3) Ducks: Two Years in the Oil Sands by Kate Beaton
4) Hark! A Vagrant by Kate Beaton
The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
If you're looking for a horror novel with serious puppetry, Being John Malkovich level marionette skills, then check out the new Grady Hendrix novel How to Sell a Haunted House . . . some of the scenes get a little long winded, but the book is very scary, very funny, and very Southern gothic (and once again, set in Charleston) AND there is an amazing bonus flashback set piece chapter set in Boston back when one of the main characters dropped out of college and joined a radical puppet collective with demonic and anarchic tendencies-- brilliant stuff . . . and Pupkin is a worthy villain and the book has a satisfying (and fairly logical, considering the subject matter) resolution . . . Grady Hendrix is a national treasure.
1. A Closed and Common Orbit by Becky Chambers
2. Go Ahead in the Rain: Notes To a Tribe Called Quest by Hanif Abdurraqib
3. Mooncop by Tom Gaul
4. Hyperbole and a Half by Allie Brosh
5. Hidden Valley Road by Robert Kolker
6. Record of a Spaceborn Few by Becky Chambers
7. Action Park: Fast Times, Wild Rides, and the Untold Story of America's Most Dangerous Amusement Park by Andy Mulvihill (with Jake Rosen)
8. Solutions and Other Problems by Allie Brosh
9. Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder
10. A Children's Bible by Lydia MilletThe new Grady Hendrix horror novel, The Final Girl Support Group, is both more surreal and meta than his previous novels but also more profound and serious-- the conceit of this fictional world is that the events depicted in the classic slasher flicks of the '80s and '90s actually happened-- Nightmare on Elm Street and Halloween and The Texas Chainsaw Massacre, etc-- and then the stories were bought by film studios and made into movie franchises-- but the actual girls who survived these horrific events exist long after the slasher genre's popularity-- and these "final girls" have to deal with the trauma of their own lives, and the trauma of seeing their stories used as a disposable art form with (mostly) disposable women being murdered by monstrous men . . . and the book is also a thriller, with plot twists and wild violence and an unreliable narrator and interesting characters, but it's also a take on the objectification of women and the veneration of violence . . . nine axe-splintered doors out of ten.
The Auctioneer was a brief bestseller in1975 and then promptly forgotten-- perhaps because the youngish author, Joan Samson, soon after died of cancer-- but it's been reissued (with a Grady Hendrix intro) and it's more appropriate than ever; it's about Harlowe-- a small town in New Hampshire experiencing change-- there was a back-to-the - movement in the 60s and 70s that brought new people and culture to rural America, city slickers . . . and the city slicker in this novel is a menacing, Trump-like auctioneer who becomes very close with the chief of police . . . and then bad things start to happen, very bad things; it's allegorical like Shirley Jackson's "The Lottery" and the prose is spare like later Cormac McCarthy books; it's the opposite of Jack Ketchum's Off Season-- which is about not messing with the locals-- in this book, the locals are messed with and messed with, not unlike what's happened in current rural America-- and there's eventually going to be some sort of falling out and it might be liberating but it also might be ugly.
Grady Hendrix's The Southern Book Club's Guide to Slaying Vampires is his best book yet; it reminded me of the wonderful feeling I got in high school when I read a new Stephen King novel: you meet a cast of interesting fully-fleshed out modern characters and then terrible things happen to them . . . really fun and addictive.
If you're looking for a tale of 80s high school nostalgia and demonic possession, couched in a wonderful-- but grossly graphic-- story of a life-long friendship, then check out My Best Friend's Exorcism by Grady Hendrix.
Grady Hendrix may just be the Weird Al of graphic horror literature-- at his best, Hendrix is magical and satirical and very funny, with an exceptional eye for detail . . . but--like Weird Al-- he can be a bit gimmicky; We Sold Our Souls is a heavy metal horror story, and while it's a bit heavy on the fictitious metal lyrics of a prophetic unreleased album called Troglodyte, the plot is a magnificent mix of making-ends-meet America, conspiracy theories, metalheads, festival rock, soul-sucking demons, and the rock'n'roll biz . . . six-hundred and thirteen pentagrams out of a possible six hundred and sixty-six.
Horrorstör, by Grady Hendrix, is a winner; my son and I both read it in the span of five days . . . it's about a haunted IKEA-like store (called ORSK) and the book is, by turns, funny, satirical, gross, creepy, endearing, and aesthetically pleasing . . . I learned a lot about retail and a lot about the desultory effect of a 19th-century panopticon style workhouse prison on the souls of the penitents incarcerated within (the story takes the classic Poltergeist-trope . . . this house was built on an Indian burial ground? and enlarges it . . . this ORSK was built on the remnants of an old prison-house?)