New episode of We Defy Augury-- "The Horror? The Horror!" . . . this one contains thoughts (loosely) inspired by three Paul Tremblay horror novels: Horror Movie, The Cabin at the End of the World, and A Head Full of Ghosts . . .
Special Guests include: Joe "the Zombie" Biden, Donald "Apocalypto" Trump, Foghat, Bernard Herrman, John Carpenter, Evil Dead, Hector Berlioz, Joey, Rachel, and Randy Meeks.
My nose is dry, my lips are cracked, and this long streak of unseasonably dry, hot weather has made me realize that New Mexico might be a nice place to visit, but I do not want to retire there.
Last week, while I was driving to work, I saw a dead deer on the side of the road and that deer carcass projected the message that life is short, life is transitory and fleeting and ephemeral-- you're here and then you're gone-- so you don't have time to screw around, you don't have time to dawdle-- there's no time to look both ways before you cross the street, you've got to just make your move-- that dead deer symbolized the transitory nature of life . . . but at the same time, IF that deer had looked both ways, if that deer had been a bit more cautious, delayed and looked both ways, if that deer took its time crossing Route 18, then that deer might still be roaming around-- most likely chowing on everyone's hostas-- so the deer simultaneously symbolized the transitory nature of life AND poor choices leading to tragic consequences-- the dead deer symbolized two things at once, both negating each and augmenting each other, the juxtaposition of the symbols overlaying the bloody carcass (the dead deer probably also symbolized something about technology and nature not dovetailing together very well, but life is too short to think about things like this).
I recently heard the phrase "row forward looking back" as a metaphorical attitude for heading into the unknown-- and that's how I feel about teaching this year: I have a sophomore class for the first time in many many years, so all my sophomore lesson plans are in manila folders, handwritten-- and while I head into a pedagogical future featuring computer-driven, AI-powered, digital learning models, I am reminded of the school days long ago when I used to teach the sophomores-- when we read novels and out of thick anthologies, took our tests on paper, and relied on human connection and the occasional VHS tape for entertainment-- and I'm trying to instill some of that in my current classroom as I pull on the oars, against the current, the prow of my dinghy headed who knows where, into some technological morass, my gaze searching over the waters I have traveled, my mind borne back ceaselessly into the past.
The largest banana port in the United States is in Wilmington, Delaware and once they arrive there, the bananas are loaded into gigantic ripening rooms, which are pumped full of the highly flammable gas ethylene, which makes the bananas ripen faster so they can be shipped out to grocery stores and restaurants?
I was glad to see the back of our old ironing board-- which hung on a hook, folded flat, on the back of our bedroom door-- because whenever my wife opened this contraption (no matter how much WD-40 I used) the hinged legs would produce a piercing "sssskkkrreeeeeek!" sound that perforated my eardrums and penetrated deep into my synapses, tearing loose and deleting core memories, impeding fine motor functions, and generally disrupting my consciousness-- so we put it to the curb and some unlucky soul grabbed it and it will now be screeching in some other house . . . but yesterday my wife opened our brand new ironing board and it produced the same "ssskkkreeeeek" so I'm going try a tip I read on the internet and spray the legs with PAM or some other cooking spray-- or try to convince my wife that wrinkles are fine (and always shake out because of the Jersey humidity).
Who knew that Mexican jello is far superior-- more rigid, firm, and flavorful-- than American Jell-O?
If you're looking for podcasts about strange stuff happening in small towns (and you've already listened to S-Town and taken an audio tour of Woodstock, Alabama) then you can't do better than these two:
1) Hysterical . . . this one investigates a spate of oddball symptoms-- tics, verbal outbursts, twitching, spasms-- that spread virally through the girls in an upstate New York high school in the town of LeRoy-- and the question is: was this mass hysteria, otherwise known as conversion disorder? or was it due to toxic chemicals or something environmental? a great one if you love The Crucible and the Salem Witch trials;
2) Cement City . . . two journalists stumble into a dying Pennsylvania town-- Donara, home to the Donara Smog Museum, which memorializes the Donora Smog of 1948, an air inversion containing fluorine that killed twenty people-- and they buy a house? a house made completely of concrete? and they get caught up in town politics and what it's like to live in a place with no bank, no grocery store, and no school, but a whole lot of camaraderie;
and while I recognize that these podcasts are presenting a very thin sliver of what it's like to live in a place that does NOT feel like it's the center of the world, and these podcasters have cherry-picked extremely interesting narratives of truly oddball events and these small towns just happen to be the setting, it's still really interesting to inhabit places like these, places that I will probably never truly understand, because I live in a fast-paced, densely populated, and expensive region of the country, with all the amenities and conveniences and ethnic restaurants and parks and high-end grocery stores and sky-high real-estate prices and even if I were to move to an out of the way rural kind of place, I'd never be able to pass as a local . . . you can take the guy out of Jersey, but you can't take the Jersey out of the guy.
