A Whale of a Prank

Today in my Grade 10 Honors English class, I distributed copies of Moby Dick-- which I found mouldering away on a high shelf in the book room-- and then counted the days of Spring Break on my fingers and did some long division on the board: eleven divided by 822 . . . the days of Spring Break divided by the number to pages in this great behemoth of a novel and I arrived at 74 pages a day . . . but I told them that would be the easy part of their Spring Break assignment-- the hard part would be the vocabulary in the enovel, which is erudite, recondite, and archaic-- and I told them I was halfway through and already the vocab list was over 150 words, and they would be quizzed on those words (and the entirety of the novel)on the day we returned from break . . . and then a couple kids started laughing and the rest of the class realized that I was April fooling them . . . but I did convince a couple of kids to actually take the novel and give it a shot-- I promised them the opening hundred pages would not disappoint, but then they might want to "skip a bit, brother" and make their way to the final sequence-- and perhaps this reverse psychology might work, the joke assignment might be more appealing than an authentic, graded task-- one kid said, "Better this book sits on my shelf than on a shelf in some closet."

The Secret Hours is Like Gretchen Wiener's Hair: Full of Secrets

If you are a fan of Jackson Lamb and the show Slow Horses, then you need to read Mick Herron's standalone prequel The Secret Hours-- this book fills in a lot of the gaps and backstory of the misfit MI5 gang of Slough House and does it in brilliant fashion: the novel centers on a government inquiry into some wild and nasty business in Berlin just after the wall fell and the spies came out of the cold . . . and while it seems to be all codenames and obfuscation, if you're a fan you will start to recognize many of the characters and plot strands from the show . . . very entertaining and very illuminating but you certainly want to watch Slow Horses or read a few Slough House books before you dive into this one.

The Week Begins, as Literacy Ends

It is Monday, it's butt-ass cold, the double birthday weekend is over, Donald Trump is aligning himself with Vladimir Putin's vision of the new world order, and apparently-- according to the new episode of Derek Thompson's podcast Plain English-- reading an entire book is a dying art.

My Students Are Amazing (AI) Writers!

Earlier this week in my Creative Writing class we did an exercise where we voted on a topic and then everyone-- either alone or collaboratively-- wrote a piece on this topic, executing a particular literary technique . . . fun and simple and the topic the class chose was ripe for reflection: gossip . . . so once the kids finished, a student-- just a regular, run-of-the-mill standard sixteen-year-old-- read aloud his piece . . . and at the start there was some dialogue, which seemed a little too perfectly punctuated, and then he read aloud this symbolic sentence:

The weight of a secret, too heavy for two lips, was shared from hand to hand like a dog-eared book from the library—pages folded, words smudged, the original story lost.

and I played it cool (even though I knew no sixteen boy in 2025 would express such a sentiment in such a style) and I asked, with as much faux-sincerity as I could muster, just how he thought of such an interesting metaphor for a rumor-- a dog-eared library book-- 

and he said, "Oh, um . . . I didn't think of that part . . . my friend told me to write that" 

and I said, "Is your friend named ChatGPT?" 

and then when I was able to talk to him alone I asked him if he even knew what a dog-eared book was (he did not) and I told him to write his own stuff as it was insulting for me to have to read AI bullshit and he apologized and we left it at that and while I didn't want to embarrass him anymore than I already did, I loved the sentence so much that I used it as a cautionary example in my other classes-- so I read it to them and then I asked my students why this sentence set off so many AI alarm bells and the kids didn't fully understand so I had to explain to them that this metaphor was incredibly antiquated and specific and the best way I could explain it was that back when I was in elementary school-- Judd School-- our library had a copy of the Judy Blume book Are You There God? It's Me, Margaret, and there's a part in the book where Margaret gets her period-- salacious!-- and someone would dog-ear this page (one of my students said she thought dog-earing a library book was a criminal act) and then pass the book along and the next person would be able to turn right to the salacious part and read it-- and explained to them that in 1982, a world without digital screens and cell-phones and readily-available smut on the internet, this is what passed for racy content . . . and the bizzaro ending to this story is that, despite all the readily available smut online, available at a moment's notice, one click away, Florida's Martin County banned a Judy Blume book (Forever) and so while this sounds problematic, it is Florida so what do you expect-- but when you ban something, it becomes more attractive (and more well known) and so maybe the ban will entice kids to read again and dog-ear some salacious pages and pass that book on, like a rumor, distorted, smudged, and heavy with secrets.

