It Will Be Harder (But Not Impossible) to Read About Zombies During the Zombie Apocalypse

When the zombie apocalypse comes, one of the many things I will miss is the convenience of Hoopla, a free digital media platform which runs through the library, and allows me to download the newest issues of The Walking Dead on our iPad . . . you can download five books a month, so if you like the show, see if your library has this feature and read the comics-- they're darker and more expansive than the show, and as far as graphic novels go, they're easy to consume: you could real all twenty-six in six months, using Hoopla; I also recently read Ghosts, which is written and illustrated by Reina Telgemeier, and despite my vehement skepticism towards the spirit world, I enjoyed this graphic novel as well (and it's perfectly appropriate for kids, unlike The Walking Dead series, which is appropriate for no one).

A Surveyor, an Anthropologist, a Psychologist, and a Biologist Walk into a Bar

Jeff Vandermeer's sci-fi novel Annihilation certainly owes some of its tone and plot to the Strugatsky Brothers cult classic Roadside Picnic, but instead of navigating a mysterious area through the eyes of a Stalker, Vandermeer gives us a weird, gothic, and evocatively creepy tour of Area X through the mind and observations of a biologist, and the passages in which she analyzes the bizarre ecosystem of Area X are the most vivid and memorable in a book which is generally ambiguous and confounding . . . the team investigating Area X, purportedly the twelfth mission sent in to contain and understand the zone, consists of a psychologist, an anthropologist, a surveyor, and a biologist . . . but nothing is as it seems, everything goes awry, and the group spirals deeper and deeper into an area that has more to do with the Wallace Stevens poem "Of Mere Being" than an actual location on earth; the book is short and the first of a trilogy, and I liked it enough that I will probably read the other two, but be warned: the plot is more like a dream than a linear sequence of events, and the nature of reality is constantly eroded and called into question-- this is exemplified by the biologist's husband, who went into Area X on the 11th expedition, and came out as the walking dead . . . this was a man who thought he had been abused as a child, but when-- as an adult-- he saw a classic horror film, it "was only then that he realized that the television set must have been left on when he was only a couple years old" and his memories of abuse were a fake and a forgery, and "that splinter in his mind, never fully dislodged, disintegrated into nothing" and the looming menace, that all of our consciousness is faulty and false and misguided, takes root on every page of this book, and colors every detail of the lush, variegated environment of Area X and whatever lies beyond and below it.

Keep On Chewing

Every season, The Walking Dead ramps up the gore a little more, but my wife and I are unfazed: sixty -plus episodes of zombie apocalypse have desensitized us to the point where we can eat dinner while watching the most horrific blood and guts, and even worse: we had no problem eating chicken while Gareth and the cannibals simultaneously dined on Bob's leg, while Bob was fully conscious . . . our chewing was synchronized with their chewing and it didn't bother us at all . . . and I definitely remember at the start of the show, when the zombies ate a horse, I nearly lost it and decided I could never eat while watching, but I've overcome my squeamishness and so has Catherine (during the first episode of the fifth season, a zombie killed a human by biting his face off and Catherine nonchalantly took a bite of pizza and then turned to me and said, "That's a new one.")

Platinum Fatigue

Sometimes, I get so tired and I don't think I can keep it up-- the pace is too fast and I want to close my eyes and just sleep, like forever . . . but then I rise to the challenge and keep on swimming . . . but somewhere, buried deep in my subconsciousness, like a splinter in my mind, there's a niggling thought: I can't do it . . . it's impossible . . . there are too many . . . it's a fool's game . . . there's no way out . . . there are too many good shows!  . . . there's no way to keep up! but then I dispel the negativity and think to myself: I am doing it . . . I've watched The Wire and Madmen and The Sopranos and The Shield, Luther and Battlestar Galactica and Breaking Bad and Curb Your Enthusiasm, The Return and Top of the Lake and Portlandia and Deadwood and Orphan Black and The Walking Dead and Sherlock and Louie and Friday Night Lights and The Guild and It's Always Sunny in Philadelphia and I acknowledge that these are the best shows ever made and that we are living in the Platinum Age of Television, and that these shows are better than movies, better than books, better than music, almost better than fornication, and certainly better than any form of entertainment ever created in the entire history of humanity, and I bow down to the show-runners and the show-writers, I applaud everyone for the effort, and I express my admiration and appreciation (and I also wonder how this many different good shows can all make money) but I think I've finally hit the wall, I can't do it any longer-- I grew up on Night Court and Real People . . . I patiently waited all week for a new episode of Cheers-- so this is quality overload-- there's too many choices, something has to give; I've learned to quit fairly good shows (Orange is the New Black and American Horror Story) and while I'm trying to do Broadchurch and Fargo and Black Mirror, it's never enough--  people keep recommending new things: The Fall and The Affair and The Missing and The Return and True Detectives and The Americans and Happy Valley and a bunch more that I've forgotten . . . so I guess I've got to accept the fact that I can't watch them all, and be happy that I'll have something to do when I retire (which doesn't seem likely, considering what's a happening with my pension fund).

