The Biggest Game in the Wildest Town

Though it didn't help my poker game, I really enjoyed Al Alvarez's classic portrait of the 1981 World Series of Poker: The Biggest Game in Town. I recommend it to everyone, whether you play poker or not. It's beautifully written, and it hearkens back to the end of a simpler, wilder time. A time when being a gambler meant loving the action more than knowing game theory.

I've been playing some low stakes poker during the pandemic, and while I'm not proficient yet, I do know a little. This comes from reading a bunch of books, my favorite way of learning. I read Gus Hansen's swashbuckling account of his 2007 Aussie Millions victory Every Hand Revealed and Phil Gordon's informative Little Green Book and a couple strategy books by "Action" Dan Harrington and some mathematical stuff by David Sklansky and Ed Miller.

While these instructional books are competently written, they are pretty boring (aside from Gus Hansen's book . . . his tone borders on adorable; he uses lots of exclamation points).

While the purpose of most poker books is to convince you that with a little bit of math and a little bit of strategy, you can hold your own at the table, The Biggest Game in Town takes you to another planet. A planet where you don't belong at all, where the action is astronomical, even in 1981 dollars. The money amounts sound huge by today's standards. These guys were nuts.

We are in Vegas, an odd and insular place:

J. B. Priestley once remarked that in the Southwest you are more aware of geology than of history. The land is too big, too old, too parched, too obdurate; the only alternative to submission is defiance . . .

The book focuses on what is known as "the Cadillac of Poker," Texas Hold'em. 

Crandall Addington, a supremely elegant Texan, who regularly sets the sartorial standard for the tournament, and has said, “Limit poker is a science, but no-limit is an art. In limit, you are shooting at a target. In no-limit, the target comes alive and shoots back at you.” 

The mix of cards and golf and high-stakes gambling reminds me a bit of the Jordan documentary, "The Last Dance." 

James "Slim" Bouler would fit right into this world.

 Yet some of the gamblers here, who are worth nothing compared with those people, will bet a hundred thousand without blinking. Most of them are average golfers—they shoot in the middle eighties—but at the end of a match they regularly settle up for fifty or a hundred thousand dollars. Even the golf pros don’t play for that kind of money, and if they did they probably wouldn’t be able to hold a putter. If a golf pro who shot seventy played a gambler who shot eighty-two and gave him the right handicap, he would lose all the time. The pressure would be too much for him; for the gambler, it is a stimulus.”

This is the attitude you need to be a great gambler:

"If I had too much respect for the money I couldn’t play properly. Chips are like a bag of beans; they have a relative value and are worthless until the game is over. That is the only attitude you can have in high-stakes poker."

This is how you keep score:

"Money is just the yardstick by which you measure your success. In Monopoly, you try to win all the cash by the end of the game. It’s the same in poker: you treat chips like play money and don’t think about it until it’s all over.”

The book is full of adages like this:

“The way I feel about those pieces of green paper is, you can’t take them with you and they may not have much value in five years’ time, but right now I can take them and trade them in for pleasure, or to bring pleasure to other people. If they had wanted you to hold on to money, they’d have made it with handles on.”

Sorry that I'm not attributing quotations, but you get the idea. The old-time poker guys like Alvarez, who is a British poet-- something foreign and innocuous. They love bending his ear about poker strategy and philosophy. 

It’s the downside of a gambler that ruins him, not his upside. When you’re playing well, you can be as good as anybody, but how you handle yourself under pressure when you’re playing badly is the character test that separates the men from the boys.

Funny and true.

Perhaps the Freudians are right, after all, when they talk of gambling as sublimation. In the words of another addict, “Sex is good, but poker lasts longer.”

As to why I enjoy poker, Alvarez nails it on the head. I'm playing for small amounts of money, but I love the competition.  

For many of the top professionals, poker has become a substitute for sport—something that they turn to when their physical edge has gone, but that demands the same concentration, skill, and endurance and provides a channel for all their bottled-up competitiveness. “Discipline and stamina are what poker is all about, especially when you’re competing with top players in games that go on a long time,” said Brunson.

