Catherine and Ian were resistant to watching a new show-- they wanted to forge ahead with Money Heist (which is good, bit it's five million episodes so I wanted some variety) but I reminded them that in the old days you might watch a different show every day of the week and my wife conceded that point (although Ian didn't know what we were talking about) and so we started TWO shows-- both seems similar: The Society and From . . . both shows are about being trapped in a town, both shows are creepy, and both shows are compelling-- I like From a little better-- we ended up watching two episodes-- the pilot is pretty amazing-- and I think they will both provide a nice diversion from the infinite money heist.
The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
Respect the Speck
Hockey is hard enough to watch on TV, but if there's a black speck on the TV-- or several black specks on a couple of TVs-- then things can get really confusing . . . sometimes you're following the puck, sometimes you're following the speck, and sometimes-- like that magical moment on The Office when the DVD logo hits the corner-- the black speck intersects with the actual puck and reality breaks down into an inception of the matrix.
Some Good Movies and TV You May Not Have Seen #6
Watching video of something extinct is poignant, nostalgic, and sad . . . but the knowledge of the subject's impending demise imbues the viewing with something special-- for example, check out the video above to see one of the last living thylacines, soon after this film was shot (in 1933) the "Tasmanian tiger' was eradicated by humans; the seminal TV series Freaks and Geeks evoked the same feeling in me . . . as by the time I watched it, it had already been cancelled (only super-hip people watched the show when it was broadcast) and so each episode-- no matter how excellent-- was a countdown until extinction; and once again, my wife and I are in the same predicament, this time with the 2009 sitcom Better Off Ted . . . it's funny, smart, satirical, fast-paced, and rather lighthearted send-up of business ethics, research and development, technology, and office politics; the jokes are clever, and Portia de Rossi is perfectly cast as the cold and callous dragon-lady boss, and though it was critically acclaimed, apparently no one watched it . . . we've got ten more episodes before it dies in front of us, never to be queued on Netflix again.
Sports Potpourri
Copulation > Assassination
TV is Good When You are Sore
My core is still sore from the yoga class yesterday-- so I'm doing lots of TV . . . as it is the last days of my Spring Break; Cat and I are binging Mare of Easttown-- I shouldn't complain about a sore core after watching that show, so many tragedies and Kate Winslet is so good at portraying them; we are watching the trippy third season of Goliath as a family; I am watching old Atlanta episodes with Ian, and I watched the new Atlanta episode with Alex.
Cooperation vs. Competition
The Test 36: TV Themes and Beatboxing
Medium Apostrophe
Dave's Favorite Story About Dave
THIS is My Secret Purpose
This Time I Am Determined to Finish!
Some Things That Are Completely Different
If you're looking for some batshit crazy apocalyptic sci-fi, I highly recommend Robert Charles Wilson's novel Spin-- I won't even try to explain all the consequences of the "spin membrane" that is mysteriously placed around the earth (by a mysterious superior alien race that scientists refer to as The Hypotheticals) but the stars go out early in the book and then some very well-depicted political and psychological and scientific chaos ensues-- and the book really makes you think about time, as a concept-- the book is the first in a trilogy (but apparently the other two books are not as good, so I'm going to skip them) and if you've read or watched The Expanse series then you'll find some familiar themes-- and if you're looking for a batshit crazy surreal almost sci-fi movie, you might like I Saw the TV Glow, a mesmerizing story about two disaffected teens in the 90's who share an obsession with a strange supernatural TV show called The Pink Opaque . . . the fictional world of the show begins to bleed into the "reality" of the of Owen and Maddy's constrained suburban lives-- and Maddy's complete and utter acceptance of this alternate reality sends her on a quest to find her true identity and gender, a quest that Owen is reluctant to embark on or even comprehend-- it'sa film full of weird imagery, awkward moments, and fragmented horror.
2/8/10
Together is a Swedish film about a commune in the mid-seventies, and the moral is that you can't fight human nature: no matter how much of a hippie you, no matter what your beliefs are, no matter how committed you are to changing the world order, your kids will still desire meat (the kids picket for hot dogs in the kitchen one night) and TV and play violent games (there's a great scene where one kid plays Pinochet, the Chilean torturer, and forces the other to "say you like Pinochet!") and adults will desire stability and loyalty and family . . . as Birger says, "It is better to eat porridge together than pork chops alone," and-- like this sentence-- the plot rambles through the lives of all the members of the commune and a few outsiders . . . there's no need to focus on a particular story, it's really more like surreal episode of the TV show Big Brother, but from the seventies and with deeper characters and a nostalgic look that makes it more like an artifact from that era than a film; I give it one congealed glutinous Socialist bowl of porridge out of one, I loved it.
