The Twist of a Knife by Anthony Horowitz-- the fourth Hawthorne mystery-- is both a well-plotted conventional whodunnit and a fictional non-fiction meta-story on the nature of art criticism; Anthony Horowitz the actual writer-- the real person-- actually wrote an apparently fairly cheesy psychological drama called Mindgame-- which was poorly reviewed-- but then Horowitz wrote a Hawthorne mystery story where the fictional version of himself is accused of killing a theater critic who writes an especially scathing review of the fictitious version fo Mindgame . . . and detective-work, false accusations, red herrings, and lots of chaos ensues, in which it is hard to sort our reality from meta-fiction (even in the Acknowledgments!) but while the critics were quite harsh when reviewing Mindgame, they have been quite kind to Horowitz for these Hawthorne mysteries, which are both alternately clever and satirical in the vein of Knives Out . . . I'm definitely going to read the fifth one.
The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
No News is Better News Than This Kind of News
Magic? How About Unremarkable
If We're Going to Learn One Thing, It's That Soup Sucks
First day of school: I went over some rules, described some courses, tossed around some metaphors, killed some wasps, and connected with some kids about much soup sucks.
These Metaphors Are Like School in the Summertime . . .
At the beginning of the school year, because educating the youth is such an ambitious, abstract, indeterminate, and unpredictable journey, everyone is always throwing metaphors and similes around-- myself included; here are a few that have come into play over the last two days of in-service meetings (and a few that I will be using tomorrow, on the first day of school with students)
1) our new principal used a bunch of metaphors, including:
--we want to keep the ceiling high for the students but sometimes we have to raise the floor to help certain kids out
-- the world consists of the ratio 10-80-10 . . . 10 percent are leaders, 80 percent can be swayed, and 10 percent are bad seeds . . . you just need to get the leaders to sway the 80 percent and you won't have to worry about the ten percent that complains about everything . . . I think I'm in the 80 percent
--be a coffee bean-- when the water is boiling, don't be a hard-boiled egg or a carrot? get transformed into a magical energetic liquid . . . I certainly drink enough of it
-- Maslow before Bloom
2) during the AI presentation from another administrator, things got very metaphorical; we saw a traffic light graphic for the amount of AI we might allow on an assignment-- red is none, yellow means let the kids use AI for ideas, green means use AI and cite it, and then there was also a blue light on the graphic? these meetings were long and I can't remember what the blue light indicated but I'm guessing that's where we give up that's and allow our AI overlords to program our minds?
-- also during the AI presentation there was a mustard metaphor? the presenter had a lot of mustard in his fridge and he used AI to help him brainstorm ways to use the mustard? a jet pack was also mentioned-- maybe AI helps you fly like a jet pack? . . . I was spacing out . . .
3) my wife, who teaches elementary school, learned to "keep it simple, build it together, throw Playdoh on the ceiling"
4) our head SSO officer talked about possible school shooter "carnage"-- not a metaphor!-- but then he said if the shooter got into the room you'd need to "open a can of whoop ass," which is not only a metaphor, but a euphemism, to say the least
5) tomorrow, I will use a few metaphors as well, mainly to discourage cell-phone usage and AI usage
--I'll make the case that school is the gym for your brain . . . and so you shouldn't have a robot lift weights for you, or ride an electric scooter instead of an actual bike because we're trying to get some mental exercise
--if you're working in a group, then it's more like a team sport than a business transaction . . . same idea as the previous metaphor, we still play soccer and basketball with limited technological use-- there's a difference between wearing nice cleats and having a flying drone play the game for you
-- I liken cell phones to smoking in class-- no smoking!-- it's unhealthy for you and there's also a proven second-hand cell-phone effect . . . when you're playing with your phone, it certainly distracts you but it also distracts the people around you
--I also compare class to a movie-- no phones in the movie theater!-- albeit class is a rather slow and boring movie with no A-list actors, a script that needs revision, unprepared actors that don't know their lines, terrible special effects (aside from the giant wasps that invade class every so often) and a very boring set . . . but whatever, it's a little bit like a movie . . . perhaps . . .
