We adopted a dog today from the APAWS Shelter in West Windsor; Lola is part Rhodesian Ridgeback, part who knows what, and entirely sweet and cute-- she's a bit overwhelmed to be out of the shelter but hopefully she'll settle in quickly . . . and it's nice to have a dog in the house again.
My buddy and fellow English teacher Bob (the leader sing and bassist extraordinaire of the Faculty Follies band) wrote the first few stanzas of "EB Cafeteria," to the tune of "Hotel California" and I added a couple of mundane verses at the end, but then I had a brilliant idea and found the seed of a narrative within the subtext of the song-- I was worried Bob wouldn't be into me taking his masterpiece down this road, but as usual, he was willing and ready to sing anything, no matter how gross and absurd (and at the end of the song, I got to improvise a guitar solo-- which was a little scary in front of such a huge crowd, but everything ended right in time-- lyrics below, you'll be able to tell which verses I am responsible for.)
EB Cafeteria
Down a walkway in D-hall
Fluorescent light in my hair
Warm smell of fajitas, rising up through the air
Up ahead, in the distance, the doors, opened wide
Make sure you have a late pass, if you want to get inside
Better get through the doorway
Before the second bell
Wait in line for some fixins
To fill your Taco bowl shell
Lunch lady grabs a ladle, And she scoops you some lunch
Wait, it’s 10:38, so I guess it's more like a brunch
Welcome to the EB cafeteria
Such an open space, you can stuff your face
Plenty to eat at the EB cafeteria
A potluck surprise, would you like some fries?
TVs near the ceiling, a juice box on ice
We are all just prisoners here of our cellular device
Clean the crumbs off your table and get ready for the feast
you’re just about to take a bite,
when your friend decides to sneeze!
Your lunch is covered with mucous and a stray nose hair.
You’ve got nothing else to eat, it just isn’t fair.
For the Faculty Follies, the house band usually does all new song parodies, but I demanded we resuscitate one song: "PSAT" (which is done to the tune of "YMCA") because I wanted one moment to happen-- so Bob added some new lyrics, and I explained to our new band member Young Allie exactly what I needed from her . . . Bob would sing the lyrics, "PSAT/ it's fun to guess on the PSAT/ you can narrow the choices to one in three/ then choose a letter . . ." and then I wanted Allie to step to the microphone and complete the line with the phrase "May I suggest C!" and she nailed it, with perfect timing and enunciation, which made me incredibly happy (you can see this moment for yourself, if you go 40 seconds in but I need to find some better quality video, so you can see just how ecstatic I am that my plan came together).
Last night, I got as close to being a rock star as I ever will-- I played guitar in the Faculty Follies House Band in front of nearly a thousand screaming fans-- and at the start of "Detention" (played to the tune of Charlie Puth's "Attention") I exhibited a rare moment of aplomb and competence . . . I had twisted too many knobs on my amplifier and turned on too many effect pedals and the sound coming out of my speaker was an infinite sequence of echoes, but instead of forging ahead, I stopped playing, calmly clicked off my delay pedal with my foot, and then started again, with a much better sound . . . this is the only song that Bob and I didn't write-- the director of the event, Liz, penned this one and the lyrics are great so I've included them below.
Detention (To “Attention” by Charlie Puth)
You’ve been wanderin’, wanderin’, wanderin’, wanderin’ strolling through the halls . . .
And you knew you’d be, knew you’d be, knew you’d be late to class
Now your teacher’s mad, teacher’s mad, teacher’s mad, teacher’s mad - he’s writing you up
So you take the slip, tear it, and you throw it in the trash.
I know you’ve been in trouble, often before
Like that one time when you cut study hall
And now they’re all up on you, They’ve called your mom
But you act like you just don’t care at all...
You must want detention or maybe ISS?
Maybe you just hate the thought of reading Beowulf
You must want detention, because you’re here again
Don’t you come to this office enough?
You’ve been on your phone on your phone on your phone checking on your streaks
When your teacher told you to put it in your bag
You blew her off blew her off blew her off until she said she’d write you up
Then you threw a fit, made a scene and called her an old hag
I know Snapchat’s important And Instagram
But can’t you wait until it’s passing time?
Cause now they’re all up on you, calling your dad
Telling him that you just crossed the line.
You must want detention Or maybe ISS?
Maybe you just hate the thought of doing one more proof
You must want detention Cause you’re here again
So what the heck should we do with you?
