Miraculous Ironic Juxtaposition with Exceptional Significance



As I got in my 2001 green and tan Subaru Outback (this will be important later in the sentence) at the local Quikcheck, I noticed that a guy from my pick-up basketball game was sitting in the mini-van parked next to my car, and a fluffy little white dog was sitting on his lap-- and I took a look at my dog, who happened to be in the backseat of my Subaru, and I felt deep sympathy for this guy next to me, because my dog is excellent looking-- he's sleek and black and streamlined, like a sports car-- and I had a moment where I felt great pity for all dudes that have fluffy little white dogs, instead of super-cool muscular black dogs-- and then the moment passed and I pulled out of the Quikcheck and was nearly run off the road by an intimidating '70's era muscle car-- a Charger or a Mustang, I think-- it was wide and mean looking, blue, with a thick white stripe on the hood (it looked like the car from Saxondale)-- and I'm sure the dude driving it felt the same way about me and my lame Subaru Outback that I felt about the guy with the fluffy white dog; and there are two ways I might interpret this miracle of juxtaposition:

1) I should respect people's choices-- maybe some guys likes fluffy white dogs and it's none of my business to think otherwise, or . . . .

2) I need to purchase a vintage muscle car so that I can pity people driving Subarus and minivans (and I'm leaning towards #2 because in six years, I'll be fifty and then I get to have a mid-life crisis).

3 comments:

  1. The answer is clearly 2. Do you really want to respect bad choices in music, books, TV, cornhole technique, etc.?

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  2. good point, it sounds awful to do that. i still can't believe people don't use "the method" when tossing a beanbag.

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