Christmas Rant #2,894,987

Some of my students were appalled the other day when I revealed my Grinch-like attitude towards Christmas; I don't remember what set me off, but it always happens, the littlest reminder can send me on a long rant about wrapping paper and Christmas trees and the environment, about how Santa Claus has defeated Jesus and how awful music has defeated them both, about consumption, materialism, and the pressure to buy everyone some sort of unnecessary object, etcetera . . . and I'm not allowed to mention these feelings anywhere else-- I try to keep them from my kids and my wife will punch me in the face if I mention them to her and no one in the English office needs to hear these opinion again so I end up preaching to a captive audience . . . but my students have convinced me to have a better attitude and I even promised to help Catherine with the lights and I'm going to try to buy non-material gifts, although I did have a great idea for a personalized gift that doesn't waste any resources or cause any extra pollution: I present all of my loved ones with a personalized list of Dewey Decimal numbers that refer to books I think they would like to read . . . e.g. I might give myself Dewey Decimal number 813.54 21.

What Is The Opposite Of Nostalgia?

At times Nanette Burstein's documentary American Teen seems staged, and it times it seems like Mean Girls, but eventually the film makes you remember just how dramatic high school really is-- the romance and sports and college application process and cliques-- and just how heavy the future and the past (i.e. parents) weigh on the American teen; perhaps the scenes that appear to be contrived are actually just awkward, painful, and melodramatic, and from the perspective of age, they feel too raw and ugly to be real . . . you'll have to watch it and judge for yourself, but beware of the feelings this movie will dredge up: nostalgia and it's ugly counterpart, regret.

The Carousel is a Merry-Go-Round

After watching the first season of Madmen, I made the claim that the scene when Don Draper renames the Kodak wheel slide projector the "carousel" is the greatest moment in TV history-- but I am prone to hyperbole-- so it was a pleasant surprise when my friend who called me "insane" when I originally made the claim, said that he recently heard Dennis Miller interview Jon Hamm, and Miller expressed the same sentiment about that carousel moment . . . but I think Dennis Miller is kind of annoying . . . so I'm changing my greatest moment in TV history to when the cast of It's Always Sunny in Philadelphia did a live performance of "The Nightman Cometh."

A Dismissal More Paradoxical Than Rhetorical

During a heated and chaotic debate in my English class, a student tried to introduce the results of a psychological study but she was rebuffed by this statement: "All psychologists are crazy!"

A Tutorial on How To Emulate David Foster Wallace

I have taken the first post of Sentence of Dave, "I am shopping for a new digital camera because my wife has a habit of leaving things on the roof of our car," and followed the instructions I found on kottke.org called Growing Sentences with David Foster Wallace and here is the Wallacized result: "I am going shopping for a shiny new camera--a shiny new digital camera to replace our shiny old perfectly good digital camera-- because-- and this has happened before-- my lovely and beautiful spouse has a predilection for delicately balancing things between the roof and the billeted struts of our car, such as her keys, a hot cup of coffee, a memory stick full of MP3 and RTF files, and a Styrofoam container of left-over Chow Fun, and then blithely driving away, the aforementioned thing precariously perched until she changes her speed rapidly enough and the object's momentum pitches it forward or backward onto the pavement, where it is destroyed by other vehicles," and I recommend that you take one of your sentences and try it; you'd be surprised how easy it is to be obscure and convoluted (and some fans of this blog might say-- and they might be right-- that I have drifted in the direction of David Foster Wallace . . . my earlier posts were certainly more concise and perhaps this exercise will send me back on the path of precision and austerity . . . or perhaps not).

Ian Admits Defeat

My five year old son Ian has some cute verbal peccadilloes: he says "usually" instead of "actually" as a transition (e.g. usually, I have to pee right now . . . usually, I'll have a cookie instead of licorice) and when we play chess and he inevitably starts to lose badly-- he's great at setting up the pieces and moving them correctly, but he gives away a lot of material in suicidal attacks-- then his eyes fill with tears and he says-- repeatedly-- "I'm done for, I'm done for," which makes me wonder if this is good for him mentally . . . but there's no way I'm going to let him win . . . I handicap him three or four strong pieces, but he still has no end game, so I tell him all the suffering and defeat will be worth it in the end, because, maybe, someday (like my friend Rob) he'll be President of the Chess Club (see the image above for the kind of babes you can pull as a high-ranking chess club official).