You must want detention Or maybe ISS?
Maybe you just hate the thought of doing one more proof
Today was "Dress Like a Teacher Day" at East Brunswick High School, and two lovely young ladies abandoned all fashion sense and dressed like me-- slacks with 2% spandex, a golf shirt, funky sandals, and thick framed black glasses (and one lady went so far as to carry an identical coffee cup, a copy of Hamlet, and she painted on a mascara goatee) but though the costumes were cute and we took some funny photos together, the scary part was that the two of them could also emulate all my mannerisms, body language, and tone of voice-- they went upstairs and regaled the other English teachers with stories of Syria, my incorrigible son Ian, and students with no sense of personal space-- and did it with my particular manner and eloquence (or lack thereof).
The directions on the Colavita rigatoni are too ambiguous: "cook to desired tenderness," while the sign on the bathroom at Tacoria Mexican Kitchen in New Brunswick is way too specific: "El Bano; Where Tacos Go to Rest."
Last Friday I made a radical kitchen move that took twelve years to discover: I moved all of our mismatched tupperware-type plastic containers and lids from the lazy-susan corner cabinet (where they caused me undue stress and frustration because I had to bend over and spin the lazy-susan in order to find what I was looking for and I could never tell which tops matched which containers, a visual problem that no amount of practice could improve) to the big, deep, and easily accessible pots and pans drawer by the stove, and I put the pots and lids and colanders on the lazy-susan, where they are easy to see and grab and even my wife and children agreed that this radical change was brilliant, because now you get a comfortable, birds-eye view of the plastic containers, so you can size up the lids and match them to the proper container . . . and I will sadly concede that I might not have an idea this good for the rest of my days.
Alex punched Ian in the back when he came up the stairs because Ian was being annoying about how much money he had made doing gardening work for my wife, so I explained to Alex that it was a free country and Ian could say what he liked about how much money he made, and Alex could answer him back or be the bigger person and choose to ignore him, but he couldn't hit him; then I got in the shower and heard some screaming but decided I would let them figure it out-- there's nothing more ridiculous than a wet, angry dad in a towel trying to discipline his children-- and when I finally got downstairs to hear the story, I noticed there was red crap all over the cabinet and ceiling and this was because Ian was cutting some strawberries and Alex wanted some but Ian told him to wait until he was done cutting them-- he wasn't keen to give him any because Alex had recently punched him in the back-- and so Alex put Ian in a headlock but then remembered that he wasn't supposed to get physical with his younger brother, so to express his rage in a nonviolent matter, he threw some strawberries at the cabinet and they splattered onto the ceiling-- but, though he admitted this was very stupid, he pointed out that it was better than hitting his brother, which was probably true (and while I was annoyed with him for a moment, once I heard my wife yelling at him for throwing strawberries instead of punching his brother, I had to laugh . . . and though we tried to make him clean up the mess, he wasn't tall enough to reach the splatter . . . so maybe it would be easier for everyone if instead of sublimating, Alex just went back to punching Ian).
If you're dismayed by the state of the state, I highly recommend you read Allan Bloom's The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students, a conservative classic from 1987 that open-minded liberals and conservatives will enjoy because of the tone, it's quaintly intellectual (and quite crotchety and moralistic) by today's inanely polarized realpolitik standards of political discourse; Bloom is not afraid to actually say something and then back it up logically . . . and even his dated attack on the raw power of rock music will ring true to those old enough to remember when rock music meant something; I'll do a full review once I finish, but I was struck by his analysis of sex roles and Shakespeare-- Bloom pragmatically discusses the costs of feminism, of making both sexes the same, of stripping them of their mysticism and their courtship contrasts-- we know the benefits of feminism, of course: more brains in the economy and higher education; more empowered women; women that don't have to depend on men; women that can pursue a career as ambitiously as they can motherhood and childbirth; women that can participate fully in politics-- not just behind the scenes-- but Bloom also describes what it lost when we blend these worlds and these sex roles, and he uses Shakespeare to help; he explains that the difference between a Shakespearean comedy and a Shakespearean tragedy is that in the comedies, when the men are inadequate at restoring a civilized and peaceful order to things, the women dress as men, leave their feminine world, sort things, and then return to their feminine roles-- but with a sense of delicious irony in that these roles are simply there to make civilization operate and sometimes they need to be broken by clever women that can play the part of men better than men can (Portia from The Merchant of Venice is the perfect example) but once the sexes are mixed together and uniform, whether as soldiers or lawyers or pilots or statesmen, then there is no civilized feminine world to come to the rescue (Hillary Clinton is the perfect example-- she needed some savvy woman to edit her "basket of deplorables" speech) and this is incredibly evident in Hamlet . . . if Ophelia was a bit zanier and clever, instead of depressed and broken, she might have disguised herself as a man, befriended Hamlet and Horatio, exacted a less violent revenge on her meddling dad, and mopped the rottenness right out of Castle Elsinore . . . but woe is me (and her) as that was not to be . . . and now that I've expressed myself fully, I'll get back to cleaning the sink.
