I just finished my 46th book of 2017 this afternoon and it's a fitting one for the end of the year; Kids These Days: Human Capital and the Making of Millenials by Malcolm Harris is an intelligent, analytical and provocative book written by a millennial about the millennial generation that might just change your mind about millennials in general . . . from my perspective, this book is about the end of my era, Generation X, and any slackerly influence it might have had upon the world: kids these days are more prone to anxiety, work harder, do less drugs (drug overdoses seem to be following the Baby Boomer cohort), have less sex, do more homework, get surveilled more-- for a scary take on this, watch Episode 2 of season 4 of Black Mirror-- take out giant student loans which fund ever expanding building projects on college campuses, intern more, get paid less, compete more in an organized fashion, train for this organized competition in areas that are supposed to be fun and healthy-- sports, music, the science fair, dance; are trained by their cell phones to be more available and productive than any work force in history, and don't have much of a shot at the wealth in our nation, which has increasingly been hoarded by the old and the 1% . . . Harris backs this up with plenty of data-- beware: there are charts in this book-- but it is slender and if you have kids or teach or coach or work with kids in any capacity, then you should read this book; the conclusion is not very hopeful . . . I worry about my own children and this book is making me take a step back in my expectations for them and for myself as a parent; the book is also making me enjoy my stable and noncompetitive union job, as the millennial generation will experience job precarity as a matter of course; anyway, this ties in nicely with my New Year's Resolution, which is to try to live more in the slow, meditative, and profound world of great books, and avoid the twitchiness of the internet as much as possible . . . I did a pretty good job of it in 2017, especially because we cut the cable and I stopped watching football (and playing fantasy football, which is another one of those productivity training devices that "prepares" people for 24/7 availability and efficiency) and while I didn't quite reach my goal of a book a week, I was close . . . anyway, here is the list-- I discussed my seven favorites on Gheorghe: The Blog-- and wrote reviews of all of them here on Sentence of Dave . . . my favorite book of the year is The Power by Naomi Alderman: if you're going to read one book in 2018, that should be the one . . . and you should try to read at least one book a year, just to avoid being part of the American 26% that reads zero books each year; these are just the books I finished, I started plenty of others and bailed, so anything on this list is pretty good:
1) Selection Day by Aravind Adiga
2) Bill Bryson: One Summer: America, 1927
3) Mark Schatzker's The Dorito Effect: The Surprising New Truth About Food and Flavor
4) Whiplash: How to Survive Our Fast Future by Joi Ito and Jeff Howe
5) The Wrong Side of Goodbye by Michael Connelly
6) The Undoing Project: A Friendship That Changed Our Minds by Michael Lewis
7) Steven Johnson: Wonderland: How Play Made the Modern World
8) Gun Street Girl by Adrian McKinty
9) Normal by Warren Ellis
10) Jonah Berger: Invisible Influence: The Hidden Forces That Shape Our Behavior
11) Where It Hurts by Reed Farrel Coleman
12) The Not-Quite States of America by Doug Mack
13) Tyler Cowen: The Complacent Class: The Self-Defeating Quest for the American Dream
14) Ill Will by Dan Chaon
15) Extra Lives: Why Video Games Matter by Tom Bissell
16) Love Me Do! The Beatles Progress by Michael Braun
17) The Relic Master by Christopher Buckley
18) Await Your Reply by Dan Chaon
19) Rain Dogs by Adrian McKinty
20) Asia's Cauldron: The South China Sea and the End of a Stable Pacific by Robert Kaplan
21) Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are by Seth Stephens-Davidowitz
22) Why the West Rules-- for Now: The Patterns of History, and What They Reveal About the Future by Ian Morris
23) How Emotions Are Made: The Secret Life of the Brain by Lisa Feldman Barrett
24) Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann
25) Seven Bad Ideas: How Mainstream Economists Have Damaged America and the World by Jeff Madrick
26) Galapagos by Kurt Vonnegut
27) 1968: A Turning Point of the American War in Vietnam by Mark Bowden Hue
28) Crooked Letter, Crooked Letter by Tom Franklin
29) Oblomov by Ivan Goncharov
30) The A.B.C. Murders by Agatha Christie
31) A Drink Before the War by Dennis Lehane
32) Every Secret Thing by Laura Lippman
33) The True Believer: Thoughts on the Nature of Mass Movements by Eric Hoffer
34) David Foster Wallace: Consider the Lobster and Other Essays
35) Michael Connelly: Nine Dragons
36) Gar Anthony Haywood's Cemetery Road
37) Time Travel: A History by James Gleick
38) Meddling Kids by Edgar Cantero
39) Nancy Isenberg's White Trash: The 400-Year Untold History of Class in America
40) How to Live Safely in a Science Fictional Universe by Charles Yu
41) Police at the Station and They Don't Look Friendly by Adrian McKinty
42) Roddy Doyle's Smile
43) The Moonstone by Wilkie Collins
44) Lincoln in the Bardo by George Saunders
45) The Power by Naomi Alderman
46) Kids These Days: Human Capital and the Making of the Millenials by Malcolm Harris.
The Required Amount at the Prescribed Rate (Handcrafted From the Finest Corinthian Leather)
Showing posts sorted by date for query dance dragons. Sort by relevance Show all posts
Showing posts sorted by date for query dance dragons. Sort by relevance Show all posts
You Shouldn't Wish People Dead (Spoilers?)