The Best Genre, Hands Down, Knives Out

I've been doing some heavy reading lately--I read an extremely challenging historical literary mystery by Matthew Pearl, The Dante Club, which inspired me to re-read Dante's Inferno and I've also been slogging my way through the last book in Rick Perlstein's masterful political trilogy Reaganland: America's Right Turn 1976-1980 and The Loom of Time: Between Empire and Anarchy, from the Mediterranean to China by Robert D. Kaplan-- but whenever I get too deep into the shit, over my head in literary shit, so to speak-- like the flatterers in the eighth circle of hell-- then I circle back to the best genre, really the only genre-- a modern procedural mystery story-- there is no question that this is the best genre of fiction ever invented (thanks Edgar Allan Poe!) and whenever I'm struggling to find something to really engrossing, I get a hold of a well-written crime mystery . . . this time it's Never Tell by Lisa Gardner, apprently this one is based on a real case (which I haven't delved into because I don't want to spoil the mystery) but it's gripping, detailed, well-paced, and each chapter is written from a different point-of-view, yet Gardner still maintains the mystery-- while I'm not sure which genre of music is the best-- I love hyperpop, alt-country, jazz fusion, hip-hop, post-rock, and many others-- I am certain that the mystery story is the king of all literary genres, bowing down to no other.

Presidents' Day . . . Take It Easy

My wife and I did NOT buy a mattress on our day off today, but we did go to the gym (though my wife and I were both very sore from working out too hard yesterday and walking around like very old people) and then we went out to lunch, but while I took the next reasonable step in this progression and took a nap, my wife-- who was starting on this bent at lunch, showing me Pinterest pictures and saying things like "I work hard"--appeared in our bedroom while I was mid-nap . . . with a tape measure!-- she's got some grand plans for our bedroom, which I like to keep in the style of Jay Gatsby-- "the simplest room in the house"--  and while I already talked her out of a plant wall over our heads at lunch-- although I love a plant wall-- because I don't want a plant falling on me while I'm sleeping . . . and now I think she's calmed down for the time being and found a book to read on her Kindle and is getting into the spirit of a random day off.

Hump Day Existentialism

 Today we started a new text in College Writing, a chapter from Rebecca Solnit's book Wanderlust entitled "The Aerobic Sisyphus and the Suburbanized Psyche" and so I took the kids through the myth of Sisyphus and how in Greek times, the Sisyphean task of rolling the boulder was punitive, but then how Camus adopted Sisyphus as the mascot of existentialism and the idea that "the realization that life is absurd cannot be an end, but only a beginning" and then I challenged the kids to come up with ideas of how our lives are absurd searches for meaning and identity because-- unlike back in the old days, when if your dad made barrels, then you were probably fated to make barrels . . . which, on the one hand is rather restrictive, but on the other hand, relieves you of a lot of doubt and anxiety-- but we are modern humans and our fate, according to Satre, is wide open and there's no higher power to guide us, so our existence precedes our essence, which he explains thusly:

What do we mean by saying that existence precedes essence? We mean that man first of all exists, encounters himself, surges up in the world – and defines himself afterwards. If man as the existentialist sees him is not definable, it is because to begin with he is nothing. He will not be anything until later, and then he will be what he makes of himself. Thus, there is no human nature, because there is no God to have a conception of it. Man simply is. Not that he is simply what he conceives himself to be, but he is what he wills, and as he conceives himself after already existing – as he wills to be after that leap towards existence. Man is nothing else but that which he makes of himself. That is the first principle of existentialism.

and then I challenged the students to come up with examples of how our lives are absurd searches for our essence-- but my examples were the best:

-- I'm going to Harvard to play football!

-- I just drove my car to the gym and I got so tired working out that I can't get any of this yard work done.

