This Sentence is about . . . Something
I listened to Harlan Coben on Freakonomics last week, in an episode called "How to Create Suspense" and he was so engaging that I decided to read one of his books . . . it took me three days to plow through Tell No One and I'm proud to say that I learned absolutely nothing, the book is pure plot and as-billed: it is very suspenseful . . . during the Freakonomics interview, Coben explains one of his methods: "if a person's dead, they're dead; I'm just trying to solve the crime . . . but if a person's missing, you have hope" and that's the main way he generates suspense in this novel, but he also alternates between first and third person narration, which limits the amount of information you receive into a very cautious flow, a drip from a spigot . . . and, as a topper, he's got Eric Wu wandering around, a dude from North Korea who endured some kind of harrowing childhood and now lives only to use his giant hands to torture humans until they break; aside from Wu, most of the characters are fairly stereotypical, but the book moves so fast, and the scenes are so vividly drawn, that it doesn't really matter, the purpose is to make you keep turning the page (or poking the edge of your Kindle screen) and the book serves its purpose well.