think our way through all these problems, often with large scale projects-- whether they be to harness wind, sun, and tide, desalinate the oceans, or curb global warming by putting sulfur-dioxide in the air; there's also a lot about wheat in the book, Norman Borlaug painstakingly bred super-wheat in order to feed the starving masses (a fun fact, wheat is incredibly diverse genetically and thus there are infinite variations to breed, while humans are incredibly similar genetically-- chew on that, racists!-- and two humans who look nothing alike are more similar genetically than two chimpanzees from the same troop) and Mann describes this wheat breeding in great detail . . . I definitely skimmed this portion of the book-- it's more intense than the corn section of The Omnivore's Dilemma-- but I'm certain that if you select for extra rubisco, throw in a little Haber-Bosch, then you're feeding the billions . . . but a planet with ten billion humans will not resemble our current conception of earth (although we are rapidly approaching this future as far as biodiversity is concerned, see various posts on The Sixth Extinction) and the Prophets worry that super-wheat will simply exacerbate the population bomb . . . and there's a chance that both the Wizards and the Prophets are wrong and Lynn Margulis is right; Margulis, one of the most prominent researchers in the field of microorganisms, believes our planet is a Petri dish, and like most other species, we will breed and exceed-- we will use up all our resources until calamity strikes . . . there are a few indications that she could be wrong-- but nothing to write home about-- violence is at an all time low, in an exponential sense, and there have been some bottom-up successes in Burkina Faso that indicate that we could reforest the desert, creating a giant carbon sink, reinvigorated soil, and a more humid landscape . . . anyway, the conflict in the book, between the Wizard's desire to create technology "to soar beyond natural constraints" and the Prophets hope that we can learn to live in a "steady state" negotiation with our planet, is going to come to a head in our lifetime and Charles C. Mann does a fantastic job with an even-handed look on how things might change (I also highly recommend his two other noted books, 1491 and 1493, which describe the Americas before and after the Columbian exchange).

Bones and More Bones



If you like hard-boiled mysteries and you like bones, than Michael Connelly's City of Bones is the book for you-- Harry Bosch gets to the bottom of the mystery surrounding a young boy's skeleton, which was found by a dog on a Hollywood hillside-- the boy died from a blow to the head and, according to his skeleton, he suffered severe abuse before he was murdered; the book has it all: detailed police procedural stuff, a tragic romance, action, violence, noir, and even a historic parallel . . . the La Brea woman, a 9000 year old fossilized human found in the La Brea tar pits: her cause of death is a blow to the head with a blunt object, and she's known as L.A.'s first homicide.

Teach Your Teenager to Think Poker

This spring, during the COVID lockdown, I started playing poker. Low stakes Texas Hold’em. I wanted to keep my mind active, and I was sick of watching Bosch. That guy is a grouch.

So I took up online gambling.

To many of you, I’m sure this sounds like a terrible decision, but I wasn’t alone. Online poker is legal in New Jersey, and the poker sites experienced a lot of extra traffic during the pandemic. This was great for the regulars, the grinders. Easy money. Online poker is tough. There are quite a few seasoned veterans out there, so you’ve got to know what you’re doing. I was lucky not to lose my entire (albeit tiny) bankroll in the first few weeks.

At the start, I thought this was something relaxing and fun I could do in the evening while drinking a few beers, something to pass the time.

If you’re serious about learning to play poker, that’s not how it goes. Instead of cracking an IPA, you’re better off brewing a pot of coffee. This is NOT passive entertainment.

I also found that I enjoyed reading books about poker just as much (or possibly more) than I enjoyed playing poker. These books taught me to think poker. How to assess risk and reward. Compute pot odds. Analyze your position. Bet for value. Read hand combinations. How to control your emotions, and avoid tilting into madness.

And while I might sound like a reprobate, I also learned that you should encourage your kids to gamble. Placing an intelligent wager involves so many necessary skills that children need to hone — especially teenage children — that you’ve got to let them try, even if the populace calls you a corrupt degenerate.

That’s what the populace called Socrates.

