Once again, the Triennial (not triannual, thank God) Faculty Follies were a roaring success-- teachers, administrators, secretaries and hall-aides performed skits, dances, and other entertaining stuff to a packed house (plus there were videos, including an awesome parody of Serial that Stacey made . . . I was the prime suspect) and while I never physically got up on stage-- it's too weird up there-- I performed below the stage in the "house band" (we called ourselves the SATs . . . not nearly as good a name as The Hanging Chads) and it's too bad Weird Al cornered the market in stupid song parodies, because though we only rehearsed once, we rocked the house; here is our set list:
1) Instagram-- to The Beatles "Yesterday"--
2) It's Fun to Guess on the P.S.A.T. -- to "Y.M.C.A"--
3) Take Me to Lunch-- to Hozier's "Take Me to Church"--
4) You're Not the Only One-- to Sam Smith's "I'm Not the Only One."
This is My Future (and it's pathetic)
Last weekend was a harbinger of future parenting; my ten year old son was up later than me on two out of three nights: he went bowling with his friend on Friday and didn't get home until 10:30 -- long after I went to bed-- and he was the only one in the family awake to actually see the anti-climactic final play of the Super Bowl (he was angry that we left the Super Bowl party down the street at half-time, but I had a cold and felt like shit, and when we got home, I took Nyquil and still thought I could remain awake to see the rest of the game . . . but I forgot that no man is stronger than the soporific powers of Nyquil).
Harper Lee: The World's Laziest Writer?
Harper Lee, the author of To Kill a Mockingbird, is publishing a "new" novel on July 14th; Go Set a Watchman is chronologically the sequel to Mockingbird and details the relationship between an adult Scout Finch and her father Atticus long after the controversial trial of Tom Robinson, but Harper Lee actually wrote this story before To Kill a Mockingbird-- Go Set a Watchman contains flashbacks to Scout's childhood, and Lee's editor wisely advised her to write a novel focusing on those flashbacks, and the result is the story that became a staple on middle school curricula across the land . . . anyway, I find Harper Lee incredibly lazy, it's not like she's been polishing this "new" novel for the last sixty years-- she claims that she "lost" the manuscript and that a friend recently "discovered it" (I suppose it's possible that she misplaced the novel, since rumor has it that she's nearly blind, but the most probable scenario is that the royalties from Mockingbird have petered out and she needs some cash to maintain her genteel Southern lifestyle) and so I am warning people not to fall for this ruse engineered by a lazy old bat in a wheelchair (does she even need that wheelchair?) and join my total boycott of this book and the ensuing media events surrounding it; instead, if you're going to read a book by an old bat, then read Skeleton Road by Val McDermid; the book is a fantastic political mystery, and-- more significantly for this particular post-- if you like this book, then you can read one of her twenty-eight other novels . . . so Harper Lee, take that bitter pill and swallow with along with your daily dose of Metamucil-- maybe this prolific literary statistic will inspire you to dust off your Smith Corona, feed in a fresh ribbon, and get back to work.
Shiny Happy People Read Absurdist Fiction
The Happiest People in the World is a novel by Brock Clarke, and the opening took me by surprise-- I've been reading a lot of non-fiction and realistic fiction and realistic crime fiction lately, and I forgot how absurd a novel can be-- the beginning of the book is observed by a stuffed moose head in a local bar: it is a scene of great violence, and then things just keep getting weirder from there; there are CIA agents, a Danish political cartoonist on the lam posing as a guidance counselor, spies in disguise, terrorists, wannabe terrorists, rogue agents, small town lugnuts, disaffected veterans, and all sorts of other folks, interacting at a breakneck pace-- the plot shifts, the point of view shifts, the tone shifts, and-- despite the absurdity-- it's impossible to stop reading, which is a great reminder that if things are structured right, and the sentences are well-written, then a novel can take you on a far wilder ride than a movie . . . I read a lot of this stuff long ago: Thomas Pynchon and Tom Robbins and John Barth and Italo Calvino and Kurt Vonnegut . . . and then I got old and started reading books about economics and technology, so this was a nostalgic trip back to my old reading ways, when I really had no idea what was going on: both in my life and the books that I read.