6) I will leave you with a motto that I recently invented that just might make sense:
"we don't teach kids content, we teach kids to be content".
Last Day of Summer Synopsis
Although my randomly assigned partner Kit and I did not win yesterday's Fords Park 8 AM pickleball tournament (we advanced to the playoffs and immediately lost to a couple of youngsters) I still think I deserve some kind of MVP Award because I got home from the tournament at 10:20 AM and was able to shower and get dressed and make the 10:50 AM train to Penn Station-- the last day of free train transport-- where we met our friends Dom and Michelle and their millennial-aged cousin, a museum curator at the Museum of Natural History (particularly, the hall of mammals) and then we walked the High Line, wandered through Hudson Yards and Chelsea Market, climbed up for the view from Little Island, and visited two fun bars: The Brass Monkey and Crown Alley, and enjoyed good company and good weather-- and I'm quite proud of this for two reasons:
1) I'm not good at making quick turnarounds from one activity to the other . . . I like some transition time (and some nap time)
2) I managed to enjoy the last day of summer instead of fretting about school-- and there's really no reason to fret about the first day of school meetings (aside from this long lecture about lock-downs and school shooters, which is pretty grim-- the SSO Officer has said the word "carnage" several times) because it's mainly boring and tedious and it's better to be tired and spaced-out, rather than rested and focused (but wow does my butt hurt from sitting on this cafeteria table disc seat).
So Many Steps, So Many Trains
An epic last day of summer, which I will recount on district time tomorrow when I write a detailed synopsis instead of paying attention to the first-day-of-school in-service meeting.
I Was Impressed With my Wife's Acumen . . . For a Moment
A Great Day at the Gym
A Reason for Short People
My wife and I lucked out the other night at the Waxahatchee show at the Beacon Theater-- our seats were in the second row of the balcony and some very short people sat in front of us, making our seats essentially in the front row of the balcony-- but this is such a roll of the dice . . . if a couple of power forwards sat in front of us, we would have spent the night listening instead of watching-- which is why when you purchase a ticket for a show in a theater with designated seating, you should be required to report your height and the ticket pricing algorithm should reflect this . . . tickets for seats behind very tall people should be a bit cheaper and vice-versa-- and perhaps very short people should get a front row discount because they provide better views for everyone (and boost the self-esteem of people of average height).
Hot Town, Summer in the City
My wife and I went into "town" yesterday, which is how Tom Buchanan refers to New York City in The Great Gatsby, and both the hot and humid pathetic fallacy in Gatsby and The Lovin' Spoonful certainly came to mind-- though the weather yesterday was even worse than both works of art imagined-- we certainly got dirty and gritty, walking from the train station to our hotel to store our backpack (The Gallivant . . . the first room we were assigned was already occupied-- luckily the guests were out of the room and not in flagrante delicto when we stormed in; the second room had a broken floor unit AC and was broiling, but the third room had a window AC and was quite chilly-- third time was a charm) and then we continued walking around, through throngs of people, clouds of humidity, and wafting billows of strange odors-- we went to lunch at Bonsaii Tapas and Wine Bar-- delicious-- and then we trekked up to the Museum of Arts and Design and enjoyed their exhibits and AC and then we went and checked in at The Gallivant-- a long process involving three elevator trips-- and then we showered off the grit and grime, read for a few minutes, and then headed back out-- we needed to get to the Beacon Theater, which was uptown, Central Park West, and it was still steamy outside, so after getting caffeinated at Tiny Dancer coffee-- which was located underground, in a little warren of shops near the subway station (including See No Evil Pizza, which is rumored to be fantastic) and then we walked a bit and stopped at a bar, Tanner Smith's on 55th Street-- but it was loud as fuck, so we had a beer and then walked on, and we ended up at Ella Social, another tapas bar-- and we just caught the tail end of Happy Hour-- they took away the Happy Hour menus just after we sat down, so we lucked out and were able to get an order in, and then we sat there for a while and ordered various delicious tapas and then we went to the show: the opening band, Woods, had a great sound-- psychedelic alt country?