In Retrospect, This Will Be The Moment When We Lost Control of Them

My son Alex was eating at his usual lethargic pace-- everyone was long finished with dinner and he had barely started-- so I said to his younger brother Ian, "Let's go see if we can stream The Life of Mammals on Netflix," which I hoped would motivate Alex to finish his dinner, but instead he went into hysterics and Ian, feeling bad for his brother, whispered to him that he was going to stall the video by going to the bathroom for a really long time (Catherine overheard this plan and told me and we thought it was cute that he was actually doing something to help his older brother) but after Ian got out of the bathroom Alex still wasn't done with dinner and Ian was ready to watch the video but he couldn't find the piece of Halloween candy that he had selected so he coerced me into helping him look for it and I couldn't find it either, which was ridiculous, because he was just holding it and I said to him "You're driving me crazy! Where did you put it?" and finally he found it under a pillow on our little saddle stool-- which is a really weird place to leave your candy-- and it wasn't until later (with help from my wife) that I realized that this ruse, the candy-losing ruse, was also part of his stalling plan, but Ian was such a good actor that I didn't realize that I was actually falling for his plan . . . and the next morning when I asked him about it, he confessed that it was all a ruse (although he did not use the word ruse) and I am sure that when we look back, this will be the moment that we lost control.

Pain Free? Ha!

If you are annoyed that I my last few posts have been reviews of movies and books and not the usual displays of my stupidity, I am sorry, but I haven't been on my normal peregrinations because I pulled my soleus muscle with ten minutes left of my last adult league soccer game-- this is after surviving two and a half months of coaching two teams, playing pick-up on Sundays, and playing Wednesday nights in the adult league-- so it's rather annoying that this little muscle chose the waning minutes of the semi-finals in which to snap (we were tied 1-1 when my soleus went "pop," but minutes before our youngest player pulled his hamstring and our star had to leave at the half to pick up his wife at the airport, so I was covering two for two slower and older players in the center, and after I went down the opposing team scored two goals and knocked us out . . . there's always next year, if this thing ever heals) and everyone has a different opinion on how to fix this muscle-- stretch it, don't stretch it, use it, lie in bed for a week, massage, don't touch it, be careful of your Achilles tendon, if your Achilles is taut don't worry about it-- but I'm trying some exercises from a book a friend recommended, called Pain Free by Pete Egoscu, but the weird thing is that I ordered the book before I got injured, simply because of my friend's description-- the stretches and exercises in it sounded helpful-- and the book arrived the day before my play-off game . . . like a postal premonition . . . very creepy . . . so I will be keeping a close on other omens and harbingers that appear in my mail.

Tarsem Singh's The Fall: Keeping It Real

Tarsem Singh's visually rich movie The Fall is The Princess Bride on acid . . . on acid, steroids, meta-amphetamines, crack, psilocybin, and-- most significantly-- morphine; it is morphine that fuels the double plot of this frame tale, set in the 1920's in a hospital where a depressed, desperate, and seriously injured stunt-man tells fantastic stories to a little girl in order to persuade her to steal morphine pills for him . . . something else the movie has in common with The Princess Bride is that it uses no digital effects to produce its wonders: Singh traveled the world (the film is shot in 28 different countries) to find the exotica in the film: the intricate forts and castles, the sweeping deserts, the scenic islands and floating palaces, the labyrinthine villages, barren mountains, and verdant jungles are all real . . . you can look them up on Orbitz and go visit them; despite all this spectacular imagery, the story isn't as touching or enthralling as that of The Princess Bride, but the movie is worth watching simply for the images . . . I give it nine swimming elephants out of a possible ten.

Ghetto Kite

Sometimes you need to step back and think about what things look like from the outside; last week my son Alex woke up with a mission: to build a kite from scratch using a "Harry Potter" plastic bag as the body; he used a toilet paper roll and some cardboard discs he cut from a pizza box as the spool, wound it with twine, built a frame with sticks from the backyard and, as luck would have it, the next afternoon was a blustery one, so we went to the park-- my son Ian with his store bought fish kite and my son Alex with his home-made plastic bag kite-- but Alex's sticks immediately blew off the "body" of his kite and he was left pulling a black plastic bag on a string (he could get it five feet off the ground if he ran fast enough) while Ian was having a blast swerving and diving his fish kite in the wind . . . and when I took a moment to assess the scene, I realized we looked like a family that could only afford one kite, so that the pariah of the family had to fly a ghetto kite with a toilet paper spool, but the funny thing was, Alex was quite content dragging around his ghetto kite because he made it himself.