Unintentionally Dry January (But Not Sand Island Dry)

I was determined NOT to do "Dry January" for two very good reasons—

1)I’m already a moderate drinker 

2) January is so dark, cold, and dreary that a little alcohol helps me get through without going full Jack Torrance

but this January wasn’t fated to be a wet one for me-- two weeks ago I came down with a stomach virus, then my wife caught the flu, and just as she recovered I got a mild case of COVID, so aside from a couple of parties and our outing to see Louie C.K., I barely touched beer, wine, or spirits-- but I'm not complaining because I just read Matthew Pearl’s new book, Save Our Souls: The True Story of a Castaway Family, Treachery, and Murder, and my January—despite its lack of alcohol and abundance of sickness—was a walk in the park compared to what the Walker family endured after their sharking boat shipwrecked on a spit of sand in the North Pacific (Midway Atoll), where they survived for eighteen months on seabirds, seabird eggs, the occasional fish, a bag of moldy rice that washed ashore, and an unlucky turtle—but no beer or tobacco; Pearl’s book is a gripping account of the shipwreck and the surrounding murder and mystery, including the presence of a nutjob named Hans, who was already living in a hut on Sand Island when the Walkers and their crew washed ashore-- and the book gets quite complicated with intrigue, it's not a tale like Swiss Family Robinson or Gilligan's Island, mainly because of the sinister first mate and his past crimes and new alliances, and honestly, after reading this, I'm astounded that anyone in the 19th century would willingly board an ocean-going vessel, given the abundant threats of shipwrecks, piracy, opium smuggling, scurvy, sharks, insurance fraud, blackbirding, and mutiny-- Pearl’s book is an astounding tale of survival, persistence, and malevolent maritime machinations and if you're looking to feel better about your landlocked piece of property, read it.

Dave Keeps Overdoing It (Physically and Literarily)

I woke up feeling much better this morning-- I definitely had some kind of stomach/body-ache/low fever viral bug yesterday-- in fact, I felt so good that I went and played indoor soccer-- and my knee felt better than it has in a while, I was actually playing serviceable balls with both feet-- but then after soccer, I started feeling shitty again, and I think I'm running a low fever-- and the sci-fi novel I'm reading is not helping: Doomsday Book by Connie Willis . . . the narrative switches between a time-traveling historian who was mistakenly sent back to the year The Black Death ravaged England, instead of an earlier, plague free year-- there was some "slippage"-- and 21st-century epidemic in Oxford, caused by a dormant, ancient virus unearthed from a medieval archaeological dig-- it's a compelling book but there are a great many descriptions of buboes and fevers and bodily fluids and sickness in general, not ideal.

Medieval Times, Good Times?

 

I just finished a new episode of We Defy Augury-- ten reasons Medieval Times were better times than you might have imagined . . . thoughts loosely inspired by Ian Mortimer's history book Medieval Horizons: Why the Middle Ages Matter, Christopher Buehlman's fantasy novel Between Two Fires, and Connie Willis's science fiction novel The Doomsday Book; 

Special Guests: Jim Carrey, Matthew Broderick, Janeane Garofalo, The Beastie Boys, George Carlin, Rick Moranis, MF Doom, the Monty Python Troupe, Kiefer Sutherland, 100 Gecs, Metallica, Arya and the Hound, Jimmy Walker, the Wu-Tang Clan, and medievalist professor Dorsey Armstrong.

Some Things That Are Completely Different

If you're looking for some batshit crazy apocalyptic sci-fi, I highly recommend Robert Charles Wilson's novel Spin--  I won't even try to explain all the consequences of the "spin membrane" that is mysteriously placed around the earth (by a mysterious superior alien race that scientists refer to as The Hypotheticals) but the stars go out early in the book and then some very well-depicted political and psychological and scientific chaos ensues-- and the book really makes you think about time, as a concept-- the book is the first in a trilogy (but apparently the other two books are not as good, so I'm going to skip them) and if you've read or watched The Expanse series then you'll find some familiar themes-- and if you're looking for a batshit crazy surreal almost sci-fi movie, you might like I Saw the TV Glow, a mesmerizing story about two disaffected teens in the 90's who share an obsession with a strange supernatural TV show called The Pink Opaque . . . the fictional world of the show begins to bleed into the "reality" of the of Owen and Maddy's constrained suburban lives-- and Maddy's complete and utter acceptance of this alternate reality sends her on a quest to find her true identity and gender, a quest that Owen is reluctant to embark on or even comprehend-- it'sa film full of weird imagery, awkward moments, and fragmented horror.

