I'm not going to do any research on this topic-- too disgusting-- and my experience with the subject is purely anecdotal, but I'm fairly certain that the phenomenon is real; some weeks, my toenails grow faster than normal (and require clipping) and some weeks they don't seem to grow at all . . . so why is toenail growth variable and what causes this?
You Should Read Death Comes to the Archbishop (before you read Moby Dick)
In preparation for our trip to the American Southwest this summer, I am reading some of the classic literature set in that region; I started by re-reading Death Comes to the Archbishop, a nearly plotless collection of vignettes by Willa Cather, based on the lives of two French Catholic religious men-- a bishop and a priest-- who leave civilized Europe in the mid-1800's and travel to the wilds of the New Mexico Territory-- newly acquired by the United States after the Mexican-American War-- in order to establish an organized diocese amidst the corruption of the Spanish, the poverty of the Mexicans, and the traditions and mysticism of the Native Americans; I admit that's a mouthful for a synopsis, and that hardly does justice to what happens in the book, but I regard this as one of the best American novels ever written-- while I love Moby Dick, Cather's masterpiece is probably a more worthwhile read and it certainly addresses much more modern issues-- race, class, religion, mysticism, greed, politics, assimilation, and borders . . . it is an absolute refutation Crevecoeur's outdated "melting pot" metaphor . . . the book was published in 1927 and it is utterly modern, like a Paul Thomas Anderson movie, it is a collection of climactic scenes and anecdotes (think There Will Be Blood or Magnolia) without much transition-- Elmore Leonard codified this into his mantra: "try to leave out all the parts people skip"; Cather's language is as rugged and sharply defined as the terrain she writes about . . . here are some of the passages I highlighted:
1) he seemed to be wandering in some geometrical nightmare;
2) he saw a flat white outline on the grey surface-- a white square made up of white squares . . . that his guide said, was the pueblo of Acoma;
3) one could not believe the number of square miles a man is able to sweep with the eye there could be so many uniform red hills . . . he had been riding among them since early morning, and the look of the country had no more changed than if he had stood still;
4) No priest can experience repentance and forgiveness of sin unless he himself falls into sin . . . otherwise, religion is nothing but dead logic;
5) their Padre spoke like a horse for the last time: "Comete tu cola, comete tu cola!" (Eat your tail, Martinez, eat your tail!) Almost at once he died in convulsion;
6) in his experience, white people, when they addressed Indians, always put on a false face;
7) he had the pleasure of seeing the Navajo horsemen riding free over their great plains again . . . the two Frenchmen went as far as the Canyon de Chelly to behold the strange cliff ruins; once more crops were growing at the bottom of the world between the towering sandstone walls;
and while most of the prose is impeccably lucid, Cather was also not afraid to use specific words that will make you consult a dictionary (partibus, calabozo, codicil, pyx, hogan, coruscation, turbid, jalousies) but these only crop up occasionally, otherwise it is a smooth read; in the end, it is a tale of friendship between two religious men, Bishop Latour and Father Vaillant, in a harsh, complicated, inspirational, and fascinating environment; Cather's treatment of the Native Americans is empathetic and vivid (and must have influenced Aldous Huxley when he wrote Brave New World) and while she moves from mundane politics and vanity to the holiest of mysteries, the story never loses its historical grounding, it is set amongst realpeople-- Kit Carson especially-- and real events-- the Colorado Gold Rush near Pike's Peak and the building of Santa Fe's Cathedral Basilica of Saint Francis Assisi, which Jean-Baptiste Lamy-- the man Bishop Latour was based upon-- oversaw and initiated . . . anyway, I've gone on far too long and I haven't even scratched the surface of what lies inside this book, but I guarantee it is an America that they don't teach you about in school, Jamestown and the Pilgrims and the Boston Tea Party and all that, and I'm sure when I'm visiting these spots this summer, Cather's words will ring in my ears . . . so if you feel like you want to read a classic piece of literature, and you don't want to slog through The Brothers Karamazov, I recommend this-- it's short, episodic, perfectly written, and full of valuable insight on the origins of our national character.