These Are A Few Of William Gibson's Favorite Things

Science fiction writer William Gibson once said, "The future is already here-- it's just unevenly distributed," and the characters in his new novel zero history definitely live in the positive agglomeration of the futuristic present . . . rhenium darts, penguin shaped floating surveillance drones, and ekranoplans are all de rigueur in this universe; in fact, things, especially fashionable things linked to the military, play a more important role than people in the book, which makes the novel hard to follow . . . the people are bystanders to the fashion, technology, intrigue, and marketing that surrounds them . . . and, appropriately, people in the book are constantly "Googling" things because they are beyond their ken, and they are worried that their knowledge of these secret, obscure, often technological things might be ersatz, and meanwhile, in my less futuristic present, I was Googling things in the book as well, to see if they were real or not: I'm glad I finished the book, I've read everything William Gibson has written and I don't want to stop now, but this is the weakest effort in the "present-future" trilogy (the other two are Pattern Recognition and Spook Country).

What Is the Plural of Barf?

Get Him to the Greek is the first movie I watched on my new Blu-Ray player, and it's worth watching the first half in beautiful Blu-Ray clarity, as Jonah Hill does a fantastic job portraying a regular guy who has partied beyond his means; he looks and acts the part of a hungover, sleep-deprived man perfectly-- and this is because of his assignment: a very funny Sean Combs has given Hill the responsibility of getting rock star Aldous Snow (from Forgetting Sarah Marshall) to a concert in Los Angeles-- and despite multiple barfings, Hill accomplishes this, and then the movie goes seriously downhill . . . it's like director Nicholas Stoller forgets what kind of movie this is and decides to suddenly make Aldous Snow into a Character in a Film about Conflict and Relationships and Emotion, even though all I wanted to see was more high-definition yakking: six Jeffreys out of a possible ten.

Two Trippy Kids Movies (With No Singing!)

I give my kid-friendly thumbs up to both Ponyo and Secret of Kells-- they are animated in the old-school style and contain no musical numbers; Ponyo is the usual from Hayao Miyakzaki . . . a trippy story about an adventurous boy who falls in love with a gold-fish princess, with environmental overtones, and watching The Secret of Kells-- an Irish/French/Belgian collaboration-- is like walking through a medieval illuminated manuscript (the animation looks like the The Book of Kells) and the mood is equally as trippy as Ponyo and there is an equally adventurous orphan boy who ventures outside the walls of his monastery home to collect ink-berries for a George Carlin-esque monk who is trying to illuminate the most beautiful manuscript ever made, but outside the walls of the monastery lie pagan gods and Vikings, and both are equally scary . . . the Vikings are something out of Pink Floyd's The Wall and his battle against the dark pagan god Crom Cruach is spooky and epic; I enjoyed both of these as much as my children and you've got to see The Secret of Kells on Blu-Ray, the detail in the animation is fantastic (I think I am becoming a Blu-Ray snob).

Go Ahead and Squash It

 One of my students confessed to having killed a praying mantis when she was young-- and she referred to this bug-slaughter as "committing a felony"-- and I can remember hearing the same thing when I was a kid: that it is against the law to kill a praying mantis, but according to the myth-busting website snopes.com, this is an urban legend . . . so if one of those large green alien-headed critters surprises you while you're on the john and you smash it with a magazine, you don't have to chop the body into little pieces and sneak it down to the Pine Barrens for a a clandestine burial.

Emo Can Be Funny

A student told me this joke last week: 

"How many emo kids does it take to screw in a light bulb?

Who cares, let them cry in the dark,"

and I laughed, but I'm still not sure what exactly defines "emo," and if you ask, you get answers like this Wikipedia article: i.e. rambling, imprecise, and always mentioning the band Dashboard Confessional and the sub-genre "screamo" . . . but I suppose this is excellent for jokes, because if you can't define "emo," then it is fair game to make fun of it and use it as the butt of a joke because no one will claim to be offended by the term-- but if anyone has a concise definition, please share.