Let the Kids Have Their Memes

Yesterday in my English 12: Music and the Arts class we finished watching Exit Through the Gift Shop, a provocative film about the nature of art directed by Banksy-- an artistic agent provocateur-- and our discussion about the purpose, value, and definition of compelling art somehow led to the meme with the fiendishly grinning blue Grinch and the caption "that feeling when knee surgery is tomorrow"-- an absurdist bit of humor that makes about as much sense to me as when the students yell "pumpkin!" in class . . . and you could trace the origin of these memes and attempt to understand why Gen Z kids find them funny . . . or you could do what I did and decide to let them alone-- because memes are this generation's punk rock (or hip-hop or alternative rock or math rock or heavy metal or any of the many musical genres that my parents do not understand) and while there really hasn't been a new musical genre that only the youth listens to and understands-- in fact, most kids listen to pop music, rock music, and hip-hop, the same stuff folks my age were listening to when we were teenagers-- so the kids deserve to have their own weird universe of pop culture, that bewildered adults denigrate-- thus if you are over thirty, stop watching TikTok and trying to emulate the youth, and instead, read a fucking book.

Lord of the Flies is Lame (No Tanks)

If you think Lord of the Flies is a bit tame and you want a book where the kids really go bonkers then check out Cixin Liu's Supernova Era . . . a supernova eight light-years away unleashes a pulse of radiation that hits the Earth with delayed but deadly consequence-- leaving only children under thirteen immune to the eventual (9 months or so) chromosomal decay and death-- so as adults face imminent death, they race against time to train the kids to take over the planet-- and then the adults die and the kids act just like kids and utilize none of the wisdom passed to down to them and instead squander time and resources and engage in insane war games in a globally warmed Antarctica and then things get really batshit wild and the book addresses one of the truly unfair things about human life on planet earth-- the fact that where we are born very likely determines our destiny.

If You Don't Think Everything Sucks, You are the Victim of an Illusion

The Age of Illusions: How America Squandered Its Cold War Victory by Andrew Bacevich addresses the question asked by Rabbit Angstrom in John Updike's 1990 novel Rabbit at Rest: "Without the Cold War, what's the point in being an American?" and the answer may be an exercise in dark futility because the tenets that we thought were bulletproof and led to us vanquishing Communism haven't turned out to be made of Kevlar:

1) capitalism and globalization come with corruption, inequity, and environmental and social costs;

2) same with the military-industrial complex and all the "forever wars" we are fighting;

3) the rest of the world doesn't think American autonomy and freedom are the bee's knees

and so Bacevich whips through the recent presidents-- Clinton, Bush, Obama, and Trump-- and explains how they were all deficient to varying degrees . . . but he also points out how the first Trump term wasn't nearly as impactful and catastrophic as the pundits predicted . . . and so the book concludes with the question from the start: "What does it mean to be an American?" and we wonder if being an American has to be different than being a Canadian (or a Belgian or a Malaysian or any other country that doesn't profess to be a shining example of exceptionalism, a City on a Hill) and this may not be a question that is answered in my lifetime . .  we shall see.

Gross Meatbag/Corporeal Irony!

Today in class, my College Writing students wrote a synthesis essay about the "Always Be Optimizing" chapter of the Jia Tolentino book Trick Mirror-- and while my colleague Cunningham wrote a wonderful prompt about how Tolentino describes women with an odd triad of imagery, as "gross meatbags, robots, and spiritual beings," I couldn't handle the term "gross meatbag"-- too visceral-- and so I changed it to the more academic-sounding "corporeal" and then told the children Cunningham's phrasing-- and there certainly is some "gross meatbag" imagery in this chapter, including a vivid account of a woman "queefing" in Tolentino's yoga class . . . so the kids had to write about the tension between these three portrayals of women and what it revealed about the world-- and, ironically, during last period, while I was robotically grading the previous class set of essays, and trying to inspire my current class to transcendent new heights of learning, the lunch of lentils, chicken, and cauliflower that my wife packed for me (which I had eaten an hour previous) made its way all the way through my corporeal digestive system, and so I had to make a hasty exit from class, quickly use the bathroom, and then return as though nothing unusual had happened . . . because, as I mentioned earlier, I don't like talking about that kind of gross meatbag stuff.