If you are going to teach your kids to gamble, teach them poker. I’m sure there are valuable administrative lessons to be learned from managing a fantasy football team and rolling the bones can school you in basic probability (Roland “Prez” Pryzbylewski taught us this in The Wire). Still, none of these games require the philosophical and strategic thinking you need while playing poker, Texas Hold’em in particular.

If my son had utilized some poker logic on his epic adventure, maybe he wouldn’t have ended up cleaning all the bathrooms in our house. It’s not like I hadn’t taught him.

If Woody had gone straight to the police . . .

Before my online poker experience, I thought I was a decent poker player. I’m good at math, I like probability and statistics, and I’ve always done well when I’ve played with friends. But playing countless hands online and reading a slew of classic poker books has shown me the many, many holes in my game. Flaws in my logic and thinking. Spontaneously stupid reactions.

I get overly competitive. I make rash decisions. I’m too curious. I’m either too passive or I’m too aggressive. I play too many hands. My bet-sizing is often imprecise. I bet too much. I check too much. I call too much. I don’t bet the river enough. I could go on and on. The best way to improve at poker is through brutal self-reflection. If you don’t analyze your mistakes and play better, you will lose your money. The scoreboard is your ever-fluctuating bankroll.

Some people learn to play poker through repetition, playing countless hands for decades. This works, but it’s arduous and expensive. Some people use videos. There’s a plenitude of resources on YouTube if you’re willing to wade through them. Some people pay serious money to get coached. But I’m a high school English teacher, and so I turned to my old standby: books. I read quite a few. Due to COVID-19, there was nothing but time.

Some poker books are mathematical and tactical . . . works by David Sklansky, Dan Harrington, and Ed Miller. Some are more evocative. British poet Al Alvarez’s The Biggest Game in Town is regarded as the best book about poker ever written. It’s stylish and authentic. But it won’t help your game. Tommy Angelo and Phil Gordon are more philosophical and meditative. Gus Hansen’s bestseller Every Hand Revealed is candid and fun, in a goofy sort of way. Lots of exclamation points. In The Noble Hustle: Poker, Beef Jerky, and Death, Colson Whitehead comes across as an existential grumbler. If you want ambiguity, read the essays in Full Tilt Poker. Every author has a different methodology.

The takeaway from the literature is this: poker is an entire branch of knowledge. It incorporates psychology, game theory, statistics, probability, economics, risk assessment, and character analysis. It can get really deep. If you want to hear how deep, listen to an episode of the podcast Just Hands. Jackson Laskey and James Bilderbeck dissect one hand per episode. Thirty minutes to an hour of “nebulous thoughts” on poker strategy and decision-making. They slow downtime, which is the basis of philosophical thinking.

In the moment, whether we are playing poker or living our life, we use heuristics — rules of thumb — to make our choices. We don’t have enough time to deeply analyze every decision. But if we had the time, any moment can get sticky. My point is — whether in cards or life — there’s no formula. It’s more than simply looking at your hand and throwing down a bet.

Like many of you, I was doing a lot of parenting during the pandemic. Certainly more parenting than poker. We all learned that when schools and sports and trampoline gyms are shut down, you’ve got to up your parenting game. There’s no formula on how to do that either.

I tried to encourage my two high school boys to stay active, in mind and body. To finish their remote school work. To read something other than memes and texts on their phones.

My younger son — a shy and reticent freshman who hadn’t hit puberty yet — was unfazed by the pandemic. He got his school work done, played video games and Magic and Dungeons & Dragons online with his friends, and enjoyed sleeping in. Though he was annoyed that tennis season was canceled, he was happy enough to play with me. We found some courts that didn’t close and played nearly every day. Sometimes he wandered around town with his nerdy friend Martin, but he was happy enough watching shows like Big Shrimpin’ and Silicon Valley with the family

He wasn’t worried about missing keg parties or flirting with girls.

My older son, a sophomore, was a different story. He was so angry about losing tennis season that he didn’t want to play with us. It reminded him of all the good times he was missing with his friends on the team. He recently grew seven inches (shooting past my wife and me) and he had something of a social life before the pandemic: he had a girlfriend for most of winter track season, he went to a house party and drank too much alcoholic punch (and consequently spent the night puking) and he was president of the Rocket Propulsion Club.