1) he seemed to be wandering in some geometrical nightmare;
2) he saw a flat white outline on the grey surface-- a white square made up of white squares . . . that his guide said, was the pueblo of Acoma;
3) one could not believe the number of square miles a man is able to sweep with the eye there could be so many uniform red hills . . . he had been riding among them since early morning, and the look of the country had no more changed than if he had stood still;
4) No priest can experience repentance and forgiveness of sin unless he himself falls into sin . . . otherwise, religion is nothing but dead logic;
5) their Padre spoke like a horse for the last time: "Comete tu cola, comete tu cola!" (Eat your tail, Martinez, eat your tail!) Almost at once he died in convulsion;
6) in his experience, white people, when they addressed Indians, always put on a false face;
7) he had the pleasure of seeing the Navajo horsemen riding free over their great plains again . . . the two Frenchmen went as far as the Canyon de Chelly to behold the strange cliff ruins; once more crops were growing at the bottom of the world between the towering sandstone walls;
and while most of the prose is impeccably lucid, Cather was also not afraid to use specific words that will make you consult a dictionary (partibus, calabozo, codicil, pyx, hogan, coruscation, turbid, jalousies) but these only crop up occasionally, otherwise it is a smooth read; in the end, it is a tale of friendship between two religious men, Bishop Latour and Father Vaillant, in a harsh, complicated, inspirational, and fascinating environment; Cather's treatment of the Native Americans is empathetic and vivid (and must have influenced Aldous Huxley when he wrote Brave New World) and while she moves from mundane politics and vanity to the holiest of mysteries, the story never loses its historical grounding, it is set amongst realpeople-- Kit Carson especially-- and real events-- the Colorado Gold Rush near Pike's Peak and the building of Santa Fe's Cathedral Basilica of Saint Francis Assisi, which Jean-Baptiste Lamy-- the man Bishop Latour was based upon-- oversaw and initiated . . . anyway, I've gone on far too long and I haven't even scratched the surface of what lies inside this book, but I guarantee it is an America that they don't teach you about in school, Jamestown and the Pilgrims and the Boston Tea Party and all that, and I'm sure when I'm visiting these spots this summer, Cather's words will ring in my ears . . . so if you feel like you want to read a classic piece of literature, and you don't want to slog through The Brothers Karamazov, I recommend this-- it's short, episodic, perfectly written, and full of valuable insight on the origins of our national character.
The Test 34: Elitist Stuff
This week on The Test, I quiz the ladies on some "highbrow stuff" and we all perform admirably-- Stacey invents a jazz musician, Cunningham corrects me on (of all things) a sporting quotation, I try "taking some stuff from my head" and fail miserably, and we all learn many valuable pieces of information from the Voice of God . . . give it shot, keep score, and see if you know any "elitist stuff."
Advice for Husbands
You can't just own the cell-phone, you also have to charge the cell-phone and carry the cell-phone on your person (if you want your wife to be able to contact you when something comes up).
Two Kinds of Rock Bands?
I can hear Zman's voice in my head as I write this-- and so: Yes Zman, I know . . . there are two kinds of people, people who divide people into two kinds of people and people who don't-- but it's rare that any pub night discussions stay in my brain through the night until the next morning, and this one did; my friend Alec and I determined that there are two kinds of rock bands-- and I did my research and watched some concert footage to confirm this-- and here they are:
1) bands where everyone stays in the same spot on the stage-- The Grateful Dead and Yes come to mind . . . this may be due to the fact that the music they are playing is progressive and difficult (Yes) or it might be simply because everyone is so whacked out on drugs that getting near another human would totally freak them out (The Grateful Dead) or they might be introverted weirdos (Neutral Milk Hotel, Greasetruck)
2) then there are bands like Van Halen and Bruce Springsteen and the E Street Band, where there's lots of running around and interaction and singing into the same microphone . . . and while I know this is hypocritical of me, considering I don't know where my toothbrush has been, I still find this unhygienic and a little goofy . . . what if someone in the band has a cold-- you don't need that stuff all over the microphone-- nor do I need anyone in my space while I'm playing a guitar solo . . . I think the Talking Heads are a nice middle ground between these two styles, they are fairly animated, especially David Byrnes, but don't stray too far from their spots on stage, and I guess there are also bands where one person is all over the place (Jimi Hendrix) while the rest of the crew stay in their spot . . . I certainly haven't thought this theory through completely, but perhaps Zman will give me some other categories to add to the rather restrictive dichotomy with which I began.