Stella Gibson is a Better Swimmer Than Gillian Anderson
In the BBC series The Fall, Gillian Anderson plays Metropolitan Police Superintendent Stella Gibson, who is sent from London to Belfast to investigate a string of serial-killer type murders; she is a cold, weirdly sexual, detached character and when she's not frowning or sleeping in her clothes in the office, she likes to swim laps to blow off steam . . . but while Stella Gibson is the sort of person who does everything with crisp and lean efficiency, apparently Gillian Anderson doesn't know how to swim very well; this provides the only humor (at least I thought it was funny) in an otherwise dark and dour show: Anderson's swimming is hectic . . . she breathes frantically between every stroke, her stubby little arms pumping away, her body rigid, her head snapping violently, over and over in the same direction . . . and all this poor form must have contributed to her "frozen shoulder," which is why-- as she explains in this article-- she used a body double for the swimming scenes in season two (so Gillian, since I'm sure you're reading this, here are a few pointers: you want to take as few strokes as possible to cover the length of the pool, slipping your hands into the water they way you would slip them into a glove and turn your entire upper body to breathe-- you should try to point your belly-button at the sides of the pool with each stroke, and don't cross your arm over the center line, reach out and use your forearm as a paddle . . . and you can thank me in the comments).
A Movie Review in Honor of Groundhog Day
You may have heard the premise of Richard Linklater's new film Boyhood: he got the same actors together (Ellar Coltrane, Lorelei Linklater, Ethan Hawke, and Patricia Arquette) year after year for short shooting stints and then he stitched the scenes together to make a fantastic coming-of-age narrative with the greatest special effect of all-- the actual passage of time; the movie took twelve years to make, and follows Mason (Ellar Coltrane) from elementary school to his first day of college . . . and the effect is in no way gimmicky, though it's always exciting to see how everyone looks in transition, but the story carries itself . . . it is the opposite of the great Harold Ramis film Groundhog Day-- where time stands still for God-only-knows how long . . . in Boyhood time is an uncontrollable flash-flood that sweeps Mason's family across Texas . . . and I am always impressed by works of art like this, where the investment of massive amounts of time is crucial to the outcome: I couldn't make it through Finnegan's Wake but I love the idea that it took Joyce seventeen years to write the book and it should take you seventeen years to read it; I am also reminded of Columbine and Far From the Tree, both of which took a decade to write . . . and then, of course, there's Noah, who took a picture of himself every day for six years.
Dave Does the Opposite
In a shocking role reversal, I cooked dinner on Wednesday night while Catherine took the boys to the barber (and she bribed the boys into going for haircuts with a new toy-- a mini-basketball hoop with an electronic scoreboard) and when she got home, dinner was ready but she started assembling and playing around with the basketball hoop: hanging it on the closet door, testing out the scoreboard, unfolding the structure, etcetera and I had to be the nag and tell everyone that they could play with the new toy after dinner, but that I had been slaving over the food and it was getting cold and they were all being rather rude . . . and I'll tell you, it was no fun being the scold, so I'm going to try to go back to playing with the toys around dinner time because getting nagged is easier than doing the actual nagging.
Dave Almost Loses a Nipple
The night after I watched Michael Ginsberg of Madmen cut off his own nipple and present it to Peggy in a jewelry box, because the humming of the office's new IBM computer drove him insane, the very next morning, I was pushed to the brink of sanity by a chirping noise in our kitchen . . . but luckily my wife and I found the source before I had to slice off any body parts . . . the basement fire alarm needed new batteries.
Who's Writing This? Does It Matter?
A few days ago, my wife helped me install a little thesaurus app that works inside Google Chrome-- so that I can simply right-click on a word and it will give me several (various?) synonyms for any word that I type . . . and I am wondering if this makes my writing more Dave-like . . . because I won't settle for an ersatz (artificial?) word and instead I'll find the exact (precise?) word that my consciousness is searching (grasping?) for-- in other words, the thesaurus will be a cognitive tool that will allow me finer-grained, more nuanced access to my thoughts, treating my readers to the most Dave-like experience possible; on the other hand, there is the possibility that right-clicking on all these words is going to make my writing half-Dave/half-Cyborg . . . if the little app plants suggestions in my brain that wouldn't have come up otherwise, then you'll actually be reading a collaboration between Dave and a computer . . . either way, there's one thing that's certain: it's still going to be a bunch of tangential drivel.