My Son Alex Explains His Consciousness

My six year old son Alex called me "Mave" the other day-- Mave is a girl in his class that also played on our soccer team-- and then explained his error in a Joycean monologue: "I have all these names smooshed together up there . . . kids in my class and kids at school and kids from soccer all up front, and you and mom in the back, and whichever one is next just spills out."

Graphs, Maps, and Trees! Oh My!

Franco Moretti's book Graphs, Maps, and Trees: Abstract Models for Literary History takes a novel approach to literary criticism: instead of analyzing individual novels, he looks at genres as a whole and uses charts and graphs like these to illustrate his points . . . one of his more interesting charts show the development of clues in detective fiction and how this trait was revolutionary and evolutionary in its birth, growth, competition, and survival, but what interests me is another evolutionary metaphor he uses; he mentions Richard Dawkins' idea that "there are many ways of being alive, but many more ways of being dead" and Moretti shows this with detective fiction and those authors that couldn't figure out how to create and place "decodable" clues in their stories-- these stories became "extinct," and this brings me to my worries about this blog: there are more ways for a blog to die than there are for a blog to flourish, but perhaps if I pursue what Moretti calls the "third voice," that voice that is "intermediate and almost neutral in tone between character and narrator: the composed, slightly resigned voice of the well-socialized individual," then perhaps, against the better judgment of the Narrator, who often wonders what comprises the actual aim of his writing, but wishes to remain artistically and intellectually active, and wishes to fend off early-onset Alzheimer's, boredom, ennui and malaise, and so continues this semi-literary foray in the backwaters of the internet, come hell or high water, critical commentary, and even-- worst of all-- total silence, then perhaps the Narrator will be able to forge ahead into unknown realms, one sentence at a time.

Diane Ravitch Speaks About Education

This Diane Ravitch lecture is rather long and dry (like Diane Ravitch's excellent and comprehensive book, The Life and Death of the Great American School System, which I summarize here) but she summarily refutes the claims of Governor Christie's favorite documentary, Waiting for Superman, and she exposes some of the myths behind data based teacher evaluations, charter schools, No Child Left Behind, unions, market-driven school reform, and tenure . . . I highly recommend the book, but if you don't care enough about our nation's educational system to read an entire book-- which I completely understand, because it's almost Black Friday and you probably need to start reading the circulars-- then you can use this clip (she starts speaking ten minutes in) as a guide, albeit an ersatz one.

I Act In The Same Manner As My Six Year Old Son

I recently reported how my fanged son (he lost his two front teeth) gets distracted any time he sees a reflective surface because he is fascinated with his own image, and now I must inform you that I am equally narcissistic: mysteriously, we found Webcams in our classrooms last week, and once the neighboring teacher showed me how to use mine, I became obsessed with it: I used it to check my nose for boogers during class (always a concern of educators) and I used it to create "infinity" by pointing it at the monitor and then placed parts of my fingers and face in the infinite regression of screens and then, once the kids left, I took out my guitar, strapped it on, and pointed the camera in such a way that I could see my hands and my face, and then played for while mesmerized by how my hands moved on the guitar's neck and how my facial expressions corresponded to what I was playing.

Gran Torino: This Is How The Engine Runs

The characters in Clint Eastwood's film Gran Torino are unrealistic caricatures-- Walt's grand-kids are overly obnoxious, his children are calloused and cold, the gangsters are insensibly cruel, and his neighbors are extraordinarily foreign-- and while I questioned the realism at times during the movie, I now realize the exaggerated characterization is intentional: these people make you just as angry as Walt, which is the purpose of the film, because then you start to feel like Clint Eastwood and want to be tough like Clint Eastwood, because there's no other way to be in a world that is so hard and mean . . . and the movie moves like clockwork, or more like a train-wreck, there's no stopping or pausing, but upon reflection, when it's over, and you hear Clint Eastwood's voice singing the final song, and you remember that Clint Eastwood is 81 years old and has been acting, directing, composing, and producing film for more years than most of us have been alive, and you start to wonder: is Clint Eastwood really that tough? . . . can he really use tools? . . . can he actually fix a sink? . . . can he stare down gangsters a quarter his age? . . . and you realize that though the answer is probably "no" to all of these, it doesn't matter because he looks the part (especially on Blu-ray!) and so I give this film nine push lawn-mowers out of a possible ten.