1) bands where everyone stays in the same spot on the stage-- The Grateful Dead and Yes come to mind . . . this may be due to the fact that the music they are playing is progressive and difficult (Yes) or it might be simply because everyone is so whacked out on drugs that getting near another human would totally freak them out (The Grateful Dead) or they might be introverted weirdos (Neutral Milk Hotel, Greasetruck)
2) then there are bands like Van Halen and Bruce Springsteen and the E Street Band, where there's lots of running around and interaction and singing into the same microphone . . . and while I know this is hypocritical of me, considering I don't know where my toothbrush has been, I still find this unhygienic and a little goofy . . . what if someone in the band has a cold-- you don't need that stuff all over the microphone-- nor do I need anyone in my space while I'm playing a guitar solo . . . I think the Talking Heads are a nice middle ground between these two styles, they are fairly animated, especially David Byrnes, but don't stray too far from their spots on stage, and I guess there are also bands where one person is all over the place (Jimi Hendrix) while the rest of the crew stay in their spot . . . I certainly haven't thought this theory through completely, but perhaps Zman will give me some other categories to add to the rather restrictive dichotomy with which I began.
Humboldt: More Than a Big Squid
Alexander von Humboldt is largely forgotten (aside from the Humboldt Current and the Humboldt Squid) but he was the most intrepid and famous man of his age, and his influences on our perception of nature and the environment were monumental; Andrea Wulf's book The Invention of Nature: Alexander von Humboldt's New World is everything you could ever want to know about Humboldt, and also features wonderful chapters on the folks that he influenced and inspired; every time I thought I had enough Humboldt, she described another inspired adventure, or how he met up with and influenced another notable person, and Wulf even writes wonderful mini-biographies of some of the people who were most indebted to Humboldt's writing and discoveries . . . here are a few of the many memorable things Wulf describes:
1) Humboldt was buddies with Goethe and was the inspiration for his most famous character Dr. Faustus, who made a pact with the devil in "exchange for infinite knowledge,"
2) Humboldt never married and the exact nature of his sexuality was ambiguous . . . but he certainly enjoyed the company of men, one of his most celebrated bromances was with his travelling and writing partner, Aime Bonpland . . . Wulf describes them as a "great team" because they were exact opposite: "Humboldt spread frantic activity" while Bonpland "carried an air of calmness and docility,"
3) when Humboldt and Bonpland were in South America, they had an especially fruitful time experimenting with electric eels . . . they drove horses into the water where the eels were and watched the "gruesome spectacle" and for "four hours they conducted an array of dangerous tests including holding an eel with two hands, touching an eel with one hand and a bit of metal with the other, or Humboldt touching an eel while holding Bonpland's hand (with Bonpland feeling the jolt)"
4) In Views of Nature he explained the "correlation between the external world and our mood"
5) Humboldt spend quite a bit of time with Thomas Jefferson, and inspired Jefferson to look for megafauna in North America (to show up French Naturalist Georges-Louis Buffon, who claimed that everything in the New World was feeble compared to its European version)
6) Charles Darwin was inspired by Humboldt and he "modelled his own writing on Humboldt's, fusing scientific writing with poetic description"
7) Hector Berlioz, the great romantic composer of Symphony Fantastique, loved Humboldt's book Cosmos and claimed that it was incredibly popular among musicians;
8) Edgar Allan Poe's last work, the 130 page prose poem Eureka, was "dedicated to Humboldt and was a direct response to Cosmos"
9) Humboldt advised Simon Bolivar, annoyed Napoleon, inspired Thoreau to write Walden, influenced John Muir and the entire conservation movement, and had loads of other far-reaching implications with his prodigious correspondence, his travels (to South America and Siberia in particular), his copious experiments and measurements, his many publications, and his cult of personality . . . this book is so dense with detail that I can barely keep one-tenth of it straight, but one thing will remain in my brain years and years from now, Humboldt is more than the guy who discovered a really scary predatory six foot long, one hundred pound squid (although that's a great accomplishment in itself).
