James Shapiro's book Shakespeare in a Divided America: What His Plays Tell Us About Our Past and Future is far more fun and compelling than the title; Shapiro, a noted Shakespeare scholar, looks at how American Shakespeare productions in eight different periods of American history reflect the politics and predilections of the times . . . so you've got:
1) Othello in 1835 and themes of miscegenation;
2) the cross-dressing genius of Charlotte Cushman, who apparently played Romeo far better than any man could;
3) class warfare, populist riots, elitism, and Macbeth in 1840s Manhattan;
4) Abe Lincoln's meditations on Hamlet . . . apparently he liked Claudius' confession soliloquy (my offense is rank, it smells to Heaven) better than "to be or not to be"
5) The Tempest and immigration in 1916;
6) feminism, the role of the woman and all that in 1948, with The Taming of the Shrew and Kiss Me Kate . . . the way Shrew was staged often indicated how the director felt about the growing amount of women in the workforce and the role of women in general;
7) adultery and same-sex love in Shakespeare in Love and 12th Night in 1998 . . . apparently major revisions were made to the theatrical version of Shakespeare in Love to make it appropriate for a general movie-going audience-- in the original script, Shakespeare took much longer to realize Viola was a woman and thought he had fallen in love with a man and was confused about his sexuality-- that was the main conflict, but that got stripped down for the 1998 audience, which was just starting to embrace homosexuality;
8) and the wild left/right culture wars of the Trump era, embodied by a version of Julius Caesar wherein a Trump-like figure is assassinated, sparking a firestorm of typical right-wing outrage and internet virality;
and at the heart of this is the fact that America loves Shakespeare even more than England-- and it often evokes our darkest sins in a way that we can handle and discuss: incest, suicide, adultery, racism, sexism, class warfare, democracy, tyranny, etc and it would be a shame if the same thing happened in America that happened in England in 1642-- the theaters were shut down because of civil war between parliament and the crown, ending in the beheading of Charles I . . . hopefully the right won't abandon Shakespeare as elitist melodrama and the left won't abandon him because he was a white male (though the term didn't exist yet) and we'll be able to use him to air our debates and grievances and politics in an artistic and public forum.