My knees are only going to last so long, but hopefully, my mind and my nerves will last a bit longer. 

This accords with Jack Binion’s theory that the top poker players are not only “mental athletes” but also former athletes, who turn to gambling when they no longer have the physical ability or the inclination for sport. “It’s a question of excitement,” Binion said. “Gambling is a manufactured thrill—you intensify the anticipation of an event by putting money on it.

2016 Book List

Here's what I read in 2016 (and despite reading nearly a book a week, I feel dumber than ever) and if you head over to Gheorghe: The Blog, you can see my eleven favorites . . . and if you're really feeling crazy and literary, you can check out my previous lists, but if you're going to read one book on this list, I would suggest Death Comes to the Archbishop by Willa Cather . . . I've read it twice, and I'll bet I'll read it again someday . . . anyway, here they are-- it's a little scary for me when I peruse this list, because I can't remember all that much about some of the titles, but I guess that's what happens when you read too much;

1) Trunk Music (Michael Connelly)

2) Hide & Seek (Ian Rankin)

3) Our Kids: The American Dream in Crisis Robert D. Putnam

4) One Plus One Jojo Moyes

5) Andrea Wulf The Invention of Nature: Alexander Humboldt's New World

6) Death Comes to the Archbishop (Willa Cather)

7) The Milagro Beanfield War (John Nichols)

8) Agent to the Stars (John Scalzi)

9) The Undercover Economist Strikes Back: How to Run-- or Ruin-- an Economy (Tim Harford)

10) Tim Harford The Undercover Economist

11) The Expatriates (Janice Y. K. Lee)

12) Tim Harford The Logic of Life: The Rational Economics of an Irrational World

13) Dale Russakoff  The Prize: Who's In Charge of America's Schools?

14) Charlie Jane Anders All the Birds in the Sky

15) Mohamed A. El-Erian  The Only Game in Town: Central Banks, Instability, and Avoiding the Next Collapse

16) Brideshead Revisited: The Sacred & Profane Memories of Captain Charles Ryder (Evelyn Waugh)

17) The Power of Habit:Why We Do What We Do in Life and Business by Charles Duhigg

18) Angels Flight (Michael Connelly)

19) Robert J. Gordon  The Rise and Fall of American Growth: The U.S. Standard of Living Since the Civil War

20) Tony Hillerman A Thief of Time

21) Peter Frankopan Silk Roads: A New History of the World

22) Tony Hillerman Hunting Badger

23) Tony Hillerman Listening Woman

24) Tony Hillerman The Wailing Wind

25) The Lost World of the Old Ones:Discoveries in the Ancient Southwest David Roberts

26) Roadside Picnic (The Strugatsky Brothers)

27) Chuck Klosterman But What If We're Wrong?: Thinking About the Present as if It Were the Past

28) White Sands: Experiences from the Outside World by Geoff Dyer

29) The Inevitable: Understanding the 12 technological forces that will Shape our future by Kevin Kelly

30) Annihilation by Jeff Vandermeer

31) Three Men in a Boat (To Say Nothing of the Dog) Jerome K. Jerome

32) Sapiens: A Brief History of Humankind by Yuval Noah Harari

33) Truly Madly Guilty Liane Moriarty

34) Seinfeldia by Jennifer Keishin Armstrong

35) Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy by Cathy O'Neil

36) Ghosts by Reina Telgemeier

37) The Walking Dead 23-26

38) The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark For the Ivy Leagues by Jeff Hobbs

39) The Nix by Nathan Hill

40) Bill Bryson The Road to Little Dribbling: Adventures of an American in Britain

41) Tim Wu The Attention Merchants: The Epic Scramble to Get Inside Our Heads

42) Colson Whitehead The Underground Railroad

43) Nicholson Baker Substitute

44) The Ocean of Life: The Fate of Man and the Sea by Callum Roberts

45) Hillbilly Elegy: A Memoir of Family and Culture in Crisis by J.D. Vance.

