3) Ducks: Two Years in the Oil Sands by Kate Beaton
4) Hark! A Vagrant by Kate Beaton
The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
A new episode of my podcast is up and streaming-- "Bubble, Bubble, The Irish Troubles" . . . this one is inspired by Stuart Neville's thriller The Ghosts of Belfast and it is a major improvement from my last effort, which was a rambling and convoluted attempt to cover far too large a topic-- this episode has an eclectic crew of special guests to boot, including: The Hasbro Pop-O-Matic, Detective Sean Duffy, Adrian McKinty, Sinead O'Connor, Indiana Jones, Erin Quinn, Grandpa Joe, The People's Front of Judea, and U2.
The day has arrived,
the day of my birth--
And while the good doctor
has passed from this place,
I'm still hanging on
still running the race,
still working the job,
still writing the posts,
still chasing the lob,
still taunting the ghosts--
I've been knocking around
for fifty-three years,
my knees are a wreck,
I can barely quaff beers--
but while I can walk,
stand and not fall,
I'll remain in the game
and play pickleball.
If you're looking for a different take on the horror genre, check out His House-- it's the story of a refugee couple from wartorn Sudan who seeks asylum in England and ends up in a not-so-typical-haunted-housing situation . . . these folks have some real skeletons in the closet and some real ghosts in their past; if you're looking for more traditional horror, check out Midnight Mass, a Netflix miniseries directed by Mike Flanagan-- the characters are well-drawn and Saracen from Friday Night lights has a superb role in this haunted island community; if you're looking to be stressed and depressed, watch The Americans . . . we've almost made it to the end of season four, and while the portrayal of two Soviet deep-cover spies who are "married" and have a family in Washington D.C. is compelling, gripping and candid, the show gets dark and then it gets darker . . . we can't stop watching, but it's brutal.
Emily St. John Mandel's new novel Sea of Tranquility floats by in an otherworldly manner, which makes sense-- since it is beautifully written about other worlds, other times, other timelines, and other possibilities . . . and while there are ghosts of the post-apocalyptic, post-pandemic world of Station 11, the current COVID pandemic, and the author herself, the book flows by in an odd, serene state of hypothetical possibility, the possibility that the world is a simulation, the possibility that you might interview yourself, that you might go back in time and live a recursive life, the possibility of moving too fast and too far, and the possibility of being still, and the possibility that time and motion and memory might be corrupted like a bad file . . . this was a much smoother and philosophical read than the last time travel novel I read, The Paradox Hotel.
Stacey and I have the same schtick when we begin Hamlet-- we both play the role of Horatio, who-- in the opening moments of the play-- is skeptical of ghosts and the supernatural . . . Marcellus explains, "Horatio says 'tis but our fantasy, And will not let belief take hold of him" and Horatio, in reference to the apparition, confidently asserts "tush, tush, 'twill not appear" but, moments after he says this, the ghost of Old Hamlet DOES appear and, after some good natured "I told you so!" by Barnardo (How now, Horatio! You tremble and look pale.Is not this something more than fantasy? What think you on't?) Horatio admits that "Before my God, I might not this believe without the sensible and true avouch of mine own eyes" and just before the apparition enters, Stacey and I always ask the class if they believe in ghosts, then chastise the believers for their irrationality and then we try to summon the dead, call upon the spirit world to strike us dead and stop our hearts, etc . . . and there are usually a few kids who get upset by this-- who don't think we should fuck around with the netherworld, whether we believe in it or not-- but we've never been haunted or struck dead . . . until now-- apparently last week, the night after Stacey did her ghost bit, she was visited by a spirit in the night, a little girl in a green sweatshirt that hovered over her bed-- twice!-- and she woke her husband up but he didn't see her and now she wonders if there might be spirits walking the earth, and she wonders if she has summoned them . . . but of course, I think she was dreaming or saw a shadow or whatever, as I am a logical and rational man-of-logic who would never be perturbed by such rubbish.
The Wailing-- an epic 2016 Korean horror film-- is a cross between The Exorcist and The Naked Gun . . . and the imagery and cinematography, which is astounding and beautiful, is somewhere between Deliverance and Apocalypse Now . . . the movie features angels and demons and all of us bumbling idiots in between, there are shapeshifters and possession, zombies and infection, ghosts and senseless violence . . . but all of these tired tropes are given new life . . . the film is streaming on Amazon Prime, watch it before it vanishes.
So you're stuck in traffic and you are freaking out. Feeling trapped and claustrophobic. You might ram the car in front of you just to break the monotony.
Stop go stop go.
