Showing posts sorted by relevance for query TV. Sort by date Show all posts
Showing posts sorted by relevance for query TV. Sort by date Show all posts

TV . . . It's What's On TV

Catherine and Ian were resistant to watching a new show-- they wanted to forge ahead with Money Heist (which is good, bit it's five million episodes so I wanted some variety) but I reminded them that in the old days you might watch a different show every day of the week and my wife conceded that point (although Ian didn't know what we were talking about) and so we started TWO shows-- both seems similar:  The Society and From . . . both shows are about being trapped in a town, both shows are creepy, and both shows are compelling-- I like From  a little better-- we ended up watching two episodes-- the pilot is pretty amazing-- and I think they will both provide a nice diversion from the infinite money heist.

Respect the Speck


Hockey is hard enough to watch on TV, but if there's a black speck on the TV-- or several black specks on a couple of TVs-- then things can get really confusing . . . sometimes you're following the puck, sometimes you're following the speck, and sometimes-- like that magical moment on The Office when the DVD logo hits the corner-- the black speck intersects with the actual puck and reality breaks down into an inception of the matrix.

Some Good Movies and TV You May Not Have Seen #6



Watching video of something extinct is poignant, nostalgic, and sad . . . but the knowledge of the subject's impending demise imbues the viewing with something special-- for example, check out the video above to see one of the last living thylacines, soon after this film was shot (in 1933) the "Tasmanian tiger' was eradicated by humans; the seminal TV series Freaks and Geeks evoked the same feeling in me . . . as by the time I watched it, it had already been cancelled (only super-hip people watched the show when it was broadcast) and so each episode-- no matter how excellent-- was a countdown until extinction; and once again, my wife and I are in the same predicament, this time with the 2009 sitcom Better Off Ted . . . it's funny, smart, satirical, fast-paced, and rather lighthearted send-up of business ethics, research and development, technology, and office politics; the jokes are clever, and Portia de Rossi is perfectly cast as the cold and callous dragon-lady boss, and though it was critically acclaimed, apparently no one watched it . . . we've got ten more episodes before it dies in front of us, never to be queued on Netflix again.

Sports Potpourri


Catherine and I inhaled a lot of sports in the past two days-- with a mixed bag of results-- yesterday we stopped at the HP soccer game, just in time, to see Ian score a wild back-heel flick volley goal off a long shot . . . and this was an easy 6-0 win so we left at half-time to go to the Rutgers/Nebraska game-- we parked at the edge of town and decided to walk over (we had subs and drinks and we were meeting our friend Dom at the Greek Church lot to tailgate) but someone told us the entrance to the park was flooded, so we hightailed it through the train trestle tunnel (which has no walking path) and then walked on the muddy rutted path parallel to River Road-- and Catherine wiped out in the mud and banged up her knee (before even consuming any alcohol!) and then we realized that the walk along River Road to the church lot was not only miserable and muddy but also really long (3 miles?) and we were walking next to all the game day traffic-- but we made it to the tailgate, cleaned up Catherine's knee, had some food and drinks (Cat made our drinks in ziplock bags, so we could dispose of everything once we were done drinking!) and then walked back to the stadium and met my buddy Haim and his wife (who gave us the tickets) and watched an absolutely awful football game-- a million penalties and TV timeouts, just slow as fuck-- but Rutgers was in it so we stayed until the end, only to see them throw an interception on their last drive, down by one point-- blech-- and then because we stayed so late, the traffic was insane, so we walked back to the car . . . after a nearly four hour game (and I was only wearing a t-shirt because it was so hot walking over, but then it got really cold-- I've been to two Rutgers games this season and that might be it for me, football is fun to watch on TV, when you can do other stuff, but it's pretty drawn out in person (although it was fun to talk to all the Nebraska folk at the game . . . I only know one thing about Nebraska-- that the Ashfall Fossil Beds are one of the greatest paleontological sites in the world, just astounding-- so I brought them up and the guy sitting next to us said he lived an hour south of them, so I had something to chat about-- then this morning I went over to see HP play Timothy Christian and this was a wild and exciting game, which HP finally won 4-3 . . . and Ian scored a great goal, he received a through ball, took a couple dribbles, and then finished nice and early-- before the defense converged on him, and shot a rocket past the big keeper from the eighteen-- he should have scored a couple other but the keeper made a great fingertip save on one headed to the upper corner and he was about to finish a follow and got clobbered (no foul) so Ian is having quite a season-- he scored the game winner the other day against Wardlaw-Hartridge-- and most importantly, he's playing a lot of minutes and his speed and defensive hustle look really good, and-- knock on wood, because he's only 130 pounds-- he hasn't gotten hurt.