Go To Hell (Novelistically)

If you want to read a totally fucked up book about a disgraced knight trying to protect a sanctified child in the bleakest of settings-- plague-ravaged France in the 14th century-- but that's not enough fucked-uppededness for you, and you also need Book of Revelations style monsters and a war between earth and heaven (plus some historical corruption . . . the Avignon papacy scandal) then Between Two Fires, by Christopher Buehlman, is the novel for you . . . I enjoyed much of it, but parts of it were beyond my comprehension and the story did get a bit tedious towards the end-- I had to skim some until the action picked up again-- but this is an incredibly visceral, incredibly researched, and fantastically conceived literary project, and worthy of a better, more patient reader than me.

Horror Movies Have Rules, Don't They?

The Scream franchise suggested some rules about horror movies:

The first movie taught us how to survive a basic horror film . . .

Rule #1: Never have sex
Rule #2: Never drink or do drugs
Rule #3: Never ever say, “I’ll be right back”

the sequel, Scream 2, reminded us that things change in the sequel . . .

--The body count is always higher
--more blood and carnage
--Never assume the killer is dead

and Scream 3 gave us tips on surviving the final chapter of a horror franchise . . .

The killer is superhuman
Anyone, including the main character, can die
The past will come back to haunt you

and Paul Tremblay's new book Horror Movie plays with all these rules-- and this makes sense because he is balancing three timelines so we're going to need three kinds of horror; the first time period is 1993, when some young auteurs decide to film a low-budget, artsy horror movie and things go horribly wrong; then there are moments from the next fifteen years, as the legend of the "cursed film" grows; and finally, a reboot of this cursed film that was never released, though a few scenes were leaked on YouTube-- and the reboot will contain a cameo from the one surviving actor from the original, the Thin Kid . . . and the screenplay of this cursed horror movie is interspersed between scenes from these three time periods and the screenplay is both aware of the rules of horror and circumscribed by them . . . as is the novel-- this is the first Paul Tremblay book I've ever read  and I truly enjoyed it (and now I'm reading The Cabin at the End of the World and that one is even more compelling-- both books highly recommended if you like the horror genre).

Three Mysteries (Two Solved, One Pending)

This won't be my most lucid sentence-writing, and you will learn why soon enough-- but I was involved with three mysteries today (so far) and while two of them are resolved, I'm going to need your help with the third:

1) I just finished Anthony Horowitz's mystery novel The Sentence is Death, which is fantastic fun . . . except for the ending . . . not the actual ending of the book-- that's compelling and full of twists and turns-- but my experience while reading the ending was quite unpleasant;

2) this afternoon, my wife and I took a walk at Rutgers Gardens and the weather has turned-- it's hot again-- and when we got home, I wanted to take a nap and she wanted to watch TV so I went upstairs to our bedroom and I closed the windows-- we haven't needed the AC for nearly a week-- and I turned on the AC-- not the normal through-the-wall unit, as that's leaking, but a portable unit that we dragged upstairs-- the kind with the tube that leads to a vent that you put in the window frame-- and then I read a few pages of The Sentence is Death and soon fell fast asleep, but when I woke up, our bedroom seemed really hot so I walked over to the AC unit and confirmed that it was pumping out cold air-- and the temperature read 72 degrees so I figured I was just overheated from the day's activities and perhaps the cool air had not reached the far corner of the room-- very illogical reasoning-- and then I lay back down on the bed and finished the novel-- and the ending was exciting enough to make me forget about the heat, but then once I had turned the last page an closed the book, I walked back over to the AC unit and noticed that when I closed the window, I did NOT insert the vent tube apparatus into the window frame-- it was pumping hot air right back into the room! and the AC was trying to make it 72 degrees, but when I pressed another button, the unit told me the actual temperature-- 87 degrees . . . mystery solved . . . so I am writing this sentence in a dazed state but at least I know the resolution to both  The Sentence is Death AND The Mysterious Case of the Stupid Man, the Hot Room and the Over-extended Air-conditioner