Before you do something you might regret, use one of these tried and true methods to keep your cool.
Beep the fuck out of your horn. Lay on that thing. Beeeeeeeeeep! Beep! Beep! Beeeeeeeeeeeeeep! Feels good right? Satisfyingly loud and futile.
Best done in concert with the beeping.
You can only scream incoherently for so long before you blow out your vocal chords.
Regret your decisions, big and small. You should have moved to Vermont long ago. You should live in the woods with three dogs. Own a few acres of land near a mountain. Grow your own organic produce and tend a chicken coop.
Instead, you're going to get lung cancer from the smog, your kids have asthma, and you just learned that those beautiful purple and red sunsets are particulate matter. Why do you still live in New Jersey? And why did you feel the need to drive up Route 18 on a Friday afternoon?
You might think some groovy tunes would soothe your road rage, but music is a trap. Blasting upbeat songs will only remind you that you're stalled out, crawling through an industrial zone, while your friends drink beer at the bar.
Born to run? You're born plod.
Into the great wide open . . . my ass.
Life is a highway and you chose the wrong one.
Texting while driving is dangerous and illegal, but might be distracting enough to take your mind off the herd of cars surrounding you. Text your wife, text your friends . . . text them about the traffic you are in. They would want to know about your pain and suffering. Warn them! Proclaim the apocalypse! Pity the fools that would drive into this pandemonium! Stay home! It's crazy out here!
Think really hard about traffic. Why are people stopping? What exactly is causing the back-up? You've heard it doesn't need to be an accident. It could be a near-miss . . . or a near-hit. It could be an old lady wearing a pink hat riding her brakes. Why don't they make old people retake their road tests?
And then there's the most disturbing thought of all: this morass of cars that's making your heart pound and your hands sweat, this congregation of flesh and steel bringing your blood to a rapid boil, making you wish things upon your fellow humans that Pol Pot would consider inhumane . . . it might be caused by phantoms, ghosts in the machine: emergent phenomena amplified by the agglomeration of absurdly random moments; a brake light here, someone playing with their phone there, a truck that needs to get over to the right to exit, a poorly executed zipper merge. Trivial events cascading into epic delay.
And then you see it. Lo and behold. The anticlimax itself. The raison d'etre for all your misery. A car on the shoulder.
Seriously?
That's why all these cars have slowed to a crawl? That cannot be it. There's got to be something else. A sinkhole or a helicopter crash.
Are people really fucking stopping to look at a stalled Civic on the side of the road? No accident. No one is dead. Not even an ambulance. One police car. This is what it's come to? No one has anywhere to be? And there's nothing but cars and brake-lights ahead, and there's no exit, no way off the road. And everyone is fine with this? All these commuters are fine with it? Day after day? Night after night? This is what we've chosen? Over maglev trains and flying cars and trolleys and horses and hydrogen powered buses? These rolling coffins?
Beeeeeeeeeep!
Over the past year, my friend (and fellow philosophy teacher) Stacey did something rather remarkable. I'm going to let her tell her story . . . but, before she begins, I have some rather remarkable commentary about her story (of course I do). I've conveniently put my words in vivid red, so if you want to skip them, you can proceed directly to Stacey's post. But you'd be missing out on some interesting context (and, not only that, you'd be missing out on all my thoughts and feelings, which-- if you've made your way to this corner of the internet-- you find either incredibly fascinating or so annoying that you can't stop reading them).
When Stacey started this project I was worried. Worried that she threw out the proverbial baby with the proverbial bathwater. I use the word "proverbial" here so readers unfamiliar with the idiom do not call DYFS and report Stacey for infanticide.
The "proverbial baby" Stacey tossed out of her life has more than a passing resemblance to an actual baby. It's immature, needs support in getting established, and possesses great potential. And it has a cute name. Podcast. Stacey threw out listening to podcasts, the nascent audio format that's still toddling around the media-milieu with an adorably anachronistic name. This freaked me out, because Stacey and I have both bonded with a number of different podcasts. It seemed kind of cold-blooded of her to cut ties completely with the art form (especially since we make one of our own). This would be like Steven Spielberg deciding not to watch movies (which might be the case, judging by how old the movies are that inspired him).