 

Copulation > Assassination

A great moment on Madmen: ad-man Duck Phillips is meeting an ad-woman Peggy Olsen in a hotel for a "nooner," and Duck is watching TV while he waits for Peggy at their trysting place and he sees a news flash that President Kennedy has been shot and injured, but he knows his Peggy is just about to show up, and there's no way he's going to let a little thing like this ruin the romantic moment, and so he unplugs the television, and when she walks in moments later she is none the wiser, and then once they are post-coital, smoking cigarettes in bed, he says, "Do you mind if I turn on the TV . . . there's this news story that's bothering me," and then they learn that J.F.K has been killed . . . and I certainly can't blame Duck-- you can't let a national tragedy get in the way of copulation.

TV is Good When You are Sore

My core is still sore from the yoga class yesterday-- so I'm doing lots of TV . . . as it is the last days of my Spring Break; Cat and I are binging Mare of Easttown-- I shouldn't complain about a sore core after watching that show, so many tragedies and Kate Winslet is so good at portraying them; we are watching the trippy third season of Goliath as a family; I am watching old Atlanta episodes with Ian, and I watched the new Atlanta episode with Alex.

Cooperation vs. Competition

While I love competition, I love it in particular forums (darts, cornhole, basketball, soccer, pedantry, stealing rocks from the park, miracles) and I readily acknowledge that the bulk of human interaction is cooperative-- in fact, nearly everything I do in the course of a day is a cooperative venture: driving on the highway, walking in a crowded space, holding a discussion in class, coming up with a new lesson plan, having a laugh in the office, running soccer practice, cooking dinner, dealing with the kids, and even watching TV (I only watch TV with other people, and I make a lot of comments and ask a lot of questions) and this makes me wonder about the actual benefits of competition-- while it's certainly fun, I'm not sure if it's all that significant for our species, as we are at the core, social animals; conservatives claim to love the unfettered competition in capitalism because they insist that it produces excellent results, but I wonder how many of these folks that espouse this philosophy have ever played competitive sports . . . because anyone who is competitive and has participated in competitive sports knows that the referees and umpires and officials and rules and regulations are VERY important because people tend to act fairly berserk when they are competing, which leads me to believe that competition is NOT our natural state (which is why we need yellow cards and personal fouls and the penalty box and the Geneva Conventions) and also leads me to believe that we either need to adopt a different metaphor for our economic system (and a different culture to go along with that new metaphor) or we need regulations in capitalism that allow for stronger penalties and even ejection from tha game.

The Test 36: TV Themes and Beatboxing

The gang reunites this week on The Test for Cunningham's perpetually astounding, perplexingly astounding TV Theme Song quiz (I've been channelling Walt "Clyde" Frazier lately) and-- warning-- Stacey and I have some serious cognitive difficulties with this one . . . Stacey gets philosophical about her malfunctioning brain and says something very poetic: "I can't even remember my memories," and I get frustrated and angry and claim I have Alzheimer's, and then I attribute my intellectual failures to the fact that it was Friday afternoon after a long week of teaching, which is ridiculous . . . anyway, we finish strong, with an amazing display of vocal prestidigitation; so take a shot, keep score, see how you do, and don't be stingy with the points . . . also, if you like it, give us a rating on iTunes and/or Stitcher . . . thanks!
 