He was a real teenager.

While he tolerated us (we played a lot of Bananagrams) this wasn’t enough action for a sixteen-year-old man-child. And where there is action — trouble and risk — poker logic is crucial. Right?

This is always the question with an analogy. Does it hold water?

Is poker just a game, or does it have some bearing on reality?

Do pinochle and Parcheesi teach you essential life skills or are they simply ways to idle away the time? How about chess? Is football similar to modern warfare? Is hockey similar to anything?

In The Catcher in the Rye, Mr. Spencer — Holden Caulfield’s history teacher — tells Holden that “life is a game” that one plays “according to the rules.”

Holden disagrees.

“Game my ass. Some game. If you get on the side where all the hot-shots are, then it’s a game, all right — I’ll admit that. But if you get on the other side, where there aren’t any hot-shots, what’s a game about it? Nothing. No game.”

I empathize with Holden. Not all analogies hold up. But I’d like to make the case that poker does. Especially Texas Hold’em.

Here’s a quick primer, in case you need convincing.

Old-time poker champion Doyle Brunson called no limit “the Cadillac of poker” for a reason. There’s more on the line, more ways to play, more variation in style, and — because of the “no limit” element — it hasn’t been solved by computers. It’s a miracle of limited, but significant information.

Just like life.

Here’s how it goes. First off, everyone gets two cards, face down. These are your “hole” cards. You see them, no one else does. If you like these cards, you have the option to bet on your hand: invest in it right off the bat. You also have the option to “check” to someone else’s bet — essentially match the bet so you can continue playing. You could also brazenly raise the bet. Or you could do the opposite. You could fold. Quit the hand, before anything wild happens. This decision is yours alone.

That’s the miracle of poker. You can quit before the game even starts. Opt-out. The best poker players are the best quitters. It’s the biggest part of the game. This may sound odd, to those of you who frown upon quitting, but getting out when the getting out is good is a real skill.

We often tell children “quitters never win,” but there are many advantages to quitting that are often not promoted. The Freakonomics episode “The Upside of Quitting” explores this theme.

Now, if you’re sitting at the table, you can’t completely avoid betting. Twice per round, you are forced to bet a little bit. These are the antes. The small blind and the big blind. Otherwise, there would be no risk at all to play and you could wait forever for a pair of aces. The blinds ensure that if you don’t eventually play, you will lose all your money. You’ll be blinded out. So if you are at the table, there’s always some risk. But you can leave if you like. This isn’t Russian roulette with Robert Deniro and Christopher Walken in a Vietcong prison camp. You can always walk away from the table.

After the initial round of betting on your two hole cards, then the dealer “flops” out three shared cards. Everyone can see these. So you’ve got shared information and private information. You weigh this and decide if you want to bet, check, raise, or fold. The way the other people bet, check, raise and fold reveals information about their hands. This could be accurate information or they could be bluffing, representing cards they don’t have. You have to decide. Be careful of peer pressure, you don’t want to bet just because everyone does. You need to like your hand, at least a little bit.

Another card is turned. This card is called “the turn” because it can turn the tide of the hand. There is more betting. You can still quit! Although, mentally it gets harder to quit once you’ve come this far because you’ve put some of your hard-earned money into the pot. You want that money back, but it’s not yours any longer. It’s up for grabs. It’s hard to accept. We’ll get more into this logical fallacy later. But remember, the best poker players are the best quitters.

At any time during this process, in “no limit” Texas Hold’em, a player can bet all their money. The nuclear option. Most poker does not operate like this. There is a limit to how much you can bet. It makes it easier to compute the odds of winning the hand, versus the percentage of the money you need to bet. This “all-in” option in Texas Hold’em is what makes the game so indeterminate.

You may be able to figure out the percentages of drawing a flush, but can you figure out the percentages of the human mind? You may be able to imagine what a rational being would bet, but what about the lunatic on your right? How about the genius on your left? Is that a regular guy with a good hand, a super-genius utilizing combinatorial game theory, or a spoiled dilettante with a giant trust fund?