A Book For People Who Thought "The Road" Was Too Depressing

Station Eleven, by Emily St. John Mandel, adds nothing new to the apocalypse trope-- in fact, I think she keeps it simple on purpose: a killer virus wipes out the bulk of humanity-- but the book is deserving of all the accolades (National Book Award Finalist, Amazon Sci-fi Book of the Year) and then some . . . it's vivid and completely gripping from page one, it's beautifully written, and there are scenes of great violence and decay-- of course-- but unlike Cormac McCarthy's The Road, there are also moments of beauty and poetry and hope . . . it's The Walking Dead if the zombies were replaced by actors, musicians, and prophets; while it's not a super-idealistic noble-savage view of humanity, it's also not an illustration of Hobbes Leviathan . . . it's somewhere in between: more "literary" than hard sci-fi, but still a perfectly imagined world and I highly recommend it (especially, as an English teacher and a musician, because this book gives me hope that I might have some small but valuable role in a post-apocalyptic environment . . . "survival is insufficient").

Ironic Kid Holiday Collision

My son Alex lost his tooth at school on Halloween, but the Tooth Fairy must have been working overtime because she forgot to take it and leave some cash (and you can see why Halloween would be an extremely busy time for the Tooth Fairy, because of all the Tootsie Roll consumption . . . also, The Tooth Fairy and her spouse stayed up late binge-watching The Walking Dead, which was totally in the spirit of one kid holiday, but made it difficult to remember TWO kid holidays in one day; as an unrelated addendum, I would like to add that I would be way more careful than the people on The Walking Dead . . . they're constantly splitting up, investigating insignificant tight spaces, and holing up in spots with no good exit . . . if there's a zombie apocalypse, stick with me).

How Do You Treat a Sick Zombie? Very Carefully

I've become inured to the astounding amount of zombie-slaughtering gook and gore on The Walking Dead, but in season four there's also deadly flu-virus outbreak among the survivors, so on top of all the gross undead stuff, you also have to endure actual realistic sickness and quarantine . . . yuck!

What Do You Call a Baby Doing a Baby Freeze? A Baby Baby Freeze?

My family was in Chelsea Market last Saturday and it was crowded; a young couple with a cute blonde toddler were walking directly in front of us, and as we passed through one of the ragged brick arches, the cute toddler threw herself to the ground and froze, and the couple stopped dead in their tracks and instead of doing what any self-respecting parents would do if their kid was blocking a major thoroughfare: grab your kid by the arm and drag her out of the way, instead of doing this, they began asking her a series of polite questions . . . such as: "Don't you want to get up and walk now?" and "Maybe you should stand up now?" and "Don't you want to come with mommy and daddy?" and so my wife and I almost stepped on her head, and all the people behind us had to similarly hurdle this obdurate baby doing a baby freeze in the middle of the market corridor, and I am wondering if this is a new parenting style, and if it is, then I don't like it (and sorry about the panda, but -- shockingly -- there are no pictures on the internet of a baby doing a baby freeze).