Four Ways to Be a Better Student
"How to Fix a Broken High Schooler in Four Easy Steps" is the second part of the Freakonomics two-part podcast on American education and Philip Oreopoulos, who sets up programs to help high-risk students succeed, summarizes four major reasons why students fail:
1) students are too focused on the present-- which describes my own children perfectly, even though I always tell them "think about the future," this simple maxim doesn't sink in-- they live in the moment, without any worry of the consequences of their words and actions;
2) students tend to overly rely on routine, and just keep doing what they've been doing in the past-- and this one does NOT apply to my own children, as they can't establish a routine if their life depended on it (see number one);
3) students sometimes think too much about negative identities-- they focus on what they're not good at or hang around with the wrong crowd (I think my boys might BE the wrong crowd);
4) mistakes are made more often in stressful situations or situations where there's not enough information-- and this is a tough one because my natural inclination is to yell at my kids when they're doing something stupid because they lack information, but the yelling causes stress and they don't listen anyway, so we're caught in a vicious cycle of ignoring them and letting them fail on their own (which they do with flying colors) or telling them how to think and behave, which usually results in yelling and stress and more mistakes . . . so essentially there's no hope as a parent, you can never do the right thing and you just have to hope that by reading lots of comic books, your kids will pick up enough literacy to make it in the world.
1) students are too focused on the present-- which describes my own children perfectly, even though I always tell them "think about the future," this simple maxim doesn't sink in-- they live in the moment, without any worry of the consequences of their words and actions;
2) students tend to overly rely on routine, and just keep doing what they've been doing in the past-- and this one does NOT apply to my own children, as they can't establish a routine if their life depended on it (see number one);
3) students sometimes think too much about negative identities-- they focus on what they're not good at or hang around with the wrong crowd (I think my boys might BE the wrong crowd);
4) mistakes are made more often in stressful situations or situations where there's not enough information-- and this is a tough one because my natural inclination is to yell at my kids when they're doing something stupid because they lack information, but the yelling causes stress and they don't listen anyway, so we're caught in a vicious cycle of ignoring them and letting them fail on their own (which they do with flying colors) or telling them how to think and behave, which usually results in yelling and stress and more mistakes . . . so essentially there's no hope as a parent, you can never do the right thing and you just have to hope that by reading lots of comic books, your kids will pick up enough literacy to make it in the world.
Broadchurch Has Nothing to Do With Dr. Who
Broadchurch possesses all the classic mystery elements: a tragic crime, a troubled detective, and a "locked room" style plot-- except the locked room isn't a room, it's the quaint seaside town of Broadchurch . . . and the mystery is a little more mysterious than usual . . . and David Tennant is a little more troubled than the typical troubled detective (are there any well adjusted detectives out there?) and, most significantly, Broadchurch develops the scenes that most murder mysteries gloss over-- watch it and you'll see what I mean, and be prepared for some emotions amidst the deduction.
Snow > Mud
I know an old lady is going to break her hip and flights are going to be delayed and the roads are going to be a nightmare, but that still doesn't curb my enthusiasm for loads of snow-- it's so much better than walking the dog through mud and goose crap-- I take him down to the river and he gets to bound around, off leash (because there's no one else at the park) and I get to stomp after him in my Sorel snow boots, and the dim winter sunlight reflects off the snow and the water, which makes me very happy, and it all reminds me of the final scene from Eternal Sunshine of the Spotless Mind . . . I'm Jim Carrey and my dog is KateWinslet.
Science Isn't Always Fun
The best thing about The Best Science and Nature Writing anthology is that the writers do all the work for you: if you want to learn about the wonders of gene expression, you don't have to pore over exciting medical journals such as Thorax . . . -- instead you can skip the primary-source research and just read David Dobbs' essay "The Social Lives of Genes," which details the incredible power your environment and social ties have over your genes (basically, if you're lonely, your immune system doesn't work very well) but I must warn you, the book is not all fun and games; Maryn McKenna's article "Imagining the Post-Antibiotics Future" is downright scary-- infectious bacteria is becoming increasingly resistant to the antibiotics we have and we can't create new antibiotics fast enough to deal with this problem, so some time in the near future, we're going to loop back to the days when stepping on a rusty nail could kill you-- and that's a minor problem compared to what Roy Scranton describes in "Learning How to Die in the Anthropocene": near the end of the essay he reminds us that "the human psyche naturally rebels against the idea of its end . . . likewise, civilizations have throughout history marched blindly towards disaster, because humans are wired to think that tomorrow will be much like today-- it is unnatural for us to think that this way of life, this present moment, this order of things, is not stable and permanent; across the world today, our actions testify to the belief that we can go on like this forever, burning oil, poisoning he seas, killing off other species, pumping carbon into the air, ignoring the ominous silence of our coal mine canaries in favor of the unending robotic tweets of our new digital imaginarium."
