If you're looking for a different take on the horror genre, check out His House-- it's the story of a refugee couple from wartorn Sudan who seeks asylum in England and ends up in a not-so-typical-haunted-housing situation . . . these folks have some real skeletons in the closet and some real ghosts in their past; if you're looking for more traditional horror, check out Midnight Mass, a Netflix miniseries directed by Mike Flanagan-- the characters are well-drawn and Saracen from Friday Night lights has a superb role in this haunted island community; if you're looking to be stressed and depressed, watch The Americans . . . we've almost made it to the end of season four, and while the portrayal of two Soviet deep-cover spies who are "married" and have a family in Washington D.C. is compelling, gripping and candid, the show gets dark and then it gets darker . . . we can't stop watching, but it's brutal.
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