-- but the singer couldn't quite pull off what he was going for (Jeff Mangum? Mark Coyne?) so it was more enjoyable when they got deep into instrumental and then Katie Crutchfield and her band Waxahatchee took the stage-- and Katie Crutchfield really took over the show: she has the best voice I've ever heard in person . . . I felt like I was seeing Alabama's version of Celine Dion or something-- and my wife and I could really see, because we were in the second row in the balcony and the three people in front of us were SO SHORT -- score!-- they were like five foot nothing, so we had an unobstrcuted view-- more on this tomorrow-- anyway, Crutchfield played almost every song from her new album, Tiger's Blood, which is fantastic and a couple of songs from St. Cloud, but none of her older straight ahead rock stuff or the indie stuff that sounds like Liz Phair-- she's really doing the alt-country thing full tilt-- a great show and her voice is awe-inspiring (and I think her bass player also does some amazing backing vocals as well) and then when we got out of the Beacon, at 11:30 PM, it was still very fucking hot-- unlike the Lovin' Spoonful song-- and we started walking back to the hotel and I suggested an Uber but my wife said it wouldn't take that long-- which was NOT true . . . it took so long that I had to stop for a slice of pizza-- but we finally made it back to The Gallivant-- over 12 miles of walking in the hot hot city-- even though were trying to keep things concentrated-- but the Big Apple is a very big fucking apple-- and then we got a nice breakfast and caught the train back to New Brunswick-- which was free! as was the train to the city . . . all Jersey Transit trains are free this week, for some reason, so they are quite packed . . . but now we're home again and the house is in one piece and the Appliance Doctor just fixed our stove door and the weather has improved and become seasonable and calm, but I must say, there's nothing like the overstimulus of Manhattan, especially on a hot day when everyone is out on the streets instead of in their apartments.
The (Appliance) Doctor is Appalled
The hinge on our oven door has been broken for quite a while now-- how long? . . . I'm not really sure-- but it's been getting worse . . . a few months ago, Ian knew how to jiggle it back into place and I knew how to force it into place but in the last few weeks, the situation has become more dire and more specialized-- it seems I'm the only one who can the door to close if you open it too much, and I do this by inserting a butterknife or scissors in between the two parts of the hinge, from the inside out and then twist and pry and lift the door up very quickly-- this is difficult enough when the oven is NOT in use, but when the door is very very hot and there's 425-degree heat billowing from the open oven this task becomes downright dangerous-- so once I suffered a minor burn I decided it was time to call Steve, the Aplliance Doctor . . . he has a doctorate in appliances!-- and Steve came over and took a look and said we were going to need a new hinge and then he asked me a pointed question, an appliance doctor type question . . . "how long has it been like this?" and I hemmed and hawed for a moment and then said "Quite a while"and he was properly appalled and told me some nightmare stories of people who had used broken appliances until they were beyond repair, when they could have just called an appliance doctor and gotten them fixed up before things got atrocious-- it was like he asked "How long have you had this softball shaped goiter protruding from your neck?" or some other medical question where you know you should say "ten minutes and I immediately called you" but instead you have to try to explain why you let this thing go-- why you let this goiter grow and fester even though you knew it was getting worse and wasn't going to get better-- but hopefully we called him in the nick of time and he'll be able to replace the hinge and in the future, if an appliance is acting weird, I'm going to immediately call the appliance doctor (and I'm going to go to the dermatologist again too).
Insane in the Mundane
A new episode of We Defy Augury in which I explore thoughts (loosely) inspired by Halle Butler's novel Banal Nightmare and I also ask the controversial and incredibly significant question: "How do YOU pronounce 'banal'?"
Special Guests: Ween, OK Go, Morrissey, Pink Floyd, The Beatles, Suzanne Vega, Bill Bryson, and The Kids in the Hall.
