Seuss was a man
who created a cat,
with a number of tricks,
and a fancy top hat--
I am the man
who created this blog,
but I don't have a cat . . .
I prefer my black dog.
The Paradox of the Socks
Our household is now in the proud possession a teenager: Alex turned thirteen today . . . it's bizarre to have a child this old-- especially since he still looks like a little kid-- and equally bizarre that I am taking him and some of his friends to a rated R movie on Friday (Logan) instead of something more tame and typical, such as The Lego Batman movie-- but though Alex has entered puberty in a numerical sense, it's my younger son Ian (who is 11) who possesses all the hormones: lately, after he's done something athletic, his feet and socks smell to high heaven, while Alex's aren't offensive at all.
Tragedy con Carne
Let us all take a moment of silence to reflect on the good things in life and their inevitable passing into the great beyond . . . specifically, let us deeply mourn the tragic demise of a pot of exceptionally delicious chili, which my wife left to cool on the stove after we supped of it last night and then was forgotten, never placed into the refrigerator and so thusly spoiled (as we all will) and had to be thrown away, with great sadness and regret, the meat and beans uneaten, laden with bacteria, and destined to decay and return to dust in the landfill . . . o woe, o woe, o greatest of all woes: a wasted pot of chili!
Desert Blues
The Test 78: Finish It!
This week on The Test, Cunningham starts it and Stacey and I finish it . . . or we try our very best; despites some bizarre asides, we're fairly successful . . . so give it a shot and see if you can finish it as well as we do.
Can My Dog Read My Mind?
My dog does not like water, and he's never happy about getting a bath-- and he has an uncanny sense of when I'm going to give him one; normally, he loves to go for a walk, and when you take the leash out and call his name, he comes rushing over and starts bouncing off the walls, but when I'm "tricking" him and pretending we're headed out for a walk, but we're really heading upstairs to the bathroom, he looks at me holding the leash and then slowly creeps into the room farthest from the stairs and lies down in a lifeless lump . . . then once I put the leash on him, he ever so slowly makes his way to the stairs-- like a dead man walking-- and he doesn't even glance at the front door, instead he grudgingly goes up the stairs and slouches into the bathroom-- and I'm not sure how he knows that it's bath time, perhaps he hears the word, or he hears me get towels out of the closet in Alex's room, but it's strange and perceptive and very funny; I need to take video next time it happens and post it up next to his typical behavior when you call him for a walk.
Fooling Around into the Future
Steven Johnson's book Wonderland: How Play Made the Modern World is full of weird and wonderful facts that I will soon forget (e.g. the word checkmate is derived from the Persian terms shah and mat, which translate as king and defeat) but the tone and essential theme is something I will remember and enjoy: the future begins with how we play-- how we experiment with sound and taste and vision and games and fashion and public space-- and while there are detriments, of course, the cotton revolution and the ensuing development of the department store created the consumer fashion economy, but also drove Victorian women to kleptomania, as they were so enamoured with all the new wares on display . . . anyway, the book itself is a wonderland of the exotic and the diverse, because when there is new technology available, there is usually a Cambrian explosion (my metaphor) of diversity . . . two centuries ago, the West End of London hosted much more than conventional theatrical plays-- today you go there for content and quality of a particular format-- but in 1820 there were a plethora (that's right, El Guapo, a plethora) of formats: "there were plays and musicals, but there were also panoramas and magic-lantern ghost shows, and animated paintings populated by small robots-- and dozens of other permutations . . . the West End functioned as a grand carnival of illusion, with each attraction dependent on its own unique technology to pull of its tricks."
Recreational Athletics, Brinksmanship, and The Nuclear Option
An evening to go down in infamy: last night, I was coaching the grade 6-8 town basketball team-- both my kids play on the same team and my buddy John is the head coach, but he couldn't make it so I was in charge . . . and we were missing our two best players, and though we didn't have the personnel, I was trying my best to get the kids to run the overload offense against the 2-3 zone, but this South River team has some absolutely gigantic kids (and an awesome little point guard) so were taking a beating, and my son Ian -- a diminutive sixth grader-- was hacked while shooting by a giant 8th grader (the size difference at this age is nuts) and I gave the ref some lip because he didn't call a foul and he did not hesitate before issuing me a technical and Ian was holding his jammed fingers and crying, so I pointed this out to the referee and I guess he didn't like my tone because he gave me a double technical and said, "You're outta here!" which posed a problem, since I was the only coach-- and while I may have overreacted a little, I believe he overreacted a lot . . . but I followed the rules and watched the game from beside the bleachers-- luckily, a random dude that I play pick-up ball with happened to be there (we were both going to play over-30 pick-up after the game) so he took over, and I conveyed some substitutions through my friend John's wife; it must also be noted that the kids played like animals after I got ejected, and they mounted something of a comeback (though there was no way to beat a team with kids this enormous) and I'd also like to point out that I apologized to the ref after the game and explained that it was my son who was hacked and crying, his tiny sixth grade fingers swollen and jammed, and that in that moment I became more of a dad than a coach, and he said, "You were a little over the top" and I should have said, "So were you" but I took the high road and walked away and I'll be glad when it's soccer season because the field is larger and the referees can't hear me.