Medium Apostrophe

Sometimes I complain that there are too many good TV shows and it's impossible to keep up with everyone's recommendations, but that's not a complaint, it's actually the opposite of a complaint, it's a compliment . . . so great job TV, you've become so excellent you've completely overwhelmed me, to the point where I don't watch you at all.

Dave's Favorite Story About Dave

Other readers have shared their Favorite Stories about Dave, and most have these have been in the Awkward Moments of Dave genre, but I would like to tell my favorite story about Dave, and it's not awkward at all, in fact-- believe it or not-- I am the clever hero of the story, in the tradition of cunning tricksters like Odysseus, Loki, and Br'er Rabbit, but don't worry, this theme won't be a recurring feature because it never happened again, so enjoy the one time I came through in the clutch: several years ago, when my two boys were quite young-- just able to walk and talk-- and we took a trip to the Newark Museum, which has a mini-zoo, art galleries, a fire museum, and a natural history section . . . and we were walking from the mini-zoo to the elevators, and the only way was through the art galleries, and so I was making the best of it, pointing out things my kids could recognize in the paintings, boats and cars and colors; the museum was empty-- a ghost town-- and so the guards, who were probably bored out of their minds, started chasing Alex and Ian around a bit, which my kids loved . . . Ian went one way and  Alex ran the other, and I chased Ian because he was younger and then I heard BEEP BEEP BEEP from the room next door and when I got in there, I saw Alex touching a large painting, and this had triggered the alarm system-- so I told him you couldn't touch the paintings and apologized to the guards, but they weren't upset at him, of course, since they had instigated the running around, and when we finally got to the elevators, there was a post-modern sculpture next to the doors-- it was an intimidating pile of seven or eight televisions, and the top and bottom screens showed a silver Buddha head floating on the ocean, being buffeted by the waves, and all the screens in the middle showed the same rotating Buddha head, but each screen was tinted a different color-- red, green, blue, yellow, purple-- and right next to the tower of TV's was a video camera and a rotating Buddha head-- the same Buddha head that was on all the TV screens-- and so I wondered if the camera was actually filming the head and sending a live-feed to the televisions, or if they were just playing a loop of film, so-- naturally-- I stuck my hand in front of the camera (I also wanted to see if my hand would appear in a different color on each screen) and I was rewarded with both the image of my hand on every screen and the BEEP BEEP BEEP of the alarm-- like a child, I had set off the system, but when the guard jogged in to check out why the alarm was going off, I pointed to my son Alex and said, "Alex, I told you, you can't touch anything here-- it's a museum!" and then we got into the elevator and made a clean getaway; this is the only time in my life I was able to think on my feet and say the right thing at the right time, and-- even though I threw my eldest child under the bus-- it felt wonderful.

THIS is My Secret Purpose

Up until last night, I thought my secret purpose was to see a fairly obscure actor/actress on TV and say to my wife "I totally know that guy/chick" and then struggle to remember their name or what movie or show we previously saw this actor/actress in and then use my phone to track down their name and the roles they played-- and usually my hunch is right and I celebrate my facial recognition acumen-- but my wife is also very annoyed that I'm doing this instead of watching what we're watching-- especially if I pause the show to do my research-- but now I know my secret ability is not to identify faces, it's to identify diners . . . because I am 100% in recognizing diners on a TV show, whilst with actors/actresses I'm probably more around 80 . . . but last night, while we were watching season two of the show Severance, and Mark met his sister at Pip's and they showed the outside of the diner and the mountainous backdrop and I said to my wife "that's the Phoenicia diner!" and then I looked it up and "Pip's" is the Phoenicia Diner, a wonderful place to eat in the Catskills.
 

This Time I Am Determined to Finish!

