Showing posts sorted by relevance for query steven johnson. Sort by date Show all posts
Showing posts sorted by relevance for query steven johnson. Sort by date Show all posts

A Case For Reading Novels (With Some Help from Steven Johnson andGeorge Eliot)

Two roads diverge in a yellow wood . . . which one do you take?

You have time to ponder. You're not being chased by a lion, tiger, or bear. So do you choose the road less traveled by? Or head down the well trodden one? Either way, your choice will make all the difference.

Steven Johnson discusses these life-altering moments in his new book Farsighted: How We Make the Decisions That Matter the Most. He thinks we are woefully unprepared for these kinds of choices. He's probably right. We read "The Road Not Taken" in my Creative Writing class, and then we discuss times when we made these kinds of decisions. We all readily concede that once you journey down a particular fork in the road, you probably won't backtrack and take another path, but I don't advise them prescriptively on how to navigate these crucial moments. Instead, I present them with a literary example. We read it, discuss it, and run through the variables and options. It turns out-- according to Steven Johnson-- that this may be the best tactic imaginable.


Aunt Belle's Two Roads


I use an example from a book of anecdotes and recipes called Little Heathens: Hard Times and High Spirits on an Iowa Farm During the Great Depression by Mildred Armstrong Kalish. It's not fiction, but for folks in suburban New Jersey in 2019, it might as well be. It's damn close to a time travel story. If you haven't guessed, Mildred Armstrong Kalish is very old. She's 96. Coincidentally, my grandmother also goes by Mildred (though her Christian name is Carmella) and she's also 96.

When Mildred was a child, Aunt Belle tells her a story.

Once, before Aunt Belle died, I got up enough courage to ask her a very personal question.

"Aunt Belle, how come you never got married?"

She looked at me for a long time. She was standing by the kitchen stove, her delicate hands clasping and unclasping the stove handle, and she told me the following story:

"Well, I did have one beau. He told Art (her brother and my grandpa) to tell me Barkis is willin' and that he would be over Saturday night. Well, that made me so mad! I thought he had a lot of nerve asking me to marry him through Art like that! So when he came over Saturday night I wouldn't take his hat; I wouldn't take his coat. I wouldn't ask him to sit down. I treated him just as cold. I treated him so bad he never came back."

She stood absolutely still for a long time; then she continued:

"I'm kind of sorry I was so cold to him; he went and married Abbie Cross, made her a good home and was a good husband to her. They had a nice family."

She remained contemplative for a while and then continued, "It's been kind of lonesome sometimes."

Talk about roads not taken.

                   


Aunt Belle obviously regrets her decision. She made it out of spite, and-- by choosing a moment of indignant retribution over a lifetime of possible happiness/contentedness -- she impulsively inverts Pascal's famous wager. After we read this, I remind my students that they are lucky to live in a densely populated area, where they will have plenty of opportunities for courtship and marriage. They probably won't have to resort to marrying a first cousin (which is apparently legal in New Jersey) but in Depression-era Iowa the pickin's were slim.

We're Talking About Practice

Big decisions are tough. We don't get enough practice. Most people only get married once . . . or twice . . . but rarely thrice. The same goes for buying a home. I got lucky with my marriage, but we all know the divorce rates; marriage is a coin-flip. Buying a home is similar (and often simultaneous). If I had more practice with home buying, I would have checked out the concrete more thoroughly. I would have been more annoyed by the basement crawl space. I would have found the roof suspect. I would have known just what an ordeal it is to redo a kitchen. But I knew none of this, and simply liked the location and the deck. Next time . . . if there is one, I will be more discerning.

I learned an easy technique to help with this decision-making-dilemma on The Art of Manliness (Podcast #465: The Powerful Questions That Will Help You Decide, Create, Connect, and Lead) The guest, Warren Berger, suggests imagining yourself in the new scenario-- whether it be a new house, a new marriage, a new location, a new wife, a new job. Really vividly imagine this new life. And then ask yourself: would you go back to your old life? Would you make the switch in reverse?

Or perhaps you could follow the advice of way-finding guru Dave Evans and do some "odyssey planning." This involves imagining three possible lives that you could genuinely live and sincerely considering all of them. Recognizing that there is no "one true path" for you to tread so you can engage in all the possibilities.

Many times we get hung up on the small details and anxiety of change, and fail to think about the consequences of the actual decision. Aunt Belle got hung up on the way Art asked her to marry, but she never imagined married life with Art and compared this long-term scenario to spinster-life on a farm in Depression-era Iowa. If she had done that, she might have overlooked Art's graceless go-between proposal and thought more about the big picture.

Advice for the President

The most notable thing about Steven Johnson's Farsighted is that he lauds the power of literary novels to help us imagine and simulate these big decisions. Johnson also has more typical fare in the book: the history of weather forecasting and the theoretical, strategic, and tactical planning of the raid on Osama bin Laden's compound in Abbottabad, Pakistan. But his main example is George Eliot's Middlemarch.

I'm an English teacher, and I often wonder if my job is bullshit. Do kids really need to read Beowulf? The answer might be no. Lately, the Language Arts curriculum has been moving toward more practical coursework, non-fiction texts, and synthesis essays. I see the value in this. But the Johnson book validates the traditional inclination of English class: reading novels. The ideas he presents feel groundbreaking and pushing them on both my students and my colleagues. Sometimes we need a reminder of why it's worth it to read literature with kids. While there is a myriad of reasons to do this, Johnson makes the compelling case that people faced with big decisions should hone their skills by reading literary fiction. I'll explain why later in the post, but someone should pass this advice along to our fearless leader, Donald Trump. According to this list, Trump is not a fan of fiction, literary or otherwise.


Victorian Spoilers Ahead!

Johnson made Middlemarch sound so intriguing-- despite the fact that it's a 900 page Victorian novel-- that I decided to read it in tandem with Farsighted. This was no easy task, and while I recommend Middlemarch, I definitely had to use the internet to understand several parts. It's often dense. The sentences are beautiful, but often long and wandering. I'm guessing you're not going to read it (and the synopsis in Farsighted will suffice) but I still should warn you that there will be spoilers ahead.

Many years ago, my friend and colleague Dan saw me reading Tolstoy's Anna Karenina. I was five hundred pages in.

"Why are you reading that?" he asked me. "She's just going to throw herself in front of a train."

"What? Why did you tell me that!"

"Everyone knows that," he said.

I did not know that.

When in Doubt, Wait and Think Anew

The biggest decision (among many big decisions) in Middlemarch is whether recently widowed Dorothea Casaubon should follow the codicil in her dead husband's will and lose her fortune, or ignore the codicil and marry the man she truly loves . . . a man her dead husband despised. Mary Anne Evans doesn't make it easy. She details all the forces that might weigh on a life decision of this magnitude. Johnson explains charts these forces:


At its core, Dorothea's choice is simply binary: Should she marry Ladislaw or not? But Eliot allows us to see the rich web of influence and consequences that surrounds that decision. A full spectrum map of the novel would look something like this:

MIND → FAMILY → CAREER → COMMUNITY → ECONOMY → TECHNOLOGY → HISTORY

In Middlemarch, each of these levels plays a defining role in the story.