Praise, Criticize . . . Who Cares?
A fun Tversky and Kahneman finding that's easy to test on your own is the "regression to the mean" fallacy-- the super-duo of behavioral economics observed this and wrote a paper about fighter pilots, but it's also a great thesis for sporting events . . . here is the logic:
when you criticize someone after they commit a boneheaded mistake, they are likely to improve in their next attempt, but if you praise someone after a brilliant maneuver, they rarely repeat their excellence on the next try-- but this does not mean you should criticize everyone all the time . . . it's not the criticism or praise that causes the shift in performance, it's the regression to the mean . . . most of the time, people perform somewhere between excellence and boneheadedness-- especially if it's something in which they are fairly skilled, such as playing a sport or flying a plane, and so after a boneheaded error, there is a statistical likelihood to be an improvement-- a regression to the mean-- caused by math, not criticism, and after a brilliant performance, people are likely to regress back to their regular old average ways, so that it seems as if praising them actually had a deleterious effect . . . the takeaway is this: yell whatever you want at your kid's soccer match-- if you want to feel consequential, then criticize him, but if you want to have a pleasant time, then praise him-- because neither action has much consequence (especially if it's soccer, because your son or daughter probably can't hear you anyway).
when you criticize someone after they commit a boneheaded mistake, they are likely to improve in their next attempt, but if you praise someone after a brilliant maneuver, they rarely repeat their excellence on the next try-- but this does not mean you should criticize everyone all the time . . . it's not the criticism or praise that causes the shift in performance, it's the regression to the mean . . . most of the time, people perform somewhere between excellence and boneheadedness-- especially if it's something in which they are fairly skilled, such as playing a sport or flying a plane, and so after a boneheaded error, there is a statistical likelihood to be an improvement-- a regression to the mean-- caused by math, not criticism, and after a brilliant performance, people are likely to regress back to their regular old average ways, so that it seems as if praising them actually had a deleterious effect . . . the takeaway is this: yell whatever you want at your kid's soccer match-- if you want to feel consequential, then criticize him, but if you want to have a pleasant time, then praise him-- because neither action has much consequence (especially if it's soccer, because your son or daughter probably can't hear you anyway).
The Simon and Garfunkel of Behavioral Economics
I'm probably constructing an illogical metaphor here-- perhaps Amos Tversky and Daniel Kahneman are more like Sonny and Cher or Sam and Dave-- but my "representativeness" heuristic immediately latched on to Simon and Garfunkel because of the lopsided nature of the duo; the odd thing about Tversky and Kahneman's symbiotic academic relationship is that both members spent some time in the spotlight . . . both members got a turn at being Paul Simon; at the start of their astoundingly fruitful collaborations, everyone doted on Tversky and no one knew Kahneman's name, and now --ironically and tragically, because of Tversky's death from cancer in 1996-- Kahneman is the famous one (I highly recommend his book Thinking Fast and Slow) and Tversky is forgotten; if you love Moneyball and The Blind Side, then at least read the first chapter of this book-- Lewis addresses the fact that Richard Thaler, another behavioral economist, had one criticism about Moneyball: it didn't address why professional baseball overvalued sluggers . . . and Thaler suggested that for the answers, all you had to do was look back to a wacky duo of Israeli psychologists and their experiments and papers . . . the first chapter of The Undoing Project tells the story of Daryl Morey, general manager of the Houston Rockets, and how he tries to overcome the irrationality of the human mind-- loss aversion and the influence of narratives and regret over decision making-- and while there is plenty of psychology and descriptions of experimentation in the rest of the book, it's also heavily concerned with the weird, wonderful, sometimes strained and awkward relationship between these two geniuses.
POTUS Before and After Pics: Specious at best
Everyone loves POTUS before and after pics-- look how the job aged him!-- but I think we need to look at some pictures of regular people over an eight year span before we make any assumptions . . . we need to add a control to the experiment; I couldn't find any quick examples on the internet-- everything had to do with WeightWatchers-- and I can't use pictures of myself, since I'm a bit of an anomaly (I haven't aged a day in the last eight years-- Another time Macleod!) but I'm going to put a portfolio together soon and then we can decide if being president really ages you faster than working some other job.