I am moonlighting (or daylighting, as David Foster Wallace calls it) a bit on Infinite Jest . . . and I know the last time I did this I ended up quitting the novel -- but it's four years later and I have learned my lesson, this time I am committed, but I just need a little break to read Brett Martin's new book with this double-coloned mouthful of a title: Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad . . . his thesis is that TV has entered a "third Golden Age" and that these new high quality cable shows are like nothing before -- they are neither episodic nor mini-series -- instead they resemble Victorian serialized fiction, like Dickens, and because of this format, they are much more beholden to the writers and creators -- rather than the actors and producers -- than any TV before, and these writer/creator folks happen to be moody, flawed, ambitious and brilliant men, and this personality type reflected in the "heroes" of these shows . . . characters such as Vic Mackey and Walter White and Don Draper and Tony Soprano and Jimmy McNulty.

Some Things That Are Completely Different

If you're looking for some batshit crazy apocalyptic sci-fi, I highly recommend Robert Charles Wilson's novel Spin--  I won't even try to explain all the consequences of the "spin membrane" that is mysteriously placed around the earth (by a mysterious superior alien race that scientists refer to as The Hypotheticals) but the stars go out early in the book and then some very well-depicted political and psychological and scientific chaos ensues-- and the book really makes you think about time, as a concept-- the book is the first in a trilogy (but apparently the other two books are not as good, so I'm going to skip them) and if you've read or watched The Expanse series then you'll find some familiar themes-- and if you're looking for a batshit crazy surreal almost sci-fi movie, you might like I Saw the TV Glow, a mesmerizing story about two disaffected teens in the 90's who share an obsession with a strange supernatural TV show called The Pink Opaque . . . the fictional world of the show begins to bleed into the "reality" of the of Owen and Maddy's constrained suburban lives-- and Maddy's complete and utter acceptance of this alternate reality sends her on a quest to find her true identity and gender, a quest that Owen is reluctant to embark on or even comprehend-- it'sa film full of weird imagery, awkward moments, and fragmented horror.

2/8/10


Together is a Swedish film about a commune in the mid-seventies, and the moral is that you can't fight human nature: no matter how much of a hippie you, no matter what your beliefs are, no matter how committed you are to changing the world order, your kids will still desire meat (the kids picket for hot dogs in the kitchen one night) and TV and play violent games (there's a great scene where one kid plays Pinochet, the Chilean torturer, and forces the other to "say you like Pinochet!") and adults will desire stability and loyalty and family . . . as Birger says, "It is better to eat porridge together than pork chops alone," and-- like this sentence-- the plot rambles through the lives of all the members of the commune and a few outsiders . . . there's no need to focus on a particular story, it's really more like surreal episode of the TV show Big Brother, but from the seventies and with deeper characters and a nostalgic look that makes it more like an artifact from that era than a film; I give it one congealed glutinous Socialist bowl of porridge out of one, I loved it.