A Book Makes Dave Feel Emotions

I thought once we left the Southwest, I would quit reading The Lost World of the Old Ones: Discoveries in the Ancient Southwest but none of my other books came up on my library queue, so I decided to finish, and it was well worth it; I learned that the Anasazi (Ancestral Pueblo, if you want to be politically correct) didn't disappear because of an apocalyptic drought-- there was a drought, but they started leaving before that, and usually with environmental catastrophe, everyone doesn't leave-- there are always a few stragglers that remain and eke out a living, so this was a political or religious migration that cleared out these cliff dwellings and granaries and high mesa redoubts, because by 1300, the area was completely empty of human habitation and life, and that just doesn't happen . . . and so there are plenty of theories of what political/religious movement drove the migration, but none are rock-solid . . . this information may be lost in time, because it's abstract . . . I also learned about the Comanche transformation, which is a real Cinderella-story, an underdog achievement worthy of the scrubs in Hoosiers: at the start of the colonial era, the Comanches were "horseless hunter-gatherers living in small camps scattered around northern Colorado and Wyoming . . . by the end of the seventeenth century they had become the most skillful equestrians warriors and long-distance traders in North America," with a domain that stretched from Canada to northern Mexico . . . so though they've been portrayed as merciless barbarian raiders, that wasn't the case until they met several defeats at the hands of the U.S. Army forces in 1875 . . . but enough of this, what the book made me feel, unfortunately, was jealousy and regret; when I was young, I dreamed of becoming a paleontologist and trekking through the Gobi Desert in search of dinosaur bones, but then I learned that paleontology is not all fun and bones, but David Roberts figured out how to live a life that combined the best elements of adventure, writing, climbing, history, archaeology, and epic journeys-- and while he's stayed out of the academic world, he interviews the people in it, and compiles their theories for the layman and, by the end of the book, after reading about all his hikes, his overnight camping trips and raft voyages, his access to secret sites and petroglyphs in our country, all this made me profoundly jealous, which I'm not proud of, because I have a fantastic life-- full of family, sport, and adventure-- but I know that I'll never get to travel all the trails and paths through the American Southwest that he did, and-- in fact-- that I may not get out there for another decade, instead I'll be hacking my way through humidity and poison-ivy, and instead of petroglyphs, I'll be looking at spray painted tags, which someday, in some far apocalyptic future, might prove to be just as evocative and obscure as the ancient rock etchings scattered through the Four Corners region, but I'll be long dead by then (which makes me want to start doing some graffiti art!)