Johnson then points out the difference in scope between Middlemarch and a more narrowly bound (but still wonderful) literary novel like Pride and Prejudice. We get insight into the personal lives of the characters in Pride and Prejudice, but we are "limited to the upper realm of the scale diagram: the emotional connections between the two lovers, and the apparent approval or disapproval of their immediate family and a handful of neighbors." Mary Anne Evans goes all the way. Things get so complicated that all we can do is what Dorothea does: "wait and think anew."

Great novels don't give us prescriptions for what to do in complex situations. They are not morality plays or fables. There is no set of invariable rules. Once again, Johnson explains this better than I can:

Great novels-- or at least novels that are not didactic in their moralizing-- give us something fundamentally similar to what we get out of simulations of war games or ensemble forecasts: they let us experience parallel lives, and see the complexity of those experiences in vivid detail. They let us see the choice in all its intricacies. They map all the thread-like pressures; they chart the impact pathways as the choice ripples through families, communities, and the wider society. They give us practice, not prepackaged instructions.


It's a lot easier to read literary novels than it is to amass the experiences within them. My buddy Whitney recently reflected on these moments in a numerically epic post . . . he's lived a life that might encompass several novels, and so he's got more moments like this under his belt than most folks. Most of us don't get this much practice, and Johnson suggests that the next best thing is to ingest fiction, things that never happened.

Just the Fiction, Ma'am


Why fiction? Why not stick to the facts? We could spend out lives in the world of reality, watching documentaries and reading non-fiction, and never want for compelling stories. Why involve ourselves in lives and worlds and decisions that don't exist? Johnson takes a guess: "Stories exercise and rehearse the facility for juggling different frames of truth, in part, because they themselves occupy a complicated position on the map of truth and falsehood, and in part because stories often involve us observing other (fictional) beings going through their own juggling act."

Glitch in the Matrix?


We can run our limited perspective through many other minds and fictional lives, hypothesizing both about the reality of truthfulness of that world and the reality and truthfulness of the decision making within it. It's why I love Middlemarch and Brothers Karamazov and it's why I think the TV show Ozark -- though it's well acted, set in an interesting location, and looks like quality work-- might be totally stupid. Something is off with the simulation. There's a glitch in the matrix. There's something foggy floating in the suspension of disbelief.

The new novel An Absolutely Remarkable Thing, by Hank Green, handles this in an incredibly in-your-face manner. While the book is ostensibly a first-contact, robots-from-space sci-fi story, the irony is that the weirdest, most alien technology is actually the social-media-verse created by the humans. April May, the heroically awkward anti-hero, has to navigate her viral first contact fame and make several big decisions about the arc of her life. The novel inhabits the same space maturity-wise as the works by John Green, the author's brother. The story is sophisticated enough for adults to enjoy it, but the portrayal of politics and the dialogue can be a little schlocky. And the ending devolves into more of a Ready Player One puzzle-fest. While the book is probably more suited for a an advanced young-adult reader, I still like how it tackles decision-making . . . it literally exemplifies Johnson's reason for reading fiction. Here's how April May breaks down her first big moment:

Option 1 (the sane option):

I could detach from all this as much as possible. Stop doing TV things, definitely do not meet a strange science girl at Walmart in Southern California to buy smoke detectors, never do anything on the internet again, pay off my loans. Buy a big house with a gate with the licensing revenue that would, no doubt, if this were real, keep flowing for the entire rest of my life, and have dinner parties with clever people until I died.

Option 2 (the not-sane option):

Keep doing TV, spice up my Twitter and my Instagram and have opinions. Basically, use the platform that I was given by random chance to have a voice and maybe make a difference. What kind of difference? I had no idea, but I did know another chance wasn't going to come along . . . ever.

Hank Green

Don't Be Shallow and Pedantic


I'm going to let Steven Johnson finish this post off, with an especially long passage that I really think you should read. I made my students read it, and I gave it to a number of English teachers in my department. It's a great explanation of why we should spend time reading novels . . . literary novels. What designates a "literary" novel is another question for another post, but for now we can use the same benchmark that Supreme Court Justice Potter Stewart used to recognize hard-core pornography. He said he couldn't easily define it but, "I know it when I see it." The same goes for literature. As long as it's not "shallow and pedantic," then I think anything goes.

The novel is a better tool for simulating decision-making than a movie or TV show. Images move too fast and we never get to truly inhabit the interior of a character's mind. A novel allows for turning back and contemplation. It allows you to stop and hypothesize whenever you like. It's literally your world. Netflix tried to emulate a bit of this contemplative freedom with the choose-your-own-adventure Black Mirror episode "Bandersnatch", and while it was fun to make the choices, the story felt a bit contrived, and you never felt the threads and pressures that George Eliot portrays with such accuracy. You just picked a path so you could see what happened. The stakes were low. But when you invest in a challenging novel, and really live inside it, then profound things might happen.

This is the other reason novel reading turns out to enhance our decision-making skills . . . many studies have confirmed that a lifelong habit of reading literary fiction correlates strongly with an enhanced theory of mind skills. We don't know if other-minded people are drawn to literary fiction, or if the act of reading actually improves their ability to build those mental models. Most likely, it is a bit of both. But whatever the causal relationship, it is clear that one of the defining experiences of reading literary novels involves the immersion in an alternate subjectivity . . . The novel is an empathy machine. We can imagine all sorts of half-truths and hypotheticals: what-she-will-think-if-this-happens, what-he-thinks-I'm-feeling. Reading literary novels trains the mind for that kind of analysis. You can't run a thousand parallel simulations of your own life, the way meteorologists do, but you can read a thousand novels over the course of that life. It's true that the stories that unfold in those novels do not directly mirror the stories in our own lives. Most of us will never confront a choice between our late husband's estate and the matrimonial bliss with our radical lover. But the point of reading this kind of literary fiction is not to acquire a ready-made formula for your own hard choices. If you are contemplating a move to the suburbs, Middlemarch does not tell you what to do. No form of outside advice-- whether it takes the form of a novel or a cognitive science study or pop-psychology paperback-- can tell you what to do on these kinds of situations, because these situations contain, by definition, their own unique configuration of threadlike pressures. What the novel--along with some of the other forms of mapping and simulating that we have explored-- does teach you to do is to see the situation with what Eliot called "a keen vision and feeling," and keep you from the tendency to "walk about well wadded with stupidity." The novel doesn't give you answers. But it does make you better at following the threads . . . more than any other creative form, novels give us an opportunity to simulate and rehearse the hard choices of life before we actually make one ourselves. They give us an unrivaled vista into the interior life of someone wrestling with a complex, multi-layered choice, even if the choice happens to be a fictional one . . . the path of a human life, changing and being changed by the world around it.