Another rainy day, and my wife and I had no desire to endure the crass humor of Deadpool 2, so instead we took the kids to see A Quiet Place; I certainly recommend the movie for family viewing: it will keep you on the edge of your seat and it's also artfully done (although there are a few plot holes that gape as wide as the aliens viscous yawning earholes) but my family's favorite part of the movie was that I missed the fact that one of the characters is deaf-- I thought the Abbot gang learned sign language during the course of this quiet apocalypse and missed the fact that not only is the character in the movie deaf, but Millicent Simmonds, the actress, is deaf in real life as well; so there was a whole lot of yelling at me after the film ended, when they realized I missed this very important plot point. . . I attribute this to the fact that due to the silent nature of this story, the audience is required to be unusually quiet for the duration, and I like to talk during movies: ask lots of questions, make clever jokes, inquire about motive and plot, and generally interact with the folks around me . . . this keeps me from spacing out and missing significant stuff (although I did whisper to my son Ian a few times about the nail in the staircase, which someone really needed to pound flat) but the fact that I missed this apparently most evident piece of the puzzle gave my family so much pleasure that I'm glad it happened (though I really need to watch the movie again now that know this).
Jazz is the abstract expressionist version of music (and, improbably, the CIA helped promote this primarily theoretical art form which mainly grooves and meditates on the shapes and intervals and sequences of raw sound and rhythm, rather than the more traditional narrative arc framed by verses and choruses).
We did our Faculty Follies soundcheck today and then, while we were up on stage and everything was miked up through the PA and the soundboard, we were able to run through our six song set several times, and I learned that anytime you see and hear a live band in an auditorium or large hall and it goes off without a hitch, there was a lot of preparation to get that to happen.
Mark Manson's breezy, philosophical and surprisingly profound millennial self-help guide The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life might be less surprising if you're a cynical Generation X'er like me: life is pain, so don't try to avoid it-- just focus and prioritize on problems you can solve or at least take a crack at . . . avoid distractions, lower the bar, figure out what you truly value and stop comparing yourself to everyone else on social media, stop obsessing about all the things and instead give a fuck about a few things that you truly deem important and forget the rest . . . I've built a happy life on these precepts-- I give a fuck about spending time with my wife and kids and playing guitar/recording music/podcasts and reading books and writing this blog and coaching soccer and doing as many sports as I can with my kids and colleagues and trying to get together with friends to drink beer-- and though these things often stress me out and beat up my body and mind, I know that I value social interaction and physical and mental exercise more than I do money and expensive items and political power and this will always be the case: Manson has just learned this-- he recognizes that after a peripatetic tour of the world that included 55 different countries, that visiting a few countries opens your mind and changes your perspective, but the 51st and 52nd country don't add much to the experience . . . and sometimes lack of choice and commitment is the best choice of all, because certain things can only be experienced when you live in the same place for five years or ten years; anyway, the book is full of crude language and entertaining anecdotes, and it's such a quick read that you won't even realizing you're examining your values and your philosophy of life until you've turned the last page (and it might be a sneaky way to get your children to read something deep-- I just gave it to my son Alex and he read 25 pages and came downstairs all excited about how much he likes it-- especially the story of Charles Bukowski).
Today, I was obsessed with finding some song parody lyrics from the last Faculty Follies house band performance three years previous ("It's Fun to Guess on the P.S.A.T.) but I searched all my different Google drives and looked at Word files in various locations, hard and cloud-like, but I had no luck . . . and then a co-worker thought back three years ago, remembered that out boss introduced me to Evernote, and I checked there and found the file: digital mystery solved (but I worry how many platforms I will go through and how much digital detritus will collect int he next ten years . . . and then there's the passwords, all those ever-shifting passwords).
