I endured seven hours of a soccer referee certification course today-- we viewed hundreds of slides, I took many pages of notes, we watched many videos of entertaining fouls, and now my head is swimming-- I am realizing it's really hard to make the correct call in real time (it's even fairly hard when you can replay a video several times) and one of the teachers -- a British fellow-- was a real stickler for using the proper terminology, which is tough because all kinds of Americanisms have crept into our parlance-- it's properly called the "penalty area" not the "penalty box" and it's a yellow card for "unsporting behavior" not "unsportsmanlike conduct"-- unsportsmanlike conduct is a fifteen year penalty in American football . . . and here's a situation the entire class got wrong: if the goalie has possession of the ball and one of his own teammates punches him in the face, then because this is a striking foul during the course of play, the other team is awarded a Penalty Kick . . . so the moral here is don't punch your own goalie in the face when he has possession of the ball-- no matter what he said about your girlfriend (or whatever prompted this hypothetical insanity) and I also learned when to downgrade a DOGSO red card to a SPA yellow card (and a PK) and other such technical issues, such as the difference between SFP and VC . . . SFP is serious foul play and VC is Violent Conduct-- SFP occurs when there was some attempt to play the ball but the foul is excessive, VC occurs when there is no attempt to play the ball . . . both are red card/sending off fouls but VC is a worse suspension-- you also need to check the five S's-- shirt, shorts, shinguards, shoes and socks . . . and most importantly, make sure the goals are secured with sandbags or spikes, because occasionally players get crushed by falling goals . . . so that's priority number one-- and I'm sure this is a job like teaching, where you need a lot of experience and practice before you start to get things right-- I feel like I'm starting this path a bit late in life (there were lots of teenagers at the course!) but I think i'll get a better idea of what it takes tomorrow when I go to Newark for my field session.
The Ghost is a Meta-Ghost!
What a fucking week-- loads of standardized testing and proctoring, and then actual teaching-- the seniors were not as fascinated as I am by the mind-blowing possibility that Shakespeare played the Ghost of Old King Hamlet and thus, in scene 3.4, when Hamlet visits his mother in her bedchamber and gets very sidetracked by his Oedipal obsession with his mom's sex life with Claudius, he describes her "honeying and making love" in the "rank sweat" of their "nasty sty" and things get so gross that the Ghost visits to remind Hamlet to "whet" his "almost blunted purpose" and exact revenge on King Claudius and leave his mom "heaven and to those thorns that in her bosom lodge" and stop berating and harassing her and get on with killing Claudius-- so the implication here is that the writer and director of this rambling and brilliant play about drama and procrastination gets up on stage and chastises and reminds the main character to get on with the plot of the play because he has lost his way and gone off on a filthy Oedipal tangent-- so he's essentially chastising and reminding himself that this play needs to get back on track and Hamlet needs to fulfill his father's demand for revenge-- the writer and director is directing both Hamlet and himself-- but thsi is a moot point because the play already exists (and has a run time of four hours) so it's actually too late to do anything about the inherent structural problems of the play . . . and perhaps nothing should be done because the structural problems actually lay bare the possibility that most theatrical presentations are contrived and imitate humanity abominably and that perhaps the only way to truly portray a human is to break all structural confines and expose him over four hours and 1506 lines (the most of any Shakespeare character) but it seems even Shakespeare is wary of this, and thus enters as the Ghost to chide Hamlet of his tardiness and push him to move the plot along . . . it's fucking super-meta and very wild but tough to convey last period on a Friday (but the students were fascinated and disgusted by the Franco Zeffirilli/Mel Gibson version of the scene, which REALLY plays up the Oedipal nature of the dialogue-- so at least that caught their attention (and then I went to Happy Hour and the ladies were discussing a hypothetical beach trip to Aruba in which they would all be topless and there was much postulation on how their toplessness would be perceived . . . I contended it would not be a very big deal, and they had already seen me topless, so what's the difference?
Standardized Testing . . . Ugh
The Rockettes Got Legs (and they know how to use them)
Yesterday, one of my colleagues-- who was a serious competitive dancer-- was lamenting the fact that the Rockettes have recently removed the height requirement-- if they had done this years ago, she hypothesized, her entire life could have been different (but I'm deeply dismayed by this development . . . I think a Rockette should be lithe, long, and leggy).
So Close to REAL Literary Perfection
I had a wicked headache today-- probably due to a combination of playing morning basketball, the drastic change in the weather, and not enough caffeine-- so I went to the nurse's office for some Tylenol; on the way out of the office, I nearly smacked a student with the door-- the door opens out into the hallway traffic . . . poor design-- and I said to the student, who luckily was not on his phone and dodged the heavy slab of wood, "I nearly sent you to the nurse's office . . . with the door of the nurse's office! Talk about irony!" and he laughed-- probably because the door did not hit him (and perhaps because of my briliant comment, even more brilliant because I delivered it while enduring a headache) and now there's a small part of me that actually wants to hit a kid with the nurse's office door, just hard enough that so the kid has to go to the nurse's office (but no harder, I'm not heartless) because it would be such a wonderful example of irony.
Doing What the Lady Told Me . . .