It's All How You Look At Things
At first, when I realized someone had stolen my snow shovel off my front porch on Saturday afternoon, during the height of the blizzard, I was indignant, but I've chosen to change my perspective on this, and instead think of the loss of the shovel as a charitable donation to a small business, to encourage entrepreneurship . . . because it was certainly stolen by one of the roving bands of shoveling opportunists, who come into town whenever there is a big storm, in order to make some cash . . . and while I doubt these folks are of the demographic that read my blog, just in case, I'd like to address you directly, the stealer-of-my-shovel, and suggest that:
1) we could turn this donation into a micro-loan . . . now that the weather has turned warm, you could simply toss my shovel back onto my porch now that you're done with it (and if you could also return my neighbor's shovels, which were also stolen, and which you probably had a hand in, that would be fantastic) but if not . . .
2) I hope you make good use of the shovels, and we get lots of snow, so you can parlay your theft into a major windfall, and I hope someday, when you own and operate a large plowing conglomerate, you remember your humble beginnings and thank me (and I'd also like to point out that our dog did his job, and barked at you, but I was napping and Cat was in the kitchen and figured it was just one of the kids throwing a sled on the front porch, not a shovel stealer, so you'd better watch out the next time you try this, because my dog is onto you).
1) we could turn this donation into a micro-loan . . . now that the weather has turned warm, you could simply toss my shovel back onto my porch now that you're done with it (and if you could also return my neighbor's shovels, which were also stolen, and which you probably had a hand in, that would be fantastic) but if not . . .
2) I hope you make good use of the shovels, and we get lots of snow, so you can parlay your theft into a major windfall, and I hope someday, when you own and operate a large plowing conglomerate, you remember your humble beginnings and thank me (and I'd also like to point out that our dog did his job, and barked at you, but I was napping and Cat was in the kitchen and figured it was just one of the kids throwing a sled on the front porch, not a shovel stealer, so you'd better watch out the next time you try this, because my dog is onto you).
Farewell Four Letter Friends . . .
In December my audio streaming service, Rdio, bit the dust . . . according to the company's design lead, Wilson Miner, the service was made for "snobby album purists," and I guess that's why it didn't thrive (the company filed for bankruptcy and Pandora bought what was left) and I guess that's also why I loved it and was willing to pay $4.99 a month for it-- I read Miner's quip in an article by Kevin Nguyen called "Burying Rdio, the Music App for Annoying Men" . . . and several days ago, while I was still in the process of mourning Rdio, I received a text message from PTel, my cheap mobile phone provider, and it's curtains for them as well . . . and this makes me quite sad, because they always provided Platinum level telecommunications (aside from the lack of service in Manchester, Vermont and the fact that I had to hold my phone out the window in my classroom in order to send a text message) and while this is serious stuff-- I've lost two pillars of my digital universe in less than a month's time-- I'll take solace in the fact that Netflix still works, and I'll encourage you to use Netflix to watch the funniest single episode of a sitcom ever made, "Charlie Work," which is the fourth episode of the tenth season of It's Always Sunny in Philadelphia . . . and you may be thinking: How can Dave claim he knows the funniest episode of any sitcom ever . . . how can I trust his opinion, when he can't even pick a good cell-phone company or a good music streaming service? and while I admit this is reasonable logic, I will humbly ask you to watch "Charlie Work," which has an insanely high rating on IMDB, and then if you can provide a single episode of a sitcom that you believe is funnier, and I will pit them head to head, and using my patented situation comedy arbitration method, I will determine an unbiased victor.
Giant Reptile Wades Through Snowy Wasteland
Friday night, my wife was driving down Route 1 and she did double take when she read the big electronic variable message sign . . . she was already nervous about Winter Storm Jonas, and this sounded even worse . . . the message on the sign read: LIZARD WARNING.
