The new Grady Hendrix horror novel, The Final Girl Support Group, is both more surreal and meta than his previous novels but also more profound and serious-- the conceit of this fictional world is that the events depicted in the classic slasher flicks of the '80s and '90s actually happened-- Nightmare on Elm Street and Halloween and The Texas Chainsaw Massacre, etc-- and then the stories were bought by film studios and made into movie franchises-- but the actual girls who survived these horrific events exist long after the slasher genre's popularity-- and these "final girls" have to deal with the trauma of their own lives, and the trauma of seeing their stories used as a disposable art form with (mostly) disposable women being murdered by monstrous men . . . and the book is also a thriller, with plot twists and wild violence and an unreliable narrator and interesting characters, but it's also a take on the objectification of women and the veneration of violence . . . nine axe-splintered doors out of ten.
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