Like a Sea Urchin in Your Urethra
In The Matrix, just before Morpheus sends Neo down the rabbit-hole, he commends him for his awareness: "you know something . . . what you know you can't explain, but you can feel it . . . you don't know what it is, but it's there, like a splinter in your mind, driving you mad" and his words are both ominous and elegant, a perfect set-up for the bombshell soon to come, but I recently learned from an anonymous source that the Wachowski Brothers ran through a number of alternatives before they arrived at the "splinter in your mind" simile . . . here they are:
1) like a cinderblock in your anus;
1) like a cinderblock in your anus;
2) like a sea urchin in your urethra;
3) like a Khan worm in your ear;
4) like a polyp in TR's nostril;
5) like a hedgehog in your armpit;
6) like a caltrop between your butt cheeks;
7) like a booger in your mustache;
8) like the early-morning gound in your eye;
9) like a donkey in your bathtub;
10) like a splinter in your pinky-toe, right under the nail, and you can't get it out-- even with a pin that you sterilized with rubbing alcohol . . . it is this feeling that has brought you to me . . . do you know what I'm talking about?
3) like a Khan worm in your ear;
4) like a polyp in TR's nostril;
5) like a hedgehog in your armpit;
6) like a caltrop between your butt cheeks;
7) like a booger in your mustache;
8) like the early-morning gound in your eye;
9) like a donkey in your bathtub;
10) like a splinter in your pinky-toe, right under the nail, and you can't get it out-- even with a pin that you sterilized with rubbing alcohol . . . it is this feeling that has brought you to me . . . do you know what I'm talking about?
Innovation: Dead in the Water or a Phoenix Rising?
So most of you are aware that I'm the greatest teacher ever (when I'm not feeling grouchy or tired from pub night or claustrophobic or hoarse from too much coaching or irked by teens and their cell-phones) and my great skill is that I consume a lot of media-- print, audio, and visual-- and just barely understand it, but my subconscious does a good job of making connections, which I only half-comprehend-- and because I have no problem not fully understanding things, I'm willing to present these loosely connected things to my classes, which are full of smart kids, and let them sort it out; I am trying to get them to understand how much style and rhetoric influence an argument (and I am all style and rhetoric, with very little content) and I recently stumbled upon two pieces on innovation that are almost humorous to consume one after another-- though their content is similar, they generate completely opposite tones; the first is a dire piece by Michael Hanlon in Aeon called "Why Has Human Progress Ground to a Halt" and it makes an excellent historical and global argument for why our best days of invention may be behind us (specifically: 1945-1971) and the second is an inspirational gem from Planet Money called "The Story of Ali Baba,"-- the piece offers two success stories of innovation, and in both, the innovators use the Chinese commerce marketplace Ali Baba to directly buy parts that individual inventors have never had access to before . . . ex-Wired editor Chris Anderson ends up opening a drone-building company and Shawn Hector and Steve Deutsch built an automated chicken coop . . . so you be the judge, humans are either treading water waiting for the flood, or living in the most convenient time to innovate in human history.
You Should Print This Out
Ferris Jabr's article "Why the Brains Prefers Paper" presents some interesting evidence as to why reading a book or magazine is better than reading on a screen; there are tactile reasons of course, and people comprehend texts better when they read them on paper (and remember more) and students suffer less eye-strain, stress, and fatigue when they take tests on paper-- as opposed to on a computer-- and they actually score better . . . so this is an interesting rebuttal to the new standardized tests students will be taking on computer this year-- in our school, kids are taking the PARCC test and they will be taking it completely on computer, but there is also a paper-and-pencil version of the test . . . so I wonder if the results between the two mediums will skew the data . . . I certainly hope so, as there's nothing I enjoy more than skewed data (except Campbell's Law . . . which often leads to skewed data).
Platinum Fatigue Part 2
I was making my way through the 2014 edition of The Best American Science and Nature Writing and I saw an essay entitled "TV as Birth Control" and figured it was on the same topic as yesterday's sentence-- people are so busy watching all these platinum quality TV shows that they don't have time for sex-- but that was not the thrust of the article: apparently, TV (especially soap operas) in developing countries gives women a different view of motherhood, fertility, and women's rights and generally causes a major drop in fertility rates (in the 1970's, the Mexican government used soap operas as propaganda to promote family planning and contraception . . . this is known as the "Sabido Method") and so despite the steamy and salacious associations, soap operas may save the human race from a Malthusian disaster.