There’s no way to know for sure.

After the turn, one more card is revealed, for a total of five shared cards. This card is called “the river” or “fifth street.” This is the card that can make your hand. Or you can fall off the cliff, into the river and be swept away. Sold down the river. It’s an apt metaphor for this essay.

Now there are five community cards and two private cards. You choose the best five of the seven to make your hand.

The best hand wins the pot. I won’t get into what beats what . . . if you don’t know that a full house beats a straight, then I’d like to invite you to a Tuesday night Zoom poker game.

Now let’s extend the analogy in a general way. For many people, life during the pandemic was similar to playing poker.

Most of us were making calculated bets all the time. Getting together with friends in the backyard? A small bet. Outdoor seating at a restaurant? Maybe a little bigger. Playing tennis? Marching in a protest? Visiting a crowded beach? Reopening school? Who knows? All different amounts of risk and reward. Different amounts of pleasure, different amounts of action and excitement and different risks of contracting COVID.

Of course, there were old people and immune-compromised people who had to sit the game out. Some essential workers were forced to put their immune systems on the line for eight hours every day. For these people, the pandemic was not a game.

But for many of us, it was. Getting plastered in a crowded Miami bar turned out to be an all-in bet. The nuclear option. Big fun, but it’s also the highest risk to get the virus.

You could always fold your hand. If the party got too crowded, you could leave. Opt-out. If there were hordes of people inside Costco, you could come back some other time. Play another day.

My kids were playing some pandemic poker.

My younger son was playing it pretty close to the vest. Lots of online stuff. Sometimes he’d go out walking or play some tennis. Small bets.

My older son was running every day with a couple of friends. He was going over to Rutgers with his buddies and doing Rocket Propulsion stuff. He was playing video games in his friend’s backyard. Also smallish bets.

But like I said, my older son Alex was a real teenager. Half man, half child. He needed more action than that.

On a hot day in June, he went over to a friend’s house, ostensibly to play Spikeball. Thunderstorms were in the forecast. The lockdown had been going forever. No school, no organized sports, no graduation parties, no hanging out in an air-conditioned house with friends.

Around noon, Alex called and told me the two older boys — seniors — had decided to bike to Princeton. Alex was going as well. They were going to take the towpath (a.k.a. D & R Canal State Park) from New Brunswick to Rocky Hill and then bike into Princeton proper and eat lunch. It’s a long way there. Twenty-five miles. And then you’ve got to get back . . .

I told him this wasn’t a great idea and listed the reasons:It was too late in the day.
It was hot.
The forecast called for thunderstorms.
He wasn’t wearing spandex bike shorts . . . he would chafe.
He was using his younger brother’s bike, which was too small for him.

Essentially, I was explaining that this was not a great hand. Sometimes, you’ve got to be patient and wait for another.

Pete Townsend explains this in the song “It’s Hard.”

Anyone can do anything if they hold the right card.

So, I’m thinking about my life now . . .

I’m thinking very hard.

Deal me another hand, Lord, this one’s very hard.

I didn’t tell him he couldn’t go. I just clearly laid out the problems. I assumed he was bluffing. This is one of the holes in my poker game. I often think people are bluffing, pretending that their awful hand is good. I assume they will come to their senses soon enough. I want to see what happens because I think I know more than they do.

This kind of curiosity is costly.

Most of the time, people are sincere about their bets. Bluffing is counter-intuitive and feels wrong. People generally believe their hand is good enough, even if their hand is bad. They just think it’s better than it is.

My wife asked, “Did you tell him he could go?”

“I’m not sure. I think he’s going. I just told him it wasn’t a great idea.”

My wife shook her head. She hates my wishy-washy parenting. But there’s no rule book for these situations.

I should point out: this is a kid who never bikes anywhere. God knows why, but he’s opposed to biking. He likes to ride his skateboard. He borrowed his younger brother’s mountain bike for this adventure, which was too small for him. So I assumed he’d be turning back sooner rather than later.

I should have considered his company. Alex was a sophomore, and he was going on this adventure with two athletic seniors. Guys about to graduate, guys ready to leave home and go to college. Guys with a bigger bankroll than my son. There might be some peer pressure to not fold.