Dumb and White = Success?
Robert D. Putnam pointed out in his latest book Our Kids: The American Dream in Crisis that poor kids with very high grades and test scores are less likely to get a college degree than low-scoring rich kids-- so much for the egalitarianism of the American Dream-- and here's another damning addendum to that theme; the median white family headed by a high school drop-out has $7700 more net worth than the median black family headed by someone with some college education . . . the cause of paradoxical gap this is unknown in a specific sense, but there are certainly some factors to consider: discriminatory housing and loan policies, redlining, generational wealth, and prejudicial hiring are a few that come to mind, but the lesson is this:
you might believe that you are a free-agent, responsible for your choices and deserving of your granite countertops and big TV, but that's a simplistic view of things-- and if you're black and live in America and make the right choices, you're still probably earning less than a white high school drop-out, and if you're rich and live in America, then you have the luxury of being dumb, but if you're poor then intelligence won't necessarily lead you to a life of luxury.
you might believe that you are a free-agent, responsible for your choices and deserving of your granite countertops and big TV, but that's a simplistic view of things-- and if you're black and live in America and make the right choices, you're still probably earning less than a white high school drop-out, and if you're rich and live in America, then you have the luxury of being dumb, but if you're poor then intelligence won't necessarily lead you to a life of luxury.
The Test 77: The Big Naked Apple
Melt away those little town blues this week on The Test and see what you know about all things New York City ( if you're pressed for time, then head straight to the 16-minute mark for an important fact that Nick read).
Karma on Its Way
Just jumped a guy's car at the park . . . his cable wasn't long enough (and the clamp broke off-- he said "Haram" in response to this, which I haven't heard since I was living in Syria-- it literally means "forbidden" but everyone in Syria used it to mean "that's too bad" or "it's a pity") and so I dug my cable out from the mess in the back of the minivan-- it's extra long-- and it took a few minutes but his engine finally turned over . . . I'm assuming the universe will send a good deed my way in response (perhaps a particular travel soccer player who needs to turn in his paperwork will bring it to practice tomorrow?)
Dave Can't Control Harbingers and Omens
I had to stop interacting with Stacey at work today because I kept revealing clues as to the questions I am going to ask her tonight when we record the podcast . . . so if she does really well on the next episode, you know why.
Zen and the Art of Middlesex County
I am home, drinking a beer, and proud that I didn't lose my shit after an epically long day rambling around central Jersey: taught Shakespeare and Philosophy at East Brunswick in the AM, then left-- half-day personal-- headed back to Highland Park to walk the dog and prepare my Google Slides for a workshop presentation in Perth Amboy for a bunch of high school history and social studies teachers, helping them incorporate writing into the curriculum (I need a new laptop for podcast editing, so I'm doing some extra work) then headed back home again to Highland Park, drove over to the Middle School to pick up Ian from his Arts Program (the bus got lost and so he spent some time rambling around Middlesex County as well) and then we ate dinner and piled in the van to go to our away basketball game, and I fought through Route 18 traffic to get to South River-- blasting Run the Jewels to get the kids pumped-- but after much difficulty finding the gym (you've got to park in the big lot and then walk down a bunch of stairs) we realized that the game was NOT in South River, it was back in Highland Park, so we piled back into the van and drove to the Middle School (again) but the Middle School gym was empty . . . the game was at Bartle-- the elementary school two blocks from my house; we could have walked, and my brother was reffing (no help there, we still got slaughtered).
Chris Thile and Brad Mehldau Need to Listen to Dave
Virtuoso mandolinist Chris Thile and experimental jazz pianist Brad Mehldau have released a spectacular sounding eponymous album-- Mehldau's piano is sparse and soulful and Thile's alternately staccato and melodic mandolin peeks through the cracks and crevices left by the piano . . . but I had to thumbs-down half the songs on Google Play Music because they are utterly ruined by jazz singing: everyone who reads Sentence of Dave knows how much I hate jazz singing, and in this case, the vocals are truly a tragic addition to the album, because the pairing of the piano and the mandolin is so perfect on its own . . . perhaps Thile and/or Mehldau will read this and release a voiceless version just for me.
Dave's Brain Has the Right Stuff!