Dave's Family Trip to the Four Corners Region: The Takeaway

After three weeks in the Southwest, and a fair bit of pertinent reading (four Tony Hillerman novels: The Wailing Wind, Listening Woman, Thief of Time, and Hunting Badger . . . these are ostensibly crime thrillers, but I also learned a bit about the Navajo nation, Navajo religion and practices, and high plains topography . . . I can't wait until "seep spring" or "box canyon" or "ceremonial Navajo sandpainting" comes up in conversation, because I know just enough about these things to be annoying . . . I also read about half of David Roberts' The Lost World of the Old Ones: Discoveries in the Ancient Southwest . . . this is the sequel to In Search of the Old Ones: Exploring the Anasazi World of the Southwest, a tome which is famous . . . or even infamous . . . with professional archaeologists and amateur pothunters alike because his tales of mountaineering, climbing, and intrepidness inspired others to hunt down the many off-the-grid ruins he described, and now many of these sites are heavily trafficked by hikers, and some have been vandalized, desecrated, and/or plundered . . . Roberts is a bit of a grouch, but his writing is vivid and fun, and his synopsis of the various academic debates on the origins and disappearance of the Anasazi-- now known as the Ancestral Pueblo-- is excellent) this is what I can tell you, and it certainly helped that our last stop was in Santa Fe, where we stayed in a historic adobe house right near the plaza . . . the owner, an older Spanish lady named Virginia, is related to Father Martinez-- the priest of the Taos parish that Willa Cather characterizes in her masterpiece Death Comes to the Archbishop . . . in the novel, Martinez challenges the Catholic faith's rule of celibacy, and he supposedly fathered many children in Taos . . . Virginia, whose family has lived in Santa Fe and Taos since 1598, described Martinez as the "villain" of the novel and was skeptical of Cather's speculation about him . . . this was news to me, rube that I am-- I never would have ascribed "villain" status to anyone in the book, which was more of a sequence of vignettes leading to the construction of the Cathedral Basilica of St. Francis of Assisi-- a romanesque marvel of golden sandstone-- which Father Lamy (Latour in the novel) spent his life yearning for, so that the church could have a proper house of worship in the untamed West (and, ironically-- and you can see a scene of this on the giant iron door-- it was the Pueblo revolt and the burning of the original church that cleared the ground for the new cathedral) . . . anyway, I've lost my way here, and that's appropriate for my final moral, but whether it's the exit that boasts both The World's Largest Golf Tee and The World's Largest Wind Chime, or the perfectly preserved ruins in Mesa Verde, or the many ruins in Canyon de Chelly, which the Navajo live amongst, or the various old adobe churches and buildings on the Santa Fe trail, or the ancient petroglyphs that are literally everywhere-- in the canyons, in the Petrified Forest, along the rivers, on the cliffs-- the Southwest offers greater opportunities than the Northeast to see how many people through the ages have said-- with art, architecture, buildings, weapons, war, pottery, and giant wind chimes: we were here . . . and the Southwest reminds you, with the vastness of the land and the evocative ruins, that you will not last, you will turn to dust as well . . . in the Northeast, sometimes we pave over history, sometimes we build over it, sometimes we grow beautiful green plants over our history, and sometimes the rains just wash our history into the rivers and oceans, but in the dry and arid Southwest, history is preserved, and it feels like a different country . . . because it is, because everywhere in our country is a different country, it's just that you can see it out there . . . and if you can get out there and see and feel this land, the ruins and the mountains, the desert and the high snows, if you can taste the fresh green and red chiles and navigate the weird winding streets of Santa Fe and Taos, which are reminiscent of Toledo, and walk through the plaza in the dry heat, you'll see what I mean, and never think about the United States the same way again.

Unexplained Shaving Phenomenon

It's trite and cliche, but after a month in the Southwest, followed by an immediate family vacation at the Jersey Shore, I am certain that it IS the humidity . . . and perhaps that explains why, after a month of not shaving, it was so easy to remove my beard . . . I'm not sure if it's easier to shave when you haven't done it in a long time-- if the hair comes off easier-- or if it was just the return to a humid environment . . . and the internet has no explanation . . . but if I didn't look so grizzled with full-on facial hair, than this would be my new shaving pattern: four weeks of growth, then a super-smooth/clean shave.

Two Thoughts Inspired by Our Journey Through the Southwest

I should probably keep these excellent epiphanies to myself, but for the good of all mankind, I am releasing them to the internet:

1) whenever we had to park the van in a hot and sunny spot on our trip, we used a pair of silver windshield shades to block the sun, and they really helped keep the car (especially the steering wheel) cool . . . so why not make shirts, hats, jackets and umbrellas out of this material, so that you can walk around in the hot southwestern sun and not burn up . . . hopefully, some famous fashion-designer will read this and get to work on something that doesn't look too sci-fi/garish;

2) there needs to be a horror movie about a spider-snake . . . some people are scared of spiders and some people are scared of snakes, but everyone is afraid of a spider-snake.