The Wu Tang Claim Helps Dave Understand the Election and More

I'd like to assure Zman that yes I am working on a post about the election results, but I'm taking my time and trying to process and digest everything before I  put it on wax, and-- oddly-- one of the things that's helping me think about what happened is Tim Wu's new book The Attention Merchants: The Epic Scramble to Get Inside Our Heads . . . the book is ostensibly a history of advertising in America, from snake-oil salesmen pitching addictive spurious cure alls to the first fake news stories created purely to garner attention (my favorite is a report in the New York Sun that Sir John Herschel had discovered four foot tall hairy bat men on the moon . . . people were surprisingly willing to accept this as fact) to Lucky Strike's brilliant campaign proposing that the secret ingredient in their brand of cigarette protected your throat from cough and irritation (It's TOASTED!) and then Wu moves on to things more recent and familiar: radio advertising, product placements, TV commercials for the masses, TV commercials for the unique individual, email, Oprah, clickbait, data harvesting, Google Adwords, Twitter, Facebook, ad-blockers, etcetera . . . as advertising gets more modern, more data-driven, more insidious, and more fragmented, Wu gets more severe in his warnings-- he frames the epic battle to get our attention as a series of technological leaps, which the advertisers soon harness for their own purposes, followed by a revolt of the masses against that particular kind of advertising . . . but we may have reached the end of the road: Wu sees Buzzfeed, essentially clickbait on "the fourth screen," and social media sites like Facebook as the purveyor of "news" as particularly egregious forms of media and while there is hope once more-- for those willing to find it, Netflix and HBO offer some of the best ad free content ever created-- but you've got to pay for it . . . and if you want to learn about it, you can find something of quality on Youtube or in the podcast universe . . . if you're willing to do some research; now I'd like to bring this back to the election and make my Tim Wu Tang Claim: that the media-- driven by clicks and views-- totally dropped the ball with their coverage . . . they focused on speculative poll clickbait instead of doing on the ground journalism-- talking to Trump supporters and doing in depth coverage of the policy and issues that these supporters desired and imagined could Trump deliver, and contrasting this with Clinton policy promises . . . but instead they focused on scandals and silliness; of course, there is a better alternative to mainstream media: I'm quite proud of how I analyzed the race and what I learned about the issues; I avoided internet clickbait for the most part and listened to high-quality long form podcasts like The Weeds, Slate Money, Waking Up With Sam Harris, Radiolab, Common Sense, This American Life, and Planet Money, and I even did my due diligence and listened to Dan Levin and Rush Limbaugh (who were both repetitive blowhards pushing the mainstream media to be less about policy discussion and more about clickbait scandal) and I became something of an expert on the major issues and policies: healthcare and jobs and trade agreements and immigration (and even the spurious email "scandal") and if you like, you can find media that is not fragmented and not totally driven by clicks and views-- there is an alternative to the Facebook/Twitter style news platform, which propagated fake news and bite-sized weirdness (and while some would argue that the podcasts I've listed have a left-leaning slant, if you listened to the many many episodes about the election, they took a much more empathetic and sincere analytical look at the Trump phenomenon than anything on the right di with Hillary Clinton . . . Dan Levin simply chanted "crooked Hillary" and "lock her up" on his show . . . so the mainstream media went right along with this internet model, casting the election as a horse race, with this scandal or that scandal affecting the polls, someone is up, someone is down-- the kind of reporting that could be done without getting out of bed-- and there was no discussion of global warming-- an existential threat-- or the actual implications of repealing NAFTA, or the pros and cons of allowing Medicare to negotiate prescription drug prices, or how unionization might help the jobs we still have in America or anything of substance) and Wu ends with a quotation from William James, who believed that "our life experience would ultimately amount to whatever we paid attention to" and I believe this too, which is why I make my students park their cell-phones at the door and pay attention to me . . . because I truly believe I'm paying attention to and what I'm making them pay attention to is better  than the things the vast majority of the American people pay attention to, and that might be elitist and judgmental, but it's also true . . . I spend my attention reading books written by people smarter than me and listening to long, intelligent podcasts presented by experts in various fields; Wu also reminds us of this by quoting the ironically named James Williams: "Your time is scarce, and your technologies know it," and I think the ultimate lesson here is that we all need to remember this (myself included, while I generally use my attention for critical thinking and creative enlightenment, I still occasionally get sucked in to my stupid fantasy football team, which is great on paper and finally peaking, but it's too late . . . I'm 2 - 9 and I could have spent that time reading or practicing the guitar, instead of shuffling players around an imaginary line-up).