Steven Johnson

Where Good Ideas Come From: Steven Johnson

It took someone far smarter than me-- the polymath Steven Johnson-- to explain what I am doing here at Sentence of Dave . . . though you would never guess, I am actually continuing a 17th and 18th century intellectual tradition . . . seriously . . . in Johnson's new book Where Good Ideas Come From: The Natural History of Innovation, he discusses the English Enlightenment habit of keeping a "commonplace book" full of inspirational quotations, desultory thoughts, reactions to one's reading, opinions on current events, and a "vast miscellany of hunches," and most of the commonplace book keepers (such as Erasmus and Charles Darwin, Joseph Priestley, and John Locke) attempted to index their varied writings . . . but none of their indexing efforts worked as well as the internet, which Johnson believes has the right balance of organization and chaotic tension to spur new thoughts . . . and Johnson uses various "long view" examples-- including an awesome four squared grid categorizing two hundred major inventions from antiquity until now-- to show that good ideas often take a long time to form, with help from lots of different people and events, some serendipity, and often without the constraints of patents and corporations, and without the need for a single solitary genius who sees far beyond all others of his time; on the last page of his book he advises us to "go for a walk; cultivate hunches; write everything down, but keep your folders messy; embrace serendipity; make generative mistakes; take on multiple hobbies; frequent coffeehouses and other liquid networks; follow the links; let others build on your ideas; borrow, recycle, reinvent."

Dave's 105 Books to Read Before You Die (Which Will be Sooner Than You Think)

Everyone seems to have a top hundred list of something, and so here are my top hundred books (plus five bonus books in case you finish the top hundred too quickly) and each author is only represented once, so while Shakespeare and Italo Calvino may actually deserve more than one slot, for the sake of variety there are no repeats; also, there is fiction, non-fiction, and everything else on this list . . . and I should point out that once you finish reading all the books on this list, then you will be much smarter than me, because though I've read them all, I'm not sure I remember anything from them:

1.   Moby Dick by Herman Melville
2.   Brothers Karamazov by Dostoevsky
3.   War and Peace by Leo Tolstoy
4.   The Lives of the Cell by Lewis Thomas
5.   Outliers by Malcolm Gladwell
6.   If on a winter's night a traveler by Italo Calvino
7.   Tristram Shandy by Lawrence Sterne
8.   Freaky Deaky by Elmore Leonard
9.   Blood Meridian by Cormac McCarthy
10. V by Thomas Pynchon
11. The Origin of Species by Charles Darwin
12. 100 Years of Solitude by Gabriel Garcia Marquez
13.  Labyrinths by Jorge Luis Borges
14.  Into the Wild by John Krakauer
15.  Music of Chance by Paul Auster
16.  The Dog of the South by Charles Portis
17.  Slaughterhouse-Five by Kurt Vonnegut
18. All the King's Men by Robert Penn Warren
19. Death Comes for the Archbishop by Willa Cather
20. The Bible
21. Henry IV (part 1) by William Shakespeare
22. The Complete Stories of J.G. Ballard
23. The Stories of John Cheever
24. Will You Please Be Quiet Please by Raymond Carver
25. The Image by Daniel Boorstin
26. Clockers by Richard Price
27. Nixonland by Rick Perlstein
28. American Tabloid by James Ellroy
29. A Peoples History of the United States by Howard Zinn
30. Balkan Ghosts by Robert Kaplan
31. The Sheltering Sky by Paul Bowles
32. The Three Stigmata of Palmer Eldritch  by Philip K. Dick
33.  Chaos by James Gleick
34.  The Society of the Mind by Marvin Minsky
35.  Watchmen by Alan Moore/ Dave Gibbons
36.  The Ghost Map by Steven Johnson
37.  The Executioner's Song by Norman Mailer
38.  Sex, Drugs, and Cocoa-Puffs by Chuck Klosterman
39.  Fear and Loathing in Las Vegas by Hunter S. Thompson
40.  Cannery Row by John Steinbeck
41.  Foucalt's Pendulum by Umberto Eco
42.  Solaris by Stanislaw Lem
43.  War With The Newts by Karel Kapek
44.  The Miracle Game by Josef Skvorecky
45.  The Restaurant at the End of the Universe by Douglas Adams
46.  Hotel New Hampshire by John Irving
47.  White Noise by Don Delillo
48.  The Big Sleep by Raymond Chandler
49.  Down and Out in Paris and London by George Orwell
50.  Innocents Abroad by Mark Twain
51.  Snow Crash by Neal Stephenson
52.  Even Cowgirls Get the Blues by Tom Robbins
53.  Bully For Brontosaurus by Stephen J. Gould
54.  The Drifters by James A. Michener
55.  Geek Love by Catherine Dunne
56.  The Blank Slate by Steven Pinker
57.  Human Universals by Donald Brown
58.  Shadows of Forgotten Ancestors by Carl Sagan and Anne Druyan
59.  The Snow Leopard by Peter Matthiessen
60.  The Diversity of Life by E.O. Wilson
61.  The Friends of Eddie Coyle by George V. Higgins
62.  Pale Fire by Vladimir Nabokov
63.  American Splendor by Harvey Pekar/ Robert Crumb
64.  The Memoirs of Hector Berlioz by Hector Berlioz
65.  A Confederacy of Dunces by John Kennedy Toole
66.  The Castle by Franz Kafka
67.  Midaq Alley by Naguib Mahfouz
68.  Naked by David Sedaris
69.  Godel Escher Bach by Douglas Hofstadter
70.  The Worldly Philosophers by Robert L. Heilbroner
71.  The Big Short by Michael Lewis
72.  Freakonomics by Stephen Dubner and Steven Levitt
73.  Video Night in Kathmandu by Pico Iyer
74.  Monster of God by David Quammen
75.  Bonfire of the Vanities by Tom Wolfe
76.  Safe Area Gorazde by Joe Sacco
77.  Lonesome Dove by Larry McMurtry
78.  Hyperspace by Michio Kaku
79.  Jonathan Strange and Mr. Norrell by Susanna Clarke
80. The Complete Stories of Flannery O'Connor
81.  Nonzero: The Logic of Human Destiny by Richard Wright
82.  The Selfish Gene by Richard Dawkins
83.  Manchester United Ruined My Life by Colin Shindler
84.  Soccer in Sun and Shadow by Eduardo Galeano
85. From the Holy Mountain by William Dalrymple
86. A Supposedly Fun Thing I'll Never Do Again by David Foster Wallace
87. The End of the Road by John Barth
88. Neuromancer by William Gibson
89. Guns, Germs, and Steel by Jared Diamond
90. A Walk in the Woods by Bill Bryson
91. Amusing Ourselves to Death by Neil Postman
92. Some Buried Caesar by Rex Stout
93. The Black Swan by Nassim Nicholas Taleb
94. The Ascent of Money by Niall Ferguson
95. We Were the Mulvaneys by Joyce Carol Oates
96. The Bushwhacked Piano by Thomas McGuane
97. The Golden Compass by Philip Pullman
98. Walden by Henry David Thoreau
99. 1493 by Charles C. Mann
100.  Our Band Could Be Your Life by Michael Azerrad
101.  A Visit From the Goon Squad by Jennifer Egan
102.  The Life and Death of the Great American School System by Diane Ravitch
103.  Methland by Nick Reding
104. A Game of Thrones by George R.R. Martin
105. Born Standing Up by Steve Martin

