Dig This

Spotify's infinite algorithmic bounty (which is as overwhelming as it is generous) recently introduced me to the psychedelic pop/rock of White Fence, but the album I'm obsessed with-- Hair-- is one layer deeper-- as it is a collaboration between White Fence and another musician I was not familiar with: Ty Segall . . . anyway, Hair is a garage psychedelia masterpiece, rapidly moving from jangly pop to overdriven fuzz to deconstructed punk, often without transition-- and the vibe is simultaneously counterculture relic and indie rock experiment, a real treat.

gecs!

Last night, my wife and I, my son Alex, and his girlfriend Eva made a foray into the heart of Brooklyn-- to the Avant Gardner concert/warehouse/event space in Bushwick-- to see 100 gecs . . . because of the awful weather, we drove in and we hit some traffic on the way there (and we took a route through Staten Island I've never driven-- kind of nuts in the rain, especially because there were these DOT trucks with crazy flashing lights, sirens, and hypnotic symbols that were weirder and more stimulating than the light show at the concert . . . I need to contact someone about these fucking things) but we made it, parked in a strange little lot with an entertaining old and slow-moving attendant-- Mr. Green-- who my wife had a long conversation with in his little attendant shack while the rest of us stood in the rain-- apparently Mr. Green has nine kids and usually one of them runs the lot at night but she was sick so he was doing it-- and then we walked through some sort of warehouse district to the venue and there was a fair bit of line waiting and pat-downs and a futuristic bracelet that you linked to your credit card so you could get beers and such without using cash; the interior of the warehouse was expansive and gritty-- exposed beams and boards and brick-- and the crowd was a wide-ranging, gender-fluid whimsically dressed and pierced group-- very fun to people watch-- but the opening band: Machine Girl . . . two dudes who play insanely loud industrial punk rock (it doesn't sound like that on Spotify!) was a bit beyond my noise tolerance (luckily we brought some earplugs) and then the gecs came on and pretty much played every good song from their first two albums, plus a few others-- their songs are short so they crammed them all in, at an even faster pace than the recorded versions-- I was a bit disappointed in the fact that they rarely played guitars (a couple times) and used a lot of loops and computer recordings but my son pointed out that their sounds are so weird that if they tried to reproduce them live it would get muddy and sound awful-- and they did sound crisp and clear and really fun and fantastic and Laura Les put on quite a show, between her insanely autotuned singing and her silly banter, while Dylan Brady wore his giant wizard hat and played keyboards and weird synth drums and synched computer parts and occasionally sang-- we didn't get out of there until midnight, but the ride home was much faster than the ride there . . . a good night and probably something that won't happen very often: we went to see a band in a really hip space that both my son, my wife, me, and my son's girlfriend all enjoyed-- quite the miracle.

Greg Gillis is Girl Talk is Music

The greatest sequence in mash-up history begins at 1:24 in Girl Talk's rather profane song "Smash Your Head," when Biggie Smalls raps "Juicy" over Elton John's "Tiny Dancer," but that was only one moment (although all of Night Ripper is fantastic) and it seemed to me that this frantically looped and layered mash-up genre would be impossible to continue in an original, coherent, and listenable sense but Greg Gillis has done it again with his new album, "All Day," which is longer, more accessible, full of identifiable hooks and beats and lyrics and layers, amidst loads of clever and cleverly dirty hip-hop samples . . . and for a while I couldn't figure out what it all meant, all these samples twisted and distorted and smashed together in perfect rhythm and harmony, but on my tenth listen it hit me . . . Girl Talk means this: humans like music, lots of music, we remember it in pieces, we like it in fragments, and-- and this is in no way an insult-- maybe all the genres of popular music that we like-- from country, to hip-hop, to dance, to pop, to punk, to metal-- are more similar than we think.

I Apologize to Educators Everywhere . . . But Honestly, What Do You Expect From A Greasetruck Song?

Apparently, biology teachers are showing my animated video "Amoeba Love" in class, thinking it's a cute way to illustrate binary fission, but-- unfortunately for them-- they get a "priceless" surprise at "00:27" . . . and though I know it's not people at my school showing this (Thank God) because we can't stream YouTube videos, I would still like to apologize to all the other educators who were surprised by the direction the song goes (warning! completely inoffensive cartoon depiction of genitalia!) but you have to understand the kind of mental place I was in when I animated this song: it was a snow day and both my children were napping and I had only two hours to record a song and animate the corresponding video and, to my chagrin, in the days previous I had come to the frank realization that I was not going to be a great animator, despite learning to use some pirated animation software, because I can't draw, and so I decided that the only subject I could animate was an amoeba . . . and now things have come to their logical end, my amoeba video has asexually reproduced its digital footprint on the internet and returned to visit me in a place I never expected: my profession . . . and in the end, I think any discomfort I have caused to our nation's biology teachers is probably outweighed by the joy I have given to countless students (and judging by the comments, this has happened more than once, and in more than one classroom . . . for more on this, visit Gheorghe: The Blog).

A Sacrifice I Will Make For My Children

For the next ten years I am going to exclusively listen to jazz and classical music-- no rock or punk-- so that my kids have the opportunity to disparage my lame and antiquated ways, and so that they have something to rebel against . . . you can't really enjoy Black Flag and The Misfits and AC/DC if your dad likes them too.

Dave Aims High and Falls Short

I'm trying to learn "Dueling Banjos" from the movie Deliverance on my banjo, but parts of it are way too hard for me, and this is depressing since all I want to do is sound as good as an inbred retard.