I Wrote it Down

I am certain that many many inebriated people, in many pubs across the land, during some sparkling, tangential, bibulously stoned conversation that haphazardly sketched out some compelling (at the time) IDEA, were wont to cry out "Write it down! . . . we need to write this down!" and while many of these propositions should NOT be written down-- for reasons of political correctness, job security, and just a general lack of quality, last night might be an exception-- on pub night, Alec and I always end up spitballing what we think are genius comedy sketch routines, but then we never write them down-- and it's probably better that way-- case in point, I am not writing down two of our  discussions: The Polish Triathlete and Tourette Tits, for obvious reasons, but I will do my best to save one scintillating dialogue for posterity, the exception that might prove the rule, anyway last night we were discussing the constitutional right to get a little drunk or stoned, put some headphones on (I just got som earbuds that actually fit my ears) and walk to the bar listening to the music you choose-- nothing is more American-- but then we wondered how this might go down in colonial times, when they were actually writing the constitution but did NOT possess headphones and we hashed out exactly how the skit would go . . . so I am offering it up to SNL or whoever wants to film it;

INT. MODERN SUBURBAN BEDROOM. NIGHT

A teenage kid is listening to loud rock music.

Unseen Parent: Lower that!

The kid turns off the music, pulls open a drawer, opens a little box (you put your weed in there) and grabs a one-hitter and puts it in his pocket. He then puts on his headphones and exits his room.

Kid: I'm going for a walk.

Mom: Okay great. Take out the garbage.

Kid: Fine.

EXT. SUBURBAN STREET. NIGHT

The kid walks down the street, bopping to his music, and meets up with a few friends.

One of his friends says something about the new girl down the way and what a great rack she has.

Teen: WHAT? WHO?

Friend: Your music is too loud! You're talking really loud.

He removes his headphones and they proceed to smoke some pot.

BLACK SCREEN. 

SUPER: 250 Years Ago

INT. COLONIAL TEEN BEDROOM. DUSK

A colonial teenage kid (wearing a mohawk wig?) is listening to a three-piece BAND in his room. Drummer, mandolin, fife. They are playing raucously.

Unseen Parent: Tell your band to play softer! Mezzo piano!

The teenage kid waves at the band to stop playing. He gets up, opens a drawer, grabs a flask, and motions to the band.

Kid: Come on.

The kid walks into a colonial family room.

Kid: I'm going for a walk.

Mom: Great. Make sure the sheep are in the pen.

Kid: Fine.

EXT. COLONIAL FARM ROAD. DUSK

The teenage kid walks down the road. His band follows behind, playing some fast-paced music. He meets up with a couple of other teens. They drink from the flask. They chat about the new girl that moved in down the road and her slender ankles. The band gets too close. They can't hear each other.

Other Teen: What?

The main teen motions the band to back up, so they can hear each other.

The teens walk down the road, the band following. The teens bop to the music.

INT. MODERN SUBURBAN DINING ROOM

The teen and his parents are eating dinner.

Mom: And even though I had the receipt, they sent me to wait in a DIFFERENT line . . . it took forever. That's the last time I'm going to that Target.

Dad: Customer service is a lost art.

The teen rolls his eyes at this boring conversation and puts on his headphones.

Dad: No headphones at the table!

BLACK SCREEN. 

SUPER: 250 Years Ago

INT. COLONIAL DINING ROOM

The teen and his parents are eating dinner. The three-piece band is in the corner, silent.

Mom: And then he shears Margaret's sheep . . . even though I had clearly gotten into the barn before her!

Dad: I wonder if he had lust in his heart for Margaret. She does have slender ankles.

The teen rolls his eyes and motions to his band. They launch into some raucous music.

Dad: Shut those guys off!

The teen motions to his band to stop.

Then we imagined one final scene, which I don't feel like writing out-- where the suburban parents are watching TV and the music is too loud and they ask the kid to turn it down but he can't hear them and then it cuts to the colonial parents watching a couple of actors perform in their living room-- a parallel for TV-- and the teen's band is playing too loudly for them to hear the actors and they all yell for him to turn it down and that's that.