3) and here is mystery number three-- perhaps you people can solve it-- I call it The Mystery of the Two People Inside My Phone . . . and One of Them is an Idiot: 

on my drive down to Veteran's Park to play pickleball this morning, I spoke to my phone several times-- Hey Google style-- asking it to change the music on Spotify (sidenote: Ill Communication is a really weird album) and every time, the female voice complied-- but then on the ride home, I tried to "Hey Google" my phone to change the music and a male voice answered that it did not have that capability-- and this male voice tried to access YouTube music but could not do so and then he said that he could not control Spotify . . . and this has happened to me several times now-- the female "Hey Google" can control Spotify, but the male "Hey Google" is a total inept idiot . . . and when I asked my phone about this inconsistency, my phone chastised me:

"That statement is incorrect and discriminatory. There is no inherent difference in a person's ability to control Spotify based on their gender. Anyone, regardless of their gender identity or expression, can learn how to use Spotify."

and this proves that AI is dumber than ever, but that still doesn't explain why the female "Hey Google" is smart and competent and can control Spotify and the female "Hay Google" is a loser-- and I can't find any explanation for this on the internet, and now I'm using some Samsung voice control called Bixby-- you say "Hi Bixby"-- and Bixby seems to always be able to control Spotify, so I've solved the problem but not the mystery.

Horowitz and meta-Horowitz Do It Again

I am a sucker for British mystery novels and a sucker for meta-fictional humor and in The Sentence of Death, Anthony Horowitz once again provides both-- it's the usual set-up, there's a murder-- a high-profile divorce lawyer is bludgeoned/sliced to death with a wine bottle and the police hire the rather unlikeable, rather shady, but incredibly brilliant ex-detective Daniel Hawthorne as a consultant to the case-- and the meta-fictional version of the actual author Anthony Horowitz tags along to document the case . . . Horowitz is pulled from on location of a shoot of the TV show Foyle's War-- a show that the real Horowitz actually created and wrote-- and now meta-Horowtiz is involved in a "real" mystery and a "real" murder . . . and while folks tolerate Hawthorne (barely) they are really annoyed that there's a writer shadowing Hawthorne, taking notes on all that is said-- so you get wonderful scenes, with layers of meta-fictional irony (amidst a complex mystery with loads of clues, characters, and red herrings) like this one, when possible suspect Akira Anno-- a celebrated poet and writer-- realizes that Horowitz is writing a book about this investigation, she says:

"He's putting me in his book? I don't want to be in his fucking book! I want a lawyer in this room. If he puts me in his book, I'll fucking sue him . . . this is a fucking outrage! I don't give him permission. Do you hear me? If he writes about me, I'll kill him!"

and for a moment, I was like: Oh shit, Horowitz put her in the book-- I wonder if she sued? and then, of course, I was like: but this is ALL made up . . . or mostly made up, not the Foyle's War stuff-- that's real--  and some of the other Horowitz stuff . . . but the Hawthorne stuff, that's all made up . . . good stuff Horowitz (and meta-Horowitz).

I Would Have Used the Word "mundane" (for obvious reasons)

You're going to feel one way or the other about Halle Butler's novel Banal Nightmare  . . . the millennials that wander about this Midwestern college town are insufferable, trapped, and repetitive in a surreal No Exit sort of existential ennui-- but there is deep dark satirical humor amidst the emo-anguish and there is a beautiful cutting precision to Butler's language-- so if you like the following sentence, you'll like the book:

"There should be an Aesop's fable where a little ant jumps back and forth eternally between two spinning plates to teach us about the pitfalls of getting stuck in two conflicting and endlessly circular trains of thought, thought Moddie, but the only Aesop fable with ants, as far as she knew, was about how you deserved to die if you enjoyed your summer vacation."