I'd like to apologize for my sentence the other day about George R.R. Martin -- it's gauche to wish someone dead just because he wrote a boring book, and it's my fault for finishing the thing, but I will say this -- and I don't even think these are spoilers -- there are two big scenes in A Dance with Dragons that take a nearly a thousand pages of exposition to set up, and each one contains a vital character that there is no possible way in hell anyone except the nerdiest of the nerdiest is going to remember . . . the first is when Bloodbeard presents the head of Groleo to King Hizdahr . . . and you are supposed to remember that this is some sort of retaliation for Yurkhaz zo Yunzak, but mainly I was thinking: Groleo? Who the f-- is Groleo? Am I supposed to know this Groleo? I am supposed to feel a certain way about his severed head? and then in the last chapter (but before the Epilogue) Daenerys, starved and stranded in the Dothraki grasslands, but accompanied by her dragon, encounters the khalasar of Khal Jhaqo, who betrayed her old husband -- Khal Drogo -- after his death . . . but again, I was thinking: who the f-- is Khal Jhaqo? Is this an interesting coincidence? A new character? because I think the last time he was in the series was several thousand pages ago . . . but thank the Seven Gods for the internet -- but if I'm going to have to read the internet every time something happens in the series, then there is something seriously wrong with this series, and upon further reflection, I'm taking back my apology and once again wishing George R.R. Martin dead, so that I don't have to suffer through any more climactic anti-climaxes.
I Hate George R.R. Martin and Hope He Dies Before He Finishes His Next Book
I just finished A Dance with Dragons, George R.R. Martin's fifth book in his epic series A Song of Ice and Fire, and while it's not as tedious and annoying as A Feast for Crows, it is still pretty damn boring . . . overly-descriptive and hyper-detailed in a self-congratulatory style that begs for editing -- reading it was more like homework than pleasure, and there is no comparison to the first three books -- which were fast-paced, grim, realistic, surprising, and genre-breaking . . . I finished this one simply to find out what happens, and when I was mired seven hundred pages in, dealing with chapter after chapter of incomprehensible family relationships, bloody flux, and descriptions of provisions, I realized that perhaps I had read more pages of George R.R. Martin than any other author -- over 5000 pages of his prose (I've read a lot of Neal Stephenson and Elmore Leonard and Kurt Vonnegut, but probably not 5000 pages worth . . . maybe Stephen J. Gould?) and I haven't really liked the last 2000 pages of his narrative, but I'm in too deep to quit now, and so I'm hoping that Martin contracts a fatal case of the "pale mare" before he publishes another pedantic volume, and thus spares me from reading it (although I'm sure even if he dies, some hack will take his notes and finish the saga . . . and I'll probably read it just so I'm ahead of the HBO series and don't end up being humiliated in a "Red Wedding Reactions Compilation" video).
It's Not All Books That Are As Dull as Their Readers (But Some Are!)
I started my summer reading with two rather boring tomes, or I find them boring -- which may be a shortcoming of my own brain, but at least I recognize that they are boring for contrary reasons: Unintended Consequences: Why Everything You've Been Told About the Economy is Wrong is by Edward Conard, a former managing director of Bain Capital -- and while it paints a rather different picture of the 2008 Financial Collapse than the documentary Inside Job or The Big Short by Michael Lewis (according to Conard, the collapse was a run on the bank, caused by a lack of faith in short term credit, not the fault of CDO's and credit default swaps -- and the government was largely to blame for this by subsidizing Fannie Mae and Freddie Mac, which allowed the creation of more and more sub-prime loans . . . his philosophy is: why would banks want to hold mortgages they thought would default, unless forced by the government to issue such loans, and he also blames "irrational exuberance" in the real-estate market . . . some people -- such as this Anonymous Banker --think Conard makes some good points, while other folks hate his guts and think the book is a "serious abuse of facts") and while I think he makes some logical points about how America is competing against 75 cents-an-hour labor overseas and needs to counter this with investment and innovation -- I mainly want to say this is one of the driest, most boring books I have ever read, and any attempt Conard makes to insert humor into the flow is forced and pathetic, and he offers no anecdotes from his time at Bain Capital, nor does he ever address the human cost of the crisis -- he's very cold and cavalier about the lost jobs, lost equity, the evictions, the short sales, and the general decay of the middle class -- so I can hardly recommend reading this thing unless you're really dying to learn more about the economic theory behind the Financial Crisis . . . on the other hand, I am six hundred pages through George R.R. Martin's A Dance with Dragons and this book is SO full of anecdote and detail and description that the plot barely moves . . . and I can't recommend this book unless you're dying to find out more things about the pantheon of Game of Thrones characters -- as it is NOT a thrilling read.
How To Not Read George R.R. Martin
So I am still on extended leave from the new George R.R. Martin book, A Dance With Dragons-- I am three hundred pages in but I keep picking up other entertaining titles that keep me from Westeros . . . the latest is a four hundred page thriller by Gillian Flynn (who is far cuter than George R.R. Martin . . . I know this because when my eyes get tired, I invariably open to the back flap of library boks and look at the author . . . and I'm aways amazed when someone cute has written a book, because you'd think they'd have better things to do) and I read this rather thick novel, called Gone Girl, in two days-- partly because of a quad pull, but mainly because it's a true literary page-turner; the book is detailed and realistically written; the narrators have sharp, witty, and unreliable voices; the chapters are short and always significant; the prose is perfectly written; and the plot is preposterous . . . you know the twists are coming, but they are difficult to predict in their entirety, and in the end, despite its realism, the book is good macabre fun: ten Punch and Judy dolls out of ten.
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A New Sentence Every Day, Hand Crafted from the Finest Corinthian Leather.