Comparison is the Thief of Joy?

My kids and I watched the new Star Wars movie Thursday afternoon, and it's tolerable-- the fight scenes are decent, there's a fun chase on a filthy-rich-casino-planet-full-of-arms-dealers where the good guys escape by riding giant horse-dog-cat-lions to freedom . . . and then they free the giant horse-dog-cat-lions, and the brain-bond between Kylo Ren and Rey is a dark version of the brain-bond between E.T. and Elliott . . . that would make a great YouTube mash-up-- but there are also plenty of plot-holes and logical problems (Poe's outright mutiny barely gets him a slap on the wrist; if the kamikaze hyperjump inside another ship was always possible, then that should happen all the time, the force is becoming more Harry Potter magic than sci-fi, and the fact that this culture has invented spaceships that can traverse the galaxy and intelligent robots but they haven't figured out the technology for autopilot (or the possibility of using a droid as a pilot) is utterly ridiculous . . . so the moment when Laura Dern has to stay behind and sacrifice herself to "drive" the ship is just silly) but we erased the bad cinematic damage tonight; the boys and I watched City of God, which is streaming on Netflix, and though I hadn't seen it in fifteen years, I didn't forget a scene: it's the perfect blend of Pulp Fiction and Goodfellas, Brazilian-style . . . if you missed it, check it out before it disappears off Netflix . . . my kids complained for one second when I told them they would have to read subtitles, but thirty seconds into the first scene, the chicken-chase, they both pronounced it "a good movie."