Dave Defeats His Wife in a Battle of Logic!
It's a rare occurrence, but I always relish when my wife screws up-- in fact, it's the topic of the very first Sentence of Dave-- and so it was with great pleasure, when my wife came down the stairs and into the kitchen yesterday morning, that I asked her-- facetiously-- if she had heard the weather report the night before, you know . . . the weather report about Winter Storm Jonas, the mighty blizzard that had dominated the news for the latter half of the week . . . and though she knew I was up to something, she admitted to having knowledge of the storm, and this admission buried her, because my next question was: "then why did you leave two six packs of beer on our back porch?" and at first she tried to maneuver her way out of it-- she said she didn't think that they would have been buried and she pointed out that I occasionally put beer in the snow, but she finally confessed that it was an absurd move, and that if I hadn't seen the bottle caps, just above the blanket of snow (and wondered if some fruity beer fairy had come in the night and left a six pack Illusive Traveler Grapefruit Shandy and a six pack of Leinenkugel Berry Weiss as some sort of blizzard survival kit) then the beer would have been buried in a snow drift until spring, the bottles shattered, and-- more importantly-- my wife would have been beerless for the duration of the blizzard.
The Test . . . Snow Day Edition
There's nothing better on a snowy day, just after you've shoveled out the mouth of your driveway (and then the plow comes by again and undoes all your hard work) than sitting back with a cup of hot chocolate and listening to the newest episode of The Test . . . and this one is hot off the press, with real time blizzard allusions from The Voice of God . . . check it out, play along at home, and see if you can beat me (you'll definitely beat Cunningham on this one).
Some Advice For Dog Owners During the Winter Months
Open the poop bag when you are in the house, before you venture out in the the cold with your dog, because it's very difficult to pry open one of those little bags when your fingers are numb (and I would have said pre-open the bag before you walk the dog, except that George Carlin would roll over in his grave if I used the prefix "pre" in that manner).
Toothbrushes Part I
When we were young and wild, my wife and I shared a toothbrush-- and this went on for over a decade; now that we're mature, we have our separate brushes (which made my students very happy . . . they were quite disgusted by the fact that we shared one brush for that many years) but I'm loath to admit that I'm not sure which brush is mine, so I use whichever one I grab first (there are four brushes in the cup, two purple and two blue) and so I'm going to check with my wife and see if she thinks that a particular brush is "hers" and report back to you . . . we might still be sharing a toothbrush afterall.
Dave Uses Evidence and Jazz Hands to Argue His Point
Back in November, I took some flak in the comments for calling jazz vocalization "unbearable," and so I'd like to present Exhibit A, Tom Lellis singing "For Better Days Ahead," a song I heard on WBGO on my way to work; I'd also like to point out that these days I primarily listen to jazz, more than any other genre, so this isn't some off-the-cuff generalization . . . jazz singing almost always ruins the music; if you can sincerely listen to "For Better Days" and tell me that you enjoy the singing-- that it makes the song better-- then you can smack me across the face with your jazz hands . . . it's the same deal with classical music-- which I love-- versus opera, which annoys me (the song also features a flute solo, which is invariably the kiss of death).
Making Us Sleepy
The Netflix documentary Making a Murderer is sometimes compelling, sometimes boring, sometimes biased and sometimes soporific . . . my wife and I took turns snoozing during the course of the ten episodes, and while I will go out on a limb and say that Len Kachinsky is the worst lawyer ever (in Jeff Albertson's voice) and it seems that the series has exposed some corruption and malpractice and misrepresentation in the two cases, and that Brendan Dassey's constitutional rights were violated, there is still no theory as to who else could have committed the crime-- there's no way the entire thing was a police frame-up and it doesn't seem likely that some super-genius criminal killed Theresa Holbach and then set up Stephen Avery . . . and this Slate article points out some interesting facts that the documentary left out and suggests that the perspective of the filmmakers might be very biased . . . so while the case and the surrounding procedures do point to some systemic failures of the American justice system, I'm just not sure how outraged to be over this one particular case, where I think the police and prosecution (and even Len Kachinsky) knew they had guilty parties and just wanted to make sure they were convicted, and crossed some ethical lines in order to do this.