The Wu Tang Claim Helps Dave Understand the Election and More
I Wrote it Down
I am certain that many many inebriated people, in many pubs across the land, during some sparkling, tangential, bibulously stoned conversation that haphazardly sketched out some compelling (at the time) IDEA, were wont to cry out "Write it down! . . . we need to write this down!" and while many of these propositions should NOT be written down-- for reasons of political correctness, job security, and just a general lack of quality, last night might be an exception-- on pub night, Alec and I always end up spitballing what we think are genius comedy sketch routines, but then we never write them down-- and it's probably better that way-- case in point, I am not writing down two of our discussions: The Polish Triathlete and Tourette Tits, for obvious reasons, but I will do my best to save one scintillating dialogue for posterity, the exception that might prove the rule, anyway last night we were discussing the constitutional right to get a little drunk or stoned, put some headphones on (I just got som earbuds that actually fit my ears) and walk to the bar listening to the music you choose-- nothing is more American-- but then we wondered how this might go down in colonial times, when they were actually writing the constitution but did NOT possess headphones and we hashed out exactly how the skit would go . . . so I am offering it up to SNL or whoever wants to film it;
INT. MODERN SUBURBAN BEDROOM. NIGHT
A teenage kid is listening to loud rock music.
Unseen Parent: Lower that!
The kid turns off the music, pulls open a drawer, opens a little box (you put your weed in there) and grabs a one-hitter and puts it in his pocket. He then puts on his headphones and exits his room.
Kid: I'm going for a walk.
Mom: Okay great. Take out the garbage.
Kid: Fine.
EXT. SUBURBAN STREET. NIGHT
The kid walks down the street, bopping to his music, and meets up with a few friends.
One of his friends says something about the new girl down the way and what a great rack she has.
Teen: WHAT? WHO?
Friend: Your music is too loud! You're talking really loud.
He removes his headphones and they proceed to smoke some pot.
BLACK SCREEN.
SUPER: 250 Years Ago
INT. COLONIAL TEEN BEDROOM. DUSK
A colonial teenage kid (wearing a mohawk wig?) is listening to a three-piece BAND in his room. Drummer, mandolin, fife. They are playing raucously.
Unseen Parent: Tell your band to play softer! Mezzo piano!
The teenage kid waves at the band to stop playing. He gets up, opens a drawer, grabs a flask, and motions to the band.
Kid: Come on.
The kid walks into a colonial family room.
Kid: I'm going for a walk.
Mom: Great. Make sure the sheep are in the pen.
Kid: Fine.
EXT. COLONIAL FARM ROAD. DUSK
The teenage kid walks down the road. His band follows behind, playing some fast-paced music. He meets up with a couple of other teens. They drink from the flask. They chat about the new girl that moved in down the road and her slender ankles. The band gets too close. They can't hear each other.
Other Teen: What?
The main teen motions the band to back up, so they can hear each other.
The teens walk down the road, the band following. The teens bop to the music.
INT. MODERN SUBURBAN DINING ROOM
The teen and his parents are eating dinner.
Mom: And even though I had the receipt, they sent me to wait in a DIFFERENT line . . . it took forever. That's the last time I'm going to that Target.
Dad: Customer service is a lost art.
The teen rolls his eyes at this boring conversation and puts on his headphones.
Dad: No headphones at the table!
BLACK SCREEN.
SUPER: 250 Years Ago
INT. COLONIAL DINING ROOM
The teen and his parents are eating dinner. The three-piece band is in the corner, silent.
Mom: And then he shears Margaret's sheep . . . even though I had clearly gotten into the barn before her!
Dad: I wonder if he had lust in his heart for Margaret. She does have slender ankles.
The teen rolls his eyes and motions to his band. They launch into some raucous music.
Dad: Shut those guys off!
The teen motions to his band to stop.
Then we imagined one final scene, which I don't feel like writing out-- where the suburban parents are watching TV and the music is too loud and they ask the kid to turn it down but he can't hear them and then it cuts to the colonial parents watching a couple of actors perform in their living room-- a parallel for TV-- and the teen's band is playing too loudly for them to hear the actors and they all yell for him to turn it down and that's that.
Horowitz Portrays Horowitz
Anthony Horowitz's The Word is Murder is a meta-mystery on par with Magpie Murders . . . a fictional version of the author becomes Watson to a much less charming but equally talented Sherlock Holmes figure (named Hawthorne) and the investigation of this "true crime" story distracts the fictional Anthony Horowitz from his actual work (such as writing for the TV show Foyle's War) and sends him into an obsessive quest to not only solve the crime but to "investigate the investigation," who is just as mysterious as the mystery . . . and there are plenty of plot twists and brilliant usage of both Shakespeare and spelling autocorrect to provide clues and red herrings-- a highly entertaining read, nine model airplanes out of ten.
A Great Day at the Gym
7/6/2009
It's frustrating to read Daniel Boyle's book The Talent Code: Greatness Isn't Born. It's Grown. Here's How at age thirty nine, when my myelin production is soon to wane, and realize that I could have been whatever I wanted, a cartoonist, a guitarist, a ballerina, if I had only practiced deep enough and long enough-- that there really is no such thing as talent, only perseverance, failure, time, and persistence-- and that if you put in your 10,000 hours practicing the right way, with the right motivation-- you need to be in a situation that keeps telling your brain better get busy, as opposed to "better watch TV" or "better be well rounded"-- then you will be a world class talent, and people will look at you and think you are "gifted"-- so since it's too late for me to truly master anything (and judging by this rambling sentence, I could use 9000 more hours of writing practice) all I can do is start torturing my kids and it's never too soon to start . . . so what do I want them to master?