Dave's Literary Celebration of BHM Continues

In Walter Mosley's Devil in a Blue Dress, Easy Rawlins inhabits the same sun-drenched and seedy Los Angeles as his predecessor-- the knight in the powder blue suit: Philip Marlowe. The big difference is that Easy Rawlins is black. He's on the same kind of search for knowledge as Marlowe-- and in this underworld, knowledge equals power and sometimes even trumps the looming threat of hard-boiled violence. Unfortunately, like Chandler's The Big Sleep, there are a Byzantine array of characters and double-crosses.  The relationships between all the people in the book are intricate.

Not only does Easy Rawlins have to figure out how to use each piece of information he acquires, who he can present it to, who he must keep it secret from, and when he should reveal it, but he also needs to figure out where this knowledge and power place him in the hierarchy of white, black and mulatto gangsters, crooked politicians, wild women and molls. This keeps him from being as romanticized a figure as Marlowe.

He ain't no knight.

Easy Rawlins is a classic noir detective: he's got his flaws. He likes to drink, he's got a libido, he's out of work because he won't kowtow to his Italian boss, he's haunted by his WWII tour of duty, and he's got a number of shady figures in his past (some of whom resurface).

The book starts as a fun read, and then gets pretty dark. I had to remind myself it was just a book at one point, when Easy was getting worked over by some cruel white police. It was rough reading. That's an accomplishment for Mosley. And after that scene, things get even uglier. Chinatown ugly.

I've yet to see the movie, but I'll probably check it out.

Next up on my BHM literary queue:

Wilmington’s Lie: The Murderous Coup of 1898 and the Rise of White Supremacy 
by David Zucchino.