Epic Adventures in Parenting
A banner week: two epic journeys, one for each child;
1) after a packed Sunday of sporting events-- I played indoor soccer and coached my younger son's basketball team, and my older son attended basketball practice (where they installed a new offense) and then played in a basketball game, where he took several hard charges and an elbow to the windpipe, and then he went directly from the basketball game to a futsal game at Piscataway High School, and we arrived as the game started, and in he went . . . so by the end of the game, he was exhausted, and I was wiped too-- indoor soccer kills my knees-- and just after we left the building, we realized that he forgot his water bottle, so we went back in, looked for it, and couldn't find it, then we exited the building a different way, realized we didn't know where we were, and couldn't get back in, so we circumnavigated the building, in the dark and the wind, both of us barely able to walk and close to tears, with no clue as to where the car was (and Piscataway High School is huge) and when we finally found the car, there was a water bottle in the front seat, and I checked the backpack and the other water bottle was inside-- so he must have given it to me right after the game and I forgot, so the mishap was entirely my fault;
2) I got home after a faculty meeting and my younger son should have been home already, but he wasn't, so I went to Ben's house, but he wasn't there (and Ben didn't know where he was) and I went to Micah's house and he wasn't there (and Micah hadn't seen him) and while the logical part of my brain knew he was fine, the creative section was designing open wells for him to fall in and white vans to abduct him-- and by this time he was "missing" for a good forty-five minutes, so I walked over to the school to see if they had any information, and the secretary in the main office said I should check the library, because they were having a "Game Day" and I remembered that he had a form about this, but that kids got selected by a lottery system, and I never heard anything about it, but when I went to the library, Ian was there, playing checkers with his buddy and I was very relieved, and on the way out I told the secretary I found him, and I must have looked pretty distraught because she asked me if I wanted to sit down for a moment and have a piece of candy (which was very sweet of her, but I had to refuse because the dog was tied up just outside the door . . . he accompanied me on this absurd journey) .
1) after a packed Sunday of sporting events-- I played indoor soccer and coached my younger son's basketball team, and my older son attended basketball practice (where they installed a new offense) and then played in a basketball game, where he took several hard charges and an elbow to the windpipe, and then he went directly from the basketball game to a futsal game at Piscataway High School, and we arrived as the game started, and in he went . . . so by the end of the game, he was exhausted, and I was wiped too-- indoor soccer kills my knees-- and just after we left the building, we realized that he forgot his water bottle, so we went back in, looked for it, and couldn't find it, then we exited the building a different way, realized we didn't know where we were, and couldn't get back in, so we circumnavigated the building, in the dark and the wind, both of us barely able to walk and close to tears, with no clue as to where the car was (and Piscataway High School is huge) and when we finally found the car, there was a water bottle in the front seat, and I checked the backpack and the other water bottle was inside-- so he must have given it to me right after the game and I forgot, so the mishap was entirely my fault;
2) I got home after a faculty meeting and my younger son should have been home already, but he wasn't, so I went to Ben's house, but he wasn't there (and Ben didn't know where he was) and I went to Micah's house and he wasn't there (and Micah hadn't seen him) and while the logical part of my brain knew he was fine, the creative section was designing open wells for him to fall in and white vans to abduct him-- and by this time he was "missing" for a good forty-five minutes, so I walked over to the school to see if they had any information, and the secretary in the main office said I should check the library, because they were having a "Game Day" and I remembered that he had a form about this, but that kids got selected by a lottery system, and I never heard anything about it, but when I went to the library, Ian was there, playing checkers with his buddy and I was very relieved, and on the way out I told the secretary I found him, and I must have looked pretty distraught because she asked me if I wanted to sit down for a moment and have a piece of candy (which was very sweet of her, but I had to refuse because the dog was tied up just outside the door . . . he accompanied me on this absurd journey) .