Although my wife and I have returned to our regular, mundane lives, the memories of Gettysburg linger-- especially the Cyclorama-- a 19th-century form of visual entertainment featuring an enormous panoramic, 360-degree immersive painting, often with dioramas around the base of the painting to add a degree of three-dimensional realism . . . the Gettysburg Visitor's Center has one, painted by the French artist Paul Philippoteaux and his team of artists, depicting Pickett's Charge, the climactic and farily suicidal Confederate attack on the Union forces in Gettysburg on July 3, 1863-- the Cyclorama was completed in 1883-- and several copies were made-- and the paintings toured various cities and were viewed like a movie-- fantastic experience . . . and I will also remember the stories of the Shriver family-- we took a tour of their house and the old lady giving the tour was enthusiastic and grisly in her descriptions of the horrors of war and the tragedy surrounding the Shrivers-- they were slated to open a basement saloon and ten pin bowling alley, when war reared its ugly head and George left to serve the Union, and then, as the Battle of Gettysburg loomed, the house was abandoned for a bit, and used by Confederate sharpshooters (who were shot themselves-- there is still blood in the attic) and George Shriver ended up in the notrious and terrible Andersonville POW camp, where he starved to death . . . anyway, if you go to Gettysburg, be sure to tour this house and be sure to see the Cyclorama-- and at the end of the tour of the Shriver house, our tour guide implored us to read the diaries of the Shriver family and she said we should be writing down the mundane details of our own lives, because you never know what future generation might find interesting . . . and I have been!
There's No Offside on the Battlefield (but there should be)
No Civil War-related material today, as we drove home from Gettysburg this morning, and now I am slogging through my soccer referee modules-- which must be completed before my referee training next Saturday . . . perhaps I'll understand Law 11 by then (Offside).
The Battle is Over
Gettysburg: A Whole Lotta History (and beer)
Got a Whole Lotta Plants
War, What IS It Good For?
After You Bring Her Back, Do You Have to Bring It Back?
Bring Her Back, the new Australian horror film by directors Danny and Michael Phillippou, tells the story of a foster mother named Laura who adopts two children-- Piper (who is blind) and her older step-brother Andy . . . but it turns out Laura wants the blind child as a vessel to resurrect her own dead child-- and she has learned how to perform this sinister (and disgusting and very scary) ritual from a sketchy VHS tape, which she often consults during the film (the tracking is terrible on this tape) and I was wondering where exactly she rented this VHS tape-- it doesn't seem like the typical Blockbuster fare-- but if you search that question on the internet, you'll end up down a weird rabbit hole as there is apparently an ARG (alternate reality game?) about the film . . . but I was quite satisfied (and totally petrified) by the film itself-- I had to watch an episode of Big Bang Theory once it was over, to erase the spookiness, and I don't think I'll be investigating this ritual any further-- but the real question is: after you "bring her back" and transport a deceased soul from the netherworld to this mortal coil, then if and when do you have to bring it back, the VHS tape, to the rental store?
Finally, Our Special Purpose is Unveiled
Alcohol is Less Fun When You're Old
We went out with friends last night, and I was a bit foggy this morning, and I wasn't sure why-- I didn't drink that much last night-- but my wife informed me that she only drank one glass of wine at dinner and that I consumed the rest of the bottle-- and I guess the wine atop an espresso martini and an IPA is more alcohol than I can handle these days . . . note to self.
Less Synth, More Zippers
As usual, at the gym today, I was simultaneously working out AND trying to expand my musical horizons-- multi-tasking!-- and today I was exploring various prog rock albums (I wandered down this avenue by listening to the Alan Parsons Project album I, Robot . . . which combines yacht rock and Dark Side of the Moon sci-fi psychedelia) and I was giving the Genesis album Selling England by the Pound a whirl and I was not really digging it, but my phone kept falling out of my shorts when I moved from machine to machine so I utilized the secret zipper pocket but when I went to take my phone out to switch my music, I found that the zipper was stuck, and even though I was jacked up on weight-lifting and creatine, I could not budge said zipper and so my phone was inaccessible and I was stuck listening to this godawful Genesis album until I finished working out and got in the car and used "hey Google" to switch back to The Alan Parsons Project and then I had to use a pair of scissors to cut this secret pocket open and retrieve my phone-- so fifty years ago, bands could make prog rock, full of synthesizers, fantastical instrumentation, advanced recording techniques, incredible mastering, and layered sound-- but now it's 2025 and we still can't make zippers that work consistently and smoothly.
Dave Begrudgingly (and Apathetically) Participates . . .
This year for Halloween, the English Department decided to dress as various book titles-- e.g. Rachel wore a catcher's mask and carried a loaf of rye bread for The Catcher in the Rye-- and while I do not like to dress up in any kind of costume . . . or generally be festive in any way other than drinking alcohol and eating good food, I didn't want to suffer the ire of the department and last year I managed to skate by with a minimalistic "costume" and avoid public shaming, so I tried the same tactic this year-- I dressed as I often dress: khaki pants, a light-weight short-sleeved button down shirt, and knock-off Birkenstocks BUT I also brought in a cowbell-- and I told people I was dressed as Ernest Hemingway (close enough) and I was portraying For Whom the (Cow) Bell Tolls and while I was mildly shamed for lack of effort, once I explained myself, the ladies pretty much left me alone-- which is all you can ask for in this kind of situation.
There Comes a Time in a Man's Life When He Must Give His Regards (to Alan Parsons)
At the Buzzer
Pained Epiphany
I needed a break from reading the dense and detailed (but very well-written) slog that is James M. McPherson's Battle Cry for Freedom: The Civil War Era, and so I dove into the 2025 Arthur C. Clarke award winner Annie Bot by Sierra Greer-- Annie Bot is a sci-fi novel about the perfect android girlfriend, and while the book starts with a light, technologically provocative tone (warning . . . or perhaps selling point? there are robot/human sex scenes) but as I got further int othe story, I realized that though I was trying to read some sci-fi to escape the disturbing rationalizations, racism, and inhumanity of the Civil War, that Annie Bot and Battle Cry for Freedom are both ultimately about slavery and autonomy . . . but my NEXT book is going to be fun!
Monday Monday, Can't Trust That Day