Pirates? Not the Disney Version

Great non-fiction writers can make any topic interesting and Steven Johnson is one of the great ones, he's done it over and over with various topics-- innovations and ideas, cholera, the history of air, organized complexity, decision-making, video games and TV, etcetera-- and in his new book, he astounded me by taking a topic that I always thought was kind played out and juvenile: pirates-- but Johnson's take on pirates is different . . . he puts  them in global context, but I should warn you, Enemy of All Mankind: A True Story of Piracy, Power, and History's First Global Manhunt is not a book that focuses on swashbuckling and sword-fighting-- although that stuff comes up-- instead it portrays pirates (specifically Henry Every) as a bundle of contradictions: democratic rapists; multi-cultural xenophobes; contract abiding torturers; free-spirited slave traders . . . it's a lot to take in, but Johnson does it in a fast breezy style and the history of the Mughal Dynasty and the East India Company goes down fairly easy.

Six Ways to Annoy Your Friends (Now!)



If you read the new Steven Johnson book How We Got to Now: Six Innovations That Made the Modern World then you will learn lots of annoying facts about his six topics of invention: glass, cold, sound, clean, time, and light . . . but I won't bore you with pedantry (though Johnson's writing can make anything exciting, even the history of refrigeration) and I'll just summarize his theme instead: to be extraordinarily innovative, you don't want to remain true to yourself and your unorthodox principles -- you might improve the world slightly that way-- but Johnson strives to dispel this "lone genius" myth; instead, if you really want to do something groundbreaking, you've got a little lost and form new connections, explore uncharted terrain, break your routine, and let yourself be buffeted by the new ideas circulating in the ether . . . and it still might take a LONG time before the world catches up with you . . . but the inventions are out there, just waiting for the right suite of technologies to become available, and the right brains to combine them (the same way Shakespeare went about "smashing words together" to make Elizabethan English into something more modern).




Dave's Book List: 2018

Another end of the year book list . . . yuck . . . so let me boil it down to something practical. First some boilerplate: I read a bunch of good books this year, and I'm proud of that (or fairly proud . . . Stacey delivered a healthy whack to my self-esteem) but I understand that you're probably not going to enjoy the same books as me. Certainly not forty-three of the same books.

It's really hard to recommend a good book. Reading-- real reading-- is deeply personal. In the end, it's what you think about the words that makes the book good for you or not. Not that I subscribe to relative aesthetic ethics . . . I think some sentences are written far better than others. But once a book reaches a certain level of competence, then it's really up to the reader to appreciate and make sense of it. And if it sounds like "hillbilly gibberish," as Darryl McDaniels categorized the lyrics to "Walk This Way"-- then even if you sing it like you mean it, it still might not mean much to you at all (even if everyone else loves it).

So skip the list if you want, but grant me one sincere, universal, sure-fire recommendation. A list of one. I would trade all the books on my list for #39. Boom. Literally.

I'm talking about Boom Town: The Fantastical Saga of Oklahoma City, Its Chaotic Founding, Its Apocalyptic Weather, Its Purloined Basketball Team, and the Dream of Becoming a World Class Metropolis by Sam Anderson. Anderson is so passionate about his subject matter that it doesn't matter if you're a Thunder/Flaming Lips fan, or a tornado junkie, or a history buff who wants to know more about the Oklahoma Land Rush of 1889-- which Anderson says should either be called "Chaos Explosion Apocalypse Town" or "Reckoning of the Doom Settlers: Clusterfuck on the Prairie-- none of that matters, as the book races along at EF5 speed towards the inevitable explosion.

Read it.
  1. The Gardener and the Carpenter: What the New Science of Child Development Tells Us About the Relationship Between Parents and Children by Alison Gopnik

  2. Robinson Crusoe by Daniel Defoe

  3. Glass House: The 1% Economy and the Shattering of the All-American Town by Brian Alexander

  4. White Tears by Hari Kunzru

  5. The Amateur: The Pleasure of Doing What You Love by Andy Merrifield

  6. The Night Market by Jonathan Moore

  7. Confessions of a Recovering Environmentalist by Paul Kingsnorth

  8. The Wizard and the Prophet by Charles C. Mann

  9. The Elephant in the Brain: Hidden Motives in Everyday Life by Kevin Simler and Robin Hanson

  10. The Righteous Mind: Why Good People are Divided by Politics and Religion by Jonathan Haidt

  11. Global Discontents: Conversations on the Rising Threats to Democracy by Noam Chomsky

  12. Beartown by Fredrik Backman

  13. Requiem for the American Dream by Noam Chomsky

  14. The Lathe of Heaven by Ursula Le Guin

  15. The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life by Mark Manson

  16. The Order of Time by Carlo Rovelli

  17. Drown by Junot Diaz

  18. The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind by Michael S. Gazzaniga

  19. When Einstein Walked with Gödel: Excursions to the Edge of Thought by Jim Holt

  20.  The Changeling by Joy Williams

  21. The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students by Allan Bloom

  22. Florida by Laura Groff

  23. Ask the Dust by John Fante

  24. The Absolutely True Diary of a Part-time Indian by Sherman Alexie

  25. Ghettoside: A True Story of Murder in America by Jill Leovy

  26. The Secret Token: Myth, Obsession and the Search for the Lost Colony of Roanoke by Andrew Lawler

  27.  Calypso by David Sedaris

  28. World Without Mind: The Existential Threat of Big Tech by Franklin Foer

  29. The Evolution of Beauty: How Darwin's Forgotten Theory of Mate Choice Shapes the Animal World -- An Us by Richard O. Prum

  30. Borne by Jeff Vandermeer

  31. The Big Oyster: History on the Half Shell by Mark Kurlansky

  32. A Dog's Purpose by W. Bruce Cameron

  33. Authority by Jeff Vandermeer

  34. Dear Committee Members by Julie Schumacher

  35. The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure by Greg Lukianoff and Jonathan Haidt

  36. The Shakespeare Requirement by Julie Schumacher

  37. Vox by Christina Dalcher

  38. Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth by Sarah Smarsh

  39. Boom Town: The Fantastical Saga of Oklahoma City, Its Chaotic Founding, Its Apocalyptic Weather, Its Purloined Basketball Team, and the Dream of Becoming a World Class Metropolis by Sam Anderson

  40. Naked Statistics: Stripping the Dread from the Data Andrew Wheeler

  41. American Prison by Shane Bauer

  42. Middlemarch by George Eliot

  43. Farsighted: How We Make the Decisions That Matter the Most by Steven JohnsonFarsighted: How We Make the Decisions That Matter the Most by Steven Johnson

Everything, Everywhere, All at Once?