The Test 32: Stretchy Horses and Twisty Mustaches (Salvador Dali)
There's no need for The Voice of God this week on The Test, because Cunningham provides everything you wanted to know about Salvador Dali (but were afraid to ask) and while Stacey and I do a serviceable job answering the questions (and making jokes) there is also a bonus conflict where I call Stacey a "menace to audio" and Cunningham jumps right on the bandwagon . . . give it a shot, keep score, and see if you can beat the pros (after 32 episodes, I think we have the right to call ourselves professional test-takers).
Freaks and Geeks: One Season Is Enough
I'm not sure if you can spoil a show that's sixteen years old, but if you've never seen Freaks and Geeks, you need to watch it immediately-- before you read this sentence, because there are spoilers ahead-- and if you've never watched because you don't want to get so emotionally attached to a show that's only one season long, I can understand that, but it's worth watching for the music alone and if you're afraid it will end with you wanting more, you couldn't be more wrong-- in fact, it's probably better off that the show got cancelled, because the last several episodes are (serendipitously or not) cumulatively one of the best endings to any show ever made (maybe because they didn't know the show was to be cancelled, so there were no expectations) and each character gets the ending they deserve:
1) Ken overcomes his inhibitions about his once hermaphroditic girlfriend;
2) Nick uses his rhythmic abilities and gawkiness to conquer the disco dance floor . . . although he can't defeat a disco-magician;
3) Neal comes to terms with his dad's philandering and his brother and mother's acceptance of this;
4) Bill comes to terms with his mom dating Coach Fredericks;
5) Sam realizes that dating Cindy is far less wonderful than he imagined, and breaks it off;
6) Daniel (played brilliantly by James Franco) plays Advanced D&D with the geeks, turning the high school social on its head;
7) Lindsey ditches the summer academy in Ann Arbor in order to follow the dead in a VW bus with her freak friend Kim . . .
and there is no coming back from this . . . it's like the final two episodes of The Shield (except funny and poignant instead of disturbing and tortured).
1) Ken overcomes his inhibitions about his once hermaphroditic girlfriend;
2) Nick uses his rhythmic abilities and gawkiness to conquer the disco dance floor . . . although he can't defeat a disco-magician;
3) Neal comes to terms with his dad's philandering and his brother and mother's acceptance of this;
4) Bill comes to terms with his mom dating Coach Fredericks;
5) Sam realizes that dating Cindy is far less wonderful than he imagined, and breaks it off;
6) Daniel (played brilliantly by James Franco) plays Advanced D&D with the geeks, turning the high school social on its head;
7) Lindsey ditches the summer academy in Ann Arbor in order to follow the dead in a VW bus with her freak friend Kim . . .
and there is no coming back from this . . . it's like the final two episodes of The Shield (except funny and poignant instead of disturbing and tortured).
Hey Waldo, You Should Have Read Your Humboldt
Ralph Waldo Emerson espoused the transcendental notions that "nature always wears the colors of the spirit" and "there is a kind of contempt of the landscape felt by him who has just lost by death a dear friend," but I think we all know that the opposite is more often true-- if it's a beautiful sunny day at the shore, low humidity and a crisp breeze, then you can't help enjoying the weather, even if a half dozen of your dearest friends were just eaten by a school of rampant hammerhead sharks . . . and we know in the bleak winter months that some of us get the blues (scientifically known as seasonal affective disorder) and drink and eat way too much, and while Emerson got the cause and effect wrong, it appears that his predecessor, Alexander Humboldt, got it right; Andrea Wulf, in her fantastic book The Invention of Nature: Alexander Humboldt's New World, explains that "Humboldt showed how nature could have an influence on people's imagination . . . what we might take for granted today-- that there is a correlation between the external world and our mood -- was a revelation to Humboldt's readers."
Weird Al's Next Project?
God knows why, but my son has chosen the "diorama" option for a school project, and while I hate dioramas-- and question their pedagogical necessity-- I would really like it if Weird Al did a parody of "Panorama" by The Cars, and made the lyrics all about having to do a school project . . . the song writes itself, really . . . I just want to be in your diooooramaaa.
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