Showing posts with label Connelly. Show all posts
Showing posts with label Connelly. Show all posts

Angels Flight is a Funicular Railway and a Harry Bosch Novel


My apologies in advance, as I love the word "funicular" and will use it as many times as possible in this book review; Angels Flight is a two-car-narrow-gauge-funicular-railway in Los Angeles and it connects Hill Street and California Plaza; the funicular-railway is both a tourist attraction and a means for workers to get back and forth between the Downtown Historic Core and Bunker Hill . . . and it is also the title of a particularly dark Michael Connelly novel; the story begins at the funicular-railway, which is the scene of a grisly double murder: a woman and a high profile African American lawyer that specializes in racism and police brutality cases . . . this is a very sensitive investigation and Internal Affairs and the FBI work in conjunction with Bosch's team to solve the case, as many people believe that a police officer committed the crime-- as Howard Elias, the lawyer, was hated and vilified by the force-- this is in the wake of the Rodney King trial, and the city is beginning to boil over again . . . throw in a pedophile ring, a murdered twelve year old girl, complicit parents, violent interrogation tactics and indignant anger in the media, the police force, and the black community, and it sets up an ugly portrait of 1999 that is as topical today as it was then . . . and it all starts on the funicular railway.

Rebus and Bosch . . . A Fitting End to a Great Year of Crime Fiction

Though I didn't plan it, the last two books I read in 2015 were a Harry Bosch mystery (Trunk Music) and a John Rebus mystery (Hide & Seek) and in both novels, these rather similar detectives plunge into respective Chandler-esque labyrinths of corruption, and while they suffer some hard knocks, because they both have a code of conduct, they are able to wiggle free from their mazes, whether in L.A. or Edinburgh, and breath fresh air at the end of each story . . . once again, thanks to Joyce Carol Oates for introducing me to Michael Connelly and Ian Rankin as "masters of the genre" . . . I've only been reading about these guys for a year, but-- like the great Shakespeare characters-- I feel like I've known Harry Bosch and John Rebus all of my life.

The Black Ice: Killing Three Birds With One Drug


The only thing questionable about Michael Connelly's second Harry Bosch novel The Black Ice is the eponymous drug "black ice," a mixture of cocaine, heroin, and PCP in one "powerful little rock"; Connelly admits he used his "artistic license" to invent the drug and it does seem a bit over the top, but the rest of the novel is a fantastic and realistic thrill ride back and forth across the border, mainly in the sister cities of Calexico and Mexicali . . . there are medflies and bulls on parade, drug tunnels, good cops gone bad, bad cops gone worse, undercover agents gone rogue, and lots of Harry Bosch, of course, the grouchy descendant of Philip Marlowe, the knight in the powder blue suit.
A New Sentence Every Day, Hand Crafted from the Finest Corinthian Leather.