I've listened to several interesting podcasts lately-- and I also can't help connecting them to the non-fiction texts we read in my College Writing synthesis class . . . I suppose this is because we're constantly teaching the kids to make connections between the texts and to everything else in the world, to support some kind of argument-- eventually, you start to see connections between everything, like the conspiracy theorist with all the diagrams, pictures, symbols, pins, and strings on his study wall . . . anyway, the podcasts are good even if you haven't read this year's College Writing texts, here they are:

1) The Billionaires’ Secret Plan to Solve California’s Housing Crisis (The Daily) is a fascinating conundrum that connects to Stephen Johnson's writing about organized complexity and emergence--the question is: can a bunch of tech billionaires build a model city in California that feels like a European city? a city that feels like it emerged from a culture that values public transportation, locality, walking, biking, and mixed housing-- and does NOT value traffic and automobiles-- usually these kinds of places are built from the bottom up- they emerge from millions of tiny individual decisions of the city dwellers, over time-- and reflect the evolving core values of the city . . . but these dudes want to do it from the top down-- and they are meeting some resistance . . . an interesting investigative journalistic foray into an ongoing story;

2) Lean In (If Books Could Kill) tells the story of Sheryl Sandberg-- who was an upper-level manager at Facebook-- and wrote a book explaining how to move up in a man's world-- but her version of feminism doesn't address systemic issues, it's just very specific (and often lousy or useless) advice for upper-middle-class women trying to make it in a hyper-accelerated capitalist culture . . . and this really connects to Anand Girdharadas's description of Amy Cuddy's journey from academic to thought leader and Jia Tolentino's chapter "Always Be Optimizing," which discusses how she grapples with the unending expectations of modern feminism;

3) How Do We Survive the Media Apocalypse (Search Engine) is Ezra Klein's generally depressing take on the direction journalism, the internet, and the media are heading-- this episode gets into the costs of market-based competition, the unbundling of advertisements and your local newspaper, the benefits of inefficiency and local media monopolies and the idea that news worked much better when car ads and movie ads were paying for war reporting-- these ideas really complement Anand Giridhaardas's book "Winners Takes All" and Steven Johnson's ideas in "Emergence"-- we've collectively created a system that is incredibly and perfectly competitive-- the online world-- where Netflix competes with the best journalism and Pitchfork and Buzzfeed and YouTube videos about losing your belly fat--  and the result is that a bunch of social media companies make money; AI might cannibalize journalistic sources and therefore destroy the ecosystem that it relies on for information; ideas that are bite-sized, palatable, and digestible win out over the truth; and whatever you direct your attention to on the internet-- and in media in general-- is going to survive and what you neglect will die . . . so read some real books, magazines, and local news-- get off those social media sites, support longform investigative journalism, and recognize that the only reason that many of the fun sites that are now going extinct-- Gawker, Pitchfork, Vox, Buzzfeed-- were often supported by venture capitalists and had no real model to make money in this awful media environment . . . what is slowly emerging on the internet is exactly what we asked for and deserve, a bunch of bullshit.

And Now For Something Completely Different

I made a vet appointment for my dog weeks ago, and I thought I scheduled it during a "B-Day" of remote school-- because on B-Days I have a free period before lunch . . . but I didn't realize that we started back from break on a B-Day rather than the more logical A-Day so my math was thrown off . . . long story short, I had to take my College Writing class on the road today, I ran my Team meeting on my phone while I drove to the vet . . . and as I was driving, a snow squall blew in-- so I was conferencing with a girl about her thesis, discussing Anand Giridharadas's explanation of the plutocratic tendency to "Pinker" things-- to take the long view of history and claim that because the human condition is improving, individual inequalities are not important-- and how this connects to the unfettered emergence that Steven Johnson is mesmerized by (but is Johnson a thought leader or a public intellectual? who knows? I was trying not to veer off the road) and I'm happy to say that I helped the girl through a rough patch of writing, I made it through the blizzard intact, and Lola had a successful visit at the vet . . . who knew I would be able to do all these things simultaneously?

Good Students = Actually Having to Teach

My College Writing students are hard-working and wonderful this year, which-- on the one hand is a good thing-- but on the other hand, it means that during these last days before the essay is due, they ask me a lot of questions on how to synthesize these disparate non-fiction texts we read ("The Myth of the Ant Queen" by Steven Johnson, "The Critic and the Thought Leader" by Anand Giridharadas and "Always Be Optimizing" by Jia Tolentino) and they have me look at a lot of thesis statements and topic sentences, and so by the end of the day, my brain is swimming in ants and emergence and self-organizing systems and million-ball billiards tables and new feminism and ever-increasing beauty standards and increasing plutocratic influence and shrieking daemonic mini-programs and the costs of evolutionary solutions and the convergence of MarketWorld and decentralized ant dynamics and the polluted miracle of Industrial Revolution Manchester and the dystopian potential of the cyborg and the juxtaposition of a hundred other strange concepts and while I am wholeheartedly behind the Rutgers model of non-fiction synthesis-- of making children aware of these big contemporary ideas and having them grapple with the terminology and concepts of the post-modern world (even though Rutgers seems to be abandoning the model they created and dumbing down the course because kids have lost their minds since COVID and the cell-phone revolution) I still miss teaching books while I like the abstract and conceptual conversations we have about this stuff-- and the connections we make to reality-- the top-down and bottom-up power dynamics really applies to what is happening with abortion right now, etc.-- it will be nice to switch over to something like Twelfth Night.

The Invention of Air: A Solid Review


Steven Johnson's excellent new book The Invention of Air: A Story of Science, Faith, Revolution, and the Birth of America is mainly the story of scientist and philosopher Joseph Priestly, who had a Forrest Gump-like ability to be in the right place at the right time (until the rioters burned his house down and he had to seek sanctuary in America) but it's also a reminder, for me, at least, of how radical the founding fathers were as thinkers, and how much science and logic were a part of their thought process . . . to the point where Jefferson expunged all the magic and mysticism out of the Bible and created his own edition and the usually optimistic and chipper Ben Franklin, drawn away from his cherished science and into politics at the end of his life, ended up writing sentences like this (thus making him a compatriot of mine in both opinion and style): "Men I find to be a Sort of Beings very badly constructed, as they are generally more easily provoked than reconciled, more disposed to do Mischief to each other than to make Reparation, much more easily deceived than undeceived, and having more Pride & Pleasure in killing than in begetting one another, for without a Blush they assemble in great armies at Noon Day to destroy, and when they have killed as many as they can, they exaggerate the Number to augment the fancied Glory; but they creep into Corners or cover themselves with the Darkness of Night, when they mean to beget, as being ashamed of Virtuous Action."