Horowitz Portrays Horowitz

Anthony Horowitz's The Word is Murder is a meta-mystery on par with Magpie Murders . . . a fictional version of the author becomes Watson to a much less charming but equally talented Sherlock Holmes figure (named Hawthorne) and the investigation of this "true crime" story distracts the fictional Anthony Horowitz from his actual work (such as writing for the TV show Foyle's War) and sends him into an obsessive quest to not only solve the crime but to "investigate the investigation," who is just as mysterious as the mystery . . . and there are plenty of plot twists and brilliant usage of both Shakespeare and spelling autocorrect to provide clues and red herrings-- a highly entertaining read, nine model airplanes out of ten.

A Great Day at the Gym

We went out in New Brunswick last night, to Clydz and Efes, and I probably (certainly?) drank a little bit too much . . . and then I stayed up late watching TV, the US Open-- Djokovic lost to a giant young Australian dude-- and I ate too many late-night cookies that we purchased at the Kapadokya Bakery on our walk home  from New Brunswick while watching this tennis match, but I still dragged myself to the gym this morning at 7 AM and it was well worth it, for three reasons:

1) while I was shooting baskets, basically doing an aerobic work-out that involved tossing a ball beyond the three-point arc, collecting the ball, shooting the ball, and then chasing the rebound and doing it over and over again-- and at one point I drained ten or eleven three-pointers in a row and a dude walking off the court said to me, "You're on fire!" and it was nice to be recognized, it was nice that my fire was noticed;

2) later on, I was doing my balancing exercises on the bosu ball-- that piece of equipment that is half exercise ball, half flat surface: so I stand on the flat surface and balance and do a variety of exercises with a medicine ball while I balance: put it behind my back, do one-armed tricep raises, etcetera . . . anything to throw my balance off so my calf muscles have to work hard and there was another dude next to me on the other bosu ball, just trying to stand on it and he complimented me on my amazing balance and I was like: wtf? when do you get TWO compliments at the gym? and I considered it a very good day

3) while I was working out and getting all these compliments, I was listening to the new episode of "Plain English with Derek Thompson," which is all about the benefits of exercise-- Thompson talks about exercise with Euan Ashley, a professor of cardiovascular medicine and genetics at Stanford University, who boils down the benefits of exercise to a very motivational and succinct statistic:

“One minute of exercise buys you five minutes of extra life” 

so according to Derek Thompson's math: if you work out for one hour a day, four days a week, for 40 years, you would buy yourself an extra four years and nine months of extra life . . . that's a lot of extra life-- and you might even get a compliment once in a while.

7/6/2009


It's frustrating to read Daniel Boyle's book The Talent Code: Greatness Isn't Born. It's Grown. Here's How at age thirty nine, when my myelin production is soon to wane, and realize that I could have been whatever I wanted, a cartoonist, a guitarist, a ballerina, if I had only practiced deep enough and long enough-- that there really is no such thing as talent, only perseverance, failure, time, and persistence-- and that if you put in your 10,000 hours practicing the right way, with the right motivation-- you need to be in a situation that keeps telling your brain better get busy, as opposed to "better watch TV" or "better be well rounded"-- then you will be a world class talent, and people will look at you and think you are "gifted"-- so since it's too late for me to truly master anything (and judging by this rambling sentence, I could use 9000 more hours of writing practice) all I can do is start torturing my kids and it's never too soon to start . . . so what do I want them to master?

Two Decent Movies You Probably Haven't Seen . . .

If you're sick of committing to another TV show (or get in trouble if you watch the "family" show when all members of the family are not present, e.g. Ted Lasso) here are a couple of highly-rated movies buried on Amazon Prime and Netflix:

1) Blow the Man Down . . . a taut, slightly ironic thriller reminiscent of the Coen Brothers' classic Fargo, but set Downeast in Maine, this one has some superb acting, predominantly by a cast of women that covers every age bracket;

2) The Call is a South Korean sci-fi thriller with a premise too good to summarize-- if you liked Parasite or #Alive, then you'll dig this.
A New Sentence Every Day, Hand Crafted from the Finest Corinthian Leather.