Platinum Fatigue
Sometimes, I get so tired and I don't think I can keep it up-- the pace is too fast and I want to close my eyes and just sleep, like forever . . . but then I rise to the challenge and keep on swimming . . . but somewhere, buried deep in my subconsciousness, like a splinter in my mind, there's a niggling thought: I can't do it . . . it's impossible . . . there are too many . . . it's a fool's game . . . there's no way out . . . there are too many good shows! . . . there's no way to keep up! but then I dispel the negativity and think to myself: I am doing it . . . I've watched The Wire and Madmen and The Sopranos and The Shield, Luther and Battlestar Galactica and Breaking Bad and Curb Your Enthusiasm, The Return and Top of the Lake and Portlandia and Deadwood and Orphan Black and The Walking Dead and Sherlock and Louie and Friday Night Lights and The Guild and It's Always Sunny in Philadelphia and I acknowledge that these are the best shows ever made and that we are living in the Platinum Age of Television, and that these shows are better than movies, better than books, better than music, almost better than fornication, and certainly better than any form of entertainment ever created in the entire history of humanity, and I bow down to the show-runners and the show-writers, I applaud everyone for the effort, and I express my admiration and appreciation (and I also wonder how this many different good shows can all make money) but I think I've finally hit the wall, I can't do it any longer-- I grew up on Night Court and Real People . . . I patiently waited all week for a new episode of Cheers-- so this is quality overload-- there's too many choices, something has to give; I've learned to quit fairly good shows (Orange is the New Black and American Horror Story) and while I'm trying to do Broadchurch and Fargo and Black Mirror, it's never enough-- people keep recommending new things: The Fall and The Affair and The Missing and The Return and True Detectives and The Americans and Happy Valley and a bunch more that I've forgotten . . . so I guess I've got to accept the fact that I can't watch them all, and be happy that I'll have something to do when I retire (which doesn't seem likely, considering what's a happening with my pension fund).
Football, Soccer, and the Cinema
Sunday's Seattle/Green Bay game was the first time all season that I watched an entire NFL game-- start to finish-- and while the finish turned out to be extremely exciting, I was mildly annoyed for the first three quarters: Seattle looked inept, and there were a lot of commercials for new movies (which wasn't annoying in itself, I can usually tune out movie trailers but my children and their friend had to do a full review of how "awesome" each movie looked . . . they-- like many folks much older-- are still deceived by the fast cuts and the good music into thinking that every movie will be a masterpiece, simply on the strength of its trailer) but luckily my friend Roman was demoing his new deep-fryer for us, so he kept us all amused through the slow sections of the game with delicious and crispy fried-treats . . . and then, of course, the last thirty minutes of the game were a lightning-paced rollercoaster of plot twists and spectacular plays (and discussions about the rules-- my kids are still at the age where the ins-and-outs of onside-kicks and two-point conversions are riveting . . . and I can get sucked into it as well: I still don't understand why Seattle didn't go for two when they were down 16-0 and they scored their first touchdown . . . but seeing how the game turned out, I guess that's why I'm not an NFL coach) and I will say that it was fun to watch football with a bunch of soccer players (my son mistakenly called the Superbowl "the World Cup" during the game, much to the amusement of his friend, who is a real football fan) and unlike a soccer match-- which would have been long over if it was 3-0 in the rain going into the last stretch of the game, an NFL football game always has the possibility of a cinematic ending . . . and no matter what, there will be "an ending"-- a specifically final chance, an official climax-- unlike the flow of a soccer match, where there is no exact moment you can call the last attempt at victory-- and so I guess we like out sports the same way we like our movie trailers: episodic, fast-paced, explosive, and awesome (and Seattle's fake kick to set-up their first touchdown was extra awesome for me, because it made me remember why I started rooting for the Seahawks in the first place-- I was watching a Giants game in 1979, pre-LT, so it was ponderous-- and at the half they showed Seattle running a fake-field goal play and then throwing the ball to their little Mexican kicked, Efren Herrerra, who scored a touchdown . . . and apparently they did this often, and so, on the merits of that awesome play, the Seahawks became my AFC team -- they were the opposite of the Giants: they had no running game to speak of, except when Jim Zorn scrambled; and Zorn mainly heaved lefty passes at his little wunderkind white-boy wide-receiver, Steve Largent, and-- until they got Kenny Easly in 1981-- their defense was porous . . . it's hard to identify the current NFC powerhouse Seahawks to that AFC expansion team, but it still reminds me that I had a super-excellent Seattle trash can in my room when I was a kid-- the Seahawk logo wrapped all the way around, and I was also the only kid in town sporting a Jim Zorn jersey).
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