Got the Podcast Done Just in Time

First of all, I managed to finish another episode of my podcast We Defy Augury . . . this one is about Steven Johnson's new book and it's called "Revising Our Notion About Pirates" and I got it done just in time-- because I'm going to sound like I have marbles in my mouth for a day or two-- this afternoon, I underwent two hours of clanking and poking and pulling and drilling, and casting and impressing-- and now my old bridge is gone, as is all the decay under my old bridge-- and my dentist, Dr. David, is "cautiously optimistic" that I won't have to endure a root canal before they can put in my permanent bridge (and there's going to be a bit of gold on my permanent bridge! not quite a grill, but it's something) and right now I'm sipping some Olmeca Altos tequila, waiting for the lidocaine to wear off, which it most certainly will-- and then, apparently, my mouth is going to hurt some (I should also point out that the hygienist was pretty weird and nerdy in a fun way, we were talking about how long a day it had been and she started postulating about the possibilities of time dilation . . . and I couldn't really chime in much because I was biting down on some weird goopy stuff in order to make a mold for my temporary bridge).

2017 Book List

I just finished my 46th book of 2017 this afternoon and it's a fitting one for the end of the year; Kids These Days: Human Capital and the Making of Millenials by Malcolm Harris is an intelligent, analytical and provocative book written by a millennial about the millennial generation that might just change your mind about millennials in general . . . from my perspective, this book is about the end of my era, Generation X, and any slackerly influence it might have had upon the world: kids these days are more prone to anxiety, work harder, do less drugs (drug overdoses seem to be following the Baby Boomer cohort), have less sex, do more homework, get surveilled more-- for a scary take on this, watch Episode 2 of season 4 of Black Mirror-- take out giant student loans which fund ever expanding building projects on college campuses, intern more, get paid less, compete more in an organized fashion, train for this organized competition in areas that are supposed to be fun and healthy-- sports, music, the science fair, dance; are trained by their cell phones to be more available and productive than any work force in history, and don't have much of a shot at the wealth in our nation, which has increasingly been hoarded by the old and the 1% . . . Harris backs this up with plenty of data-- beware: there are charts in this book-- but it is slender and if you have kids or teach or coach or work with kids in any capacity, then you should read this book; the conclusion is not very hopeful . . . I worry about my own children and this book is making me take a step back in my expectations for them and for myself as a parent; the book is also making me enjoy my stable and noncompetitive union job, as the millennial generation will experience job precarity as a matter of course; anyway, this ties in nicely with my New Year's Resolution, which is to try to live more in the slow, meditative, and profound world of great books, and avoid the twitchiness of the internet as much as possible . . . I did a pretty good job of it in 2017, especially because we cut the cable and I stopped watching football (and playing fantasy football, which is another one of those productivity training devices that "prepares" people for 24/7 availability and efficiency) and while I didn't quite reach my goal of a book a week, I was close . . . anyway, here is the list--  I discussed my seven favorites on Gheorghe: The Blog-- and wrote reviews of all of them here on Sentence of Dave . . . my favorite book of the year is The Power by Naomi Alderman: if you're going to read one book in 2018, that should be the one . . . and you should try to read at least one book a year, just to avoid being part of the American 26% that reads zero books each year; these are just the books I finished, I started plenty of others and bailed, so anything on this list is pretty good:

1) Selection Day by Aravind Adiga

2) Bill Bryson: One Summer: America, 1927

3) Mark Schatzker's The Dorito Effect: The Surprising New Truth About Food and Flavor

4) Whiplash: How to Survive Our Fast Future by Joi Ito and Jeff Howe

5) The Wrong Side of Goodbye by Michael Connelly

6) The Undoing Project: A Friendship That Changed Our Minds by Michael Lewis

7) Steven Johnson: Wonderland: How Play Made the Modern World

8) Gun Street Girl by Adrian McKinty

9) Normal by Warren Ellis

10) Jonah Berger: Invisible Influence: The Hidden Forces That Shape Our Behavior

11) Where It Hurts by Reed Farrel Coleman

12) The Not-Quite States of America by Doug Mack

13) Tyler Cowen: The Complacent Class: The Self-Defeating Quest for the American Dream

14) Ill Will by Dan Chaon

15) Extra Lives: Why Video Games Matter by Tom Bissell

16) Love Me Do! The Beatles Progress by Michael Braun

17) The Relic Master by Christopher Buckley

18) Await Your Reply by Dan Chaon

19) Rain Dogs by Adrian McKinty

20) Asia's Cauldron: The South China Sea and the End of a Stable Pacific by Robert Kaplan

21) Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are by Seth Stephens-Davidowitz

22) Why the West Rules-- for Now: The Patterns of History, and What They Reveal About the Future by Ian Morris

23) How Emotions Are Made: The Secret Life of the Brain by Lisa Feldman Barrett

24) Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann

25) Seven Bad Ideas: How Mainstream Economists Have Damaged America and the World by Jeff Madrick

26) Galapagos by Kurt Vonnegut

27) 1968: A Turning Point of the American War in Vietnam by Mark Bowden Hue

28) Crooked Letter, Crooked Letter by Tom Franklin

29) Oblomov by Ivan Goncharov

30) The A.B.C. Murders by Agatha Christie

31) A Drink Before the War by Dennis Lehane

32) Every Secret Thing by Laura Lippman

33) The True Believer: Thoughts on the Nature of Mass Movements by Eric Hoffer

34) David Foster Wallace: Consider the Lobster and Other Essays

35) Michael Connelly: Nine Dragons

36) Gar Anthony Haywood's Cemetery Road

37) Time Travel: A History by James Gleick

38) Meddling Kids by Edgar Cantero

39) Nancy Isenberg's White Trash: The 400-Year Untold History of Class in America

40) How to Live Safely in a Science Fictional Universe by Charles Yu

41) Police at the Station and They Don't Look Friendly by Adrian McKinty

42) Roddy Doyle's Smile

43) The Moonstone by Wilkie Collins

44) Lincoln in the Bardo by George Saunders

45) The Power by Naomi Alderman

46) Kids These Days: Human Capital and the Making of the Millenials by Malcolm Harris.