Ben and Dan: Guides of the Southwest

The differences between the Jeep tour we took in Sedona and the "open air vehicle" tour we took in the Canyon de Chelly were perfectly appropriate for each place; Sedona is a well-run tourist machine and Chinle is an off the map little town in the Navajo Nation, and our tour guides embodied these characteristics in an archetypal manner;

1) though they both have three letters in their name, Ben and Dan couldn't be more different as guides-- Dan was born in Connecticut but lived in Maine and also did some time overseas, as an itinerant musician and guide, and he kept up a steady stream of conversation, anecdotes, trivia, corny jokes, and interaction-- if you mention you're from New Jersey, he knows somebody in West Caldwell, if you mention you coach soccer, he played on his high school and coaches his kids team-- while Ben grew up and still lived in Canyon de Chelly and is a recognized Navajo guide, storyteller, and keeper of Navajo cultural history, but his style is just the facts (aside from occasional griping about the National Park Service and how they don't maintain the road and some of the sites as well as he'd like . . . he thinks there's some money somewhere, and he's been repeatedly asking them to trim the cottonwood trees that are blocking the beautiful colored antelope petroglyphs near the Antelope House Ruins);

2) Dan's Jeep is a dependable, well-oiled machine that conquered slickrock peaks, but Ben's "open air vehicle," which my wife wisely requested (because who wants to be cooped up in an SUV) is an old Dodge Ram Power 350 with a modified bed of bench seats, and while it's the greatest way to see the canyon, Ben had some trouble navigating the sandy riverbed and the truck stalled out several times, and the engine overheated twice-- luckily, we were in an incredibly scenic area, so it was no trouble to wait while he fixed the engine, but we really wondered if we would make it out of the canyon before sunset . . . and though his daughter had a brand new Polaris four-seater dune buggy, there was no way she was letting us use it-- she was headed out on the town (Denny's?) with some friends;

3) Dan's tour was definitely organized and built up to a great view, and he was well-practiced at his schtick, while Ben's tour ended at his house, where we got to play some two-on-two basketball with his grandkids . . . on the ride back, all the cotton-pods from the cottonwood trees were floating around in the canyon, and though it was 90 degrees, it looked like it was snowing; we really didn't know if we would make it through the sand-- but we did, and he dropped us at our hotel and then spent several hours fixing his vehicle in the hotel parking lot . . . while Dan dropped us off right on time, we took a picture with him and off he went . . . I think the kids will remember both tours, but I especially liked the trip through Canyon de Chelly, it reminded me of the time Cat and I spent in the Middle East, we were always a couple of clueless white folks being guided out to the ruins by the natives who still lived amongst remnants of ancient civilization, but were trying to maintain their own civilization on top of these relics . . . once again, for pictures, head to Captions of Cat.

Fried Dough is Good, Fried Dough with Chili is Better

If you're in the Southwest and you see a Navajo Taco or a Navajo Sandwich on the menu, order it-- I guarantee it will taste good . . . and this is because it's spicy meat, cheese, peppers, onions, and hot peppers on what is essentially a big flat funnel cake; these toppings are far superior, far more filling, and far more macho than powdered sugar.

Agent to the Stars

I needed a break from literature about the American Southwest (on deck . . . Edward Abbey's Desert Solitaire) so I read John Scalzi's sci-fi novel Agent to the Stars; the plot sounds absurd-- aesthetically unappealing, smelly (but friendly) aliens travel across the universe to investigate and embrace the intelligent life on earth, but then drag their feet about first contact, because they've seen all of our movies and television and know how we generally treat gross alien creatures . . . so they seek representation and leave it to a Hollywood agent to figure out how to best introduce them to the planet-- but the novel is more serious than you might imagine from the synopsis . . . the characters are well drawn, the insight into the Hollywood agency is vivid and meticulous, the writing is sharp, and the plot really moves . . . the book is more than a satire of sci-fi and the film industry (although it is that as well) and dog-lovers, film-lovers and dog-film lovers will especially appreciate the story.

A Great Novel (with a not so great title)

The Milagro Beanfield War, by John Nichols, is quite a novel . . . it details a water-rights squabble in New Mexico, between the poor chicanos and the wealthy developers, and it is full of salt-of-the-earth characters, mock-epic hilarity, beautiful descriptions of the mountains and high desert plains, special agents, magical realism, guns, an incorrigible pig, local politics and astute social commentary . . . and it's got a page-turning plot to boot . . . the tone occasionally reminds me of One Hundred Years of Solitude, and while I admit Marquez came up with a much better title, you should really give The Milagro Beanfield War a try . . . I'm trying to read a shitload of books about the American Southwest in preparation for our family road trip this summer, and this one has given me an unusual and memorable perspective on northern New Mexico.

