Two serial killers, obviously-- The Dollmaker and The Follower-- and though Michael Connelly's third Hieronymous "Harry" Bosch novel was written back in 1994, The Concrete Blonde still feels relevant today because of the lurking theme under the double menace of the killers: unauthorized use of force by authority; Bosch shot The Dollmaker in the line of duty four years before the novel begins, and story opens with him being sued by the Dollmaker's widow for being a vigilante-- he shot the purported killer while he was naked and reaching for something under his pillow, which turned out to be a toupee, not a gun, and while there was a preponderance of evidence linking the suspect to the case; the plaintiff's attorney, Honey Chandler, brings up Rodney King and the noted corruption and civil rights abuses in the L.A.P.D. and meanwhile, the killings continue, making everyone-- including Bosch-- wonder if he got the wrong guy; while the book eventually veers away from this heavy stuff into more procedural law and the usual hot pursuit, with the requisite twists and turns (and plenty of pornography and violence) this is no lightweight beach read . . . so far it is my favorite of all the Connelly novels, and so I'd like to thank Joyce Carol Oates again for recommending him (you can say "you're welcome" in the comments, Joyce).
2 comments:
Before the novel, there was the band Concrete Blonde, and their popular hit "Joey" that Rob likes and their less popular song "Still in Hollywood" that I like.
i can't remember those, i will have to youtube them, but i d remember the band name.
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