The E-Reader: Pros and Cons

I am certainly what the tech-world calls a "late adopter," for example: I only recently got a cell-phone, and that's because my wife purchased it for me, brought it home, and said: "You have two kids . . you need a phone," and then handed me a slim, white, lime green gadget that my students described as the phone a "12 year old Asian girl would have"-- and so, well behind the rest of the reading world,  I have finally started knocking around the idea of getting an e-reader . . . but, as I am a disciple of Neil Postman, I always think about the pros and cons of any technology before I allow it access to my life . . . and the pros for an e-reader are pretty obvious:

1) I like to read multiple books at the same time and some of them are hefty, so it would save a lot of space and clutter,

2) I hate small font, and so I could adjust this on an e-reader,

3) my book-light would be attached to the e-reader, so I wouldn't always lose it,

4) when we travel, I like to bring a lot of books . . .

but I have decided, for now, that the cons outweigh the pros, and here they are:

1) I like to take books out of the library because (duh) it's free,

2) I like to buy cheap used books off Amazon and Half.com,

3) I don't want to spill coffee or soup onto an e-reader, while I don't care if I spill coffee or soup onto a library book,

4) this one is the most important: if I read on an e-reader, no one can see what I'm reading, and-- if these things become ubiquitous-- I won't be able to see what other people are reading, and maybe I'm obnoxious, but I like it when people see me reading the new translation of War and Peace, and I liked sharing a knowing glance with the dude I saw last week on the exercise bike at the gym reading Steven Johnson's Where Good Ideas Come From . . . and if that dude was a cute female, I might have even said a word or two about how much I liked the book . . . so really what it comes down to is that I have enough trouble making conversation, and I don't need the one topic that I am knowledgeable about taken away from me, made obscure by a convenient technology-- I'm still recovering from the switch from boom boxes to personal stereos . . . who knows what the kids are listening to on those head-phones?

Fooling Around into the Future

Steven Johnson's book Wonderland: How Play Made the Modern World is full of weird and wonderful facts that I will soon forget (e.g. the word checkmate is derived from the Persian terms shah and mat, which translate as king and defeat) but the tone and essential theme is something I will remember and enjoy: the future begins with how we play-- how we experiment with sound and taste and vision and games and fashion and public space-- and while there are detriments, of course, the cotton revolution and the ensuing development of the department store created the consumer fashion economy, but also drove Victorian women to kleptomania, as they were so enamoured with all the new wares on display . . . anyway, the book itself is a wonderland of the exotic and the diverse, because when there is new technology available, there is usually a Cambrian explosion (my metaphor) of diversity . . . two centuries ago, the West End of London hosted much more than conventional theatrical plays-- today you go there for content and quality of a particular format-- but in 1820 there were a plethora (that's right, El Guapo, a plethora) of formats: "there were plays and musicals, but there were also panoramas and magic-lantern ghost shows, and animated paintings populated by small robots-- and dozens of other permutations . . . the West End functioned as a grand carnival of illusion, with each attraction dependent on its own unique technology to pull of its tricks."

Literacy: It's Not a Contest . . . Or Is It?

Over the past year, my friend (and fellow philosophy teacher) Stacey did something rather remarkable. I'm going to let her tell her story . . . but, before she begins, I have some rather remarkable commentary about her story (of course I do). I've conveniently put my words in vivid red, so if you want to skip them, you can proceed directly to Stacey's post. But you'd be missing out on some interesting context (and, not only that, you'd be missing out on all my thoughts and feelings, which-- if you've made your way to this corner of the internet-- you find either incredibly fascinating or so annoying that you can't stop reading them).


When Stacey started this project I was worried. Worried that she threw out the proverbial baby with the proverbial bathwater. I use the word "proverbial" here so readers unfamiliar with the idiom do not call DYFS and report Stacey for infanticide.


The "proverbial baby" Stacey tossed out of her life has more than a passing resemblance to an actual baby. It's immature, needs support in getting established, and possesses great potential. And it has a cute name. Podcast. Stacey threw out listening to podcasts, the nascent audio format that's still toddling around the media-milieu with an adorably anachronistic name. This freaked me out, because Stacey and I have both bonded with a number of different podcasts. It seemed kind of cold-blooded of her to cut ties completely with the art form (especially since we make one of our own). This would be like Steven Spielberg deciding not to watch movies (which might be the case, judging by how old the movies are that inspired him).


I'll let Stacey explain the specific ins and outs of why she quit this fledgling media cold turkey, but her general reason was so she could read more books. Now I'm all for reading books, but I don't like these kinds of arbitrarily strict deontological rules. I prefer case-by-case utilitarian ethics. The "deon" in deontological is Greek for duty, and Stacey decided it was her duty as an English teacher and an intellectual to change her ways. But I don't think you should completely quit something with as much potential value as podcasts. The right number of podcasts to listen to isn't zero. The right number is of podcasts to listen to is difficult to determine, but the golden mean, the amount of podcasts you can enjoy while still finding time to read, is probably somewhere around two per day. That seems reasonable. I wrote a long and winding post about the difficulties with this kind of Aristotelean morality and I do concede that it's easier to make a categorical rule if you want to get things done, but a good podcast is better than a bad book. I explained all this to Stacey, but she stuck to her principled guns.


I had other reasons for worrying about Stacey's project, some of them altruistic and some of them selfish. In all sincerity, I wanted Stacey to enjoy the new season of Serial. I wanted her to listen to two fantastic takes on human memory, one of them dead serious serious (Revisionist History "Free Brian Williams") and the other absurd and funny (Heavyweight "#16 Rob"). I wanted her to enjoy the weirdness of Benjamin Walker's Theory of Everything "Victory is Ours." But she would not bite. She was determined and focused.


Slightly more selfish was the fact that I wanted to be able to kill time at work discussing these podcasts with Stacey. I'd recommend them and she'd tell me "Not yet. I want to finish strong . . . December 2nd." I'd tell her she was nuts, that life is too short for hard and fast rules, and she shouldn't deny herself the pleasure, but there was no talking to her.

I was also worried that she might be reading a bunch of crap, just to amass a huge list of books. Loads of Jojo Moyes and Liane Moriarty and Nicholas Sparks. Chick-lit and cheese. This was rather stupid and sexist of me, it turns out.


My greatest anxiety was a selfish one. I was worried that she would read more books than me. I average forty-some books a year, a number I'm quite proud of. I always post the list, and I'm always impressed with myself (which isn't difficult . . . I set the bar low). It turns out I didn't need to worry about this. It wasn't even close. Stacey read so many books that I'll never count how many books I read in a year again. Because I'll never live up to her list, so why bother to count? It's not a contest anyway. Right? And the point of this blog is to slow down . . . so perhaps with my shorter list, I'm winning the contest.

I'd also like to clear up what might be a misconception: if you think Stacey was doing some sort of analogue back-to-basics return to reading on paper from books checked out from the library, you'd be dead wrong. She spent a shitload of money on this project-- that's how she rolls. She checked zero books out of the library. She bought zero hardcovers with which to adorn her shelves. Instead, she purchased the Kindle version of each book and the discounted Audible version as well, so she blew through books in an efficient digital combination; she read for about an hour or so each day on her phone, and then when her eyes got tired or she was driving or getting ready for school or working out, she listened to the audio version. High tech.