I'll let Stacey explain the specific ins and outs of why she quit this fledgling media cold turkey, but her general reason was so she could read more books. Now I'm all for reading books, but I don't like these kinds of arbitrarily strict deontological rules. I prefer case-by-case utilitarian ethics. The "deon" in deontological is Greek for duty, and Stacey decided it was her duty as an English teacher and an intellectual to change her ways. But I don't think you should completely quit something with as much potential value as podcasts. The right number of podcasts to listen to isn't zero. The right number is of podcasts to listen to is difficult to determine, but the golden mean, the amount of podcasts you can enjoy while still finding time to read, is probably somewhere around two per day. That seems reasonable. I wrote a long and winding post about the difficulties with this kind of Aristotelean morality and I do concede that it's easier to make a categorical rule if you want to get things done, but a good podcast is better than a bad book. I explained all this to Stacey, but she stuck to her principled guns.
I had other reasons for worrying about Stacey's project, some of them altruistic and some of them selfish. In all sincerity, I wanted Stacey to enjoy the new season of Serial. I wanted her to listen to two fantastic takes on human memory, one of them dead serious serious (Revisionist History "Free Brian Williams") and the other absurd and funny (Heavyweight "#16 Rob"). I wanted her to enjoy the weirdness of Benjamin Walker's Theory of Everything "Victory is Ours." But she would not bite. She was determined and focused.
Slightly more selfish was the fact that I wanted to be able to kill time at work discussing these podcasts with Stacey. I'd recommend them and she'd tell me "Not yet. I want to finish strong . . . December 2nd." I'd tell her she was nuts, that life is too short for hard and fast rules, and she shouldn't deny herself the pleasure, but there was no talking to her.
I was also worried that she might be reading a bunch of crap, just to amass a huge list of books. Loads of Jojo Moyes and Liane Moriarty and Nicholas Sparks. Chick-lit and cheese. This was rather stupid and sexist of me, it turns out.
My greatest anxiety was a selfish one. I was worried that she would read more books than me. I average forty-some books a year, a number I'm quite proud of. I always post the list, and I'm always impressed with myself (which isn't difficult . . . I set the bar low). It turns out I didn't need to worry about this. It wasn't even close. Stacey read so many books that I'll never count how many books I read in a year again. Because I'll never live up to her list, so why bother to count? It's not a contest anyway. Right? And the point of this blog is to slow down . . . so perhaps with my shorter list, I'm winning the contest.
I'd also like to clear up what might be a misconception: if you think Stacey was doing some sort of analogue back-to-basics return to reading on paper from books checked out from the library, you'd be dead wrong. She spent a shitload of money on this project-- that's how she rolls. She checked zero books out of the library. She bought zero hardcovers with which to adorn her shelves. Instead, she purchased the Kindle version of each book and the discounted Audible version as well, so she blew through books in an efficient digital combination; she read for about an hour or so each day on her phone, and then when her eyes got tired or she was driving or getting ready for school or working out, she listened to the audio version. High tech.
Every year around this time, I try to reflect on my life. I evaluate my strengths and weaknesses and think about the type of life I want to lead.
My father and I had a conversation once about how New Year’s resolutions are always so strict and limiting. They force you to place unnecessary rules and restrictions on your life. These resolutions tell you what you can’t do and seldom leave room for any fun. We both agreed we were sick of resolutions telling us “don’t drink soda,” “don’t eat sweets,” “don’t watch as much tv” and the worst: “don’t drink beer.”
We decided that, from that point on, we would make our resolutions positive. For a full year we resolved that we would curse more — much to the chagrin of my mother. Whenever I called, my dad would bellow: “How the fuck are you?!”
Cursing more was fun. It was funny. It was easy. At the end of the year, we wished each other a “happy fucking New Year,” and I set to work picking another positive resolution.
Last year, I realized I was wasting an inordinate amount of time listening to podcasts hosted by self-congratulatory comedians boasting about the importance of their work. Of course, there would be an episode of Serial or Waking Up With Sam Harris thrown into the mix, but overall, I was not listening to anything of real academic merit. The etymology of the dick joke could not be considered high brow media consumption. Clearly, this was not a valuable use of my time.
My resolution became clear: I wanted to read more. Anytime I would normally spend idly listening to a podcast - I would instead pick up a book.
I started December 1st (I am never ready to make big life changes on the 1st of January). I find I can keep my resolutions if I have a month to ease into them, but it didn't matter for this one. I did not “ease” into this resolution. In December of 2017 I read eight books. This quickly turned my resolution into a challenge. I wanted to see how many books I could read in one year. I didn’t think I could maintain the pace of two books a week while still working full time - but I wanted to see what I was capable of.
Any time one of my friends mentioned a book they were reading, I immediately added it to my list. I scoured the New York Times and Washington Posts “Best Books of the Year.” I joined Goodreads at some point in this venture (I can’t believe it took me this long). If a book was highly rated - I was going to read it.
