Anthony Horowitz, the author of A Line to Kill, once again puts the fictional version of himself-- slightly less famous, more maligned version of himself?-- in the midst of murder . . . murder in an unlikely setting, the tiny Channel Island of Alderney, which last saw any great violence when it was occupied by the Nazis during WWII . . . but there hasn't been any murder since then-- until now-- Tony and his subject, Hawthorne (the rather unlikeable ex-detective with a checkered past, turned Sherlock-esque police consultant) are invited to a literary festival on Alderney, along with a panoply of literary luminaries, including blind psychic Elizabeth Lovell, TV chef Marc Bellamy, war historian George Elkin, beloved children's author Anne Cleary, and French modernist poet Maïssa Lamar-- and the novel quickly goes from an ensemble cast vacation to a version of Agatha Christie’s Ten Little Indians . . . the murderer is on the island and the solution will be elaborate, puzzling, and unexpected-- because, despite the meta-inclusion of the actual author, this isn't reality, it's detective fiction-- and don't you forget that.
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