One-Shot Harry, by Gary Philips, certainly evokes Walter Mosely . . . Harry Ingram, a black journalistic photographer/ Korean War veteran, attempts to navigate a slew of issues in 1963 Los Angeles: the fishy death of his war-buddy-- a white jazz musician; racist police; radical leftists and a radical romance; a photographic blackmail scheme; some typical heavies; the Nation of Islam; power and politics; and a plot against Dr. Martin Luther King . . . the prose is clear, the plot is thick, and the perspective offers a counterpoint to James Ellroy's take on this particular time and place.
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