Maybe The Soviets Were on to Something (Sort of)

I went to dinner with several couples on Saturday night and I was bombarded with TV recommendations -- because we are living in the Platinum Age of Television -- and so apparently I need to watch Key and Peele and Vikings and Ray Donovan and Banshee and Spartacus and Downton Abbey and new episodes of Eastbound & Down and some other shows that I have forgotten (and this doesn't even include the shows that I'm trying to keep up with: Madmen and The Walking Dead and Always Sunny in Philadelphia and Homeland and Portlandia and American Horror Story and Justified and the first season of 24) and it's all too overwhelming for me, and so I think I'm going to have to take a sabbatical from television, but really what I think I want is a simpler time, when everybody watched the same thing; I recently listened to a 99% Invisible podcast called "Unsung Icons of Soviet Design" and while the Russians didn't have much choice -- everyone played the same arcade games, used the same cassette player, programmed the same awful personal computer and knew the same bedtime song . . . and they all knew this song because they all watched the same program every night at 8:00 PM, and saw the same puppets sing the same lullaby . . . and while I don't think it's necessary that we have a Soviet-style oppressive government that designs all culture and technology, it certainly was nice when you could rely on the fact that everyone you knew watched Seinfeld on Thursday night (and discussed it Friday at work).

Meta-Debate

I missed the presidential debate last Wednesday -- The Walking Dead trumps politics . . . and remember, there won't be any politics once the zombies come . . . as Sheriff Rick says, "This isn't a democracy anymore" -- but I did enjoy the aftermath of the debate, especially the debate about who won the debate, and I even started a debate about who won the debate about who won the debate.

Possum Week

I was walking my dog early in the morning-- before sunrise-- and it was foggy, moonless, and still; suddenly he lunged at a gray cat on the sidewalk . . . I was able to yank him away before he got too close-- but this cat reacted oddly, instead of arching its back and hissing, the cat collapsed into a lifeless lump, and upon closer inspection, I realized it was not a cat, but a possum, and it was actually playing possum . . . I had the urge to kick it, to see it come back to life, but I couldn't get any closer because my dog was going bananas . . . so later that day I told the tale to my kids, who were fascinated with this odd marsupial that lives among us, and then two days later-- miraculously-- when my wife and children were visiting "Field Station Dinosaurs," a leafy park in Seacaucus filled with animatronic dinosaurs (I couldn't go because of my stupid pulled quad muscle) my son Ian was selected to "play possum" during a live action dinosaur show; according to my wife, the MC asked for a volunteer who knew how to "play possum" and Ian raised his hand and he was chosen to come on stage . . . and when the MC asked him to "play dead," my wife said Ian closed his eyes and stiffly fell over backward and then never moved, despite the investigations of a giant T. Rex . . . and though Ian claims he wasn't scared at all, my wife has her doubts (and, if you look at the above photo of Ian being nuzzled by the T. Rex, that thing is damned scary).

Zombie Priorities

 If you haven't seen the AMC series The Walking Dead, then by all means do so-- it's not just about zombies, in fact, the zombie gore is secondary to the human drama (despite the fact that the zombies eat a horse in the second episode) and the true theme is not supernatural at all, but more about how humans respond and adapt to a new and stressful situation, but before you watch the series, you should get your priorities straight and read the comic books first: Robert Kirkman has taken Rick and his son Carl to such a dark place that I don't think the television series can follow, and-- I assure you-- reading the comics doesn't spoil the plot of the series: in fact, if you read the comics first then it is more stressful to watch the series because you'll be constantly expecting things to happen and they won't . . . and though there are differences in plot, the theme of both works are the same-- both rely on the fact that they are an open ended series of episodes, not a graphic novel or a movie, or even a series like Lost, where the apocalypse will be solved and resolved, instead, the only resolution will be death, but they question how people might live along the way, in a world irrevocably destroyed, a world where there is no solution to the problem . . . the zombies will not be vanquished . . . and judging by the end of season one of the AMC series, they understand this and are going to stay true to the comic books in this regard . . . but what do I know?

Zombies Vs. Men In Tights

Last weekend, I consumed 11 volumes of Walking Dead comic books (but now I am back on track with the new translation of War and Peace) and I am completely addicted . . .the plots are inventive, surprising, and very, very dark . . . and I was pleasantly surprised as to how appealing a zombie apocalypse is to think about: it's not like the typical superhero scenarios of good versus evil-- where you contemplate what sort of hero the world needs and what sort of actions that hero needs to implement; The Walking Dead  forces you to ruminate on survival scenarios, about how far you would go to continue living and to protect your wife and kids-- it reminds me of Cormac McCarthy's The Road in that sense, but the series is much more fun to read because of the pictures-- unlike Watchmen, they are easy to digest . . . sometimes my eyes would race through an entire page and then I would go back and read the text to see exactly what happened-- and each volume has a serialized pulp feel and ends with a cliffhanger or major event, without ever being especially campy or cheesy: ten lurkers out of ten.