Stacey's Story of Her Badass Book list (In Her Own Words)




Every year around this time, I try to reflect on my life. I evaluate my strengths and weaknesses and think about the type of life I want to lead.


My father and I had a conversation once about how New Year’s resolutions are always so strict and limiting. They force you to place unnecessary rules and restrictions on your life.  These resolutions tell you what you can’t do and seldom leave room for any fun. We both agreed we were sick of resolutions telling us “don’t drink soda,” “don’t eat sweets,” “don’t watch as much tv” and the worst: “don’t drink beer.”


We decided that, from that point on, we would make our resolutions positive. For a full year we resolved that we would curse more — much to the chagrin of my mother. Whenever I called, my dad would bellow: “How the fuck are you?!”


Cursing more was fun. It was funny. It was easy. At the end of the year, we wished each other a “happy fucking New Year,” and I set to work picking another positive resolution.


Last year, I realized I was wasting an inordinate amount of time listening to podcasts hosted by self-congratulatory comedians boasting about the importance of their work. Of course, there would be an episode of Serial or Waking Up With Sam Harris thrown into the mix, but overall, I was not listening to anything of real academic merit. The etymology of the dick joke could not be considered high brow media consumption. Clearly, this was not a valuable use of my time.


My resolution became clear: I wanted to read more. Anytime I would normally spend idly listening to a podcast - I would instead pick up a book.


I started December 1st (I am never ready to make big life changes on the 1st of January). I find I can keep my resolutions if I have a month to ease into them, but it didn't matter for this one. I did not “ease” into this resolution. In December of 2017 I read eight books. This quickly turned my resolution into a challenge. I wanted to see how many books I could read in one year. I didn’t think I could maintain the pace of two books a week while still working full time - but I wanted to see what I was capable of.


Any time one of my friends mentioned a book they were reading, I immediately added it to my list. I scoured the New York Times and Washington Posts “Best Books of the Year.” I joined Goodreads at some point in this venture (I can’t believe it took me this long). If a book was highly rated - I was going to read it.


I did not select books based on how long they were (even though Dave would like to believe I did). Maybe next year I will do that, so I can double my list — but that doesn’t sound very appealing.


As this year draws to a close, I can say that my resolution was a success. I am incredibly proud of myself for what I have accomplished. I’ve read more this year than I have in probably the past six or seven years combined.


I have not yet decided my next resolution - if you have a suggestion, I am open... As 2018 draws to a close, I can truly say “this was a good fuckin’ year.”


(Editors note: Dave has bolded all the books he has read, and therefore approves of. Thirty of them! So many good ones, but number 80 is my favorite book I read this year).


2018 Books:


1. Lincoln in the Bardo by George Saunders


2. Murder on the Orient Express by Agatha Christie


3. Behind Closed Doors by BA Paris


4. The Power by Naomi Alderman


5. The Bell Jar by Sylvia Plath


6. I Know Why the Caged Bird Sings by Maya Angelou


7. Ready Player One by Ernest Cline


8. The Relic Master by Christopher Buckley


9. The Outline by Rachel Cusk


10. Little Fires Everywhere by Celest Ng


11. Lab Girl by Hope Jahren


12. What Made Maddy Run by Kate Fagan


13. Atonement by Ian McEwen


14. Eleanor Oliphant is Completely Fine by Gail Honeyman


15. Hillbilly Elegy by J.D Vance.


16. Breakfast of Champions by Kurt Vonnegut


17. Tenth of December by George Saunders


18. Heroes of the Frontier by Dave Eggers


19. American Gods by Neil Gaiman


20. Cat’s Cradle by Kurt Vonnegut


21. Bear Town by Fredrik Backman


22. My Grandmother Asked Me to Tell You She’s Sorry by Fredrik Backman


23. White Houses by Amy Bloom


24. Zeitoun by Dave Eggers


25. Cemetery John by Robert Zorn


26. The Breakdown by BA Paris


27. The Identicals by Elin Hilderbrand


28. Less by Andrew Sean Greer


29. The Girl With The Dragon Tattoo by Stieg Larsson


30. This Is How You Lose Her by Junot Diaz


31. Wuthering Heights by Emily Bronte


32. Lathe of Heaven by Ursula LeGuin


33. Before We Were Yours by Lisa Wingate


34. An American Marriage by Tayari Jones


35. I’ll Be Gone In The Dark by Michelle McNamara


36. Surprise Me by Sophie Kinsella


37. Sing, Unburied, Sing by Jasmine Ward


38. Their Eyes Were Watching God by Zora Neale Hurston


39. The Woman in The Window by AJ Finn


40. Drown by Junot Diaz


41. The Alchemist by Paulo Coelho


42. Artemis by Andy Weir


43. Something in the Water by Catherine Steadman


44. Then She Was Gone by Lisa Jewell


45. Calypso by David Sedaris


46. Neverwhere by Neil Gaiman


47. A Head Full of Ghosts by Paul Tremblay


48. The Word is Murder by Anthony Horowitz


49. The Wife Between Us by Greer Hendricks and Sarah Pekkanen


50. Eleanor and Park by Rainbow Rowell


51. The Last Mrs. Parrish by Liv Constantine


52. The Hating Game by Sally Thorne


53. All The Missing Girls by Megan Miranda


54. Extremely Loud and Incredibly Close by Jonathan Safran Foer


55. Station Eleven by Emily St John Mandel


56. The Nightingale by Kristin Hannah


57. The Couple Next Door by Shari Lapena


58. The Alice Network by Kate Quinn


59. The Fault in Our Stars by John Green


60. A Gentleman in Moscow by Amor Towles


61. Ask The Dust by John Fante


62. Lamb by Christopher Moore


63. Erotic Stories for Punjabi Widows by Balli Kaur Jaswal


64. Fates and Furies by Lauren Groff


65. Dear Committee Members by Julie Schumacher


66. American Pastoral by Philip Roth


67. The Shakespeare Requirement by Julie Schumacher


68. Straight Man by Richard Russo


69. Where the Crawdad Sings by Delia Owens


70. Warlight by Michael Ondaatje


71. The Rules of Magic by Alice Hoffman


72. The Hate U Give by Angie Thomas


73. This Is How It Always Is by Laurie Frankel


74. Be Frank With Me by Julia Claiborne Johnson


75. Angela’s Ashes by Frank McCourt


76. Florida by Lauren Groff


77. The Other Woman by Sandie Jones


78. Between The World And Me by Ta-Nehisi Coates


79. The Coddling of the American Mind by Greg Lukianoff and Jonathan Haidt


80. Boom Town by Sam Anderson


A New Sentence Every Day, Hand Crafted from the Finest Corinthian Leather.