When Kenny Rogers sang “You got to know when to hold’em, know when to fold’em” he skipped all the psychology. You’re not playing in a vacuum. There’s pressure not to fold them! Your friends never want you to fold them. They want to see some action. Especially some action with your money. Vicarious action.

I told Alex he could turn around at any time. He was NOT all in. I would put the bike rack on the van and pick him up anywhere along the route. No problem. I would give his friends a lift as well, if they wanted to bail. I could fit all three bikes on the rack.

I figured at some point on this ride — or perhaps even before they set off — he would fold his hand. It was a bad hand, for the reasons I listed above. But I wanted him to figure that out.

Alex told me that they packed some food and plenty of water and some rain gear.

Helmet?

No helmet.

The Delaware and Raritan Canal State Park Trail is a flat path that lies between the Raritan River and the canal. It is all called the tow road because mules used to tow barges and canal boats up and down it. The canal is just a foot or two below the level of the path, but there are often cliffs down to the river. It’s not dangerous in the daytime — the path is well kept. There are occasional ruts and roots, and plenty of poison ivy on the sides of the path, but no terrain that warrants a helmet.

The no-helmet-bet is one worth making on this kind of trail. The chance you’re going to fall and crack your skull is minuscule. The pleasure of the wind in your hair is definite. And it was hot.

When’s the last time you fell while riding a bike on a straight path?

At the start of their trip, luck was on their side. They got a good flop. They made the long haul to Princeton without mishap, and the storms didn’t hit until they got into town. They grabbed some lunch, waited out the rain under an awning, and then decided to take the bus home.

They were giving up on the turn, and that was fine. Typical of so many poker hands. You open with a big bet, continue to bet on the flop, and then take stock of the situation and decide to fold. Quit before things get too intense. They could do the entire fifty-mile there-and-back-trip some other time.

My wife and I were happy with this decision, it was getting late and we figured we were going to have to drive to Princeton to give Alex a ride home. The bus was a great call. Saved us a trip in the car. The bus was supposed to leave at 6:15 PM.

I texted Alex at 6:20 PM to see if he had caught the bus. No answer. Twenty minutes later, I got a text. They missed the bus. They had decided to bike home. I called him and told him he wasn’t going to make it before dark. He insisted they would make it. If not, he said, they would get off the towpath and ride on the road. He said that his friends had flashlights. Alex did not have a flashlight, nor did he have a light on his bike.

He also wasn’t wearing a helmet, so we didn’t want him to ride on the road in the dark. We told him once it got dark, that we wanted him to stop riding the tow road — regardless of what his older friends were doing. He agreed to this. A couple of hours later, it got dark. We got in touch with him. Alex said they were near Manville — about ten miles from home — and we instructed him to get off the tow road at the nearest exit. There was a D&R Canal Trail parking lot right in Manville. We hoped to find him there. We headed west in the minivan, traveling parallel to the canal.

This where poker becomes a psychological game. Logically, he should have backed out. Folded. He had put a lot of time and effort in, it was a lot of fun, but it was over. Pitch black and he was riding along a river. But many people — including myself — often have trouble leaving an interesting hand. You’ve invested so much. People throw good money after bad. Alex decided to go all-in on the river. This was a bet we didn’t want him to make, but circumstances pressured him into it. This happens sometimes. You should know when to fold’em, but when no one else is folding their hand, sometimes your last card doesn’t matter. You blindly bet the last card because you are married to the bet. You can’t back out . . . even though you can. How could he leave these two senior boys? They were pot-committed into biking from Highland Park to Princeton and back, and they were going all-in. Alex told us they discussed the risks and rewards of this play. He knew he was going to get grounded, but wanted to make the entire trip. This is what separates the best players from the good players. They can back out of a hand even when they’ve invested a great deal of time and energy into it. Alex knew the right thing to do but still couldn’t bring himself to do it.

