We were watching The Matrix last week in my senior composition class, and we had already covered the philosophical implications of the film: we connected early scenes to Plato and Camus (The Allegory of the Cave and "The Myth of Sisyphus") and so all we had left to discuss was the ending, when conflict and drama inside and outside the matrix build in masterful intertwined lock-step . . . Neo appears to be dead in the simulation, the sentinels have breached the hovercraft, Morpheus is about to detonate the EMP, and Trinity finally uses her oracular knowledge and some tongue to resolve things; this is when I used my brilliant analogy-- and analogy almost as brilliant as Plato's cave . . . I explained that the final structure is analogous to when they are in class-- the matrix-- pushing the rock and trying to live and succeed in the false reality of academia, and their cell-phone is buzzing, bring them information and messages from the real world, the world outside the matrix-like environment of school, the world which they desperately want to learn about and enter . . . but they're not supposed to be using their cell-phones in the school, they're supposed to ignore the outside world, stay inside the cave and focus on the shadows on the walls, but they want to graduate and see the light and fly around in the sky with cool sunglasses to awesome heavy techno music (and they're going to be sorely disappointed).