Last week in the English Office, my friend, colleague, and age-twin Liz wondered aloud about the origin of the phrase "pushing the envelope" and I took the bait; though I could care less about word origins, I'm always willing to take an etymological moonshot (because it's so fun to be correct) and I said, "I don't think it's about regular envelopes at all . . . I think it's about the envelope of air in the atmosphere . . . I think it's from The Right Stuff," and this top-o-the-head conjecture, this specious speculation, this frothy cream of my consciousness, this absurd lexical reckoning turned out to be spot-on, and while I know that those of you with razorlike CPU memories are thinking: who cares? what is it to retrieve a memory? what's the big deal? I would like to speak for the other folks, I would like to advocate for those of us who live on the flip side of the coin, the people who can't remember words and phrases and places and names, the people who struggle to recall what they had for breakfast, the people who can't always remember exactly where they live . . . this hypothetical person, when he is asked to produce his address, at the front desk of a certain electronic store (it might have been Circuit City, but-- typically-- I can't remember) completely freezes up and not only forgets his address but also can't recite his phone number . . . this is a person, who can't even remember if he's started or ended his parentheses, this kind of person, when he remembers something from many many years ago, and remembers it in context, and produces it-- like a magician . . . like a lexical Houdini-- then this person should be lauded and congratulated and celebrated, because his neurons have demonstrated the right stuff, and there's nothing more inscrutable and black-boxy than a bunch of neurons; not only are they hard to control (and harder to corral) but when they behave properly in context, then great celebration and rejoicing should ensue.
A Humble Suggestion for the Harlem Globetrotters: Lead Basketball!
We saw the Harlem Globetrotters last night at the RAC, and they performed as-billed, putting on a spectacular circus-like performance in the guise of a basketball game, but my favorite portion of the show was more annoying than athletic-- at one point the game transmogrified from hoops to football, a passing play into the end zone (over the baseline) and the Globetrotters questioned the referee's call: "Incomplete!" and so they literally rewound the play and performed it in slow-motion, so that the ref could better see the catch-- the rewind was wonderfully annoying, every action, motion, and piece of dialogue that occurred during the play was run backwards and the slow-mo was endless, with all kinds of extra details that were obviously too fast for the naked eye (including a box of donuts that made its way through the entire play) and at times it seemed as if the Globetrotters were having more fun than the audience during this endless bit, and this reminded me of when my buddy Whitney and I would play the "lead game" in college-- once we hit a certain stage of inebriation, we found it extraordinarily funny to pretend that everything in the room was made of the densest, heaviest lead and so doing simple tasks-- escaping from under a lead blanket or taking a sip of a lead cup or getting pinned to the floor of The Weeping Radish Brewery by a lead condiment-cup full of lead horseradish-- would take an inordinate amount of time and effort-- usually so much time and effort that all our friends would abandon us-- and we'd be left alone, unable to understand why our audience didn't appreciate the brilliant slow-motion slapstick of the lead-game . . . anyway, the Globetrotters should definitely take a page from our playbook and add a lead-basketball to their routine (a perfect complement to the helium filled ball that floats to the ceiling when the rival team takes a free throw).
Arachnids and Dramaturgy
In Philosophy class last week, I introduced my new students to the idea of a heuristic-- a quick and dirty problem-solving technique that someone employs to make it through the day-- and I contrasted this with what Bertrand Russell's calls "philosophic contemplation" . . . the latter mindset obviously takes a great deal more time and mental effort, and while we were discussing this, I was searching through my desk drawer for a paper clip and I saw a spider, which I promptly killed with my stapler-- so that I didn't have to feel the crunch-- and then we went back to the problem at hand, that with limited time it is impossible to philosophically contemplate every moment and dilemma that a typical day brings, and so we use heuristics to navigate most of our decisions (what to eat for breakfast, how fast to drive, who to sit with at lunch, whether or not to copy someone's homework, etcetera) and then I revealed to them that there was no spider-- I was acting-- but that many people use a kill-creepy-crawly heuristic instead of thinking deeply about the spider and its right to live . . . most of the students were glad that I didn't actually kill a real spider and they were impressed with my acting ability (I even picked up the nonexistent miniature carcass with a tissue . . . I learned everything I know from Master Thespian Jon Lovitz . . . acting!) but then I told them the story of the groundhog that I euthanized with a shovel and they were properly appalled; anyway, if you want to learn more about heuristics and just how screwy they are, read the new Michael Lewis book The Undoing Project . . . it's the story of two Israeli psychologists-- Daniel Kahneman and Amos Tversky-- who uncovered fundamental truths about the flaws in economics and the human mind, and there is liberal use of the word "heuristic" . . . I'm halfway through the book, and I'm hoping for an occurrence of the word "ersatz" as well.
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