I'll Be Watching This One Alone
I Can Feel It Coming Back Again
Three Mysteries (Two Solved, One Pending)
Rollerblader's Paradise
As I roll through the piping hot valley of death, I keep turning in circles, making left after left-- but I can't lead a normal life, I need to blade on the street, chasing my shadow, with wheels on my feet . . . on the freshly paved asphalt at the park by my home, wearing old-school headphones so I feel all alone.
The Dogs of Doom Are Howling "No Quarters!"
Normally, I always try to walk into New Brunswick because parking is such a pain-in-the-ass, but yesterday I had to drive because I was dropping my son's broken bike at Kim's and then meeting him and my brother for cheesesteaks at Heavyweights (highly recommended) and so before I left, I sagaciously-- super-sagaciously, I thought-- dug through our change jar and found a bunch of quarters . . . because I have a new (to me) car and so there is no recess full of parking meter change in this car yet-- and I must say, I was really proud of my foresight-- so I chose the appropriate recess and dumped my quarters in, ready for some city parking, and then I picked my son up, we dropped the bike at Kim's, and then we found some parking just off Easton Avenue, on Somerset Street, and when I went to feed the meter, I noticed the quarter slot was blocked off-- WTF?-- and after som investigation, I found this was true for all the meters in the vicinity and my son said, "I guess you've got to use a credit card now . . . but I'll take those quarters for laundry" and while I was pretty shocked at this development, the card did work fine but when I told my wife about this change to no change, she thought that only accepting a credit card was "classist," as some people don't have credit cards, but I figured in this day and age, if you are driving a car, then you probably have a credit card . . . or I guess you could pay cash in one of the parking decks (but I hate those things, they're claustrophobic nightmares).
Horowitz and meta-Horowitz Do It Again
I am a sucker for British mystery novels and a sucker for meta-fictional humor and in The Sentence of Death, Anthony Horowitz once again provides both-- it's the usual set-up, there's a murder-- a high-profile divorce lawyer is bludgeoned/sliced to death with a wine bottle and the police hire the rather unlikeable, rather shady, but incredibly brilliant ex-detective Daniel Hawthorne as a consultant to the case-- and the meta-fictional version of the actual author Anthony Horowitz tags along to document the case . . . Horowitz is pulled from on location of a shoot of the TV show Foyle's War-- a show that the real Horowitz actually created and wrote-- and now meta-Horowtiz is involved in a "real" mystery and a "real" murder . . . and while folks tolerate Hawthorne (barely) they are really annoyed that there's a writer shadowing Hawthorne, taking notes on all that is said-- so you get wonderful scenes, with layers of meta-fictional irony (amidst a complex mystery with loads of clues, characters, and red herrings) like this one, when possible suspect Akira Anno-- a celebrated poet and writer-- realizes that Horowitz is writing a book about this investigation, she says:
"He's putting me in his book? I don't want to be in his fucking book! I want a lawyer in this room. If he puts me in his book, I'll fucking sue him . . . this is a fucking outrage! I don't give him permission. Do you hear me? If he writes about me, I'll kill him!"
and for a moment, I was like: Oh shit, Horowitz put her in the book-- I wonder if she sued? and then, of course, I was like: but this is ALL made up . . . or mostly made up, not the Foyle's War stuff-- that's real-- and some of the other Horowitz stuff . . . but the Hawthorne stuff, that's all made up . . . good stuff Horowitz (and meta-Horowitz).
I Would Have Used the Word "mundane" (for obvious reasons)
You're going to feel one way or the other about Halle Butler's novel Banal Nightmare . . . the millennials that wander about this Midwestern college town are insufferable, trapped, and repetitive in a surreal No Exit sort of existential ennui-- but there is deep dark satirical humor amidst the emo-anguish and there is a beautiful cutting precision to Butler's language-- so if you like the following sentence, you'll like the book:
"There should be an Aesop's fable where a little ant jumps back and forth eternally between two spinning plates to teach us about the pitfalls of getting stuck in two conflicting and endlessly circular trains of thought, thought Moddie, but the only Aesop fable with ants, as far as she knew, was about how you deserved to die if you enjoyed your summer vacation."