So everyone with even a modicum of education knows that there is a play-within-a-play at the center of Shakespeare's Hamlet-- The Murder of Gonzago-- and some might remember that Hamlet has asked the players to insert into this play-within-a-play a "speech of some dozen or sixteen lines" which Hamlet has written, with the express intention to emulate his father's murder so as to spook his Uncle Claudius . . . so Hamlet has inserted a smaller play into the play-within-the-play, so essentially a play-within-the-play-within-the-play and tomorrow, when we discuss this scene in class, I've written a sixteen line play about this play-within-the-play-within-the-play, which I will premier while we are discussing Hamlet's inserted lines, and thus my piece will be a play-within-the-play-within-the-play-within-the-play . . . I told the kids that some people like this sort of meta-drama (myself included) and everyone else can go watch Macbeth.
A little knowledge is a dangerous thing (especially when it resides in my head) so I'm warning you ahead of time: I just learned that when you say a process has a "steep learning curve" you actually mean that the process is easy to learn-- because as you move along the x-axis of time, you zoom up the steep y-axis of learning proficiency, and before you know it, you can make brownies . . . if you want to say that something is difficult to learn, you say it has a "long and shallow learning curve," thus as you move along the x-axis of time, you barely go up at all on the y-axis of learning-- ten years later, you're middling fair at the oboe-- so I'm begging you, please don't say the phrase "steep learning curve" anywhere within my earshot, because my inner pedant is lying in wait, ready to pounce and explain this silliness, and, as much as I'd like to, I don't think I can control the impulse (although I've been doing great with the whole "lie" and "lay" fiasco, I heard several people screw it up royally on Friday and didn't say a word . . . but this "learning curve" thing is too rich to pass up).
I guest-coached my older son Alex's travel soccer game today and they were short-handed (short-footed?) and so my younger son Ian had to guest-play on the team to give them 11 players; we were in North Plainfield, playing a scrappy Hispanic team and there was only one ref instead of the usual three, and this ref pretty much took a laissez faire approach to calling the game (except offsides, he called a goal back on a play that was clearly not offsides) and the other team took advantage of this-- they elbowed, grabbed, tossed, and two-handed pushed our players often (frequently after the play was over) and when our sweeper was grabbed by the shoulder and chucked and then the ref called a penalty kick on our team, I ran out onto the field to complain and he immediately red-carded me and sent me packing . . . I then had to get phone updates and watch the game from afar and it just got worse and worse, one of our players got elbowed so hard it bruised his ribs, and the opposing coach screamed at him to get up and insisted he was faking the injury and delaying the game-- at this point, our team was ahead 2 - 1 but the other team had 18 players and our 11 were exhausted and banged up, and the attack was pretty much relentless, corner kick after corner kick, cross after cross, and then my younger son Ian got two-handed shoved to the ground by an opposing player, and his older brother Alex ran to his rescue and punched the kid in the stomach, and a general melee erupted, the opposing coach ran onto the field and may have pushed one of our folks (a high school senior that was running the lines, a sibling to our sweeper) and, luckily, the ref actually listened to my younger son when he explained what happened and give the kid who pushed him down a yellow card . . . and moments later, the ref blew the long whistle to signal the end of the game, an epic and epically ugly win for the Eagles, with no subs and a lot of insanity (and I will say that after the game, the North Plainfield parents that I talked to were quite nice and quick to forgive me for getting a red card-- and apparently they apologized to our parents for some of the rough play on the part of their players-- and they certainly understood just how high emotions run during a soccer game, but I'm going to really try to calm down and take some deep breaths-- God only knows if I'll even be able to coach my own team tomorrow, or if I'll be suspended or something).
In the end, this will be the day that it all happened ( if we're talking about 6 AM basketball, 7:30 AM folder review with the Rutgers guy, the teaching of Hamlet . . . including some phenomenal acting by yours truly, a summative review with my boss, book club, an Uber ride into New Brunswick for more socializing, and a brisk walk back to Highland Park . . . I will be the first to admit that this is far too much of everything for one Friday and I'm glad to be back in the confines of my safe American home).
I finished the classic Ursula Le Guin science-fiction novel The Lathe of Heaven earlier this week but I can't discuss my thoughts about it until Book Club tomorrow afternoon . . . because the first (and only) rule of Book Club is that you don't talk about the Book Club Book until Book Club.