You Should Read Death Comes to the Archbishop (before you read Moby Dick)

In preparation for our trip to the American Southwest this summer, I am reading some of the classic literature set in that region; I started by re-reading Death Comes to the Archbishop, a nearly plotless collection of vignettes by Willa Cather, based on the lives of two French Catholic religious men-- a bishop and a priest-- who leave civilized Europe in the mid-1800's and travel to the wilds of the New Mexico Territory-- newly acquired by the United States after the Mexican-American War-- in order to establish an organized diocese amidst the corruption of the Spanish, the poverty of the Mexicans, and the traditions and mysticism of the Native Americans; I admit that's a mouthful for a synopsis, and that hardly does justice to what happens in the book, but I regard this as one of the best American novels ever written-- while I love Moby Dick, Cather's masterpiece is probably a more worthwhile read and it certainly addresses much more modern issues-- race, class, religion, mysticism, greed, politics, assimilation, and borders . . . it is an absolute refutation Crevecoeur's outdated "melting pot" metaphor . . . the book was published in 1927 and it is utterly modern, like a Paul Thomas Anderson movie, it is a collection of climactic scenes and anecdotes (think There Will Be Blood or Magnolia) without much transition-- Elmore Leonard codified this into his mantra: "try to leave out all the parts people skip"; Cather's language is as rugged and sharply defined as the terrain she writes about . . . here are some of the passages I highlighted:

1) he seemed to be wandering in some geometrical nightmare;

2) he saw a flat white outline on the grey surface-- a white square made up of white squares . . . that his guide said, was the pueblo of Acoma;

3) one could not believe the number of square miles a man is able to sweep with the eye there could be so many uniform red hills . . . he had been riding among them since early morning, and the look of the country had no more changed than if he had stood still;

4) No priest can experience repentance and forgiveness of sin unless he himself falls into sin . . . otherwise, religion is nothing but dead logic;

5) their Padre spoke like a horse for the last time: "Comete tu cola, comete tu cola!" (Eat your tail, Martinez, eat your tail!) Almost at once he died in convulsion;

6) in his experience, white people, when they addressed Indians, always put on a false face;

7) he had the pleasure of seeing the Navajo horsemen riding free over their great plains again . . . the two Frenchmen went as far as the Canyon de Chelly to behold the strange cliff ruins; once more crops were growing at the bottom of the world between the towering sandstone walls;

and while most of the prose is impeccably lucid, Cather was also not afraid to use specific words that will make you consult a dictionary (partibus, calabozo, codicil, pyx, hogan, coruscation, turbid, jalousies) but these only crop up occasionally, otherwise it is a smooth read; in the end, it is a tale of friendship between two religious men, Bishop Latour and Father Vaillant, in a harsh, complicated, inspirational, and fascinating environment; Cather's treatment of the Native Americans is empathetic and vivid (and must have influenced Aldous Huxley when he wrote Brave New World) and while she moves from mundane politics and vanity to the holiest of mysteries, the story never loses its historical grounding, it is set amongst realpeople-- Kit Carson especially-- and real events-- the Colorado Gold Rush near Pike's Peak and the building of Santa Fe's Cathedral Basilica of Saint Francis Assisi, which Jean-Baptiste Lamy-- the man Bishop Latour was based upon-- oversaw and initiated . . . anyway, I've gone on far too long and I haven't even scratched the surface of what lies inside this book, but I guarantee it is an America that they don't teach you about in school, Jamestown and the Pilgrims and the Boston Tea Party and all that, and I'm sure when I'm visiting these spots this summer, Cather's words will ring in my ears . . . so if you feel like you want to read a classic piece of literature, and you don't want to slog through The Brothers Karamazov, I recommend this-- it's short, episodic, perfectly written, and full of valuable insight on the origins of our national character.