The Things You Find Important? Most People Don't Give a Fuck . . .

I was very excited for school today because-- due to a serendipitous string of coincidence-- my senior English class was expecting a visit from Academy Award-winning director Marshall Curry; Curry won the Oscar in 2020 for his short film "The Neighbor's Window"-- which is based on this amazing true podcast-- but we were having him in because my students watched Street Fight, which is the story of the 2002 Newark mayoral election . . . a charismatic and intelligent grassroots candidate named Cory Booker took on machine politician and uber-charlatan Sharpe James in a profound battle of political rhetoric; the documentary was nominated for an Oscar and it's one of my favorite movies of all time-- if you haven't seen it, check it out . . .

anyway, I've used this documentary for many years at school and it's an excellent primer to teach kids about the reality of elections and political rhetoric-- it's also nonpartisan: both Booker and James are Democrats . . . Republicans aren't really a factor in Newark, so that makes it perfect for the classroom as well . . . so this year I wanted the kids to watch it and connect it to our skepticism unit-- conspiracy theories, fake news, logical fallacies, etc.-- but school is remote, so to ensure diligent viewing, I made an epic forty question digital quiz about the documentary-- it's partly humorous but it definitely checks to see if you fell asleep during the video-- EVERYTHING is in there-- and my friend Ann went to school with Marshall Curry's wife so she has a connection to him, and she sent him my quiz and he thought it was hysterical and offered to visit the class and do a Q and A session . . . very nice of him;

I was REALLY excited for this event-- I had the kids draft questions and I sent a detailed email to the principal explaining my lessons on political rhetoric and how I connected the film to them, and I gave him examples of the assignments the kids were doing-- the kids always love the film and do great work-- and I wanted to alert him that we were getting a surprise visit from a very successful director; oddly, the only thing I got back from the principal was a forwarded email that said "Fill out the guest speaker form" . . . that's it . . . nothing else . . . no "wow!" or "cool!" or "these are really great lessons and I'm impressed that you managed to get an Oscar winner to come to virtual school" and while I shouldn't be surprised-- it's rare that anyone cares about what you care about-- the disconnect seemed pretty weird; he should have at least feigned some enthusiasm; so I filled out the guest visitor form and sent it to the vice-principal in charge of guest visitor form (and received no "nice job!" or kudos from him either) and I set up my Teams Meeting, sent the link to Marshall Curry, put his phone number in my phone-- in case of emergency, he graciously provided it-- and then met with my class a bit early and set up a Google Doc Question Queue so we wouldn't have any dead time or repeated questions . . . and then 10 AM rolled around and . . .

he couldn't get in . . . despite the fact that we had tested the link from an outside email, it wouldn't work . . . so I had to set up a Zoom Account and meeting on the fly-- I had to click on captcha boats and stop signs to get things running;

in the end, we got a meeting going and Marchall Curry and my students were fantastic; he talked a lot about how taking 200 hours of film-- captured over five months-- and eight months of editing (and learning to edit because he couldn't get a grant) made him a much better writer . . . he learned that everything is perseverance and revision and his words of advice: "you can fix something, but you can't fix nothing," will work really well in all my classes;

anyway, after the presentation, I emailed the vice-principal and told him my guest visitor couldn't get into the meeting (despite the fact that I had filled out the form) and he wrote back, "yeah, we've had some trouble with that" and while I refrained from sending a follow-up email, I was seriously wondering why he didn't tell me that BEFORE my guest visitor . . . but despite the apathy of my admin for such a cool event, everything went as well as it could and hopefully it will be something the kids remember in a very monotonous year; my big three takeaways are this:

1) it's all in the revision and editing . . . very few people do anything good on the first try;

2) choose a topic that has a narrative arc built into it-- like an election;

3) you can fix something, but you can't fix nothing.

If You Have a Brain, Don't Read This . . .

A foreboding contrast in style and logic:

1) President Obama's interview about healthcare on The Weeds: Obama is clear, knowledgeable, logical, and totally candid; he offers a challenge to Republicans-- he would love to endorse a transparent healthcare plan that does things better than the Affordable Care Act; Obama comports himself with intelligence, grace, and style and shows comprehensive understanding of the healthcare system, healthcare markets and economics, and the science of medicine . . .

versus

2) Donald Trump's muddled conspiratorial medical gobbledygook-- he's asked anti-vaxxer Robert Kennedy Jr. to head a commission on vaccine safety . . . despite the fact that all links between vaccines and autism have been debunked (Jenny McCarthy aside) but Trump also brilliantly avoids looking like a total lunatic, as he has vaccinated his children-- just on his own schedule, a slower, very "conservative" schedule . . . thus claiming his own bizarre, unfounded (but appealing to a certain sort of maverick renegade Trump supporter) middle ground . . .

and these two polemically opposed rhetorical methods illustrate the same lesson as Marshall Curry's excellent political documentary Street Fight . . . disenfranchised folks don't want statistics and numbers and policy debate, they want a compelling narrative that explains why forces beyond their control have conspired against them, and a roguish hero, with the same imperfections they possess, who is willing to fight the forces of academic logic and intellectual elitism, using any means necessary . .  . though he's a Democrat, Sharpe James would be a welcome addition to Trumpland!

Despite All the F*%king Grading, There Are Some Fun Things About Being a Teacher

One of the great things about being a teacher is that you get to teach people things, and so when I show Marshall Curry's fantastic documentary Street Fight to my students it is ostensibly to teach them about politics, but the actual reason I show the film is so that when Cory Booker's campaign manager compares Sharpe James to former D.C. mayor Marion Barry, I get to pause the film and explain to my students about Marion Barry: who he was, what he did, and how-- despite what he did-- he got elected again (and it's a great excuse to say "crack cocaine" in class, which is always a crowd pleaser among the high school seniors . . . and I must warn you, if you're one of those people who like to watch movies in silence, with no pauses or interruptions, then you should NOT take my class, because I consider showing a movie in class more of a performance art: you are seeing a movie with Dave, who might pause it at any time to comment, or might not even bother to pause it . . . it's the educational version of Mystery Science Theater 3000, without the robots).

If A Tree Falls, Marshall Curry Will Get the Shot . . . And Interview Everyone Who Saw It Fall

Once again, Marshall Curry has documented a fantastic story, covering all the angles in an even-handed and comprehensive manner in under ninety minutes . . . his first documentary, Street Fight, is a masterpiece of editing, and his new one-- If A Tree Falls: A Story of the Earth Liberation Front--is equally as compelling; it tells the tale of a group of eco-terrorists in Oregon that target the forestry industry with a campaign of arson, and how Daniel McGowan-- who was once a member of the group, but since moved on-- is haunted by his radical past . . . and Curry gets access to members of ELF, other radicals, forestry workers, informants, prosecutors, the sheriff, law enforcement agents, and McGowan and his family . . . so the film is full of ambiguity, contradictory logical positions, and documentary gold . . . and Curry, wisely, never shows his hand but instead lets the viewer decide what to make of the ethics of the case: ten old growth redwoods out of a possible ten (and could that be Bansky standing on the redwood stump in the picture?)