I did not select books based on how long they were (even though Dave would like to believe I did). Maybe next year I will do that, so I can double my list — but that doesn’t sound very appealing.
As this year draws to a close, I can say that my resolution was a success. I am incredibly proud of myself for what I have accomplished. I’ve read more this year than I have in probably the past six or seven years combined.
I have not yet decided my next resolution - if you have a suggestion, I am open... As 2018 draws to a close, I can truly say “this was a good fuckin’ year.”
(Editors note: Dave has bolded all the books he has read, and therefore approves of. Thirty of them! So many good ones, but number 80 is my favorite book I read this year).
2018 Books:
1. Lincoln in the Bardo by George Saunders
2. Murder on the Orient Express by Agatha Christie
3. Behind Closed Doors by BA Paris
4. The Power by Naomi Alderman
5. The Bell Jar by Sylvia Plath
6. I Know Why the Caged Bird Sings by Maya Angelou
7. Ready Player One by Ernest Cline
8. The Relic Master by Christopher Buckley
9. The Outline by Rachel Cusk
10. Little Fires Everywhere by Celest Ng
11. Lab Girl by Hope Jahren
12. What Made Maddy Run by Kate Fagan
13. Atonement by Ian McEwen
14. Eleanor Oliphant is Completely Fine by Gail Honeyman
15. Hillbilly Elegy by J.D Vance.
16. Breakfast of Champions by Kurt Vonnegut
17. Tenth of December by George Saunders
18. Heroes of the Frontier by Dave Eggers
19. American Gods by Neil Gaiman
20. Cat’s Cradle by Kurt Vonnegut
21. Bear Town by Fredrik Backman
22. My Grandmother Asked Me to Tell You She’s Sorry by Fredrik Backman
23. White Houses by Amy Bloom
24. Zeitoun by Dave Eggers
25. Cemetery John by Robert Zorn
26. The Breakdown by BA Paris
27. The Identicals by Elin Hilderbrand
28. Less by Andrew Sean Greer
29. The Girl With The Dragon Tattoo by Stieg Larsson
30. This Is How You Lose Her by Junot Diaz
31. Wuthering Heights by Emily Bronte
32. Lathe of Heaven by Ursula LeGuin
33. Before We Were Yours by Lisa Wingate
34. An American Marriage by Tayari Jones
35. I’ll Be Gone In The Dark by Michelle McNamara
36. Surprise Me by Sophie Kinsella
37. Sing, Unburied, Sing by Jasmine Ward
38. Their Eyes Were Watching God by Zora Neale Hurston
39. The Woman in The Window by AJ Finn
40. Drown by Junot Diaz
41. The Alchemist by Paulo Coelho
42. Artemis by Andy Weir
43. Something in the Water by Catherine Steadman
44. Then She Was Gone by Lisa Jewell
45. Calypso by David Sedaris
46. Neverwhere by Neil Gaiman
47. A Head Full of Ghosts by Paul Tremblay
48. The Word is Murder by Anthony Horowitz
49. The Wife Between Us by Greer Hendricks and Sarah Pekkanen
50. Eleanor and Park by Rainbow Rowell
51. The Last Mrs. Parrish by Liv Constantine
52. The Hating Game by Sally Thorne
53. All The Missing Girls by Megan Miranda
54. Extremely Loud and Incredibly Close by Jonathan Safran Foer
55. Station Eleven by Emily St John Mandel
56. The Nightingale by Kristin Hannah
57. The Couple Next Door by Shari Lapena
58. The Alice Network by Kate Quinn
59. The Fault in Our Stars by John Green
60. A Gentleman in Moscow by Amor Towles
61. Ask The Dust by John Fante
62. Lamb by Christopher Moore
63. Erotic Stories for Punjabi Widows by Balli Kaur Jaswal
64. Fates and Furies by Lauren Groff
65. Dear Committee Members by Julie Schumacher
66. American Pastoral by Philip Roth
67. The Shakespeare Requirement by Julie Schumacher
68. Straight Man by Richard Russo
69. Where the Crawdad Sings by Delia Owens
70. Warlight by Michael Ondaatje
71. The Rules of Magic by Alice Hoffman
72. The Hate U Give by Angie Thomas
73. This Is How It Always Is by Laurie Frankel
74. Be Frank With Me by Julia Claiborne Johnson
75. Angela’s Ashes by Frank McCourt
76. Florida by Lauren Groff
77. The Other Woman by Sandie Jones
78. Between The World And Me by Ta-Nehisi Coates
79. The Coddling of the American Mind by Greg Lukianoff and Jonathan Haidt
80. Boom Town by Sam Anderson