So my wife drove the van, while I navigated a route as close to the river as possible. I texted Alex. No answer. And he didn’t have his phone location on. We lost touch with him. He wasn’t at the Manville parking lot, so we started driving around, finding places where the canal path intersected with the road. I could see the path through the trees, and occasionally make out the silhouettes of fishermen or hikers. No group of kids on bikes, though. It was getting darker and darker.

We were hoping to stumble on him at one of the bridges or park entrances, but no such luck.

My wife and I both certainly had some grim thoughts running through our heads. While the path was easy enough to navigate in the daytime, at night it was a different story. There were roots and occasional potholes and it was surrounded on both sides by water. There were steep drops to the river, which was rocky. The canal is deep. And our son wasn’t wearing a helmet. If he fell, hit his head, and slid into the river or the canal, that would be an ugly situation.

My wife decided if we didn’t get in touch with him by 10 PM, we were calling the police. I agreed.

We finally heard from him at 9:30. The nick of time. He told us they had screwed up the location and were closer than they thought, well past Manville. We found him and the other boys in Johnson Park, which is a mile from our house.

Alex was grounded for the week. He had a list of chores longer than his arm (sometimes it’s nice when the kids get in trouble).

It’s too bad because he almost didn’t get into any trouble at all. He would have had a great story and been on an epic adventure, and suffered no consequences. He just needed to use his poker logic.

I told him this was a situation where he “stayed married to the bet” and “threw good money after bad.” One of the most important things in Texas Hold’em is to be aggressive — to go for it — and then if you know you are beaten, get out of the hand. Fold. He did the reverse, he went all-in with a questionable hand.

Alex understood this. He made a sequence of bad decisions, starting with taking off towards Princeton at noon. But if he quit the sequence at any point . . . if they all turned around earlier, if they took the bus, if he got off the path and called us with his location before the sun went down, if he did any of those things, he would have been a hero. When you make a really difficult fold, they call it a “hero fold” because it’s so difficult to back out of a situation like this. Understanding this and actually making the fold are two very different things.

This is what he needed to do . . . he needed to recognize he was with two eighteen-year-olds that were headed to college and didn’t have to live with their parents for the foreseeable future. They could go all-in with fewer consequences. They had a bigger bankroll. The peer pressure got to him, and that’s fine. It happens. I did plenty of stupid stuff like that as well when I was young. There were plenty of times when I should have folded them, but I didn’t.

So Alex paid off his bet, cleaning cabinets in the kitchen, weed-whacking, etc. Maybe he learned a lesson? I also didn’t mention that his buddy Liam — the younger brother of the senior wrestler — wisely decided to stay home. He didn’t even play that hand. When you’re dealt a lousy hand, sometimes you fold immediately — you don’t get on a bike on a hot humid stormy day and head to Princeton without a helmet. But then, of course, you’re not gambling. And what fun is that?

It's Easy Enough To Look It Up


Brendan Gleeson has been in two recent thrillers that owe a lot to Quentin Tarantino . . . they both explore the interstitial time periods that gangsters and cops inhabit between the action; In Bruges (2008) follows the adventures of two Dublin hit-men (Gleeson and Colin Farrell) sent to cool down in Belgium after a hit went horribly wrong-- and whether you like Hieronymous Bosch or not, I highly recommend this movie-- and now Gleeson stars in The Guard, which is equally as good . . . although the gangsters (international drug dealers) can be a little overly clever when they discuss philosophy, but the reason to watch the movie is to see Gleeson (a lazy and disenfranchised Galway cop, who is a good man who could have been a great man, if not for his location and his vices) interact with Don Cheadle-- who plays an FBI agent sent to Ireland to investigate drug smuggling . . . Cheadle can't tell if Gleeson is "really mother-bleeping dumb or really mother-bleeping smart," and neither can we . . . until the end: I won't spoil the ending, but it's easy enough to look it up on the internet, and I give this film two girls from the agency in Dublin out of a possible two . . . you have to see it not only for Gleeson, who is prodigious both in his size and his acting skills, but also for the plot, which makes excellent use of a crotch-infection, and actually makes you think twice once you've finished watching . . . and if you have seen it, remember that the IRA guy in the cowboy hat owes him a favor.
A New Sentence Every Day, Hand Crafted from the Finest Corinthian Leather.